# Live Action Disney Remakes: A Strategic Analysis

## Executive Summary

Disney's live action remakes represent a calculated business strategy that leverages nostalgia while adapting classic stories for contemporary audiences.

This report examines the motivations, adaptations, and reception of Disney's recent live action remakes from 2015-2023.

## Why Disney Produces Live Action Remakes

Disney's strategy of remaking animated classics serves multiple strategic purposes:

### Financial Considerations
- **Reduced Risk**: Remakes offer guaranteed brand recognition and built-in audience appeal
- **Nostalgia Marketing**: Leveraging emotional connections formed with original films creates reliable box office performance
- **Franchise Extension**: Successful remakes can spawn merchandise, theme park attractions, and sequels

### Market Positioning
- **Cross-Generational Appeal**: Allows parents to share childhood favorites with their children
- **Global Market Penetration**: Familiar stories translate well across international markets
- **Platform Content

# Live Action Disney Remakes: A Strategic Analysis

## Executive Summary

Disney's live action remakes represent a calculated business strategy that leverages nostalgia while adapting classic stories for contemporary audiences.

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Saturday, 25 November 2023 04: 05 GMT
38 Days of Amazing Sale at Dubai Shopping Festival
(MENAFN- Al-Bayan)
Dubai Shopping Festival (DSF) is back to impress the emirate ’ s residents with its 29th edition taking place from 8 December to 14 January. The festival will offer a huge range of exciting offers and discounts from local and international brands on a wide variety of products, as well as exciting entertainment events, including pop-up markets, unique dining experiences, and flying shows. Drones, art events, avant-garde sports events, raffles and huge prizes offer opportunities to win valuable prizes, including a luxury apartment, numerous cars, shopping malls and cash, as well as numerous gastronomic experiences throughout the city.
This year, the festival will feature a range of all-new events, including the new Canteen X event, the Dubai Police Carnival at City Walk, and the exclusive exhibition of Armani Privé luxury perfumes at the Dubai Opera Park.
The festival will also feature Anooki, a light work of art that premieres at Al Seef and Dubai Design District. Some of the city ’ s favourite events and experiences will also join the DSF calendar for the first time this year, including Sol DXB, the region ’ s most popular community cultural festival, and the Dubai Shopping Festival. Emarat Classic Cars 2023.
Proven program
Ahmad Al Khaja, Executive Director of the Dubai Festivals and Retail Foundation, said: “The Dubai Shopping Festival is the world ’ s favourite retail festival.
As we unveil the exciting programme for the 29th edition, we invite everyone to come together and enjoy a wide range of exceptional dining experiences, family adventures and activities, art performances and unique shopping experiences across Dubai, making the festival the best time to visit Dubai and shop.
He added: “The Dubai Shopping Festival plays a vital role in contributing to the vibrant cultural scene, reviving markets and driving the city ’ s economy by attracting visitors from around the world, stimulating domestic tourism, improving the lifestyle of the city ’ s residents and supporting local businesses.
During this year ’ s edition, we look forward to enabling residents and visitors to record unforgettable memories, as well as providing exceptional experiences for all. ”
Dubai Lights
Dubai Lights returns to give the city a great splendor of creative and artistic sculptures, featuring five unique works of art across the city from December 8 to January 14.
The festival showcases the best drone shows from Emirates Petroleum. The spectacular event is set to adorn the skies of Dubai every evening from 10 December to 14 January, and promises spectacular performances in the skies of Dubai over the course of 38 days.
This year ’ s shows will be presented in collaboration with The Beach and Bluewaters Island, with two spectacular shows featuring compelling stories that take viewers on a magical journey every night, adorning the sky with a symphony of colors and shapes presented by 800 drones that will amaze viewers with their ingenuity and sophistication.
“Lights Dubai ” will also present a huge mock-up of the characters of Madhesh and Dana, where they will light up City Centre Mirdif and spread happiness among all visitors to the mall.
Markets & Experiences
With the return of fresh and mild weather, Dubai comes alive with an array of outdoor markets and experiences not to be missed.
Highlights include The Bay B Social, the outdoor destination at Dubai Festival City Mall.
The festival will also see the return of free DSF markets that will bring the fun of outdoor shopping to popular locations across the city, while providing unparalleled opportunities to discover new brands and buy unique products. Etisalat MTB, the shopping destination of choice at DSF, is celebrating its 11th edition and has become a key event in Dubai Shopping Festival. The festival offers many delicious food experiences.
The Dubai Shopping Festival is not complete without incredible offers and discounts from some of the city ’ s most famous brands.
This edition of the festival offers many unmissable promotions for city residents and visitors in the run-up to the festive season, including discounts ranging from 25 to 75% on more than 800 brands in more than 3,000 locations across the city.
There are also many ways to earn points through loyalty programs and exclusive deals that you offer to members.
In addition, shoppers can follow the DSF sale season to make the most of the discounts and additional promotions.
Dubai Art
From 8 December to 14 January, you can enjoy Dubai Art performing and new concerts at some of the city ’ s best malls, which include a wide range of entertainment and spectacular parties, such as dance, music, acrobatics, beatbox, drums, theatre, air shows, water shows, and many more unique talents brought to you by a plethora of local and international stars alike.
For those looking for a variety of entertainment shows, there ’ s plenty waiting for them. During the opening week, Dubai Opera ’ s dancing masterpiece, Slava Snow Show, will take visitors of all ages into a world of fantasy.
Comedy fans will be on a date with Russell Howard ’ s brilliance at Dubai Opera and Michael McIntyre ’ s humor at the Coca-Cola Arena.
For music lovers, a variety of musical experiences await you with the Grammy Award-winning African band Tinariwen ’ s concert at Dubai Opera.
The spectacular entertainment continues with an evening with talented Italian singer Matteo Bocelli at the Dubai Opera, who will perform a huge concert with his strong voice, captivating presence and outstanding Italian melodies.
President of the Year
As the year draws to a close, the Dubai Shopping Festival will culminate in massive New Year ’ s Eve celebrations at the Dubai Opera and Coca-Cola Arena.
The Dubai Opera is a night full of live music and amazing moments.
The festival extends far beyond theatres and shopping malls, offering many outdoor performances in the great winter atmosphere.
For the first time this year, on the opening weekend, the festival will feature a vibrant experience at the Soul DXB 2023 Festival in Dubai Design District.
This community cultural festival will feature a full schedule of live art, DJ performances, sports tournaments, talks and workshops, with a keynote presentation by artist Busta Rhimes.
Awards and raffles
The festival brings with it great opportunities to win valuable prizes from cars to cash, and from gold to a new luxury apartment.
There is a chance for anyone to become a millionaire instantly with the AED 2 million Dubai Shopping Festival Grand Prize draw. The DSF Grand Draw also offers an unmissable chance to win the all-new Nissan Patrol V6, amazing cash prizes, a chance to win 25kg of gold in the draw organized by Dubai Jewellery Group, and the chance to shop, play and win up to AED 1 million with a promotion. Digital raffle provided by Dubai Shopping Malls Group.
There are even more chances to win, as anyone can spend the minimum amount when shopping at any of ENOC ’ s outlets (Zoom), (Register) or (AutoPro) to get raffle coupons that enable you to win amazing prizes and vouchers worth over AED 100.
Follow the economic statement via Google News
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The son of the live-action Snow White director: against the remake, Disney's idea is too radical
2023 / 8 / 19 16: 17: 30 Source: IT House Author: Zaotaki (Internship) Editor: Zaotaki
On August 19, David Hale Hand, son of David Dodd Hand, director of Snow White and the Seven Dwarfs, said in an interview with The Daily Telegraph that he was very opposed to the remake.
“I mean, it ’ s a completely different concept, and I totally disagree with it, and I know my father and Walt [the Walt Disney Company founder] would disagree very much with it, too. ”
IT House noted that David Hale Hand called it a “disgrace ” for Disney to“ try to do something new with something that was previously hugely successful. ”
He added: "I'm worried about what they're going to do with the early films...
Their ideas are too radical now, "he said.
He urged studio owners to focus on new ideas instead of focusing on remakes of old hits, arguing that they “shouldn ’ t take the classic and rewrite it in their own image. ”
Choose something else...
Create new characters if you ’ re going to do that, but don ’ t spoil or try to spoil something classic and beautiful. ”
It is worth mentioning that the 22-year-old star Rachel Zegler recently sparked a heated debate, she called the original "extremely outdated" and likened Prince's behavior to "stalker."
She also hinted that the story would be overhauled to make Snow White "a wonderful leader". "She will not be saved by the prince, nor will she dream of true love," she said.
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Disney 's live-action version of "Pinocchio" African-American "Blue Fairy" Internet Scare
Disney released a live-action version of “Pinocchio ” (Pinocchio) on May 31, produced by the“ Beauty and the Beast ” and “Lion King ” film team, featuring American actor Tom Hanks as the classic character woodcarver, which will be broadcast on Disney + worldwide on September 8 this year.
However, one of the characters, played by Nigerian British actress Cynthia Erivo (Cynthia Erivo) "Blue Fairy", is different from the animated version with long hair and white skin image, the live-action version of the Blue Fairy with a bald head makes netizens look silly, but also calls "ruined childhood".
Source: YouTube
Many netizens think that Disney 's recent new drama is to destroy the childhood series, in the casting is always controversial, "too hard to laugh death", "this is what in the end? Evil rat for political correctness has gone into the fire", "Before Pinocchio animation inside the blue fairy skin color is also white, not blue", "I suggest to change the small puppet to charcoal," "Political correctness to obliterate the character of the work".
Netizens questioned, "really do not understand the creation of black people to interpret the white world view or in everyone's impression is already a white image of the role, for want to reverse racial stereotypes or discrimination what help, fundamentally put the cart before the horse", "do these practices have any help for African equality? I really can not understand, I think this is deepening the hatred of extremists, why you should not create a new IP," "This kind of coercive (political correctness) behavior is simply creating conflict, deepening confrontation, and does not help equality at all."
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"Even magic has its limits": what is interesting about the new film about Cinderella?
Already very soon, namely on September 3, an adaptation of everyone ’ s favorite childhood story will appear on Amazon Prime!
This time Cinderella in the film-musical will play the singer Camila Cabello.
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'The Little Mermaid' makes a splash on Disney+

