The traditional glassblowing craft in Syria, particularly in Damascus, has a rich history that dates back over two thousand years to the time of the Phoenicians.

This ancient craft has been passed down through generations of Syrian artisans, with many learning the trade from their fathers or other family members.

The craft of glassblowing was significantly affected by the war in Syria, but after the liberation of some areas from terrorism, some artisans have brought it back to life, with some learning the craft from their fathers when they were children.

The artisanal craft of traditional glassblowing is considered one of the types of plastic arts, and it involves melting recycled glass in an oven at high temperature, then choosing a specific shape for its manufacture, and decorating it to give it the required aesthetics.

The traditional glassblowing profession has been included in the list of intangible cultural heritage of humanity that needs urgent safeguarding by UNESCO, due to its importance in Syria's culture and its risk of being threatened by modern technology.

The number of craftsmen doing traditional glassblowing in Damascus has decreased due to the war and the threat of modern technology, but there are still some artisans who are passionate about preserving this ancient Syrian heritage.

The preservation of traditional glassblowing is necessary to inform future generations of their heritage and history, and to maintain the continuity and importance of this craft in Syrian culture.

The importance of traditional glassblowing in Syrian culture has been recognized by UNESCO, which has listed it as an intangible cultural heritage in need of urgent safeguarding.

This recognition highlights the need to protect and preserve this ancient craft, which is an important part of Syria's cultural identity.

The current status of traditional Syrian glassblowing artisans in Damascus is one of struggle, with many facing significant challenges in terms of low demand, high costs, and lack of support.

Despite these challenges, there are still some artisans in Damascus who are working to preserve this traditional craft and pass it on to future generations.

The Syrian government and local communities are working together to preserve and promote the craft, with initiatives like the "Living Heritage" program aimed at preserving traditional crafts, including glassblowing.

The UNESCO listing is expected to raise awareness about the importance of preserving traditional glassblowing and provide support for the craftsmen and communities involved in the craft.

The Syrian Trust for Development has also been accredited as a consultative body in UNESCO, contributing to the preservation and promotion of intangible cultural heritage, including traditional glassblowing.

The organization's efforts, along with the UNESCO listing, aim to celebrate and preserve traditional skills and culture surrounding the craft, rather than just the craft itself.

According to recent estimates, there are only a few dozen craftsmen still practicing traditional glassblowing in Syria, due to the decline of the craft in recent years, making conservation efforts crucial.

The Syrian government has implemented measures to support the craft, including the establishment of training programs for young apprentices, aiming to pass on the traditional techniques and skills to the next generation.

Local communities are also involved in the preservation efforts, with initiatives such as the creation of glassblowing workshops and exhibitions, showcasing the craft and promoting its importance in Syrian culture.

The Syrian Trust for Development, a non-governmental organization, is working to support traditional glassblowing through projects focused on capacity building, marketing, and product development, helping craftsmen to improve their skills and increase their income.

Beyond the 'Living Heritage' program and UNESCO recognition, the Syrian government and local organizations are exploring new ways to promote and preserve traditional glassblowing, including the development of sustainable tourism initiatives and the creation of online platforms to showcase the craft.

The Syrian Ministry of Culture is also collaborating with international organizations to develop a comprehensive plan for the preservation of traditional glassblowing, including the establishment of a national center for glassblowing and the creation of a database of traditional glassblowing techniques.

Additionally, local communities are organizing festivals and events to celebrate the craft, such as the annual Glassblowing Festival in Damascus, which aims to raise awareness about the importance of preserving traditional glassblowing.

The traditional glassblowing craft in Syria, particularly in Damascus, has a rich history that dates back over two thousand years to the time of the Phoenicians.

Title:

Content: Art of glassblowing returns again in Aleppo countryside liberated from terrorism

The town of Urem Al-Kubra in Aleppo province in northern Syria has historically been famous for its skilled glassblowing craftsmen. The war considerably affected this traditional craft inherited from our ancestors, but after the liberation of the city from terrorism, some artisans have brought it back to life. The artisan, Yassin Arab learned the glassblowing craft from his father when he was a child, and after the town was liberated from terrorism, he returned to his small facility, where he worked to restore it and start working again. Arab does not hide his enormous passion for the craft of glassblowing and his belief in the need to preserve this ancient Syrian heritage. Regarding the working mechanism, the artisan explained to SANA that he uses recycled glass, melts it again in the oven at high temperature, and then chooses a specific shape for its manufacture, whether hookah bottles, vases, plates, small jugs, fish houses for decoration, decorated cups and antiques of different sizes. After that, t he piece is blown, rotated and processed by the artisan until it takes its final shape using white and brown colors, and once the manufacturing of the product is finished, it is decorated and colored to give it the required aesthetics. For his part, Hussein Najjar noted that he learned the craft of blowing glass manually since he was young and has been working in this field for 40 years. He added that he is able to make any shape or glass container, using his imagination, and considered that the art of glassblowing is one of the types of plastic arts. Traditional glassblowing is a profession that dates back more than two thousand years (since the time of the Phoenicians) and was included in December 2023 by UNESCO on the list of intangible cultural heritage of humanity that needs urgent preservation. Source: Syrian Arab News Agency

This ancient craft has been passed down through generations of Syrian artisans, with many learning the trade from their fathers or other family members.

The craft of glassblowing was significantly affected by the war in Syria, but after the liberation of some areas from terrorism, some artisans have brought it back to life, with some learning the craft from their fathers when they were children.

The artisanal craft of traditional glassblowing is considered one of the types of plastic arts, and it involves melting recycled glass in an oven at high temperature, then choosing a specific shape for its manufacture, and decorating it to give it the required aesthetics.

The traditional glassblowing profession has been included in the list of intangible cultural heritage of humanity that needs urgent safeguarding by UNESCO, due to its importance in Syria's culture and its risk of being threatened by modern technology.

The number of craftsmen doing traditional glassblowing in Damascus has decreased due to the war and the threat of modern technology, but there are still some artisans who are passionate about preserving this ancient Syrian heritage.

The preservation of traditional glassblowing is necessary to inform future generations of their heritage and history, and to maintain the continuity and importance of this craft in Syrian culture.

Title:

Content: Samples of the Damascene Literary Heritage Attend an Exhibition and Seminar in the Culture of Infection
Damascus-Sana
In the exhibition “Heritage Crafts are Inherited by the Fragrance of History ” hosted by the Adawi Cultural Center, the artworks varied between glass decoration, Damascene brocade and various handicrafts.
The exhibition was followed by an introductory seminar on these arts for the Sheikhs of Carr and craftsmen specialized in these professions under the supervision of the handicraft trainer Rowaa Yousef.
Youssef Lassana explained that the exhibition was dedicated to traditional professions in general and handicrafts, especially such as brocade, painting on glass, Islamic motifs and handicrafts to maintain their continuity and importance.
Mohammed Bassam Rayhan Sheikh Al-Karar in painting on glass and decoration spoke in his intervention about the history of this craft, its forms, fields of work and materials used in it, pointing out that the glass, which was the first to be invented by the Phoenicians, evolved in Damascus throughout history and was painted on the mishkat and lanterns using oxides and various materials, thermal colors, acrlik and others.
The Damascene brocade craftsman Mohammed Rankous explained in his intervention that this cloth is made of natural silk and golden reed yarns and attributed to Damascus because it took its character, heritage and environment, such as the painting of Omar Khayyam, the Levantine Rose, grape clusters, the lover and the beloved, and the octagonal geometric drawings, pointing out that this craft entered the cultures of different civilizations.
Nasruddin Mohammed is a graduate of applied arts and a drawing teacher who participated in paintings for his students from children and boys. In his intervention, he explained the history of the Damascene plant decoration, its methods, types and schools such as Andalusian, Persian and Damascene, and its differences in decoration, diggings, mirrors and miniatures, indicating that its history dates back to the Andalusian civilization, which was its main creativity in palaces and buildings.
Mohammed Sabha is a bridal craftsman who participated in a group of decorative glass works for brides and explained that he has completed a model of a waterfall flowing from an electric mountain that is operated by hand from cardboard, wood and cork inspired by his ideas.
Rana Ayoub participated in a group of works of three-dimensional models and miniatures of the Levant environment. She explained that she chose this environment because she grew up and lived in it and adored it. It is necessary to inform future generations of their heritage and history, pointing out that she works with cork, wood, natural materials, gypsum, ceramic paste and others.
Bilal Ahmed

The importance of traditional glassblowing in Syrian culture has been recognized by UNESCO, which has listed it as an intangible cultural heritage in need of urgent safeguarding.

This recognition highlights the need to protect and preserve this ancient craft, which is an important part of Syria's cultural identity.

The current status of traditional Syrian glassblowing artisans in Damascus is one of struggle, with many facing significant challenges in terms of low demand, high costs, and lack of support.

