The Elgin Marbles controversy is one of the most enduring and significant disputes in the field of cultural heritage, with profound implications for archaeology, museum ethics, and international law.

It centers on a collection of classical Greek marble sculptures originally part of the Parthenon temple in Athens, removed in the early 19th century by Thomas Bruce, the 7th Earl of Elgin, British ambassador to the Ottoman Empire.

Historically, Elgin undertook the removal of these sculptures in 1802 while Greece was under Ottoman rule.

Elgin claimed to have obtained official permission—or a firman—from the Ottoman authorities to take the marbles.

However, the existence and scope of such authorization have been hotly disputed.

No conclusive original Ottoman document has ever been publicly verified to definitively confirm this permission, and it appears that the document Elgin presented was either incomplete or ambiguous.

Elgin's motives combined personal, scholarly, and diplomatic interests: preserving what he saw as endangered antiquities, acquiring artifacts for Britain, and cementing his legacy as a patron of the arts.

After removing the marbles and shipping them to Britain, Elgin faced financial difficulties and eventually sold the collection to the British government in 1816.

A parliamentary select committee investigated the acquisition and deemed it lawful under contemporary standards.

The marbles were then entrusted to the British Museum where they remain on display to this day .

From the Greek perspective, the marbles symbolize a vital part of national heritage, identity, and historical continuity.

Greece asserts that the sculptures were effectively taken without proper consent during a period of foreign occupation and are thus stolen property.

Greek officials, including Prime Minister Kyriakos Mitsotakis, have emphasized the cultural and historical integrity of the Parthenon as an iconic monument and stressed that the marbles belong in Athens to preserve the unity of the site and Greek cultural narrative.

Greece proposes the return of the marbles to the Acropolis Museum, itself a state-of-the-art facility designed to reunite dispersed fragments and artifacts from the Parthenon.

To support negotiations, Greece has also offered to lend treasures from its own collections to the British Museum, suggesting avenues of cultural exchange rather than simple reclamation .

Conversely, the British Museum and the UK government maintain that the marbles were legally acquired under the laws of the time and that the museum has held legitimate stewardship for over two centuries.

The British Museum Act of 1963 codifies strict rules preventing the permanent disposal or return of collection items, framing the institution’s mandate to preserve and display culturally significant artifacts universally.

The UK argues that the marbles belong to a "universal museum," where they can be contextualized alongside artifacts from many cultures, thereby facilitating global public access and education.

The British position also contends that lengthy custodianship and proper conservation in London have ensured the marbles' preservation, implying that their return might set a complex precedent affecting many other collections acquired through colonial or imperial contexts .

International cultural organizations have engaged with the controversy, promoting dialogue and highlighting ethical imperatives.

UNESCO, which Greece engaged in 1982 during its World Conference, ruled in favor of the restitution of cultural property that had been illegally removed.

However, the UK government and British Museum assert institutional independence, resisting external interference in collection management.

Past attempts at mediation have thus been limited to diplomatic overtures and bilateral discussions, rather than formal international legal adjudication .

In the past decade, the dispute has witnessed some delicate progression.

Negotiations have increasingly entertained the idea of long-term cultural partnerships or loan agreements that could allow parts of the collection to be displayed intermittently in Athens, while replicas or other Greek antiquities might be loaned to London.

Former British Museum chair George Osborne was reportedly involved in fostering such dialogue.

However, political realities remain challenging; British Prime Ministers, including Rishi Sunak, have publicly declined to amend legislation that limits deaccessioning or repatriation, emphasizing the museum’s role as a globally significant institution funded by UK taxpayers .

Proposed frameworks for resolution largely revolve around finding "win-win" outcomes that reconcile legal, cultural, and ethical considerations.

Options include long-term loan agreements, joint stewardship, or cultural exchange programs allowing the marbles to be shared virtually or physically.

The idea of incorporating digital technologies, such as virtual reality reconstructions, could mitigate access difficulties by enabling audiences in London to experience the Parthenon and marbles virtually should the originals physically return to Greece .