The hit movie, starring Halle Bailey, makes its streaming debut.

ByAmy Becker
Wednesday, September 6, 2023 8:44PM
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After a successful run at the global box office, Disney's "The Little Mermaid" will finally make its streaming debut on Disney+.

LOS ANGELES -- Disney's "The Little Mermaid" will finally make its streaming debut today on Disney+.

This live-action remake of the beloved Disney classic made a splash at the global box office, earning more than half a billion dollars during its theatrical run.

On The Red Carpet got to speak to Halle Bailey, who plays Ariel, about the movie. "I just feel so inspired and grateful and honored," she beamed.

In addition to the movie, Disney+ subscribers will also gain access to "The Little Mermaid" bonus content.

And now, there's a special promotional offer for Disney+.

Disney+ Basic (With Ads) will be available to new subscribers for $1.99/month for 3 months. New and returning subscribers in the U.S. can claim this offer at DisneyPlus.com now through Sept. 20.

The Walt Disney Company is the parent company of Disney+ and this ABC station.

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Disney fairy tale about the long-haired princess, the horse-seeker and the grandfather of Cupid
"Snow White and the Seven Dwarfs", "The Lion King", "Beauty and the Beast", "Cinderella"...
The pantheon of Disney masterpieces will take more than one line on this page, especially since this number was replenished with the 50th full-length animated film of the studio - "Rapunzel.
A confusing story. ”
The anniversary picture turned out to be extremely successful.
The reason for this can not be considered a three-dimensional image, although it plays an important role here.
If you recall the “Princess and the Frog ”, then it is safe to say that this time Disney studio, indeed, created a cartoon for the whole family.
After all, agree, not everyone likes the blues and jazz, which was filled with the story of a black beauty and a frog prince.
In “Rapunzel ” you will find a rare combination of musical numbers, good humor, quotes, as well as mind-blowing 3D effects and tricks.
Any adult can easily feel like a child, and children will simply be delighted with Pascal and Maximus.
But let us still turn to the source of this wonderful fairy tale and, in fact, the plot itself, stuffed with a bunch of associations and adventures.
The original, recorded several centuries ago by the Grimm brothers, is more in line with the spirit of the time and the gloomy fantasy of Terry Gilliam.
In the story, the parents themselves refuse the baby to freely feed on a plant called rapunzel (we have it translated as a bell).
And the prince, who found a terribly long-haired young lady imprisoned in a high tower, eventually lost his eyes.
As he later saw, it remained a mystery, but for the magic stories it is, however, in the order of things.
The new version from the Disney studio turned out to be much lighter and more fun.
Blind Prince turned into a thief Flynn Ryder (you can feel a hint of Indiana Jones).
The girl no one willingly gave into the hands of a witch, she kidnapped her for the magical properties of Rapunzel ’ s hair.
When you iron them and sing them, you get younger and prettier, which is so lacking in the wayward Gothel.
And Rapunzel herself is now a royal daughter (almost Iron Mask), and in general knows how to stand up for herself: a little - a frying pan over the head (poor, poor Flynn...).
Watch online Rapunzel.
A Tangled Story by Nathan Greno and Byron Howard
But especially in this cartoon pleasing to the eye secondary characters.
The horse Maximus, a sort of cloven-hoofed Javert, imagined himself a hunter-dog.
Chameleon Pascal is a faithful friend of Rapunzel, confident that his girlfriend will someday find her happiness.
Grandpa dressed as Cupid, and all the robbers from the tavern.
On the face they are terrible, but good on the inside.
It is also worth noting the magnificent musical numbers.
Only the song "Mother", performed by Matushka Gothel, can turn everything inside the listener.
For the Russian adaptation of the songs, we should thank Victoria Daineko (Rapunzel) and Maria Katz (Mother Gothel).
As for the drawing of characters and 3D effects, the Disney team approached this carefully and carefully.
As always, though.
The eyes do not get tired of the dizzying pursuit of Flynn and Rapunzel.
Each character has its own unique details (only a bully with toy unicorns is worth it!).
And the city, decorated with hundreds of skylights, just completely captures our imagination.
I am glad that in the film there are practically no teachings and other cutting eyes instructions.
Everything is stated simply, unpretentious and with humor.
Although the authors managed to even remember about the kind of Rapunzel syndrome described by Donald Casheld.
When the princess finally gets out of the tower, her psychological imbalance immediately came out.
But her sudden change of mood, the creators of the film turned into a joke, which is certainly worth counting as a plus.
Well, about quotes and associations, I think, not even worth mentioning.
It is better to notice everything that the authors remember in the course of action.
And at the same time plunge into childhood for at least an hour and a half, forgetting about everything and everything.
Perhaps, after watching you will still feel like a child, in order to easily solve all the questions and problems that have accumulated during the day...
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Content: In recent years, Disney has actively adapted its animation to a live-action version, but the related works have been controversial.
Among them, "Snow White and the Seven Dwarfs" recently, due to the outflow of the picture in the shooting, set off a wave of discussion about the casting, and Rachel Zegler, who is the heroine, responded to the sentence in the past, seemingly changing the image of Snow White's role, so that the relevant picture flowed out, triggering criticism from netizens.
According to foreign media "TMZ" reported, Rachel Zengler was interviewed last year, mentioning her views on the live-action version of "Snow White", that it is no longer similar to the 1937 animated version, but also said: "Snow White will not be rescued by the prince, she does not expect true love, but hopes to become a" she can become a leader. "
In the story, her late father told her that if she was fearless, brave and true to herself, she could be a leader.
In addition, the relevant screen was streamed on TikTok and also forwarded to Twitter.
However, the original interview clip was accompanied by the text: "Hollywood is inculcating young girls to hate men."
In addition to "Barbie Barbie" is an anti-male feminist propaganda tool, it seems that the new "Snow White" live-action version will be the same. "In the community, the discussion, and once rushed into the popular trend of the list, let some netizens comment:" It has become a work of the same name but different story "," This is not small difference from the original "fairy tale". The story of the book is quite different.
In fact, Disney has recently been controversial because of the live-action film casting, after the news that the live-action film of "Little Mermaid" selected actress Halle Bailey to play the leading role of the female star, even if the film is released, there are still two polarized reviews, and the live-action version of "Snow White" finds Latina actress Rachel Zengler to play "Snow White". It is like a white voice, and it makes a noise.
In response, Rachel Zengler personally tweeted: “Anyway, I want everyone to know that ‘ all children can be princesses ’. ” Haley Bailey also tweeted the post and wrote:“ We love you, truly perfect princess. ”
RACHEL ZEGLER'S SNOW WHITE 'OLD' Woke 'Interview RESURFACES, IGNITES RIGHT WING RAGE
# Snow White # Real Life # Rachel Zengler # Destroying Childhood # Cast

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The Rose Theater to Open 2021-22 Season With DISNEY'S DESCENDANTS

The Rose is among the first theaters nationwide to present the stage version of this popular, Emmy-nominated Disney Channel Original Movie musical.

A popular Disney Channel movie franchise promises audiences a magical journey to fairytale lands when Disney's Descendants comes to life on The Rose Theater's stage in their 2021-22 season opener. The show opens Friday, September 10 and runs through October 10, 2021 at Omaha's Rose Theater.

The Rose is among the first theaters nationwide to present the stage version of this popular, Emmy-nominated Disney Channel Original Movie musical.