Title:

Content: What is the reality of traditional and traditional professions in Syria?
DAMASCUS – The traditional professions and crafts in Syria were not immune to the repercussions of the war. In light of the difficult economic and security conditions that the country has been witnessing for more than a decade, these professions are suffering from an unprecedented decline related to production and market conditions, which makes them today threatened with extinction.
The head of the Union of Craftsmen in the province of Latakia Jihad Pro, in a recent statement to the local newspaper Al-Watan, the decline of the production of handicrafts and handicrafts of various kinds by 50% within the province, considering the high costs of production inputs and increased income taxes as direct reasons for this decline.
Bassam Qalaji, head of the artisanal association for confectionery in Damascus, told the local newspaper Global last month that more than half of the confectionery craftsmen had stopped producing and switched to other professions due to low demand and insufficient profits.
Successive statements reveal the reality of Syrian traditional and traditional crafts, which are suffering under the weight of the economic decline that the country is suffering from.
This situation has prompted thousands of craftsmen to close their workshops and shops and switch to other jobs, or migrate and move their work abroad, amid the real threat of the disappearance of many traditional traditional traditional professions and handicrafts, which constitute vital sectors of the economic sector in the country and an integral part of its cultural identity.
What are the main reasons for this decline?
How does it affect the economic life of the country?
Lack of support and unequal competition
Anton, a 42-year-old Damascene craftsman and former owner of a mosaic workshop in rural Damascus, says his struggle for years to keep his workshop open, producing and selling enough to pay its workers has been futile.
He adds in an interview with Al Jazeera Net: "I tried hard to maintain the workshop and its workers for as long as possible, but the constant high prices of wood (local and imported) in an inappropriate manner, the long interruption of electricity (16-18 hours a day), and the low demand for mosaic in the domestic and foreign market, all factors forced me to lay off workers, and later to close the workshop after months, during which I received only two orders."
In addition to these factors, Anton attributed the low demand for "original" mosaics and other handicrafts and heritage artifacts (copperware, damask, antika, textiles) to:
The reality of the market at the moment in the absence of tourists.
• The decline of external demand for the commodity as a result of the interruption of trade relations with foreign markets.
• Migration of brokers and traders and thus reduced export.
• Unequal competition.
With heritage products becoming “more than luxury ” for Syrians suffering from poor purchasing power (average monthly salaries of about $20), and the lack of support for craftsmen and awareness of the importance and authenticity of these products by trade unions and government agencies, Syria ’ s craftsmen face major challenges to continue their craft.
Although there are no accurate figures on the number of craftsmen who have been driven by working conditions to emigrate outside the country, the head of the Damascus Craftsmen ’ s Union, Ali Qarmashti, revealed in an interview with the local news website Click News last year that the percentage of Damascene craftsmen migrating has become very high, especially among young people.
Repellent economic and social policies
In addition to the direct economic factors that led to the decline of traditional crafts during the past few years, represented by the high prices of raw materials, the poor reality of services, and the decline of the sale and purchase movement, there were indirect factors that affected these crafts.
Syrian economist Younis Karim believes that the artisan crisis began in 2008 after being subjected to great pressures due to the change of the general economic orientation in the country.
He said in an interview with Al Jazeera Net: "Since 2008, the authorities have put their hands on the spread of these industries due to the importance of their geographical location, and work to change their features in favor of wealthy investors, or provide them as donations to countries that Damascus seeks to establish bilateral relations with."
According to the expert, the reality of the work of traditional crafts after 2011 became more complex and difficult with "the continued adoption of economic and social policies by the regime that restrict the owners of these crafts, exclude them from support, take their places of deployment, in addition to the cessation of exhibitions and the difficulty of participating in external events because of the political positions of the regime.
Karim explains that the family and social disintegration suffered by Syrians as a result of large-scale migration during the last decade was an added reason for the decline of these crafts, which “relied on inheritance between generations of the same family as a tradition followed by Syrian craftsmen long ago. ”
Kilo to Piece and Pieces
It seems that some traditional crafts and crafts are in the same trench with traditional crafts in their war against extinction, where the owners of many traditional crafts are no less original than those of heritage, especially the confectioners from the high costs of raw materials in production, high costs of energy stands, and successive losses due to the reluctance of citizens to buy expensive Arabic sweets.
Suhaib, 55, owner of a sweets shop in the Jazmatiya area of Damascus, told Al Jazeera Net: "Days pass without selling a total of a kilo of various items, and two years ago the stagnation of goods in the shop became a familiar phenomenon to us, and had it not been for the holiday seasons, and some occasions and weddings held here and there, we would have closed long ago."
Al-Halwani Al-Damascene adds in an interview with Al-Jazeera Net: "Our profits, and the profits of most of the shops of Halwanis in Damascus, have decreased by a large percentage since the beginning of the economic crisis in the country."
Al-Halwani pointed out that the price of a kilo of some varieties of Arabic sweets has exceeded 400 thousand pounds recently, adding: "Which is not able for Syrians to buy, so we have become selling methods in which we rely on small quantities, so we sell baklava, crystal, shaped, asian, brominated and other items in ounces, grain (piece) and two grains to keep the sales movement, and do not stop customers from our shop."
As for the reasons why sweets in Damascus stopped working and many of them emigrated outside the country, Al-Halwani said: “Many reasons start from the large annual taxes that are inconsistent with high operating costs and low profits, in addition to the high prices of commercial electricity and fuel needed to operate shops and laboratories, the huge increase in the prices of raw materials, the high wages of workers, and the reluctance of customers to buy these sweets except on occasions. ”
High prices
Prices of food, nuts and other components of Arabic sweets have risen by varying rates recently, as the price of a kilo of animal margarine reached 150 thousand pounds ($equivalent to about 2511 pounds), while the price of a kilo of pistachio love rose to 300 thousand, and the price of a kilo of walnuts to 120 thousand.
The prices of popular sweets such as Al-Barazek and Al-Ma ’ amoul in Damascus markets, by the holy month of Ramadan, were between 100 and 130 thousand pounds per kilo, while the prices of medium and luxury sweets such as “Al-Belouria ”,“ Al-Mashkeel ”, “Kool and Shakour ”,“ Aish Al-Bulbul ” and “Baklava ” ranged between 250 and 500 thousand per kilo, which is equivalent to the salary of a Syrian employee in the public sector.
The head of the artisanal association for confectionery industry, Bassam Qalaji, attributed this rise in confectionery prices to the government lifting subsidies on oil derivatives, which led to a direct increase in costs by 150%, pointing out that raising the price of electricity by 5 times will lead to an increase in the price of about 650 products.
Qalaji said in a statement to the local newspaper Al-Watan last month that the largest number of confectionery craftsmen emigrated, and their first destination was Algeria followed by Germany.
In March last year, the head of the artisanal association for the confectionery industry revealed that 70% of the workshops of the confectionery industry were closed due to the economic crisis and the low demand for sweets and refreshments.
A severe blow to the economy
This gradual disappearance of traditional crafts is a painful blow to the Syrian economy, says economist Younis Karim, “For decades these crafts have been the largest incubator of Syrian labor, and their contribution to the economy before 2011 ranged from 40 to 50%. ”
This is what Matanios Habib, a researcher and former Syrian oil minister, said in a research paper entitled “The private sector in Syria ” (2005), when he pointed out that the private industrial sector in Syria tended to invest in crafts for fear of nationalization policies, whether during the era of Syrian-Egyptian unity (1958-1961) or after the revolution of March 8 (1967).
Karim stresses that the crisis of workers in traditional crafts, such as confectioners and others, dates back to before 2011, specifically to the period between 2007 and 2009, when there was “an attempt by the regime to pressure the owners of traditional crafts and crafts by forcing them to pay taxes, and to keep them away from city centers in favor of large investors. ”
Younis Karim believes that the gradual demise of these crafts will have negative effects on the Syrian economy because of their role in "providing job opportunities beyond those provided by large laboratories and their excellence in ease of operation and achievement, and the ability to spread.
Source: The Island

Despite these challenges, there are still some artisans in Damascus who are working to preserve this traditional craft and pass it on to future generations.

Title:

Content: Exhibition of craft products by Syrian and Russian artists in the public park in Aleppo
Halab-Sana
On the grounds of the public park in the city of Aleppo, the activities of the exhibition of craft products were launched today, with the participation of 20 craftsmen and artists from Syria and the Russian Federation.
The exhibition, organized by the Ministry of Industry in cooperation with the Russian Cultural Center in Damascus, the Federation of Artisans in Aleppo and the Syrian Professional Center Association, includes a collection of heritage and artistic works, paintings of Ajami thread, ornaments and handicrafts of wool, orphans, leather, rugs, carpets, bamboo and silver industry.
According to the President of the Union of Artisans in Aleppo, Mohammed Hossam Hallak, in a statement to SANA correspondent, the exhibition aims to highlight the traditional handicrafts and crafts and folklore professions to revive them by training the younger generations and mastering their industry to preserve them.
Mustafa al-Nu, President of the Syrian Professional Center Association, pointed out that the association worked to attract professionals and handicrafts, and provided them with financial grants to encourage them to continue their work, to preserve these crafts from extinction, in addition to training young people wishing to learn these crafts and develop them to suit the times.
The Russian artist Yuri Lishin, famous for the manufacture of blowing on glass, talked about his professionalism for more than 54 years, and his participation in many exhibitions in the world, indicating that his visit to Syria to learn about the glass industry, and participate in workshops on the manufacture of hand glass in Syria.
A number of participants noted the importance of the exhibition, which allows for the marketing of their products, where Zakaria Sultan, who works in the craft of silver and peat breaking, explained that he participates with silver and copper products and accessories made by hand in various forms for swimming pools, steadfastness, image cadres and chandeliers, in addition to grafting copper on wood, calling for providing the necessary support to maintain this profession.
The craftsman Ayman Saeed presented the results of the drawing on wood, which is called Ajami art, and stated that he learned to make this art and plant motifs and painting in Arabic calligraphy in the association, and became a trainer contributing to the revival of heritage, and that the exhibition is an important opportunity to market his products.
Artist Tala Naravyan participated in watercolor, oil and other paintings painted with pencils and charcoal, talking about the Armenian and Arab heritage and the neighborhoods of Aleppo and its citadel, pointing out that she participates to introduce people to the components of the rich Syrian heritage through painting because it constitutes the language of the world.
Samira Misto, who works in the craft of making the ancient traditional macrame, using colored threads and ropes to decorate the Koran, mirrors, clothes and jewelry, pointed out that she is working to develop this profession by adding beads and tree trunks to revive and preserve it.
Qusay Razzouk
Follow SANA news on Telegram https: / / t.me / SyrianArabNewsAgency
Look, too.
Aleppo Public Park

The Syrian government and local communities are working together to preserve and promote the craft, with initiatives like the "Living Heritage" program aimed at preserving traditional crafts, including glassblowing.