This debate is illustrative of broader ethical and professional challenges facing archaeologists and museum professionals today.

It highlights the responsibilities toward source communities and nations, the impact of historical colonial acquisition practices, and evolving international norms regarding cultural heritage restitution.

Cases like the Elgin Marbles echo wider repatriation discussions worldwide, including recent UK agreements to return artifacts to Ghana based on loan arrangements, signaling a potential shift towards cooperative models of heritage stewardship rather than unilateral ownership assertions .

For a future archaeologist, the Elgin Marbles controversy underscores the need for cultural sensitivity, legal awareness, and ethical reflection in the excavation and curation of antiquities.

It demonstrates the complex intersection of history, politics, law, and identity embedded in material culture, and the increasing importance of collaboration between nations, institutions, and stakeholders to ensure heritage is respected and accessible.

The evolving discourse suggests that multidisciplinary approaches and innovative partnerships may offer a way forward for resolving similar disputes, balancing preservation, scholarship, public access, and cultural justice in archaeology’s global practice.

The Elgin Marbles controversy is one of the most enduring and significant disputes in the field of cultural heritage, with profound implications for archaeology, museum ethics, and international law.

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Greek prime minister tries to broker deal for return of Parthenon marbles

Kyriakos Mitsotakis offers to loan Greek treasures to British Museum if ‘stolen’ sculptures are returned to Acropolis

The Greek prime minister has demanded that the 2,500-year-old Parthenon marbles, which he accuses Britain of stealing, be returned to Greece, and even offered to loan some of his country’s treasures to the British Museum in an attempt to broker a deal.

Kyriakos Mitsotakis told the Daily Telegraph that the sculptures, also known as the Elgin marbles, belong in the Acropolis Museum in Athens.

However, Boris Johnson has previously ruled out returning them on the grounds that they were acquired legally.

Mitsotakis said: “Our position is very clear. The marbles were stolen in the 19th century; they belong in the Acropolis Museum and we need to discuss this issue in earnest.

“I am sure that if there was a willingness on the part of the government to move we could find an arrangement with the British Museum in terms of us sending abroad cultural treasures on loan, which have never left the country.”

The marbles were removed from the Acropolis more than 200 years ago by Lord Elgin in circumstances that have spurred one of the world’s most famous cultural rows and have long been the subject of dispute.

Mitsotakis said he would raise the issue with Johnson when the two meet next week for talks that could shape future relations between the two countries.

“Refusing to discuss the topic seems to me, given the context of everything that has been happening in terms of the return of cultural treasures, to be rather an anachronistic approach,” he added.

“It would be a fantastic statement by what Boris calls Global Britain if they were to move on this and look at it through a completely different lens.”

But Johnson dismissed the appeal for their return to Greece earlier this year, telling the Greek newspaper Ta Nea: “I understand the strong feelings of the Greek people – and indeed prime minister Mitsotakis – on the issue.

“But the UK government has a firm, longstanding position on the sculptures, which is that they were legally acquired by Lord Elgin under the appropriate laws of the time and have been legally owned by the British Museum’s trustees since their acquisition.”

Greece has long called for the reunification of the sculptures, displayed in museums across Europe but mostly in London, and says it is integral to understanding the artworks in the context of the Acropolis.

It centers on a collection of classical Greek marble sculptures originally part of the Parthenon temple in Athens, removed in the early 19th century by Thomas Bruce, the 7th Earl of Elgin, British ambassador to the Ottoman Empire.