Guest director Katherine M. Carter returns to The Rose after directing this summer's original concert, Misunderstood: Heroes & Villains. She is excited about the opportunity to create the stage version of this popular Disney hit. "On the stage, the first thing I did as a director, out of college, was create a company that was dedicated to adaptation to the stage," she says. "I think it is one of my favorite ways to look at stories that we know, through a New Medium, because when we change mediums, new things are revealed."

The stage adaptation combines elements of the first two Descendants movies, melding together plot lines and musical hits to create a spectacular live experience that is certain to have families dancing in the aisles.

"I was taken by the fact that the stage adaptation isn't actually just the first movie. It's has a little bit of all of them, especially the songs," Carter explains. "There are songs there from the second movie, even though it follows most closely to Descendants first movie storyline."

"When you come to see Descendants, you're actually seeing a story that is reminiscent of the first movie, but isn't word-for-word. It actually includes a large part of the plot of the second movie -- and songs from the second movie," she continues. "This adaptation spans the Descendants canon; it is not the one story."

Disney's Descendants follows the teenage children of Disney villains Maleficent (of Sleeping Beauty fame), Snow White's Evil Queen Grimhilde, Cruella De Vil (from 101
Dalmations), and Aladdin's Jafar as they attend high school alongside the children of Disney heroes. The villains are banished to The Isle of the Lost (about as far from a Fairy Tale as you can get), as a result of a spell by the Fairy Godmother. These "Villains' Kids" - Mal, Evie, Jay and Carlos-have learned to survive on the challenging streets of the island using their quick wits and more than a touch of deviousness. Meanwhile, in the nearby shimmering kingdom of Auradon, the children of the most regal of royals from famous fairy tales enjoy a life of privilege and prestige.

When Ben, the son of Belle and her Beast (and soon-to-be heir to the Auradon throne) optimistically decides to open the barrier and invite exchange to students to join Auradon Prep School, the fairytale folks' core beliefs challenged: are people born "Rotten to the Core," or is it possible to leave your history and heritage behind?

Audiences can expect a certain level of young love that is typical of Disney romance, but Descendants focuses much more on the ideals of friendship and cameraderie. "Yes, there's like the adorable romantic things. And, yes, we have our high school crushes and our hearts are broken. All that stuff is there and it's great," says Carter. "But what's more prevalent in Descendants is this intensity of 'friend love,' and this idea of being there for your friend, and loyalty and camaraderie, and lifting one another up."

At the height of the show, both the "VKs" and the traditional heroes are faced with some important conundrums: are their destinies determined by their parents' paths, or is it possible for them to strike out on a new life journey? Can a young person stand up to the world and declare that the status quo is wrong? Can the world really be changed? And can two opposing sides work together to make that change?

"At the heart of it Descendants starts because a young person decides to question his parent's choice and says, 'Why are we separated from these people? This is wrong, I'm going to change it,'" says Carter. "How incredible it is to hear this story from a group of young people growing up and investigating their world. And, in Descendants, it just so happens to be a Disney World. I am thrilled to be able to have these very real, very prevalent, and very current issues of questioning and stepping away from what the last generation did to blaze your own trail -- as seen through the incredibly colorful, vivid, out-of-this-world lens of Disney."

Carter walked a careful line between being faithful to the portrayals from the movie that fans are accustomed to, balanced with a new, creative perspective on the Descendants story. Drawing inspiration from notes by the playwrights found in the script, which reads, "Though the portrayals of these characters are beloved and iconic, do not feel locked into those casting choices as you cast your production. Auradon and the Isle of the Lost are diverse communities with inhabitants of all races, ages, abilities, body types, and gender identities."

To this end, Carter has incorporated gender-inclusive casting processes. "My approach is to find a group of human beings to storytell. I want to find the best group of humans I can get together to tell the story. When I'm casting, I cast actors whose take on the role I'm excited about. I'm looking for confidence. I'm looking for the person I want to play 'make believe' with in a room. I don't bring an actor to role; I bring a role to an actor," she says. "I think what is interesting for Descendants specifically is there are two female-presenting young people playing traditionally male-presenting roles and using he/him pronouns. At The Rose Theater, we cast the most talented individuals for these roles, and this time, they happen to be these four individuals who aren't two boys and two girls."

"Adaptations allow us another lens into the story, another way of experiencing this journey with the characters. And that is what this cast is going to do. They're going to take us on their Descendants journey and how they each identify with these characters," says Carter.

The world of Auradon and the Isle of the Lost comes manifests on stage through the talents of guest scenic designer Bridgette Dennett, who has designed a larger-than-life castle on The Rose stage. Hidden panels, rooms and cubbies throughout the set allow for seamless transitions to the many recurring locations, including the hallways and classrooms of Auradon Prep, the Tourney field, dorm rooms and more. Lighting by Matt Benes creates a magical aura in each of these spaces as the story progresses. Costume designer Sherri Geerdes has created a wardrobe that references the traditional fairytale characters, juxtaposed with a healthy dose of 80s punk band.

"The clothes are insane in the best way," says Carter. "They're stunning."

Musical director Jerry Brabec leads the Descendants cast with a pre-recorded musical track that Carter calls "out of this world." The music has a pop/techno sound that was created by more than 35 artists, including Johan Alkenas, Adam Anders, Aristeidis Archontis, Antonina Armato, Howard Ashman, Peer Astrom, Stephen Mark Conley, Doug Davis, Charity Daw, Andrew C. Dodd, Josh Edmondson, Pipo Fernandez, Nikki Hassman, Samuel Hollander, Ben Hostetler, Tim James, Hanna Jones, Jack Kugell, Craig Lashley, Andrew Lippa, Jeannie Lurie, Alan Menken, Grant Phillip Michaels, Anthony Mirabella, Shayna Mordue, Chen Neeman, Susan Paroff, Shelly M. Peiken, Joacim Persson, James K. Petrie, Adam Schlesinger, Adam Schmalholz, Tyler Shamy, Jodie Shihadeh, Nikki Ann Sorrentino, Thomas Armato Sturges, Ali Dee Theodore, Matthew Wong, and David Zippel.

The fun plot, active choreography (by Rose favorite Sue Gillespie Booton), catchy music and villainous performances, combined with a healthy dose of theater magic and special effects, promise a fun outing for Omaha-area families.

As the playwrights note in the Descendants script, "At its core, Descendants is a musical about empathy, tolerance and acceptance. We hope this show can be a reminder that no matter where we come from, we are better together."

INFO ABOUT COVID PRECAUTIONS

Originally scheduled for June 2021, The Rose moved Descendants to Fall 2021 due to COVID concerns. "Descendants is definitely going to be a big musical, and it is a show that we have been excited about for a long time," says Rose Artistic Director Matthew Gutschick. "We hope that this show functions as a major celebration for our community."

Masks are required for all audience members, visitors and Rose staff, regardless of vaccination status, for the safety of young audience members and others who are not yet eligible for the vaccine. The theater is thoroughly cleaned before and after performances. The ventilation system at The Rose has been completely updated to greatly improve indoor air quality. Audience members are asked to self-screen for a fever and symptoms of illness prior to arriving at The Rose. Those with fever or other symptoms may exchange their ticket at no cost.

TICKET INFORMATION

Disney's Descendants will weave its magic at The Rose, September 10 to October 10, with performances on Fridays at 7 pm, Saturdays at 2 pm, and Sundays at 2 pm. The 2 pm show of Descendants on Saturday, September 25 will be ASL-interpreted for people who are deaf or hard of hearing. Contact The Rose Box Office at (402) 345-4849 for more information.

Tickets for Disney's Descendants are $27 for main floor and $22 for balcony. Members of The Rose receive discounted tickets to the production. Ticket supply is limited, and those interested in seeing the show are encouraged to contact The Rose Box Office as soon as possible for best seating.

Descendants is sponsored by Children's Hospital & Medical Center, Nebraska Furniture Mart, Mutual of Omaha, the Nebraska Arts Council and the Nebraska Cultural Endowment.

On opening night, audience members are encouraged to wear Descendants costumes and walk the red carpet in front of The Rose and pose for "paparazzi." Opening night activities are sponsored by Kiewit Companies Foundation.

For more information, visit www.rosetheater.org or call The Rose Box Office at (402) 345-4849.

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The Little Mermaid lands on Disney Plus in September

The Little Mermaid lands on Disney Plus in September

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You can stream the live-action remake starting on September 6th.

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The Little Mermaid is headed to Disney Plus. You can start streaming the live-action remake on the service starting on September 6th.

First released in theaters in May, The Little Mermaid stars Halle Bailey as Ariel, Jonah Hauer-King as Prince Eric, Melissa McCarthy as Ursula, and Javier Bardem as King Triton. The movie revisits the classic tale first shown in Disney’s 1989 animated film, once again following Ariel as she trades her voice for the ability to walk on land.