Title:

Content: A year of hard work to document and preserve the Syrian tangible and intangible heritage locally and internationally
Damascus-Sana
The Syrian heritage, both tangible and intangible, forms an important pillar within the World Heritage system, and is a key factor in strengthening the cultural identity of the Syrian people, building the present and protecting the future.
During 2022, the Ministry of Culture and its concerned institutions, in particular the Directorate General of Antiquities and Museums and the Directorate of Intangible Cultural Heritage, focused on organizing a series of events and seminars and signing a series of agreements related to the importance and mechanisms of preserving this heritage in its various components.
Among the most important Syrian activities and works related to tangible and intangible heritage during 2022 are:
During the year, Syria held several discussions on the loan of Syrian artifacts damaged during the terrorist war on Syria for restoration and display in the Sultanate of Oman, and signed a joint statement on cooperation to preserve cultural heritage with the People ’ s Republic of China.
Syria participated in the International Forum of the Convention for the Protection of the World Cultural and Natural Heritage in the Russian city of Kazan, and the Scientific Conference on Archaeology in the Hungarian capital, and participated in a virtual lecture within the international conference on the protection of the Syrian cultural heritage after the war.
– The archaeological missions returned to excavations in 2022, including the joint Syrian-Italian archaeological mission, which began its work for the first season at the archaeological site of Amrit, and the discovery of a funerary burial and some archaeological finds and discoveries dating back to the Roman era in Amrit by the joint excavation team between the Directorate General of Antiquities and Museums and the Department of Tartus Antiquities.
– The national expertise of the Directorate General of Antiquities worked to expand the work to discover the entire rare archaeological mosaic painting in the city of Rastan, which dates back to the Roman era, and reached a length of 20 meters and a width of 6 meters.
– Completion of the restoration work of the Arc de Triomphe in the ancient city of Palmyra, which was destroyed by terrorist organizations in 2015, and the second phase of the restoration project began with the signing of a memorandum of understanding between the Directorate of Antiquities, the Syrian Secretariat and the Institute of the History of Material Culture of the Russian Academy of Sciences in the Russian Federation.
– Holding a workshop “Restoring Syrian Heritage and Reviving Local Communities ” at Expo 2020 Dubai, in which local, Arab and international bodies specialized in antiquities participated.
– In the National Museum in Damascus and in tribute to the lives and sacrifices of about 27 martyrs who rose during the terrorist war on Syria in defense of the Syrian cultural heritage, an exhibition of recovered archaeological treasures 3 entitled (Salute to the martyrs of the General Directorate of Antiquities and Museums) was opened within the days of Syrian culture.
– The opening of a painting exhibition entitled “Restoration of Syrian Heritage by Theo Vitit ’ s Vision ” at the National Museum in Damascus, which is a painting of restoration and excavation works in Syrian archaeological sites, painted by the Dutch artist and archaeologist Theo Vitit in 2018 and 2021, and was presented in the Netherlands to introduce the Western community to what happened to the Syrian cultural heritage.
In Damascus Castle, the first national screening of the film Siriacus Section, directed by Olivier Bourgeois, was launched in 2022 in cooperation between the Ministry of Culture, the Directorate General of Antiquities and Museums, and the Syrian Trust for Development. The film, which won more than 17 international awards, talks about the solidarity of a small group of archaeologists and museum curators with the escalation of the terrorist war on Aleppo in 2015. The National Museum of Aleppo.
The Directorate of Antiquities, in cooperation with the European Center for Byzantine and Post-Byzantine Monuments and the Department of Antiquities at the University of Damascus, organized a digital exhibition on historical mosaics in Syria, entitled “Syria is still the source of arts ”.
– The beginning of the year witnessed the return of five Syrian destructive artifacts to the National Museum in Damascus at the initiative of the management of the Naboo Museum in Beirut, and the pieces are various funerary destructive statues from the collections of the Naboo Museum previously purchased from European auction houses.
The second leg of the Syrian Antiquities Exhibition, entitled “The Wonderful Syria ”, was opened in Chengdu, Sichuan Province, southwest China, which lasted until May. During this period, special scientific seminars and cultural events were held in connection with the exhibition, in which the Department of Antiquities and Museums participated with 195 important artifacts and collections of Syrian museums.
In 2022, the Directorate of Intangible Cultural Heritage has been active in most governorates, focusing on monitoring, studying and documenting the national intangible heritage and preparing the necessary plans to search for, study and inventory the elements of this heritage and include them in the national register, in cooperation with governmental and non-governmental institutions, local communities and international organizations.
The Directorate of Heritage organized a workshop on Syrian intangible cultural heritage at Al-Assad National Library, in preparation for the development of a national strategy for intangible cultural heritage in Syria.
– The project (Windows 5) was organized, whose musical evenings varied between documentation and promotion of Syrian heritage songs, and many heritage festivals were held in the provinces.
– The project of documenting the elements of the Syrian intangible heritage in ancient Homs, implemented by the Ministry of Culture in cooperation with the Syrian Secretariat and civil society, was launched in 2022 to preserve the elements of this heritage, and work continued on the project of documenting the elements of the intangible heritage in Tartus province.
Within the framework of the implementation of the plan to preserve the element of the theater of shadow imagination Karkouz and Aiwaz after registration on the list of urgent conservation of the world humanitarian heritage at UNESCO, the Syrian Secretariat for Development continued the third professional training after Damascus and Suwayda, for youth cadres in the city of Aleppo.
The Syrian Secretariat for Development has developed the “Living Heritage ” program with the local community in Aleppo governorate, the main axes for the preservation of the Aleppo cod, which was registered on the Representative List of Human Heritage at UNESCO by the end of 2021 with the participation of a group of governmental and civil authorities, artists, musicians, researchers and interested in the Arab, musical and art of cod.
At the international level:
Syria has been elected vice-president of the ninth session of the General Assembly of the States Parties to the 2003 UNESCO Convention for the Safeguarding of the Intangible Cultural Heritage of Humanity for a two-year term 2022-2024.
Syria participated in the UNESCO World Conference on Cultural Policies and Sustainable Development, Mondiacult 2022, in Mexico.
– In 2022, a scientific research by the son of the city of Aleppo, Antoine Makdis, related to how to recover from the effects of war through independent cultural production based on intangible cultural heritage won the first place in the competition of the Foundation of Santgrata, specialized in the Italian cultural economy.
– An integrated archaeological project in the Baal Shemin Temple in Palmyra has been shortlisted for the third cycle of ICCROM Sharjah Award for the Conservation and Protection of Cultural Heritage in the Arab Region 2020-2022.
Rasha Mahfoudh and Mays Al-Ani
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The UNESCO listing is expected to raise awareness about the importance of preserving traditional glassblowing and provide support for the craftsmen and communities involved in the craft.

The Syrian Trust for Development has also been accredited as a consultative body in UNESCO, contributing to the preservation and promotion of intangible cultural heritage, including traditional glassblowing.

The organization's efforts, along with the UNESCO listing, aim to celebrate and preserve traditional skills and culture surrounding the craft, rather than just the craft itself.

Title:

Content: UNESCO considers Arab and international nominations for inscription on the Intangible Heritage List
UNESCO is considering new nominations from several countries to inscribe intangible cultural arts on the World Heritage List at the 17th meeting of the UNESCO Committee, which opened Monday in Rabat.
The list includes 56 files, four of which require urgent measures to protect them from extinction, such as the porcelain art of the Cham nationality in Vietnam, according to the organization.
It also includes several nominations from Arab countries such as the Algerian Rai music, the Tunisian Harissa hot sauce, the Omani dagger and the heritage sites of the “Journey of the Holy Family ” in Egypt.
Iran and Syria have submitted a joint dossier on “the art of making and playing sticks. ”
The files that are accepted will be announced from Tuesday to Saturday, at UNESCO ’ s Twitter account.
To avoid creating any confusion, the organization emphasizes that the goal is primarily to celebrate and preserve traditions, practices and skills from extinction.
She explained, for example, that the fact that a baguette is an intangible world heritage does not mean that the baguette itself is the object of preservation, “but rather the traditional skills and culture surrounding its manufacture. ”
The same is true of Cuban rum, which will be celebrated for its manufacture and not for the drink itself.
The list includes cultural elements from around the world such as Azerbaijani / Turkish tea traditions and techniques of distilling selvowitz from peach alcohol in Serbia.
UNESCO Deputy Director-General for Culture Ernesto Otton told AFP that “this is a living heritage represented by the communities concerned with its preservation, as opposed to the material heritage, ” and can be found in more than one country.
The organization has already registered cultural arts of this kind, such as the famous couscous dish in the Maghreb, after the joint nomination of Algeria, Mauritania, Morocco and Tunisia in 2020.
Morocco ’ s ambassador to UNESCO, Samir Dahar, who is chairing the session, said in a press statement on Monday that “we would have hoped to present a joint file on the art of Algerian opinion, which is also present in Morocco, ” had it not been for the diplomatic break between the two countries.
“We hope from God that we will present common files when conditions improve one day, ” he said, stressing that the philosophy of the UN Convention for the Safeguarding of the Intangible Heritage is“ to bring people and cultures closer together. ”
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According to recent estimates, there are only a few dozen craftsmen still practicing traditional glassblowing in Syria, due to the decline of the craft in recent years, making conservation efforts crucial.