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Content: LONDON (Reuters) - The historic Greek treasure of Elgin Marbles is nearing its return to its country of origin, 200 years after it was moved and ended up in the British Museum.
The Parthenon marble, seen as a symbol of freedom in Greece, was controversially moved out of the country by a British diplomat in a move that ignited a debate that lasted more than two centuries.
Greece has made repeated requests for the sculptures to be returned after they were controversially removed from one of the world ’ s most historic landmarks.
Prime Minister Rishi Sonak had been scheduled to meet his Greek counterpart Kyriakos Mitsotakis on Tuesday, but Downing Street canceled the arrangement and sent Deputy Prime Minister Oliver Duden instead.
The head of the British Museum, former Conservative Chancellor George Osborne, is pushing for a temporary loan to be returned to Greece, and is believed to have drawn up a deal.
But both Sonak and Labour leader Sir Keir Starmer say they will not support a change to the British Museum law that currently bars their return.
The museum said it was continuing "constructive discussions" about their possible return.
Gin Marble
The Algin marble is 17 sculptures that are 2,500 years old.
His pieces were part of a frieze that adorned the ancient Parthenon temple at the Acropolis in Athens, Greece.
The marbles make up about half of the 160-meter-long frieze of the Parthenon Temple, which is considered one of the greatest cultural monuments in the world.
These sculptures are seen as symbols of freedom in Greece, where they are known as Parthenon marble.
British diplomat Lord Elgin removed the sculptures from the majestic Parthenon temple in the early 19th century.
At that time, he was ambassador to the Ottoman Empire, which ruled Greece.
Beginning in 1801, Lord Elgin is said to have supervised the removal of the marble and shipped it to the UK in 170 boxes.
He is said to have claimed to have obtained permission from the Ottoman Empire to move the marble, but despite massive documentation from that period, nothing was found to support his actions.
In the United Kingdom, Lord Elgin received support and criticism, and sold it to the United Kingdom government in 1816 before the marble was transferred to the custody of the British Museum.
The beginning and evolution of the dispute
The controversy between Greece and Britain can be traced back to when the marble first arrived in Britain due to criticism of its removal.
In 1832, Greece gained independence from the Ottoman Empire before it began trying to recover sculptures and other works of art taken from the country.
In the early 1980s, the actress and then Greek Minister of Culture, Melina Mercury, reignited the campaign when she made it her mission to secure the return of marble sculptures.
In 1983, she met with the director of the British Museum, Dr. David Wilson, in London to demand the return of the sculptures.
She continued to press the museum and the British government until her death in 1994.
Despite other requests and high-level media coverage, no agreement was reached in the years that followed.
A new campaign
In 2009, Greece stepped up its marble recovery campaign after opening a new museum at the foot of the Acropolis Hill, hoping one day to house it.
In 2014, human rights lawyer Amal Clooney called on Britain to start talks with Greece over the return of the Elgin marble.
The lawyer, who is the wife of Hollywood star George Clooney, said: "This is an injustice that has been going on for a long time, in a world full of intractable conflicts."
In 2015, Greece ruled out any legal action against the UK over Elgin Marbles.
In May 2022, the so-called Fagan fragment — a piece showing the foot of the ancient Greek goddess Artemis seated — was permanently returned to Athens from a museum in Italy.
It was originally part of the eastern frieze of the temple dating back to the 5th century BC.
The British reaction
In 2022, there were calls to make it easier for UK museums to consider returning cultural objects, but the government rejected them.
Former Conservative culture minister Lord Vaizi also headed a new body aimed at returning Elgin marble to Greece.
The refusal came after then-Prime Minister Boris Johnson told the Greek prime minister during talks at Downing Street in 2021 that the sculpture issue was "a matter for the curators of the British Museum".
Then, at the beginning of December, George Osborne, the head of the British Museum, reportedly held secret talks with the Greek prime minister about the possibility of returning the marble sculptures.
Negotiations between former Treasury Secretary Osborne and Kiriakos Mitsotakis have been taking place in London since November 2021, according to the Greek daily Ta Nea.
The Greek prime minister has on numerous occasions called for the relocation of the sculptures, and even offered to lend other treasures to the British Museum in return.
A spokesman for Project Parthenon, a campaign advocating the return of marble sculptures, hailed the talks as a “positive sign ” that a“ win-win solution ” to the centuries-old debate could be reached.
Possible deal?
In December last year, Downing Street said there were no plans to change the law that prohibits the museum from disposing of objects in its collection except in very limited circumstances.
A spokesman for the prime minister said: “The Parthenon sculptures are legally owned by trustees and are practically independent of the government. ”
Last month, the British Museum issued a statement saying it would not dismantle its collection “because it tells a unique story of our common humanity, ” but added that it wanted to forge a new“ Parthenon partnership ” with Greece.
The talks in Westminster were used by former culture minister Lord Vaizi to press again for the return of the sculptures.
He said that the frieze in Athens "resembles a film that was cut in half and half of it was moved against the will of its owners to another country."
After cancelling the bilateral meeting between Sonak and Mitsotakis on Tuesday, the Greek leader said he was "disappointed".
Mr Sonak said the UK “has no plans to change our approach ” but“ did not ask him [Mr Mitsotakis] what short-term or new ideas have been put forward ”.
Starmer and Mitsotakis Meet
Opposition Labour leader Sir Kiir Starmer met Mitsotakis on Monday.
A source close to Labour leader Sir Kiir Starmer told the Financial Times he was unlikely to change the law if he won the next election.
"We are committed to the current law, but if a mutually acceptable loan deal can be agreed between the British Museum and the Greek government, we will not stand in the way."
Is the agreement possible?
The head of the National Museum, George Osborne, is understood to have drawn up a deal with Athens, according to the Daily Telegraph.
Current legislation bars the museum from legally granting treasures, but Osborne is said to be seeking to repatriate the antiquities as part of a long-term "cultural exchange."
But this loan deal is not expected to permanently end the long-running dispute.
The article was prepared from the site of (Sky News) British channel:
https: / / news.sky.com / story / elgin-marbles-what-are-they-and-how-did-they-end-up-in-the-british-museum-12779617