As pointed out in The Verge’s review of the film, Bailey delivered a strong performance as the titular mermaid that should appeal to new and old fans alike. However, The Little Mermaid’s inconsistent visual effects sometimes took away from what were supposed to be magical moments.

The Little Mermaid joins Disney Plus’ growing library of films that have arrived on the streaming service following their theatrical debuts. While Guardians of the Galaxy Vol. 3 just landed on Disney Plus on August 2nd, Disney Plus also got Avatar: The Way of Water and the live-action Peter Pan & Wendy earlier this year.

How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

This report examines the motivations, adaptations, and reception of Disney's recent live action remakes from 2015-2023.

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Content: Robert Zemeckis understands two things about Disney’s Pinocchio. First, he knows the 1940 animated film is ingrained in the entertainment behemoth’s DNA. It’s considered by many to be the best animated film from the studio’s early days. “When You Wish Upon a Star” is now the Walt Disney Pictures fanfare. The song’s promise of wishes fulfilled under starlight is part of Disney’s patented feel-good m.o. Heck, over the years Jiminy Cricket has become the company’s B-tier mascot, right behind Mickey Mouse.

But Zemeckis also knows that the ’40s Pinocchio is weird as hell. The stranger things that punctuate that seminal early Disney effort are hidden in plain sight, though they're often forgotten as people marvel at the film's artistry. Most other filmmakers would’ve bent over backwards to pay homage if given a chance to bring Pinocchio to life in 2022. Zemeckis is not the guy you hire to do that.

His new live-action Pinocchio adaptation gives you what you’d expect, but so, so much more. It’s as if Zemeckis wanted his adaptation to play like if Moulin Rouge-era Baz Luhrmann directed Willy Wonka and the Chocolate Factory. The film is only as reverential as a Zemeckis film can be, which is not very reverential at all.

After Disney's years of uninspired retreads, like 2019’s The Lion King and 2017’s Beauty and the Beast, Pinocchio veers all the way in the other direction. The eye-popping Pleasure Island sequence alone has more personality than most anything Disney has done in this space recently. While the aggressive shift in artistic influence might alienate some Mouse House purists, anyone willing to take a walk on Zemeckis’ wild side might get a kick out of this one.

Take Tom Hanks, for example. As Geppetto, the screen legend channels the same cornball energy that made his portrayal of Col. Tom Parker in Elvis a glorious meme. Even when Hanks is hamming it up, he’s still credible and magnetic (kind of like Zemeckis as a director). Continuing with the irreverence, the film’s portrayal of Pinocchio is like if you made Ralph Wiggum out of wood and gave him Jacob Tremblay’s voice. Zemeckis gets in a few fun jabs at Pinocchio’s blissful ignorance (at times involving fire), which help keep the film from getting too saccharine.

Zemeckis’ Pinocchio doesn’t hew too closely to the preciousness and regality of the animated classic. It's more of a parking-lot carnival ride through an uncompromised vision, and the most enjoyable one of these live-action Disney flicks since 2016’s Pete’s Dragon.

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Content: Photo-illustration by Eleanor Shakespeare for TIME
August 29, 2022 8:01 AM EDT

Grab the popcorn and a pumpkin spice latte, it’s time for this year’s fall movie preview. Just like the leaves, the movies also begin to change as summer turns to fall. Fewer blockbusters make room for smaller films that are vying for Oscars attention helmed by big-named directors including Peter Farrelly, Gina Prince-Bythewood, Ruben Östlund, and Park Chan-wook. The most anticipated movies being released in theaters and on streaming services between Labor Day and Thanksgiving include the emotional Black Panther sequel, a kaleidoscopic David Bowie documentary, Steven Spielberg’s most personal film to date, a possibly NSFW look at Marilyn Monroe, Olivia Wilde’s much-discussed new thriller, and two very different takes on Pinocchio.

Honk For Jesus. Save Your Soul (Sept. 2)

Regina Hall plays the wife of a disgraced Southern Baptist pastor (This Is UsSterling K. Brown) who decides to make an ill-advised documentary to chronicle his comeback, forcing her to reevaluate her faith and her marriage. The Jordan Peele-produced satire, which pokes fun at megachurch culture, will be released in theaters and available to stream on Peacock.

Disney’s Pinocchio (Sept. 8)

Robert Zemeckis’ live-action adaptation of Disney’s 1940 classic animated film about a wooden boy who comes to life (played by The Haunting of Bly Manor’s Benjamin Evan Ainsworth) stars Tom Hanks as Geppetto, Cynthia Erivo as the Blue Fairy, and Joseph Gordon-Levitt as the voice of Jiminy Cricket. The movie will be available to stream on Disney+.

End of the Road (Sept. 9)

Queen Latifah is a single mom willing to do whatever it takes to defend her family in this fast and furious Netflix thriller that will make you think twice before checking into a cheap motel.

Clerks III (Sept. 13-Sept. 18)

Quick Stop lifers Dante, Randal, Jay, and Silent Bob are all back for the surprisingly emotional third installment of director Kevin Smith’s seminal 1994 film that has the guys making their own low-budget movie to immortalize their convenience store days. Smith suggests fans “bring the tissues” to the limited theatrical run of the heartfelt comedy that features Rosario Dawson, Justin Long, and Ben Affleck.

Do Revenge (Sept. 16)

Riverdale’s Camila Mendes and Stranger ThingsMaya Hawke are two pretty little liars out for revenge against their exes in Netflix’s supremely stylish dark teen comedy from Someone Great’s Jennifer Kaytin Robinson, loosely inspired by Alfred Hitchcock’s adaptation of Patricia Highsmith’s Strangers on a Train.

God’s Country (Sept. 16)

A grieving former police officer-turned-professor (played by Thandiwe Newton) finds herself feuding with two local hunters in this politically charged thriller that will keep you on the edge of your seat until its violent end.

Moonage Daydream (Sept. 16)

Director Brett Morgen’s cosmic freakout of a documentary looks at David Bowie’s life on Mars, Earth, and every other astral plane he graced with his presence before his death in 2016.

See How They Run (Sept. 16)

The Knives Out-esque murder mystery stars Sam Rockwell and Saoirse Ronan as harried investigators tasked with nailing the killer of a much maligned American film producer (Adrien Brody) out to adapt a hit West End play. The ensemble of the 1950s London-set comedy includes David Oyelowo, Ruth Wilson, and Where the Crawdads Sing’s Harris Dickinson.

The Silent Twins (Sept. 16)

Letitia Wright and Tamara Lawrence star in this Charlie Kaufman-esque biopic, which tells the true story of June and Jennifer Gibbons, identical twin sisters who created their own form of communication to help make sense of the confusing world around them.

The Woman King (Sept. 16)

Bow down to Viola Davis in this historical epic, which tells the true story of the female warriors who defended the West African kingdom of Dahomey in the 18th and 19th centuries. Lashana Lynch, John Boyega, and The Underground Railroad’s Thuso Nokwanda Mbedu also star in the Gina Prince-Bythewood-directed film already drumming up Oscar buzz.

Escape From Kabul (Sept. 21)

The HBO documentary offers a harrowing minute-by-minute account of the United States military’s chaotic withdrawal from Afghanistan in August 2021, marking the end of America’s 20-year war with the Taliban. Using never-before-seen archival footage, director Jamie Roberts shows how the plan to airlift American citizens and “at risk” Afghan citizens out of Kabul turned deadly. The film then checks in with those who were unable to flee the country nearly one year later.

Meet Cute (Sept. 21)

Sheila (Kaley Cuoco) and Gary (Pete Davidson) fall in love at first sight again and again and again in this time-traveling Peacock rom-com. Sheila quickly learns that she can’t move forward in a relationship if she’s always stuck in the past.

Don’t Worry Darling (Sept. 23)

Alice (Florence Pugh) is the picture-perfect ‘50s housewife: adoring husband (played by Harry Styles), an impossibly clean home, and a burgeoning social life in her slightly off-putting new living community. Until Alice stops being a Stepford wife. That’s when things get weird in this mind-bending psychological thriller directed by Olivia Wilde.

A Jazzman’s Blues (Sept. 23)

Tyler Perry’s latest for Netflix is actually the first screenplay he ever wrote, way back in 1995. It’s a star-crossed tale that spans 40 years in the life and love of an aspiring jazz musician, played by Joshua Boone.

Catherine Called Birdy (Sept. 23)

Lena Dunham tackles medieval times in this historical comedy based on the 1994 children’s book of the same name. Game of Thrones’ Bella Ramsey plays a cunning 14-year-old girl who does all she can—burning down a house, pretending she has a third ear—to stop her destitute dad (Fleabag’s Andrew Scott) from marrying her off. The film, which also stars Billie Piper and Joe Alwyn, will be available to stream Oct. 7 on Amazon Prime Video.