The Syrian government has implemented measures to support the craft, including the establishment of training programs for young apprentices, aiming to pass on the traditional techniques and skills to the next generation.

Local communities are also involved in the preservation efforts, with initiatives such as the creation of glassblowing workshops and exhibitions, showcasing the craft and promoting its importance in Syrian culture.

The Syrian Trust for Development, a non-governmental organization, is working to support traditional glassblowing through projects focused on capacity building, marketing, and product development, helping craftsmen to improve their skills and increase their income.

Beyond the 'Living Heritage' program and UNESCO recognition, the Syrian government and local organizations are exploring new ways to promote and preserve traditional glassblowing, including the development of sustainable tourism initiatives and the creation of online platforms to showcase the craft.

The Syrian Ministry of Culture is also collaborating with international organizations to develop a comprehensive plan for the preservation of traditional glassblowing, including the establishment of a national center for glassblowing and the creation of a database of traditional glassblowing techniques.

Additionally, local communities are organizing festivals and events to celebrate the craft, such as the annual Glassblowing Festival in Damascus, which aims to raise awareness about the importance of preserving traditional glassblowing.


The traditional glassblowing craft in Syria, particularly in Damascus, has a rich history that dates back over two thousand years to the time of the Phoenicians.

This ancient craft has been passed down through generations of Syrian artisans, with many learning the trade from their fathers or other family members.

The craft of glassblowing was significantly affected by the war in Syria, but after the liberation of some areas from terrorism, some artisans have brought it back to life, with some learning the craft from their fathers when they were children.

The artisanal craft of traditional glassblowing is considered one of the types of plastic arts, and it involves melting recycled glass in an oven at high temperature, then choosing a specific shape for its manufacture, and decorating it to give it the required aesthetics.

The traditional glassblowing profession has been included in the list of intangible cultural heritage of humanity that needs urgent safeguarding by UNESCO, due to its importance in Syria's culture and its risk of being threatened by modern technology.

In Damascus, traditional glassblowing is one of the prominent images of ancient professions, which have been associated with and named after specific families who have practiced them since ancient times.

The craft of traditional glassblowing is not only significant in terms of its cultural importance, but also in terms of its artistic value, with artisans able to make any shape or glass container using their imagination.

Despite its importance, the craft of traditional glassblowing is facing threats from modern technology, which has "stolen" the descendants of the "industrialists" of the ancient Damascene professions, including glassblowing.

The number of craftsmen doing traditional glassblowing in Damascus has decreased due to the war and the threat of modern technology, but there are still some artisans who are passionate about preserving this ancient Syrian heritage.

The preservation of traditional glassblowing is necessary to inform future generations of their heritage and history, and to maintain the continuity and importance of this craft in Syrian culture.

The exhibition "Heritage Crafts are Inherited by the Fragrance of History" hosted by the Adawi Cultural Center in Damascus, featured artworks that varied between glass decoration, Damascene brocade, and various handicrafts, highlighting the importance of traditional crafts in Syrian culture.

The Syrian government and local communities are working together to preserve and promote the craft, with initiatives like the "Living Heritage" program aimed at preserving traditional crafts, including glassblowing.

The UNESCO listing is expected to raise awareness about the importance of preserving traditional glassblowing and provide support for the craftsmen and communities involved in the craft.

According to recent estimates, there are only a few dozen craftsmen still practicing traditional glassblowing in Syria, due to the decline of the craft in recent years, making conservation efforts crucial.

The Syrian Trust for Development, a non-governmental organization, is working to support traditional glassblowing through projects focused on capacity building, marketing, and product development, helping craftsmen to improve their skills and increase their income.

The Syrian Ministry of Culture is also collaborating with international organizations to develop a comprehensive plan for the preservation of traditional glassblowing, including the establishment of a national center for glassblowing and the creation of a database of traditional glassblowing techniques.

Local communities are organizing festivals and events to celebrate the craft, such as the annual Glassblowing Festival in Damascus, which aims to raise awareness about the importance of preserving traditional glassblowing.

The Syrian Professional Center Association is working to preserve traditional crafts, including glassblowing, by training younger generations and providing financial grants to encourage artisans to continue their work.

The association's efforts aim to prevent the extinction of these traditional crafts and develop them to suit modern times.

The traditional glassblowing craft in Syria, particularly in Damascus, has a rich history that dates back over two thousand years to the time of the Phoenicians.

Title:

Content: Art of glassblowing returns again in Aleppo countryside liberated from terrorism

The town of Urem Al-Kubra in Aleppo province in northern Syria has historically been famous for its skilled glassblowing craftsmen. The war considerably affected this traditional craft inherited from our ancestors, but after the liberation of the city from terrorism, some artisans have brought it back to life. The artisan, Yassin Arab learned the glassblowing craft from his father when he was a child, and after the town was liberated from terrorism, he returned to his small facility, where he worked to restore it and start working again. Arab does not hide his enormous passion for the craft of glassblowing and his belief in the need to preserve this ancient Syrian heritage. Regarding the working mechanism, the artisan explained to SANA that he uses recycled glass, melts it again in the oven at high temperature, and then chooses a specific shape for its manufacture, whether hookah bottles, vases, plates, small jugs, fish houses for decoration, decorated cups and antiques of different sizes. After that, t he piece is blown, rotated and processed by the artisan until it takes its final shape using white and brown colors, and once the manufacturing of the product is finished, it is decorated and colored to give it the required aesthetics. For his part, Hussein Najjar noted that he learned the craft of blowing glass manually since he was young and has been working in this field for 40 years. He added that he is able to make any shape or glass container, using his imagination, and considered that the art of glassblowing is one of the types of plastic arts. Traditional glassblowing is a profession that dates back more than two thousand years (since the time of the Phoenicians) and was included in December 2023 by UNESCO on the list of intangible cultural heritage of humanity that needs urgent preservation. Source: Syrian Arab News Agency

This ancient craft has been passed down through generations of Syrian artisans, with many learning the trade from their fathers or other family members.

The craft of glassblowing was significantly affected by the war in Syria, but after the liberation of some areas from terrorism, some artisans have brought it back to life, with some learning the craft from their fathers when they were children.

The artisanal craft of traditional glassblowing is considered one of the types of plastic arts, and it involves melting recycled glass in an oven at high temperature, then choosing a specific shape for its manufacture, and decorating it to give it the required aesthetics.

The traditional glassblowing profession has been included in the list of intangible cultural heritage of humanity that needs urgent safeguarding by UNESCO, due to its importance in Syria's culture and its risk of being threatened by modern technology.

In Damascus, traditional glassblowing is one of the prominent images of ancient professions, which have been associated with and named after specific families who have practiced them since ancient times.

Title:

Content: 00: 00
Expo 2020 Dubai Today
Ancient Crafts Blown by Technology
T + T - normal size
Thuriyeh is the Syrian capital, Damascus, with its aesthetics, ancient walks and attractive colors.
It is filled with the cultural and societal vocabulary of distinct traditional industries, manifested in one of its prominent images by ancient professions, which have been associated with and named, since ancient times, by specific families who have practiced them.
However, these names, which are full of cultural and historical content, have become threatened by the threat of modern technology, which, with its various fields, has been “stolen ” by the descendants of the“ industrialists ” of the ancient Damascene professions.
The names of the majority of Damascene families are attributed to many of the names of traditional professions, where we find the names of families who worked in the textile professions and derivatives, including Bait al-Hayek, ropes, kattan, nouilati, maslati, Sabbagh, wool, and many more.
We also find that there are families that practiced the manufacture of shoes called Bait al-Jazmati, al-Sakafi, al-Kandarji, al-Bawabiji, Kabaqibi, while the families that practiced the profession of al-Samana, for example, Bait al-Khodari, al-Fakhani, al-Kuzbari, al-Khallati, al-Arqsoussi, al-Jabban, al-Labban, al-Zayat, and Sharabati.
The families working in the field of clothing and fabrics were named Bait al-Khayat, al-Kawa, and al-Hariri.
It is clear that these names have an important historical and social value, as they are linked to a cultural and historical component that tells the stories of the place and reflects its heritage and features of attractiveness, but it is remarkable that these nicknames, which were associated with important unique professions and were a strong indication of an influential presence. As they melt and disappear, the grandchildren abandon the origins of the craft or abandon it altogether, and they see it as useless and profitable.
This will lead in the future to the loss of a rich heritage, as Mohammed Samer al-Mahayri confirms to Al-Bayan, whose family is famous for the craft of making hodges and then boxes, hence the name, where he shows that hundreds of families in Damascus were associated with the names of professions as the city was an important commercial and economic center, pointing out that “there are many families with the same surname, but they are not related. It is not a city or a province, and one of these families is the Mahayri family, for example. ”
He pointed out that modern technology has become a real threat to an important traditional heritage component, namely the traditional crafts group, which has been abandoned by grandchildren.
Reflection
Al-Mahayri points out that the naming of families by the names of professions that were prevalent in Damascus reflected the values, culture and socio-economic level of those families.
He also explains that these crafts, together with the families, have left a great impact on the life of the Damascene community, a beautiful impact that should not be absent, and there must be specialized projects that protect and care for it by preserving the component of these traditional professions.
He continues: You find that it has developed professions and ended some professions turned owners to other professions, the barber family some of them moved to work in the soap industry and trade in the market of Bzouria, and the Arqsousi turned to carpentry also, and they originally were selling liquor, and many others.
Continuation.
In turn, Mahmoud Hamami, who insisted on challenging the waves of technological temptation and preserving the profession of his grandparents, where his family works in the profession of Damascene baths as a law graduate, but he continues to manage family-owned baths for decades, pointing out that « his brothers went to work in other professions, and this is the case of most families whose name was associated with the names of professions ».
Diversification
It is worth mentioning that the names of the Damascene families referred to are related to the variety of professions. At the level of confectionery industry, we find many family names associated with these professions, such as: Bait Ka ’ ikati, Halwani, Sukari, Knivati, Baggati.
While we find the house of Kahwaji, Hakawati, Rawi, Tetunji Tanbokji, and Arkeli.
As for the professions related to education, we find: the families of the house of the professor, the teacher, the teacher, the haja, and the osta, while the families famous for science, culture and medicine are called the house of the poet, the writer, the writer, the writer, the Arab writer, the wise, the surgeon and the case.
There are also many families that bore the name of the profession of blacksmithing, such as: Sankari, Bawabiri, Mujlakh, and Sheikh blacksmiths, while the families that made musical instruments were called the house of string, and Awad, while the families were named after the house of castles, stones and flint for those who practiced the profession of stone quarries.
There are family names associated with military professions such as: the house of the soldier, the lieutenant colonel, the soldier, and the brigadier.
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The craft of traditional glassblowing is not only significant in terms of its cultural importance, but also in terms of its artistic value, with artisans able to make any shape or glass container using their imagination.

Despite its importance, the craft of traditional glassblowing is facing threats from modern technology, which has "stolen" the descendants of the "industrialists" of the ancient Damascene professions, including glassblowing.

The number of craftsmen doing traditional glassblowing in Damascus has decreased due to the war and the threat of modern technology, but there are still some artisans who are passionate about preserving this ancient Syrian heritage.

The preservation of traditional glassblowing is necessary to inform future generations of their heritage and history, and to maintain the continuity and importance of this craft in Syrian culture.

Title:

Content: Samples of the Damascene Literary Heritage Attend an Exhibition and Seminar in the Culture of Infection
Damascus-Sana
In the exhibition “Heritage Crafts are Inherited by the Fragrance of History ” hosted by the Adawi Cultural Center, the artworks varied between glass decoration, Damascene brocade and various handicrafts.
The exhibition was followed by an introductory seminar on these arts for the Sheikhs of Carr and craftsmen specialized in these professions under the supervision of the handicraft trainer Rowaa Yousef.
Youssef Lassana explained that the exhibition was dedicated to traditional professions in general and handicrafts, especially such as brocade, painting on glass, Islamic motifs and handicrafts to maintain their continuity and importance.
Mohammed Bassam Rayhan Sheikh Al-Karar in painting on glass and decoration spoke in his intervention about the history of this craft, its forms, fields of work and materials used in it, pointing out that the glass, which was the first to be invented by the Phoenicians, evolved in Damascus throughout history and was painted on the mishkat and lanterns using oxides and various materials, thermal colors, acrlik and others.
The Damascene brocade craftsman Mohammed Rankous explained in his intervention that this cloth is made of natural silk and golden reed yarns and attributed to Damascus because it took its character, heritage and environment, such as the painting of Omar Khayyam, the Levantine Rose, grape clusters, the lover and the beloved, and the octagonal geometric drawings, pointing out that this craft entered the cultures of different civilizations.
Nasruddin Mohammed is a graduate of applied arts and a drawing teacher who participated in paintings for his students from children and boys. In his intervention, he explained the history of the Damascene plant decoration, its methods, types and schools such as Andalusian, Persian and Damascene, and its differences in decoration, diggings, mirrors and miniatures, indicating that its history dates back to the Andalusian civilization, which was its main creativity in palaces and buildings.
Mohammed Sabha is a bridal craftsman who participated in a group of decorative glass works for brides and explained that he has completed a model of a waterfall flowing from an electric mountain that is operated by hand from cardboard, wood and cork inspired by his ideas.
Rana Ayoub participated in a group of works of three-dimensional models and miniatures of the Levant environment. She explained that she chose this environment because she grew up and lived in it and adored it. It is necessary to inform future generations of their heritage and history, pointing out that she works with cork, wood, natural materials, gypsum, ceramic paste and others.
Bilal Ahmed

The exhibition "Heritage Crafts are Inherited by the Fragrance of History" hosted by the Adawi Cultural Center in Damascus, featured artworks that varied between glass decoration, Damascene brocade, and various handicrafts, highlighting the importance of traditional crafts in Syrian culture.

The Syrian government and local communities are working together to preserve and promote the craft, with initiatives like the "Living Heritage" program aimed at preserving traditional crafts, including glassblowing.

Title:

Content: A year of hard work to document and preserve the Syrian tangible and intangible heritage locally and internationally
Damascus-Sana
The Syrian heritage, both tangible and intangible, forms an important pillar within the World Heritage system, and is a key factor in strengthening the cultural identity of the Syrian people, building the present and protecting the future.
During 2022, the Ministry of Culture and its concerned institutions, in particular the Directorate General of Antiquities and Museums and the Directorate of Intangible Cultural Heritage, focused on organizing a series of events and seminars and signing a series of agreements related to the importance and mechanisms of preserving this heritage in its various components.
Among the most important Syrian activities and works related to tangible and intangible heritage during 2022 are:
During the year, Syria held several discussions on the loan of Syrian artifacts damaged during the terrorist war on Syria for restoration and display in the Sultanate of Oman, and signed a joint statement on cooperation to preserve cultural heritage with the People ’ s Republic of China.
Syria participated in the International Forum of the Convention for the Protection of the World Cultural and Natural Heritage in the Russian city of Kazan, and the Scientific Conference on Archaeology in the Hungarian capital, and participated in a virtual lecture within the international conference on the protection of the Syrian cultural heritage after the war.
– The archaeological missions returned to excavations in 2022, including the joint Syrian-Italian archaeological mission, which began its work for the first season at the archaeological site of Amrit, and the discovery of a funerary burial and some archaeological finds and discoveries dating back to the Roman era in Amrit by the joint excavation team between the Directorate General of Antiquities and Museums and the Department of Tartus Antiquities.
– The national expertise of the Directorate General of Antiquities worked to expand the work to discover the entire rare archaeological mosaic painting in the city of Rastan, which dates back to the Roman era, and reached a length of 20 meters and a width of 6 meters.
– Completion of the restoration work of the Arc de Triomphe in the ancient city of Palmyra, which was destroyed by terrorist organizations in 2015, and the second phase of the restoration project began with the signing of a memorandum of understanding between the Directorate of Antiquities, the Syrian Secretariat and the Institute of the History of Material Culture of the Russian Academy of Sciences in the Russian Federation.
– Holding a workshop “Restoring Syrian Heritage and Reviving Local Communities ” at Expo 2020 Dubai, in which local, Arab and international bodies specialized in antiquities participated.
– In the National Museum in Damascus and in tribute to the lives and sacrifices of about 27 martyrs who rose during the terrorist war on Syria in defense of the Syrian cultural heritage, an exhibition of recovered archaeological treasures 3 entitled (Salute to the martyrs of the General Directorate of Antiquities and Museums) was opened within the days of Syrian culture.
– The opening of a painting exhibition entitled “Restoration of Syrian Heritage by Theo Vitit ’ s Vision ” at the National Museum in Damascus, which is a painting of restoration and excavation works in Syrian archaeological sites, painted by the Dutch artist and archaeologist Theo Vitit in 2018 and 2021, and was presented in the Netherlands to introduce the Western community to what happened to the Syrian cultural heritage.
In Damascus Castle, the first national screening of the film Siriacus Section, directed by Olivier Bourgeois, was launched in 2022 in cooperation between the Ministry of Culture, the Directorate General of Antiquities and Museums, and the Syrian Trust for Development. The film, which won more than 17 international awards, talks about the solidarity of a small group of archaeologists and museum curators with the escalation of the terrorist war on Aleppo in 2015. The National Museum of Aleppo.
The Directorate of Antiquities, in cooperation with the European Center for Byzantine and Post-Byzantine Monuments and the Department of Antiquities at the University of Damascus, organized a digital exhibition on historical mosaics in Syria, entitled “Syria is still the source of arts ”.
– The beginning of the year witnessed the return of five Syrian destructive artifacts to the National Museum in Damascus at the initiative of the management of the Naboo Museum in Beirut, and the pieces are various funerary destructive statues from the collections of the Naboo Museum previously purchased from European auction houses.
The second leg of the Syrian Antiquities Exhibition, entitled “The Wonderful Syria ”, was opened in Chengdu, Sichuan Province, southwest China, which lasted until May. During this period, special scientific seminars and cultural events were held in connection with the exhibition, in which the Department of Antiquities and Museums participated with 195 important artifacts and collections of Syrian museums.
In 2022, the Directorate of Intangible Cultural Heritage has been active in most governorates, focusing on monitoring, studying and documenting the national intangible heritage and preparing the necessary plans to search for, study and inventory the elements of this heritage and include them in the national register, in cooperation with governmental and non-governmental institutions, local communities and international organizations.
The Directorate of Heritage organized a workshop on Syrian intangible cultural heritage at Al-Assad National Library, in preparation for the development of a national strategy for intangible cultural heritage in Syria.
– The project (Windows 5) was organized, whose musical evenings varied between documentation and promotion of Syrian heritage songs, and many heritage festivals were held in the provinces.
– The project of documenting the elements of the Syrian intangible heritage in ancient Homs, implemented by the Ministry of Culture in cooperation with the Syrian Secretariat and civil society, was launched in 2022 to preserve the elements of this heritage, and work continued on the project of documenting the elements of the intangible heritage in Tartus province.
Within the framework of the implementation of the plan to preserve the element of the theater of shadow imagination Karkouz and Aiwaz after registration on the list of urgent conservation of the world humanitarian heritage at UNESCO, the Syrian Secretariat for Development continued the third professional training after Damascus and Suwayda, for youth cadres in the city of Aleppo.
The Syrian Secretariat for Development has developed the “Living Heritage ” program with the local community in Aleppo governorate, the main axes for the preservation of the Aleppo cod, which was registered on the Representative List of Human Heritage at UNESCO by the end of 2021 with the participation of a group of governmental and civil authorities, artists, musicians, researchers and interested in the Arab, musical and art of cod.
At the international level:
Syria has been elected vice-president of the ninth session of the General Assembly of the States Parties to the 2003 UNESCO Convention for the Safeguarding of the Intangible Cultural Heritage of Humanity for a two-year term 2022-2024.
Syria participated in the UNESCO World Conference on Cultural Policies and Sustainable Development, Mondiacult 2022, in Mexico.
– In 2022, a scientific research by the son of the city of Aleppo, Antoine Makdis, related to how to recover from the effects of war through independent cultural production based on intangible cultural heritage won the first place in the competition of the Foundation of Santgrata, specialized in the Italian cultural economy.
– An integrated archaeological project in the Baal Shemin Temple in Palmyra has been shortlisted for the third cycle of ICCROM Sharjah Award for the Conservation and Protection of Cultural Heritage in the Arab Region 2020-2022.
Rasha Mahfoudh and Mays Al-Ani
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The UNESCO listing is expected to raise awareness about the importance of preserving traditional glassblowing and provide support for the craftsmen and communities involved in the craft.