Historically, Elgin undertook the removal of these sculptures in 1802 while Greece was under Ottoman rule.

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Content: Greece asks Britain to return Parthenon statue British Museum: a popular heritage
▲ Part of the Greek Parthenon, now in the British Museum.
(Photo / Reuters)
Journalist Lin Yen-chen / Comprehensive Report
Greek Prime Minister Kyriakos Mitsotakis said in a speech in Paris on the 12th that the Parthenon statue in the British Museum should be returned as soon as possible, and that the British side should enter into negotiations as soon as possible to achieve this goal.
Prime Minister Boris Johnson said in March that Britain was the rightful owner of the Parthenon and refused to return the 2,500-year-old statue to Greece.
British Prime Minister Boris Johnson has stressed that the United Kingdom legally owns the Parthenon.
(Photo / Reuters)
Speaking at UNESCO ’ s 75th anniversary event, Mitsotakis said UNESCO took a key step in September when it recognised the inter-governmental nature of the problem and therefore the obligation to return the Parthenon was entirely in the UK.
Greek Prime Minister Kyriakos Mitsotakis believes Britain has a duty to return the Parthenon.
(Photo / Dazhi Imaging / Associated Press)
Since independence in 1832, Greece has been demanding the return of the statues to Britain, where they are known as Elgin Marbles because it was the British diplomat Lord Elgin who removed them from Greece, which was then ruled by the Ottoman Empire, in the early 19th century.
The British Museum refused to return and claimed that the stone carvings were acquired by a legal contract between the Earl of Elgin and the Ottoman Empire, and that the statues were the common heritage of everyone.
Mitsotakis stressed that the existing Parthenon statue in London must be reunited with most of the other statues in Athens as soon as possible.
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Elgin claimed to have obtained official permission—or a firman—from the Ottoman authorities to take the marbles.