On The Come Up (Sept. 23)

Sanaa Lathan makes her full-length directorial debut with the Paramount+ film based on the Angie Thomas novel of the same name, which follows talented 16-year-old rapper Bri (newcomer Jamila C. Gray) as she fights to make a name for herself as a hip-hop artist.

Sidney (Sept. 23)

The Apple TV+ documentary, which will also play in theaters, offers a revealing look at Sidney Poitier—the man, the activist, the late acting legend—through the eyes of those who knew and admired him most. The film’s list of interviewees includes Spike Lee, Robert Redford, Denzel Washington, Barbra Streisand, and Oprah Winfrey, who is a producer on the film.

Blonde (Sept. 28)

Ana de Armas is Marilyn Monroe in Netflix’s controversial NC-17 adaptation of Joyce Carol Oates’s novel of the same name, which looks at the legendary blonde’s epic rise and devastating fall.

Bros (Sept. 30)

Billy Eichner stars in the rom-com he also co-wrote, about a man who isn’t looking for love until he meets the “gay Tom Brady” (played by Luke Macfarlane), sending him into a tailspin.

The Greatest Beer Run Ever (Sept. 30)

Director Peter Farrelly’s follow-up to 2019 Best Picture winner Green Book is based on the unbelievable true story of John Donohue (Zac Efron), a Marine Corps. vet who, on a drunken dare, goes to Vietnam to deliver beer and well wishes to his friends in combat. The Apple TV+ action comedy that dads are sure to love also stars Russell Crowe and Bill Murray.

Hocus Pocus 2 (Sept. 30)

Double, double, toil and trouble, Disney+ revives the Sanderson sisters for a sequel, which, for the last 30 years, has been on the bubble. Now, finally, Bette Midler, Sarah Jessica Parker, and Kathy Najimy are back to spend another Halloween running amuck, amuck, amuck among a new batch of Salem teens who made the mistake of waking them up.

TÁR (Oct. 7)

Cate Blanchett plays a renowned conductor and composer on the verge of hitting her creative peak, but not without the help of her 6-year-old adopted daughter in Todd Field’s anxiety-ridden first feature since 2006’s Little Children.

Till (Oct. 7)

This much anticipated biopic from director Chinonye Chukwu doesn’t just tell the story of Emmett Till’s lynching. It shows how his mother Mamie Till-Mobley (played by Danielle Deadwyler) fought to make sure the senseless murder of her 14-year-old son wasn’t in vain.

Triangle of Sadness (Oct. 7)

Let Ruben Östlund’s wickedly funny satire of the grossly rich and famous fill the Successionsized hole in your heart. When a yacht captained by a deranged American (played by Woody Harrelson) ends up shipwrecked on a remote island, its privileged passengers are forced to fend for their lives without food, water or wi-fi.

Decision to Leave (Oct. 14)

South Korean auteur Park Chan-wook’s first film since 2016’s The Handmaiden is a sultry mystery in which a detective finds himself falling for the lead suspect in a murder investigation.

Halloween Ends (Oct. 14)

It’s Jamie Lee Curtis’ OG final girl Laurie Strode vs. Michael Myers in the third and presumed final installment of David Gordon Green’s take on John Carpenter’s classic slasher saga. Let’s assume it will be a bloody battle to the very end.

The Banshees of Inisherin (Oct. 21)

Writer and director Martin McDonagh’s big-screen follow-up to Three Billboards Outside Ebbing, Missouri stars Colin Farrell and Brendan Gleeson as lifelong friends whose relationship comes to an abrupt and bitter end.

Black Adam (Oct. 21)

Is Dwayne Johnson’s titular superhero the destroyer of this world or its savior? That’s the question at the heart of the DC Universe’s latest blockbuster about a former slave from the ancient city of Kahndaq who is reborn a god with a taste for wickedness.

My Policeman (Oct. 21)

In this romantic drama set in 1950s England, Harry Styles plays a policeman caught in a forbidden love triangle between his wife (The Crown’s Emma Corrin) and a male museum curator (David Dawson). The film, based on the 2012 novel of the same name, will be available to stream Nov. 4 on Amazon Prime Video.

The School for Good & Evil (Oct. 21)

Where do fairy tale heroes and villains come from? Director Paul Feig has all the answers in his Netflix adaptation of Soman Chainani’s 2013 fantasy novel, which stars Kerry Washington as the ultimate fairy godmother and Charlize Theron as her evil counterpart.

Ticket to Paradise (Oct. 21)

George Clooney and Julia Roberts make their rom-com return as a divorced couple who only make nice in hopes of tricking their daughter (played by Kaitlyn Dever) to not marry a man she just met.

Armageddon Time (Oct. 28)

Ad Astra director James Gray’s semi-autobiographical film follows a young boy growing up in Queens, NY in the 1980s. The coming-of-age story stars Anne Hathaway, Anthony Hopkins, and Succession’s Jeremy Strong.

Call Jane (Oct. 28)

After struggling to get an abortion, ‘60s housewife Joy (Elizabeth Banks) joins the Jane Collective, an underground abortion counseling service, to help fight for women’s rights. The timely film set before Roe v. Wade marks the directorial debut of Carol screenwriter Phyllis Nagy.

Falling For Christmas (Nov. 10)

’Tis the season for a Netflix holiday rom-com starring Lindsay Lohan as a spoiled heiress suffering from amnesia.

Black Panther: Wakanda Forever (Nov. 11)

King T’Challa is gone and the women of Wakanda (played by Angela Bassett, Letitia Wright, and Lupita Nyong’o) must figure out how to move forward in this emotional sequel to Black Panther, which comes two years after Chadwick Boseman’s death.

The Fabelmans (Nov. 11)

Steven Spielberg tackles his own coming-of-age in post World War II-era Arizona in the semi-autobiographical drama that stars Seth Rogen, Michelle Williams, and Paul Dano.

The Son (Nov. 11)

Florian Zeller’s follow-up to 2020’s The Father casts Hugh Jackman as a dad who, after unexpectedly reuniting with his teenage son, finds himself contemplating his own relationship with his father.

The Menu (Nov. 18)

Anya Taylor-Joy and Nicholas Hoult play a couple who travel to an exclusive restaurant run by a celebrity chef (played by Ralph Fiennes) whose tasting menu is full of surprises in the deliciously dark comedy where the rich might actually get eaten.

The People We Hate at the Wedding (Nov. 18)

From Claire Scanlon, the director of Set It Up, comes the Amazon Prime Video comedy about two struggling siblings (Kristen Bell and Ben Platt) who don’t quite fit in at the lavish European wedding of their über-wealthy half-sister.

She Said (Nov. 18)

For fans of Spotlight, a tense drama that looks at how New York Times investigative reporters Jodi Kantor and Megan Twohey (played by Zoe Kazan and Carey Mulligan) broke the Harvey Weinstein sexual misconduct story that launched the #MeToo movement.

Bones and All (Nov. 23)

Timothée Chalamet reunites with his Call Me By Your Name director Luca Guadagnino for this late 1980s-set road trip romance about two cannibals in love.

Devotion (Nov. 23)

Top Gun: Maverick’s Glen Powell and Loki’s Jonathan Majors feel the need for speed in this Korean War epic that is based on the true story.

Nanny (Nov. 23)

An undocumented Sengalese woman (played by Anna Diop) takes a job as the caregiver for a wealthy Manhattan family in hopes of reuniting with her own child, but soon finds herself trapped in a living nightmare. Nikyatu Jusu’s surreal directorial debut is available to stream Dec. 16 on Amazon Prime Video.

Strange World (Nov. 23)

The neon-soaked Disney animated adventure focuses on a family of explorers who unearth a mystical world full of unknown creatures that can only be saved if they put their differences aside. Jake Gyllenhaal, Lucy Liu, Gabrielle Union, and Jaboukie Young-White lend their voices to the sci-fi feature.

Amsterdam (TBD)

This 1930s-set crime caper loosely inspired by real events stars Christian Bale, Margot Robbie, and John David Washington as three friends who become the prime suspects in a murder. Chris Rock, Anya Taylor-Joy, Robert De Niro, Zoe Saldaña, and Taylor Swift round out the cast of David O’Russell’s follow-up to 2015’s Joy.

The Good Nurse (TBD)

When a nurse (played by Jessica Chastain) becomes suspicious that her colleague (Eddie Redmayne) might be behind a series of mysterious patient deaths, she sets out on a search for the truth. Scarier might be that the Netflix thriller is based on true events.

Guillermo del Toro’s Pinocchio (TBD)

Expect del Toro’s stop-motion animated version of the classic children’s fairy tale to be more Brothers Grimm than Walt Disney. Also, expect to hear a lot of familiar voices in the Netflix film; Ewan MacGregor, Tilda Swinton, Christoph Waltz, Cate Blanchett, and Stranger Things’ Finn Wolfhard all play a role.