According to recent estimates, there are only a few dozen craftsmen still practicing traditional glassblowing in Syria, due to the decline of the craft in recent years, making conservation efforts crucial.

The Syrian Trust for Development, a non-governmental organization, is working to support traditional glassblowing through projects focused on capacity building, marketing, and product development, helping craftsmen to improve their skills and increase their income.

The Syrian Ministry of Culture is also collaborating with international organizations to develop a comprehensive plan for the preservation of traditional glassblowing, including the establishment of a national center for glassblowing and the creation of a database of traditional glassblowing techniques.

Local communities are organizing festivals and events to celebrate the craft, such as the annual Glassblowing Festival in Damascus, which aims to raise awareness about the importance of preserving traditional glassblowing.

The Syrian Professional Center Association is working to preserve traditional crafts, including glassblowing, by training younger generations and providing financial grants to encourage artisans to continue their work.

Title:

Content: Exhibition of craft products by Syrian and Russian artists in the public park in Aleppo
Halab-Sana
On the grounds of the public park in the city of Aleppo, the activities of the exhibition of craft products were launched today, with the participation of 20 craftsmen and artists from Syria and the Russian Federation.
The exhibition, organized by the Ministry of Industry in cooperation with the Russian Cultural Center in Damascus, the Federation of Artisans in Aleppo and the Syrian Professional Center Association, includes a collection of heritage and artistic works, paintings of Ajami thread, ornaments and handicrafts of wool, orphans, leather, rugs, carpets, bamboo and silver industry.
According to the President of the Union of Artisans in Aleppo, Mohammed Hossam Hallak, in a statement to SANA correspondent, the exhibition aims to highlight the traditional handicrafts and crafts and folklore professions to revive them by training the younger generations and mastering their industry to preserve them.
Mustafa al-Nu, President of the Syrian Professional Center Association, pointed out that the association worked to attract professionals and handicrafts, and provided them with financial grants to encourage them to continue their work, to preserve these crafts from extinction, in addition to training young people wishing to learn these crafts and develop them to suit the times.
The Russian artist Yuri Lishin, famous for the manufacture of blowing on glass, talked about his professionalism for more than 54 years, and his participation in many exhibitions in the world, indicating that his visit to Syria to learn about the glass industry, and participate in workshops on the manufacture of hand glass in Syria.
A number of participants noted the importance of the exhibition, which allows for the marketing of their products, where Zakaria Sultan, who works in the craft of silver and peat breaking, explained that he participates with silver and copper products and accessories made by hand in various forms for swimming pools, steadfastness, image cadres and chandeliers, in addition to grafting copper on wood, calling for providing the necessary support to maintain this profession.
The craftsman Ayman Saeed presented the results of the drawing on wood, which is called Ajami art, and stated that he learned to make this art and plant motifs and painting in Arabic calligraphy in the association, and became a trainer contributing to the revival of heritage, and that the exhibition is an important opportunity to market his products.
Artist Tala Naravyan participated in watercolor, oil and other paintings painted with pencils and charcoal, talking about the Armenian and Arab heritage and the neighborhoods of Aleppo and its citadel, pointing out that she participates to introduce people to the components of the rich Syrian heritage through painting because it constitutes the language of the world.
Samira Misto, who works in the craft of making the ancient traditional macrame, using colored threads and ropes to decorate the Koran, mirrors, clothes and jewelry, pointed out that she is working to develop this profession by adding beads and tree trunks to revive and preserve it.
Qusay Razzouk
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Look, too.
Aleppo Public Park

The association's efforts aim to prevent the extinction of these traditional crafts and develop them to suit modern times.


The global avocado market has experienced significant growth in recent years, with the Internet channel emerging as the fastest growing channel for avocado shoppers, showing growth of nearly 334 percent since 2017.

This growth has led to an increase in avocado imports in Europe, with a 23% increase compared to the same week in 2023, although this has not led to a price reduction.

However, avocado imports have declined in China, with arrivals from Peru decreasing by more than half year-on-year.

The production of avocados has significant environmental impacts, including water scarcity and depletion of aquifers, with the production of one kilogram of avocado requiring about 1,000 liters of water.

Avocado cultivation has also led to deforestation, soil erosion, and chemical contamination of water sources, particularly in the Mexican state of Michoacán, which produces about 80% of the world's avocados.

The demand for avocados has led to the emergence of a mafia that controls the production and distribution of avocados in some countries, highlighting the social effects on local farming communities.

In Mexico, the national yield of avocados is 10.30 metric tons per hectare, with the majority of production being exported to the US, where profit margins are typically more than 50 percent higher than supplies sold to the domestic market.

International demand for avocados from Mexico continues to increase, with producers seeking international markets with higher profitability than the domestic market.

The rising demand for avocados has led to severe environmental effects and the emergence of a mafia that controls the production and distribution of avocados in some countries, particularly in Mexico.

Avocado cultivation in Michoacán has depleted local water supplies and caused severe environmental damage, including deforestation, soil erosion, and chemical contamination of water sources.

The high water use of avocado production has led to water scarcity and depletion of aquifers in some areas, particularly in the Mexican state of Michoacán.

The transport of avocados from production sites to markets also has a significant impact on the climate, with approximately 5.4 kg of carbon dioxide emissions per kg of avocado.

To address these issues, governments can promote sustainable avocado farming practices, provide financial incentives to farmers, and enact laws to protect the environment and local communities.

Certification schemes, such as Fairtrade or Organic, can be used to promote more equitable and sustainable avocado production and trade practices by ensuring that producers meet certain standards for environmental sustainability, social responsibility, and economic fairness.

The use of certification schemes like Global G.A.P. and Rainforest Alliance can help avocado producers demonstrate their commitment to sustainability and social responsibility, which can lead to increased market access and premium prices.

Companies like Cerritos, which has 3000 acres of avocados certified by Global G.A.P. and Rainforest Alliance, are working to secure Fair Trade certification to further promote equitable and sustainable production practices.

Overall, the rising demand for avocados has had significant social, economic, and environmental impacts on the countries that produce them, particularly in Mexico and Central America.

The promotion of sustainable avocado production and trade practices requires a collaborative effort from governments, farmers, and consumers to address the economic, environmental, and social concerns associated with avocado cultivation.

A holistic approach to sustainability that takes into account the environmental, social, and economic impacts of avocado production is necessary to mitigate the negative effects of the industry and ensure a more sustainable future for avocado production.