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Greek PM reiterates demand for British Museum to return Parthenon statue, British PM cancels meeting, sparking diplomatic row
Greek Prime Minister Kyriakos Mitsotakis, in an interview with the BBC on Sunday, reiterated that the authorities want the British Museum to return some of the statues that were “stolen ” from the Parthenon Temple.
What we want you to know is
Greek Prime Minister Mitsotakis, in an interview with the BBC on Sunday (26), described the Parthenon shrine as part of the statue group in Greece, part in the United Kingdom, like the "Mona Lisa smile" torn in half and asked Britain to return it.
British Prime Minister David Sunak then called the meeting a "temporary cancellation" hours before the meeting, prompting discontent from Mitsotakis, Greek officials and the public, calling it a "diplomatic crisis."
In an interview with the BBC on Sunday, Greek Prime Minister Kyriakos Mitsotakis reiterated that the British Museum wants to return some of the “stolen ” statues from the Parthenon Temple. Subsequently, British Prime Minister Rishi Sunak, hours before the meeting with Mitsotakis, a temporary resolution to cancel, sparking a diplomatic dispute between the two countries.
BBC, British authorities claim that Sunak cancelled the meeting because Mitsotakis broke his promise to "not talk about the statue".
Mitsotakis, however, said it was Greece ’ s consistent and public stance to demand the British Museum return of the statue, saying in a statement: “I would like to express my dissatisfaction with the temporary cancellation by the United Kingdom just hours before the meeting. ”
The Greeks worked for hundreds of years to return the statue of the Parthenon.
The controversial statue is one of a group of marble statues used to decorate the Parthenon Temple in the ancient Greek city of Athens, also known as the Elgin Marbles.
In the 19th century, the British diplomat to the Ottoman Empire, the 7th Earl of Elgin, secretly removed the stone carvings and brought them back to Britain for collection in the British Museum.
At that time, Elgin claimed that he had taken the stone carvings with the permission of the Ottoman Empire and therefore had legitimacy.
However, the Greek authorities do not think so.
Since 1983, the Greek government has been trying to coordinate with the UK to ask them to return the stone carvings. In 2022, UNESCO also intervened to facilitate talks, but to no avail.
Therefore, the issue of the return of the stone carvings has become the core issue and exchange condition of many negotiations between Greece and Britain, including of course the meeting originally planned by Sunak and Mitsotakis.
Statues of the Parthenon Temple are mainly located in Athens and the British Museum.
In an interview with the BBC on the 26th, Mitsotakis described: "The scattered statue is like tearing the famous painting" Mona Lisa's Smile "in two parts and giving it to two museums." He called on the British authorities and the British Museum to return the "stolen" stone carvings and work together so that people can enjoy the statue "in its place".
Because of these remarks, Sunak temporarily announced on Monday night that he would cancel his meeting with Mitsotakis on Tuesday.
According to the Guardian, the British government said that the content of Mitsotakis ’ interview with the BBC violates the commitment of the two countries to “not talk about the return of stone carvings ” agreed in 2021.
The Greek authorities immediately denied the claim, and Mitsotakiston said that Greece ’ s position on asking Britain to return the statue was well known and reiterated during his tenure as prime minister.
The conversation should have been about the climate crisis, the Israeli-Kazakh conflict, the Russian-Ukrainian war, the British and Greek immigration plans, and the Parthenon statue.
After Sunak cancelled the talks, the British offered to have Deputy Prime Minister Oliver Dowden attend, but Mitsotakis refused, and the two sides did not meet.
UK has no plans to amend the British Museum Act
The New York Times reported that in the past two years, the Greek government and the British Museum have repeatedly held "delicate negotiations" over the return of the statue, but the two sides have yet to reach a consensus.
According to the report, the Greek authorities want the British Museum to return all the Parthenon stone carvings, in exchange for which the Greek Museum will regularly select artefacts for display in the British Museum.
For its part, the British Museum agreed to "borrow" some of the Parthenon stone carvings and other exhibits from the Greek government for a short period of time. If Greece "returns" on schedule, the British Museum will "lend" more stone carvings.
Mitsotakis also mentioned in an interview with the BBC that the outcome of the negotiations at this stage is not as good as he expected, but he considers himself a man of perseverance and said: "Greece has waited for hundreds of years, we can wait more."
“I ’ m going to stand firm and be willing to continue negotiations.
A British government spokesman told The Guardian they were concerned that the return of stone carvings to Greece could create a “slippery slope ” that could trigger a wave of returns of disputed artifacts from other collections.
In addition, the British Museum Act 1963 states that the British Museum may not return its collections to its homeland.
According to the BBC, the British government has no plans to amend the decree, which means that the British authorities are unwilling to violate the decree and return the stone carvings to Greece.
The return of the stone sculpture is a matter of British election and diplomatic relations.
Evangelos Kyriakidis, head of the Greek Agency for Monuments and Estates, told Euronews that the Greek government attaches importance to the statues of the Parthenon temple because they are not only important monuments, but also a symbol of Greek national strength.
Kiriadis uses the metaphor of "the jewel of the crown of the king of England in Greece" to argue that the issue of the statue group is a matter of sovereignty.
The New York Times pointed out that the news of the cancellation of the meeting in Sunak immediately triggered the dissatisfaction of politicians of the Greek political party and caused a wave of criticism on social media, with many accounts condemning it as a diplomatic incident and a mini-diplomatic crisis between Greece and the United Kingdom.
The Guardian also quoted a Greek government spokesman, accusing Sunak of using the issue of the return of stone carvings with Greece to divert attention from Britain's internal affairs.
The spokesman said more bluntly that Sunak ’ s decision has the potential to damage Britain ’ s reputation in Europe, which is divided after Brexit.
A senior EU official also told The Guardian that cancelling the prime minister ’ s meeting and then sending the deputy prime minister to meet with the Greek prime minister would violate normal diplomatic procedures and damage Britain ’ s credibility.
He also said: "The United Kingdom, which wants to go global, cannot stop talking to friends about a problem that has existed for 200 years."
Another observer also pointed out that the British government is ahead of the serious refugee problem, and Greece is a member of the European Union that links Europe and the Mediterranean, which has important geopolitical significance.
Not only is there a diplomatic crisis, but the return of the stone carvings to the dispute may also bring about a domestic crisis for Sunak and the ruling party.
The New York Times reported that Britain will hold elections next year, and the ruling party is currently facing a long period of economic stagnation in the United Kingdom and divergent views on immigration policy. At this time, it has a conflict with Greece, which may make the question of the ownership of the statue an election point between the Labour Party and the Conservative Party.
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However, the existence and scope of such authorization have been hotly disputed.