Luckiest Girl Alive (TBD)

The Netflix film based on Jessica Knoll’s 2015 best-selling novel stars Mila Kunis as a woman whose dark past catches up with her after a true-crime documentary delves into a shocking incident that took place at her high school.

Mr. Harrigan’s Phone (TBD)

Stephen King isn’t always a fan of the movies based on his work, but he gave the Netflix adaptation of his short story about a young boy (played by It’s Jaeden Martell) who communicates with his deceased neighbor (Donald Sutherland) through a disconnected cell phone two thumbs up.

Spirited (TBD)

Ryan Reynolds puts his own spin on Ebenezer Scrooge in this modern musical take of A Christmas Carol for Apple TV+ that also stars Will Ferrell and Octavia Spencer.

The Stars at Noon (TBD)

Maid’s Margaret Qualley plays an American journalist stranded in Nicaragua during the early days of the COVID-19 pandemic in the Claire Denis-directed update on Denis Johnson’s 1986 novel of the same name.

Wendell & Wild (TBD)

What’s this? The Nightmare Before Christmas director Henry Selick’s first movie since 2009’s Coraline reunites Keegan-Michael Key and Jordan Peele (who co-wrote the animated Netflix film) as the titular demon brothers who escape from the Underworld.

More Must-Read Stories From TIME

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Title:

Content: The Little Mermaid’ Star Jacob Tremblay Adressess Controversial Flounder Design (VIDEO)

"……what happened to Flounder."

Toronto Staff Writer

The Little Mermaid live-action remake is bringing an old Disney classic back to life, but not everyone is open to change.

Live-action star Jacob Tremblay, who voices Flounder, chatted with Narcity about the polarizing public reaction to his character's design, and he wants people to "see the movie and then see their reactions."

Flounder and Sebastian have had serious character design overhauls to align with the live-action retelling of the underwater cult classic, and some fans aren't thrilled to see Flounder looking like a CGI fish rather than a lovable cartoon.

Fans have gotten sneak peeks into the film with The Little Mermaid trailer and character posters, and not everyone is on board with the new hyper-realistic fishy design.

Many people have taken to social media to dish on Flounder's appearance, which largely deviates from his classic look – big eyes and a round yellow-and-blue body in exchange for a sharper, sleeker silver body with black fish-like eyes.

"……what happened to flounder…..," reads one comment on the posters with almost 10K likes.

Another fan commented, "Y’all did flounder and Sebastian so wrong 💀"

"Everyone upset over Ariel in the new Little Mermaid, but bruh, what did they do to my guy Flounder," tweeted out a fan, referencing the backlash over Halle Bailey's casting as Ariel.

Tremblay told Narcity that he saw the design for Flounder when he auditioned and thought it was "really cool" and said he couldn't imagine Flounder any other way.

"I thought it worked so well, and you know, I'm excited for people to see the movie and then see their reactions because I think it genuinely works really well, and I really couldn't imagine it a different way."

The Little Mermaid comes out in theatres on May 26, and fans will be able to see the film themselves and experience Flounder again for the first time – and who knows, maybe the public will walk away with a different take on the live-action fish.

Brooke Houghton
Toronto Staff Writer
Brooke Houghton is a Staff Writer for Narcity Canada's Ontario Desk focused on celebrity news and is based in Toronto, Ontario.

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Content: Entertainment.
2023-05-28 17: 28: 24
"Little Fish Fairy" Rotten Tomatoes Review: Excess and Unfunny
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There are more and more Disney animated live-action movies, which have long lacked topicality, but The Little Mermaid is the most topical live-action film in recent years, because it is black actress Halle Bailey, regardless of appearance and skin color.
"Little Fish Fairy", the famous film critic network Rotten Tomatoes review, the freshness is only 67%, "The Wall Street Journal said," The additional elements of the film is redundant and not interesting. "CTV morning show" Your Morning "ridiculed the film with the screen protector of Window 10.
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As for the reaction of the prisoners to the heroine Halle Bailey, they think that Halle Bailey's performance is excellent, and can even be described as amazing.
Her singing voice is also very beautiful, enhancing the film scene more shocking.
"The Little Fish Fairy is the best live-action adaptation of Disney's history," one viewer said in an exaggerated statement.
In addition, US media Deadline expects that the four-day holiday on Memorial Day in the United States will bring $121.3 million in box office revenue to Little Fish Fairy, which is outstanding.
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Content: The internet went into a tizzy recently with the announcement of Winnie the Pooh: Blood and Honey, a new horror film that utilized characters ripped straight from the pages of A.A. Milne's original children's books. This movie would see feral humanoid versions of Winnie the Pooh and Piglet going on a rampage after they're neglected by Christopher Robin. Such a project was made possible thanks to the initial iteration of this iconic literature figure going into the public domain in 2022 (Disney still has a trademark on their version of Pooh). Though this may seem like a jarring use of a character made for youngsters, Blood and Honey is following in the long tradition of public domain children's characters getting repurposed for much grislier adult means.

While companies like Disney have a firm grasp, or even a stranglehold, over the general public's default image of characters like Snow White or Cinderella, they don't own these characters in their entirety. Many classic fairy tales that are still passed down to kids were made in an era before copyright law was prominent, which allows anyone to have a go at making, say, a Red Riding Hood movie. This has often meant animation studios creating cartoons meant to mimic your standard Disney title, but it also means that adult-skewing projects have a chance to exist without worrying about getting suffocated by powerful lawyers.

Initially, the concept of public domain characters being used for adult purposes included a heavy focus on reimagining such individuals through a highly sexual lens. Appropriately for the year in which it was released, the 1969 film The New Adventures of Snow White was a sex comedy that reimagined not just the titular princess but also Cinderella and Sleeping Beauty in ribald nudity-heavy scenarios. This fate even befell fairy tales written closer to the modern world, at least compared to the likes of Snow White. Lewis Carroll's Alice's Adventures in Wonderland was published in 1865, but 111 years later, it would inspire the 1976 erotic comedy Alice in Wonderland. No familiar childhood fables were safe from getting a risqué upgrade for adult audiences.

RELATED: How 'Winnie the Pooh' Provided a Gentle Send-Off to Hand-Drawn Animation at Disney

The popularity of 1970s horror fare like The Texas Chainsaw Massacre and Halloween took violent and gory horror films from obscure oddities directed by Herschell Gordon Lewis to the mainstream. This meant a whole new avenue opened up for how public domain characters could be reimagined for eye-catching adult-skewing movies. 1984 would somewhat see an early example of this trend with Silent Night, Deadly Night, a slasher film about a man who kills people while dressed as Santa Claus. Though the film didn't involve Kris Kringle chopping off people's heads, it did lean heavily, especially in its marketing, on the iconography of a public domain children's character like Santa being paired up with decidedly non-family-friendly behavior.

The immense controversy surrounding Silent Night, Deadly Night, namely over its advertising emphasizing the idea of a scary version of St. Nick, cut the film's theatrical release short. However, it also showed how much attention one can muster up when you warp people's notions of how a beloved childhood icon should behave. That kind of guaranteed publicity was not going to go unexploited forever. That same year, another violent horror vision of beloved children’s characters emerged from the Neil Jordan feature The Company of Wolves, which was inspired by the story of Little Red Riding Hood. A trend was forming that wouldn’t be stopping anytime soon.

The boom of the direct-to-video horror market in the 1990s only increased the ubiquity of titles looking to deliver freaky visions of familiar relics of your childhood. An established brand name can make a VHS tape more instantly recognizable to potential viewers, and what’s an easier brand name to exploit than one attached to a public domain character? This is where the likes of Pinocchio's Revenge and Snow White: A Tale of Terror (the latter featuring acting heavyweights like Sam Neill and Sigourney Weaver) came in, delivering disturbing interpretations of public domain figures often used to entertain kids. The original Jack Frost from 1997, about a murderer transformed into a killer snowman, could also be said to be part of this trend, given that its title referenced the ubiquitous Winter-themed character of the same name.

The 21st-century did not see a complete end to this trend, with the likes of Gingerdead Man following in the footsteps of earlier entries in this genre. Interestingly, the ubiquity of these kinds of takes on classic fairy tales and mythological characters in the public domain did decrease a bit in prominence. This was because more family-friendly fare was beginning to mimic the incredible success of Shrek by delivering their own skewed visions of Goldilocks, Pinocchio, and other public domain figures. Even Disney got in on the act with Chicken Little and Enchanted. People were still interested in seeing familiar characters getting brought down to Earth, it was just happening in more PG-rated confines.