The global avocado market has experienced significant growth in recent years, with the Internet channel emerging as the fastest growing channel for avocado shoppers, showing growth of nearly 334 percent since 2017.

Title:

Content: HAB study reveals fastest growing retail channels for avocado purchases

HAB study reveals fastest growing retail channels for avocado purchases

A recent Hass Avocado Board (HAB) avocado channel segmentation study has revealed the fastest growing retail channels for avocado purchases.

As a companion piece to Rethinking Retail: Avocado Shopper Segmentation, released earlier this year, the research helps the industry understand key shopper segments better, by diving into the retail channels where shoppers purchase avocados, and outlines key purchase metrics within each retail outlet.

According to the study, which was based on household purchase data from the IRI Consumer Network, grocery claimed the majority of avocado purchases across all shopper segments in 2020, but lost dollar share to the internet and large format channels since 2017.

The Internet, Walmart, and Club channels contributed a combined $123.2 million in incremental avocado purchases, accounting for the majority of total net category growth from 2017-2020.

Moreover, the Internet channel emerged as the fastest growing channel for avocado shoppers over the past four years, showing growth of nearly 334 percent since 2017 for avocado purchases. This growth added $30.5 million in purchases to the category over the 3-year period.

Since 2017, the Internet channel has more than doubled its share of avocado purchases, driven by an 11 percent increase in annual household spend and a 30 percent increase in the number of avocado purchase trips.

Club Stores have the second highest share of avocado purchases at 14 percent, with the second highest growth rate at 26 percent since 2017. Club store purchases accounted for an additional $55.6 million for the category, making it the largest contributor of incremental purchases over the 3-year period.

In addition, Ultra shoppers were found to be more likely to purchase avocados across multiple retail outlets. The Ultra segment made up a smaller portion of avocado shoppers across all retail channels in 2020, yet these shoppers hold the largest share of avocado purchases in every channel.

Furthermore, the study concluded that Ultra shoppers are also more likely to make repeat purchases, make more purchase trips per year, and have the highest avocado spend per trip of any other segment across all channels. These higher purchase trends and the multi-channel shopping behavior of Ultra Shoppers is a key factor in the changing retail landscape.

In conclusion, the channel segmentation study highlights that the industry can leverage key shoppers in the internet channel, capitalize on opportunities to generate engagement in high-growth channels with Ultra shoppers, and create marketing and promotional opportunities that bring in shoppers and increase purchase frequency in each channel.

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How has avocado consumption changed in recent years?

This growth has led to an increase in avocado imports in Europe, with a 23% increase compared to the same week in 2023, although this has not led to a price reduction.

Title:

Content: Avocado imports rise in Europe, decline in China

More News Top Stories

Specialized intelligence company Avobook's week 29 report noted interesting movements in the global avocado market.

European avocado imports saw a 23% rise compared to the same week in 2023. Interestingly, the report points out that this has not induced a price reduction.

. The interesting thing, the report points out, is that this has not induced a price reduction.

Something different can be observed in China, where arrivals from Peru have decreased by more than half year-on-year. Peruvian supplies usually dominate the market at this time of the year.

In the case of the United States, Avobook explains that Mexican supplies account for 40% of the market, while California's account for 28%, and Peru's, 24%. The scenario in the U.S. market shows slightly lower prices than the previous week in all grades.

Review the full report here.

The Global Avocado Summit, organized by the Chilean Avocado Committee and the Yentzen Group, will be held on November 21 at the Casino Monticello event center in Chile.

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How has avocado consumption changed in recent years?

What are the countries and regions that import avocados?

However, avocado imports have declined in China, with arrivals from Peru decreasing by more than half year-on-year.

The production of avocados has significant environmental impacts, including water scarcity and depletion of aquifers, with the production of one kilogram of avocado requiring about 1,000 liters of water.

Title:

Content: Avocado: Between Environmental Impacts and Global Market Controllers
In the Mexican state of Michoacán, which produces about 80% of the world ’ s avocado, avocado cultivation has depleted local water supplies and caused severe environmental damage, with studies showing that avocado cultivation has led to deforestation, soil erosion and chemical contamination of water sources.
(Getty)
In recent years, the avocado industry has become a staple in many diets around the world, and its popularity has increased greatly due to the multiple health benefits.
However, the demand for this fruit has led to harmful environmental effects and the emergence of a mafia that controls the production and distribution of avocados in some countries.
A Chilean study published recently said that avocado cultivation has caused severe water shortages, as well as in Peru, where large farmers have dominated the avocado market since the 1990s, where cultivation requires huge amounts of water, the production of one kilogram of avocado, consumes about 1,000 liters of water, much more than other crops such as tomatoes or oranges.
According to a report by the Water Footprint Network, the production of one kilogram of tomatoes requires about 300 liters of water, and the high water use of avocado production has led to water scarcity and depletion of aquifers in some areas.
In the Mexican state of Michoacán, which produces about 80% of the world ’ s avocado, avocado cultivation has depleted local water supplies and caused severe environmental damage, with studies showing that avocado cultivation has led to deforestation, soil erosion and chemical contamination of water sources.
According to the report, moving avocados from the production site to the market also has a significant impact on the climate, as avocados are grown mainly in developing countries, and are exported to developed countries such as the United States, Europe and Japan, and the transport of avocados over long distances contributes to greenhouse gas emissions harmful to the environment. Approximately 5.4 kg of carbon dioxide emissions per kg of avocado.
Avocado production has also led to the emergence of a mafia that controls the production and distribution of avocados in some countries, where the avocado mafia operates mainly in Mexico, where it controls the production and export of avocados, and this mafia, according to media reports, consists of criminal organizations that use violence and intimidation to control the production and distribution of avocados, and often extort money from farmers. The avocado mafia uses violence to eliminate competitors and dominate the export market, as studies have shown that these gangs are responsible for deforestation, land grabbing and violence against indigenous communities in Mexico.
According to dozens of studies published in recent years, avocado cultivation also has negative effects on local communities. In some areas, demand for avocados has led to land grabbing, community displacement, labor exploitation, and avocado cultivation in the Mexican state of Michoacán has led to the displacement of indigenous communities and the exploitation of often paid migrant workers. Some studies have shown that the expansion of avocado cultivation has displaced traditional crops, leading to food insecurity and loss of biodiversity.
According to the study, governments around the world can take various measures to mitigate the impact of this agriculture on the climate, and one way is to promote sustainable avocado farming practices that reduce water use and reduce the use of chemicals. Protect the environment, provide financial incentives to farmers and enact laws that will deter illegal and criminal practices in these countries.

What negative impact has the increased global demand for avocados had on the environment?

Avocado cultivation has also led to deforestation, soil erosion, and chemical contamination of water sources, particularly in the Mexican state of Michoacán, which produces about 80% of the world's avocados.

What are the countries and regions that produce and export avocados?

What negative impact has the increased global demand for avocados had on the environment?

The demand for avocados has led to the emergence of a mafia that controls the production and distribution of avocados in some countries, highlighting the social effects on local farming communities.

What negative impact has the increased global demand for avocados had on the social structure and the economy of the countries that produce them?

displacement of local communities
increased criminal activity
labor exploitation

In Mexico, the national yield of avocados is 10.30 metric tons per hectare, with the majority of production being exported to the US, where profit margins are typically more than 50 percent higher than supplies sold to the domestic market.

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Content: Mexican avocado production to fall in 2021-22 - FreshFruitPortal.com

Mexican avocado production to fall in 2021-22

Mexican avocado production is forecast to fall by eight percent year-on-year in the 2021-22 season, according to a USDA GAIN report.

The country is expected to produce 2.33 million metric tons (MMT) between July 2021 and June 2022, following a record volume year in the previous season.

"Growers state that they are expecting needed tree recovery after record productivity and production (especially in Michoacán) in the MY 2020/21 season," the report said.

"Additionally, insufficient rainfall and high temperatures are likely to reduce production and yields in non-Michoacan producing states."

Mexico is forecasted to export 1.33 MMT in 2021-22, eight percent lower than the previous season, on lower production. Exports to the U.S. are forecasted at 1.04 MMT.

Michoacán, the only state with phytosanitary approvals to export to the U.S. typically exports approximately 85 percent of production.

According to the USDA, profit margins for export to the U.S. are typically more than 50 percent higher than supplies sold to the domestic market. Michoacán also exported 22 percent greater volumes in 2020/21 than the previous MY to non-U.S. markets, on increased production. Canada, Japan, and Spain were the main destinations.

International demand for avocados from Mexico continues to increase, and producers without access to the U.S. market continue to seek international markets with higher profitability than the domestic market. Jalisco exported 26 percent more volume than the previous marketing year in 2020/21, mainly to Japan, Canada, France and Spain.

Planted and harvested areas are forecasted at 227,126 hectares (ha) and 225,910 ha respectively, with a national yield of 10.30 metric tons per hectare (MT/ha).

Harvest reaches peak from October to February, with average supply from March to May, and low season from June to September.

Annual per capita consumption is seven kilograms (approximately 15 pounds) per person. While a staple in Mexican cuisine, avocado consumption has not grown in recent years because of high prices driven by increased international demand.

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What are the countries and regions that import avocados?

What are the countries and regions that produce and export avocados?

What are the positive effects of the global demand for avocados on the countries and regions that produce and export them?

International demand for avocados from Mexico continues to increase, with producers seeking international markets with higher profitability than the domestic market.

How has avocado consumption changed in recent years?