No conclusive original Ottoman document has ever been publicly verified to definitively confirm this permission, and it appears that the document Elgin presented was either incomplete or ambiguous.

Elgin's motives combined personal, scholarly, and diplomatic interests: preserving what he saw as endangered antiquities, acquiring artifacts for Britain, and cementing his legacy as a patron of the arts.

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Content: Nobel Foundation Returns Gold Ring Stolen During World War II to Greece
Friday 20 May 2022 - 03: 27 GMT
The Greek Ministry of Culture announced on Friday that the Nobel Foundation in Sweden has returned to Greece an old gold ring that was stolen from the island of Rhodes during World War II.
World - Miscellaneous
The announcement came just days after a UNESCO body unveiled an agreement between Greece and Britain to hold formal talks on the Parthenon Marbles currently on display at the British Museum in London.
The ministry said the Messini ring, which bears the symbol of the winged Sphinx, was officially returned at a ceremony in Stockholm on Thursday.
The ring was found on the island of Rhodes during an archaeological excavation in 1927 at a Mycenaean cemetery by the Italian School of Archaeology during the period of Italian control of the island.
The ministry said in a statement that the ring was stolen during World War II from the local archaeological museum along with other artifacts that have not yet been recovered.
The piece eventually appeared in the United States and was bought by Hungarian biophysicist Nobel laureate Georg von Beckessy, whose collection was posthumously acquired by the Nobel Foundation in 1972.
The ring was kept at the Stockholm Museum of Mediterranean and Near Eastern Archaeology.
His identity was confirmed in 1975 by the museum ’ s then director, archaeologist and Mycenaean expert Carl Gustav Sterenius.
The ministry said the ring would return to the Rhodes Archaeological Museum.
The Mycenaean period was the last stage of the Bronze Age in ancient Greece, extending from about 1600 BC to 1100 BC.
Earlier this week, the UNESCO Commission for the Return of Cultural Property said Britain had invited Greece in April for talks on the fate of the Parthenon Marbles.
The UNESCO committee said Greece had agreed to "a meeting between the parties which is about to be arranged in due course".
The Parthenon Temple was built in the 5th century BC in the Acropolis to honor the goddess Athena, patron of the Greek capital.
In the early 19th century, workers removed whole friezes from the landmark on the orders of the British ambassador to the Ottoman Empire, Lord Elgin.
Elgin sold the marbles to the British government, which in 1817 transferred them to the British Museum, where they still exist as one of the most valuable exhibits.
Athens says the sculptures were stolen and is demanding that Britain return them.