This trend couldn’t last forever, though, and the revival of more traditional fairy tale fare in 2010 with Disney titles Alice in Wonderland and Tangled ensured that this generation’s response to Silent Night, Deadly Night wouldn’t be far behind. Sometimes, 2010s approaches to darker manifestations of public domain properties emerged as sanitized mainstream entertainment, like Snow White & The Huntsman. Though the color palette had been toned down and nobody was singing songs, The Huntsman was a decidedly PG-13 affair, one missing out on the three B’s (blood, breasts, and bombast) that often defined earlier and grimier takes on these kinds of characters.

These old exploitation films had problems in tackling sexuality and violence, most notably in their nonchalant depiction of sexual assault against women. However, their commitment to extreme nudity and violence did offer something new and cheekily naughty compared to the mainstream fairy tales that inspired them. Snow White & The Huntsman, by contrast, was an example of using a public domain property solely for the brand name rather than as a leaping-off point for exciting transgressive entertainment.

More mischievous and violent visions of public domain characters still flooded store shelves, streamers, and even theaters, the latter being evident in Krampus. This 2015 title from director Michael Dougherty reached into classic German folklore to deliver a horror movie about the mythological figure who was basically evil Santa. It was a title that twisted lots of seemingly happy staples of Christmas into something more twisted and grisly. A few years earlier, Rare Exports: A Christmas Tale emerged from Finland with a story about a feral version of Santa Claus while, back home in America, a unique vision of Hansel & Gretel infused with R-rated action was unleashed in Hansel & Gretel: Witch Hunters.

The trend of using public domain characters in a manner that would make strict parents clutch their pearls is always evolving. This is partially to keep up with the tastes of moviegoers and also to ensure that this subgenre can always be on the cutting edge of which characters have recently fallen into the public domain. So it is with Winnie the Pooh: Blood and Honey, which started filming mere months after the Pooh character fell into the public domain. The rarely stagnant nature of this subgenre ensures that every possible familiar character of old children’s entertainment will be exploited as much and quickly as possible.

While it’s easy to see the monetary reasons that would make media companies like seeing public domain characters utilized in this way, what is it about this concept that general audiences find so endearing? Whether it’s pornographic films from the 1960s, slashers from the 1980s, or today’s Asylum horror movies about Cinderella or Snow White, why do people keep watching these films in high enough numbers to ensure their persistent existence?

Part of it comes down to just the inherent amusement in seeing somebody twist around recognizably innocent material into something more warped. Thanks to how family-friendly companies like Disney plaster their characters everywhere, cheerful and cutesy interpretations on Winnie the Pooh and Pinocchio are everywhere. Seeing somebody douse such characters with blood and violent urges can feel like a transgressive thrash against the status quo. Plus, some of these adaptations, particularly several more faithful retellings of Pinocchio, prove appealing in how they get back to the darkness that often defines the original fairy tales these characters originated from. Their modern incarnations may be connected to syrupy cheerfulness, but many public domain characters got their start in stories chock-full of brutality that could only exist in R-rated fare.

Whatever the reason for these properties existing, the enduring presence of twisted adult takes on public domain children’s characters, not to mention all the internet attention thrust upon Winnie the Pooh: Blood and Honey makes it clear these kinds of projects won’t be going anytime soon. That means moviegoers need to brace themselves for some truly subpar pieces of trash that believe just spouting harsh profanity and displaying nudity is enough to make a movie substantively “adult.” However, the likes of Krampus show that there is some enjoyably naughty fun to be had with reimagining public domain figures more grotesquely. There is potential within these kinds of movies…or at least the potential to be better than something like Snow White & The Huntsman.

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Evaluate
10 WALL-E
family, fantasy, animation 2008, USA
8.5
Evaluate
11 The Cold Heart
Adventure, Animation, Family 2013, USA
8.5
Evaluate
12 Zveropolis
Animation, Action, Adventure, Family, Comedy 2016, USA
8.5
Evaluate
13 The Ice Age
Comedy, Adventure, Animation, Family 2002, USA
8.5
Evaluate
14 Raya and the Last Dragon
animation 2021, USA
8.5
Evaluate
15 Rapunzel: A Tangled Story
family, musical, animation, comedy 2010, USA
8.5
Evaluate
16 Call of Ancestors
Adventure, Animation, Family 2020, USA
8.5
Evaluate
17 How to Train Your Dragon
animation, family, fairy tale 2010, USA
8.5
Evaluate
18 Shrek
animation, family, comedy 2001, USA
8.4
Evaluate
19 Kung Fu Panda
comedy, animation 2008, USA
8.4
Evaluate
20 Ratatouille
comedy, family, animation 2007, USA
8.4
Evaluate
21 Anastasia
animation, fairy tale, drama, musical, family, adventures 1997, USA
8.4
Evaluate
22 Encanto
Adventure, Animation, Comedy 2021, USA / Colombia
8.4
Evaluate
23 University of Monsters
Comedy, Family, Fantasy, Adventure, Animation 2013, USA
8.3
Evaluate
24 Aladdin
fairy tale, musical, family, animation, comedy, adventure 1992, USA
8.3
Evaluate
25 Shrek 2
fairy tale, comedy, animation, adventure, family 2004, USA
8.3
Evaluate
26 Beauty and the Beast
fairy tale, melodrama, musical, family, animation 1991, USA
8.3
Evaluate
27 Rio
Comedy, Family, Animation, Adventure 2011, USA
8.3
Evaluate
28 Camouflage and espionage
animation, fantasy, family 2019, USA
8.3
Evaluate
Ice Age 3: The Age of the Dinosaurs
Adventure, Animation, Family, Comedy 2009, USA
8.3
Evaluate
30 Ralph
animation 2012, USA
8.3
Evaluate
31 Monsters Corporation
family, fairy tale, comedy, animation 2001, USA
8.3
Evaluate
32 Big Red Dog Clifford
animation, family 2021, USA
8.2
Evaluate
33 Forward
animation, family, adventure, comedy, fantasy 2019, USA
8.2
Evaluate
34 Boss Molokos 2
animation 2021, USA
8.2
Evaluate
35 Moana
animation 2016, USA
8.2
Evaluate
36 Madagascar 2
fairy tale, family, animation, comedy, adventure 2008, USA
8.2
Evaluate
37 Ralph against the Internet
animation, comedy, fantasy, adventure, family 2018, USA
8.2
Evaluate
38 Volt
Animation, Comedy, Family 2008, USA
8.2
Evaluate
39 Ice Age 4: Continental Drift
Comedy, Animation, Family, Adventure 2012, USA
8.2
Evaluate
40 The Incredibles 2
animation, children 2018, USA
8.2
Evaluate
Ice Age 2: Global Warming
comedy, family, animation 2006, USA
8.2
Evaluate
42 Legends of the Night Guards
fantasy, animation, adventure 2010, USA / Australia
8.2
Evaluate
43 Mulan
family, animation 1998, USA
8.2
Evaluate
44 Spider-Man: Through the Universes
animation, adventure, fantasy 2018, USA
8.2
Evaluate
45 Despicable Me
family, animation 2010, USA
8.2
Evaluate
46 Kung Fu Panda 2
Comedy, Animation 2011, USA
8.2
Evaluate
47 Madagascar 3
animation, family 2012, USA
8.2
Evaluate
48 Shrek Forever
fairy tale, adventure, family, animation, comedy 2010, USA
8.1
Evaluate
49 Ferdinand
animation 2017, USA
8.1
Evaluate
50 Gnomeo and Juliet
fantasy, animation, melodrama, family 2011, USA / UK
8.1
Evaluate
51 Despicable Me 3
Adventure, Comedy, Animation 2017, USA
8.1
Evaluate
52 Dinosaur
family, adventure, animation 2000, USA
8.1
Evaluate
53 The Croods
Animation, Comedy, Adventure, Family 2013, USA
8.1
Evaluate
54 Monsters on Vacation 3: The Sea Calls
animation, family, comedy 2018, USA
8.1
Evaluate
55 The Secret Life of Pets 2
animation, comedy 2019, USA
8.1
Evaluate
56 Megamind
comedy, family, animation 2010, USA
8.1
Evaluate
57 Puss in Boots
fantasy, comedy, animation, adventure 2011, USA
8.1
Evaluate
58 Addams Family: Last Minute Tour
Animation, Horror, Comedy, Family 2021, USA / UK / Canada
8.1
Evaluate
59 Brave in Heart
family, animation 2012, USA
8.0
Evaluate
60 City of Heroes
Comedy, Action, Animation, Family 2014, USA
8.0
Evaluate
61 Monsters on vacation
Comedy, Animation, Family 2012, USA
8.0
Evaluate
62 Spirit: Soul of the Prairies
western, animation, adventure, family 2002, USA
8.0
Evaluate
63 The Christmas Story
Drama, Fantasy, Animation, Family 2009, USA
8.0
Evaluate
64 Grinch
animation 2018, USA
8.0
Evaluate
65 Rango
family, adventure, animation 2011, USA
8.0
Evaluate
66 Toy Story: The Big Escape
Drama, Adventure, Comedy, Animation, Family 2010, USA
8.0
Evaluate
67 How to Train Your Dragon 2
Comedy, Fantasy, Animation, Action, Adventure 2014, USA
8.0
Evaluate
68 Guardians of Dreams
family, animation, adventure 2012, USA
7.9
Evaluate
69 Rabbit Peter
animation, family, children 2018, USA
7.9
Evaluate
70 The Incorrigible Ron
animation 2021, USA
7.9
Evaluate
71 Angry Birds 2 in movies
animation, children 2019, USA
7.8
Evaluate
72 Cars 3
children, animation, adventure 2017, USA
7.8
Evaluate
73 Corpse of the bride
animation, fairy tale 2005, USA
7.8
Evaluate
74 Despicable Me 2
animation, family 2013, USA
7.8
Evaluate
75 9
animation, military, fantasy, adventure 2009, USA
7.8
Evaluate
76 out of here.
family, comedy, animation 2006, USA / UK
7.8
Evaluate
77 Tom and Jerry
animation 2021, USA
7.8
Evaluate
78 Beast
musical, animation 2016, USA
7.7
Evaluate
79 Arthur and Miniputs
animation, fairy tale, family 2006, USA / France
7.7
Evaluate
80 House
animation, fantasy, adventure, fantasy 2015, USA
7.7
Evaluate
81 Addams Family
animation, fantasy 2019, USA
7.7
Evaluate
82 Cars 2
Animation, Comedy, Family 2011, USA
7.7
Evaluate
83 Puppy patrol in the cinema
animation, adventure 2021, USA / Canada
7.7
Evaluate
84 Cloudy, possible precipitation in the form of meatballs
family, animation 2009, USA
7.7
Evaluate
85 Puzzle
animation 2015, USA
7.7
Evaluate
86 The Nightmare Before Christmas
family, fantasy, musical, animation 1993, USA
7.7
Evaluate
87 Up
animation, family, adventure 2009, USA
7.7
Evaluate
88 The Adventures of Tintin: The Mystery of the Unicorn
family, animation, adventure, mysticism 2011, USA / New Zealand / Belgium
7.7
Evaluate
89 Mystery of the Red Planet 3D
Animation, Family 2011, USA
7.6
Evaluate
90 Princess and Frog
melodrama, musical, comedy, family, animation 2009, USA
7.6
Evaluate
91 Santa Claus Secret Service
animation 2011, USA / UK
7.6
Evaluate
92 Forest Brothers
animation, family, comedy 2006, USA
7.6
Evaluate
93 Storks
comedy, animation 2016, USA
7.6
Evaluate
94 Horton
family, animation, adventure 2008, USA
7.6
Evaluate
95 The Secret Life of Pets
animation, comedy 2016, USA
7.5
Evaluate
96 Madagascar
comedy, animation, adventure, fairy tale, family 2005, USA
7.5
Evaluate
97 Hunting Season 3
children, animation 2010, USA
7.5
Evaluate
98 Hunting season
animation, adventure, family, comedy 2006, USA
7.5
Evaluate
99 Smallfoot
animation, fantasy, comedy, family 2018, USA
7.5
Evaluate
100 Enchanted
comedy, adventure, fairy tale, musical, family, animation 2007, USA
7.5
Evaluate
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Country
Year
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How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