What are the positive effects of the global demand for avocados on the countries and regions that produce and export them?

The rising demand for avocados has led to severe environmental effects and the emergence of a mafia that controls the production and distribution of avocados in some countries, particularly in Mexico.

What negative impact has the increased global demand for avocados had on the environment?

What negative impact has the increased global demand for avocados had on the social structure and the economy of the countries that produce them?

Avocado cultivation in Michoacán has depleted local water supplies and caused severe environmental damage, including deforestation, soil erosion, and chemical contamination of water sources.

What negative impact has the increased global demand for avocados had on the environment?

The high water use of avocado production has led to water scarcity and depletion of aquifers in some areas, particularly in the Mexican state of Michoacán.

What negative impact has the increased global demand for avocados had on the environment?

The transport of avocados from production sites to markets also has a significant impact on the climate, with approximately 5.4 kg of carbon dioxide emissions per kg of avocado.

To address these issues, governments can promote sustainable avocado farming practices, provide financial incentives to farmers, and enact laws to protect the environment and local communities.

What strategies can make global avocado trade more ethical?

Certification schemes, such as Fairtrade or Organic, can be used to promote more equitable and sustainable avocado production and trade practices by ensuring that producers meet certain standards for environmental sustainability, social responsibility, and economic fairness.

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Content: GLC Cerritos LLC hires Sustainability Director Armando Garcia - FreshFruitPortal.com

GLC Cerritos LLC hires Sustainability Director Armando Garcia

Industry Announcements More News

PRESS RELEASE

In order to enhance its sustainability efforts, GLC Cerritos LLC, the leading Jalisco avocado grower-shipper, has hired Armando Garcia as Director of Sustainability.  This newly created position will evaluate current sustainability initiatives with in the company and define a strategy for future projects.  “Cerritos has shown a strong commitment for its sustainable development over the years, which makes it a very unique company within the Mexican Avocado sector; therefore, I am very excited to undertake this new position and work to strengthen Cerritos sustainability program” commented Garcia.

Mr. Garcia most recently worked as Managing Director of the Jalisco Avocado Growers and Exporters Association (APEAJAL), where he was originally hired to develop its sustainability department.  He introduced projects with Rainforest Alliance, the United Nations Food & Agriculture Organization, the Business Alliance for Climate, Stronger Together, and has worked on the reforestation program, and other green initiatives that APEAJAL has sponsored.

“Cerritos is known throughout the industry for their sustainability efforts.  They strive to live up to their mission “To inspire agribusiness with sustainability by producing healthy food for the world”, said Garcia pointing to such projects as the responsible recruiting initiative with Stronger Together.  The company currently farms 3000 acres of avocados, all of which are certified by Global G.A.P. and Rainforest Alliance.   The company is currently working to securen Fair Trade certification inpreparation for the 2024/25 Mexico avocado season.

Owner Saul Medina mentioned that Armando will first to a deep dive into Cerritos’ current sustainability projects, including governance, human rights, labor and environmental standards.  From there he will develop a sustainability strategy to define how these projects will continue to evolve in the future, and which others will come to bring in sustainability’s full spectrum into the company.

US division president, Giovanni Cavaletto, welcomes Armando Garcia to the team stating  “There is so much good that the Mexican avocado industry brings to the communities where we work.  Mr. Garcia is a great addition to the team to help define our sustainability strategies and share the message of these efforts with the rest of the industry.”

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What strategies can make global avocado trade more ethical?

The use of certification schemes like Global G.A.P. and Rainforest Alliance can help avocado producers demonstrate their commitment to sustainability and social responsibility, which can lead to increased market access and premium prices.

What are the positive effects of the global demand for avocados on the countries and regions that produce and export them?

What strategies can make global avocado trade more ethical?

Companies like Cerritos, which has 3000 acres of avocados certified by Global G.A.P. and Rainforest Alliance, are working to secure Fair Trade certification to further promote equitable and sustainable production practices.

What strategies can make global avocado trade more ethical?

Overall, the rising demand for avocados has had significant social, economic, and environmental impacts on the countries that produce them, particularly in Mexico and Central America.

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Content: For foodies, workers, restaurant owners and investors on both sides of the Rio Grande border, Friday brought a sigh of relief after the United States lifted its temporary ban on imports of Mexican avocados.

The week-long pause — albeit a short one — had fueled concerns in the avocado industry, from the workers who pick the fruit in Mexico to consumers worrying about a potential shortage of a staple in the diets of many Americans.

Mexico supplies about 80 percent of the avocados eaten in the United States. The import ban — stemming from purported threats to a U.S. inspector in the Latin American country — shook a billion-dollar industry. Not only did the commotion showcase the law enforcement issues that growers are frequently subjected to in Mexico, but experts said it underscored the importance of one of the strongest and most successful bilateral trade agreements.

Before being smeared into toast or squashed into guacamole, the avocado’s life begins in an orchard in Michoacán — a western Mexican state over a thousand miles away from the border and the only one allowed to send over avocados to the United States. From a bright-green fruit hanging atop trees to its final stage inside American kitchens, the avocado’s journey from seed to food encompasses different phases of inspections and agreements between the two nations — which suddenly took a hit.

Last week, a plant safety inspector from the U.S. Agriculture Department’s Animal and Plant Health Inspection Service was inspecting avocados in Michoacán, when he saw some avocados that looked suspiciously like they came from another state, according to USDA and other industry experts. He raised a red flag and soon after, he received a voice-mail threat. Then the USDA announced it was shutting down imports until it could be assured its agents were safe.

The potential of an impending shortage quickly rippled across the industry — one that came shortly before the Super Bowl, one of the avocado’s biggest events. Soon, food establishments and groceries began worrying about keeping up with a demand that has exponentially increased throughout the past decade.

Prices for the fruit deemed “green gold” were already 100 percent higher than the previous year, said David Magaña, a senior analyst for RaboResearch Food & Agribusiness. But the year-long availability of avocados had also increased as well — indicating that a surge in demand can be attributed to different factors, he said.

For one, avocados, with their versatility and healthy fat attributes, became a food trend and Internet obsession. At the same time, the Hispanic population booms across the country — with a larger share of Latinos among Gen Z — have been “one of the major forces pulling the demand for avocados,” the analyst said.

But behind all those green juices and avocado Instagram-worthy photos is the partnership between Mexico and the United States — which has played a crucial role in enabling the market to expand.

In 1995 — a time when “fat-free” food staples ruled the market — the United States did not have much of a taste for avocados. The majority of the consumed fruit was produced in California. Avocado imports that year totaled $14.7 million, of which $700,000 came from Mexico, said David Orden, a professor in the department of agricultural and applied economics at Virginia Tech.

Mexico’s avocados had been banned in the decades before the North American Free Trade Agreement from 1994, Orden said — mostly out of a concern that weevils, scabs and other pests could enter U.S. orchards from imported products. The trade agreement opened the door for the incremental expansion of avocados.

In establishing a system in which U.S. inspectors verify that avocados are pest-free — from when they are growing in orchards to the moment they are packed into sealed trucks — Mexico has been allowed to ship its agricultural product. It started with an approved wintertime stock in Alaska back in the ’90s that has turned into a current year-long supply in all states.

“So that’s all very encouraging and great story about growth and trade agreements, and something the U.S. is trying to do in other countries as well,” Orden said.

The agreement has contributed to economic progress in both sides of the border. Last year, “the two-way food and agricultural trade reached $65 billion, including $2.8 billion in Mexican avocado exports to the United States,” U.S. Ambassador to Mexico Ken Salazar said in a statement. In Michoacán, some 300,000 workers depend on the avocado industry — including those doing the picking, the packing and the transporting of the fruit.

But their livelihoods have been threatened by encumbering cartels, who see the booming industry as a golden hen for profit, Orden said.

“It has attracted the attention of these gangs in an area where the cartels are not under control,” he said. “That’s where this story takes on a shadier color. But that’s really a law enforcement issue, and one that affects all of our relationships with Mexico.”

The USDA’s Animal and Plant Health Inspection Service said in a statement that it had worked with the Mexican government and the Association of Avocado Exporting Producers and Packers of Mexico to enact “additional measures” to safeguard the safety of its inspectors.

While the agency did not disclose what such measures encompass, they served to avert what could have been a costly avocado crisis — one that would had impacted plenty, from those picking the fruit to those biting into their avocado toasts.

“With this we ensure the exportation of fruit and provide economic certainty to farmers and day laborers,” Michoacán Gov. Alfredo Ramírez Bedolla tweeted Friday.

What are the countries and regions that produce and export avocados?

What negative impact has the increased global demand for avocados had on the environment?

What negative impact has the increased global demand for avocados had on the social structure and the economy of the countries that produce them?

displacement of local communities
labor exploitation

What are the countries and regions that produce and export avocados?

What negative impact has the increased global demand for avocados had on the environment?

What negative impact has the increased global demand for avocados had on the social structure and the economy of the countries that produce them?

displacement of local communities
labor exploitation

The promotion of sustainable avocado production and trade practices requires a collaborative effort from governments, farmers, and consumers to address the economic, environmental, and social concerns associated with avocado cultivation.

What strategies can make global avocado trade more ethical?

A holistic approach to sustainability that takes into account the environmental, social, and economic impacts of avocado production is necessary to mitigate the negative effects of the industry and ensure a more sustainable future for avocado production.

What strategies can make global avocado trade more ethical?