After removing the marbles and shipping them to Britain, Elgin faced financial difficulties and eventually sold the collection to the British government in 1816.

A parliamentary select committee investigated the acquisition and deemed it lawful under contemporary standards.

The marbles were then entrusted to the British Museum where they remain on display to this day .

From the Greek perspective, the marbles symbolize a vital part of national heritage, identity, and historical continuity.

Greece asserts that the sculptures were effectively taken without proper consent during a period of foreign occupation and are thus stolen property.

Greek officials, including Prime Minister Kyriakos Mitsotakis, have emphasized the cultural and historical integrity of the Parthenon as an iconic monument and stressed that the marbles belong in Athens to preserve the unity of the site and Greek cultural narrative.

Greece proposes the return of the marbles to the Acropolis Museum, itself a state-of-the-art facility designed to reunite dispersed fragments and artifacts from the Parthenon.

To support negotiations, Greece has also offered to lend treasures from its own collections to the British Museum, suggesting avenues of cultural exchange rather than simple reclamation .

Conversely, the British Museum and the UK government maintain that the marbles were legally acquired under the laws of the time and that the museum has held legitimate stewardship for over two centuries.

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Content: Stephen Fry calls returning Elgin Marbles to Greece 'A classy thing at last'

THE ELGIN Marbles' return to Greece would be "a classy act" by the UK, says Stephen Fry.

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UK has 'no obligation' to return Elgin Marbles says Widdecombe

Greece has called for the repatriation of the collection of Elgin Marbles for more than 200 years – ever since they were taken from the Parthenon in 1802 on the order of Lord Elgin, Britain's then-ambassador to the Ottoman Empire. Mr Fry, who said he is "very keen" to see the sculptures be returned to Athens, has been the latest to join the debate over the home of the monumental artwork.

The actor and broadcaster suggested the marbles be replaced with a virtual experience.

He stressed that with modern technology the carvings can be replicated using lasers.

He said: "So the British Museum would have a Parthenon experience and you go in and see this fabulous technology using AR helmets or whatever you want to wear and you see how the originals were perfectly reproduced and out in place and you watch them being packed up and put on the train."

The sculptures, which sit at the London-based institution, have not been available to be publicly viewed for nearly a year due to ongoing maintenance work and the coronavirus pandemic.

The British Museum is to reopen its Greek galleries to the public on Monday, December 13.

READ MORE: Boris in lockdown warning: 'Tidal wave' of Omicron to hit UK - PM unveils new jabs plan

Critics argue the Elgin Marbles, which sit at the British Museum, should be repatriated to Greece (Image: Getty)

Mr Fry, 64, said: "I know a lot of people say 'we've looked after them' and it's certainly true we've looked after them, but it would be such a classy act.

"I promise you one million Athenians would come on to the street to welcome them.

"They mean so much to the Greeks, they are part of the nature of what Athens is."

The British Museum houses 15 metopes, 17 pedimental figures and 75 metres of the original frieze.

50 metres remain in Athens and other parts are in museums across Europe.

Comedian Stephen Fry called returning the artwork would be 'a classy act' from Britain's side (Image: Getty)

The sculptures have been a subject of debate ever since the were taken from Greece in 1802 (Image: Getty)

Mr Fry claimed a move such as returning the Elgin Marbles is what the country needs: "There would be a hand-shake ceremony and suddenly people would for once look at Britain and say that was a classy act.