## Why Disney Produces Live Action Remakes

Disney's strategy of remaking animated classics serves multiple strategic purposes:

### Financial Considerations
- **Reduced Risk**: Remakes offer guaranteed brand recognition and built-in audience appeal
- **Nostalgia Marketing**: Leveraging emotional connections formed with original films creates reliable box office performance
- **Franchise Extension**: Successful remakes can spawn merchandise, theme park attractions, and sequels

### Market Positioning
- **Cross-Generational Appeal**: Allows parents to share childhood favorites with their children
- **Global Market Penetration**: Familiar stories translate well across international markets
- **Platform Content

Title:

Content: 6 Reasons All Families Should Take Part in Legoland Dubai ’ s ‘ Little Monsters ’ Halloween Party
T + T - normal size
In conjunction with Halloween celebrations, Legoland Dubai theme park will launch from Friday 7th to 31st October ‘ Little Monsters ’ with lots of fun and exciting activities.
Therefore, all the little monsters who live in disguise with their parents in the UAE have been invited to unleash their true personalities and participate in this exclusive Halloween celebration.
Kids will enjoy the premiere of the new “The Great Monster Chase ” movie, which will be screened exclusively in 4D at Legoland Gardens, as well as the“ Sweets or Cubes of Little Monsters ” event, the Little Monsters Street games, the daily private dance with “Monster VIPs ”, the construction of a LEGO pumpkin, and the“ Best Costume Contest ”. Small Monsters', get gifts of small monsters that are offered daily to visitors and many other surprises.
To double the fun, Legoland Hotel offers everyone a special stay with the little monsters.
From the moment the little ones set foot in Legoland Dubai theme park in their terrifying Halloween outfits, a magical and fun adventure begins with the new four-dimensional film “The Great Monster Chase ”, which is exclusively screened at Legoland ’ s four-dimensional studio in the park.
This comedy film with special monster effects presents a series of funny attempts by four children of monster lovers during their attempts to participate in the party of small monsters hosted by Mr. Vampire and Mrs. Spider in Legoland Park. Since all the invited to the party are monsters and only monsters are allowed in, the children are being chased by a comedy monster to catch them and prevent them from entering the party. Meet all the monsters and celebrate with them.
It is indeed a funny adventure that the four-dimensional film offers to its family viewers for 15 minutes straight.
Once the screening is over, Mr. Vampire will personally be waiting for all the little monster guests to join his big monster dance party, dance and celebrate to the tune of his music as he is the DJ for his daily concert.
There is no need to search early this year for Halloween costumes. Monsters brought with them many amazing costumes to the coolest monster fashion store in LEGOLAND Dubai for young guests to choose and buy their favorite costume and wear it when they attend the Little Monsters party in the park.
For a magical and exciting time, all the little ones are invited with their parents to build their own LEGO pumpkin and display it in the Ernie pumpkin contest at the “Mini City ” in Legoland Park so everyone can watch it and take selfies with it.
The miniature city is one of the most photographed places by visitors to the park, containing more than 15,000 LEGO models built from 20 million LEGO cubes.
To maximize the fun and entertainment of the day, all young guests will join in this year ’ s “Sweets or Cubes ” event for small monsters and collect lots of HARIBO sweets along with lots and lots of wonderful surprises waiting for them in the park.
To add to the fun-filled atmosphere of this special occasion, all the little monster guests can meet Frankie, who is a beloved Halloween character for children, during the interactive “Little Monster Squad ” show on the Monster Street in Legoland Park, where many fun little monster games and activities await.
To double the fun, all the little guests who visit the park in their creepy costumes over the weekend are invited to participate in the “Best Little Monster Costume Contest ” where they display their costumes as little monsters and enjoy the chance to win a one-night stay at the Legoland Hotel, or win an annual ticket that guarantees 12 months of fun in the park.
As LEGO Monsters invade Dubai ’ s LEGOLAND theme park from October 7-31, chefs will take control of all restaurants and food outlets in the Kingdom to prepare special and exclusive meals, including luxurious finger sized monster sandwiches, monster burgers, creamy Frankie apples and witch ice cream. Missed it.
For the adventure to be full of fun, all Halloween fans have the opportunity to get a limited edition Halloween refill for bottled drinks, brought exclusively by the monsters to LEGOLAND Dubai Theme Park, and enjoy free refill throughout the day.
Before the end of this unforgettable adventure at LEGOLAND Dubai theme park, all guests of the little monsters will receive a free LEGO Monster Cube limited edition exclusive before returning home.
Those who wish to continue their adventure in another way can book a special stay with the Little Monsters at LEGOLAND and enjoy exclusive Halloween events for hotel guests including the LEGOLAND Monster Building Workshop, the Monster Arts and Crafts event, the fun participation in the Monster Coloring competition, meeting the beloved LEGOLAND characters in their Halloween costumes and taking selfies with them.
In addition to an enjoyable stay with the little monsters at the Legoland Hotel, guests will have access to the Legoland Dubai Theme Park and attend the spectacular Little Monster Party.
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According to John Musker, why does Disney rely on live-action remakes rather than producing new stories?

As a risk-reduction strategy
As a safer option

Compared to new franchises, what is the risk and return of remakes and sequels?

Lower risk but smaller long-term returns.

How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

What motivates Disney to keep producing live-action remakes despite mixed reviews?

According to John Musker, why does Disney rely on live-action remakes rather than producing new stories?

As a risk-reduction strategy
As a safer option

Compared to new franchises, what is the risk and return of remakes and sequels?

Lower risk but smaller long-term returns.

How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

What motivates Disney to keep producing live-action remakes despite mixed reviews?