"It would be a classy thing and Britain hasn't done a classy thing for some time."

Greek prime minister Kyriakos Mitsotakis, speaking to the FT ahead of a foreign policy trip to the UK last month, said: "If I were in the PM's shoes and I were thinking out of the box in terms of global Britannia, and the idea of Britain really playing a role in the post-Brexit world, [it] would be a fantastic coup for public diplomacy if they were to look at this from a different perspective."

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Kyriakos Mitsotakis advocates for 'reunification' of Elgin Marbles

Greek prime minister Kyriakos Mitsotakis has urged Boris Johnson to return the marbles to Athens (Image: Getty)

Then, during his visit to London, he urged Prime Minister Boris Johnson to return the priceless ancient sculptures to Greece, again presenting it as a chance for the UK to strengthen its Global Britain standing.

Mr Johnson has so far not shown signs he intends to return the Elgin Marbles.

Speaking to the Greek paper Ta Nea earlier this year, he claimed: "The UK government has a firm, longstanding position on the sculptures.

"They were legally acquired by Lord Elgin under the appropriate laws of the time and have been legally owned by the British Museum’s trustees since their acquisition."

This aligns with the view outlined on the British Museum’s website, which backs Lord Elgin's efforts to bring the marbles to the UK in the early 19th century: "His actions were thoroughly investigated by a parliamentary select committee in 1816 and found to be entirely legal, prior to the sculptures entering the collection of the British Museum by act of parliament."

The British Museum Act of 1963 codifies strict rules preventing the permanent disposal or return of collection items, framing the institution’s mandate to preserve and display culturally significant artifacts universally.

The UK argues that the marbles belong to a "universal museum," where they can be contextualized alongside artifacts from many cultures, thereby facilitating global public access and education.

Title:

Content: Opinion

Bring them home

At the end of August, it was reported that around 2,000 artefacts, including gold jewellery and gems, had been stolen from the British Museum over a long period of time.

Chairman of the trustees, George Osborne acknowledged that the museum’s reputation has suffered as a result of its mishandling of the thefts, which sparked outrage after it was revealed that most of the stolen antiquities may never be recovered due to the museum’s poor record keeping, raising questions about security and leadership.

For decades, the British Museum has argued that the Parthenon Marbles should not be returned to Greece since the country lacks a suitable location for their display.

The Acropolis Museum, on the other hand, has solidified its place among the world’s top ten best museums and is the go-to museum in Athens where one can readily understand why Greece is considered the cradle of Western civilization. So, why not return the Parthenon marbles to their rightful home, and how did they end up in the British Museum in the first place?

In the early 1800s, when British aristocrat Lord Elgin sailed home from Greece, he also shipped to England some of the greatest treasures of antiquity, which included a collection of Greek statues and carved frieze panels that once decorated the Parthenon in Athens.

The so-called Elgin Marbles were later sold to the British government with the approval of the Ottomans who ruled Greece at the time and became the most storied artefacts in the British Museum’s collection. They also became the subject of perhaps the world’s most notorious cultural dispute.

The British maintain that the marbles were legally acquired and they belong in a universal museum alongside other artefacts, excluding the 2,000 that were now reportedly stolen. The Greeks, on the other hand, view them as looted treasures that form the cornerstone of their national heritage.

For decades, the issue of the Parthenon Marbles has been on the agenda of the Unesco Intergovernmental Committee for Promoting the Return of Cultural Property (ICPRCP). In fact, it was Melina Mercouri, the Greek Minister of Culture at the time, who raised the matter of their return during the 1982 Unesco World Conference.

Although the forum ruled in favour of the cause, stating that restitution of works illegally removed from their countries of origin is a fundamental principle of people-to-people cultural relations, Mercouri’s British counterpart responded that the UK Government “could not intervene in the affairs of a private establishment like the British Museum.”

While efforts are underway to retrieve the stolen antiquities, the British Museum’s collections may never be recovered because the museum’s records only identify the collection as a whole and fail to list the individual pieces.

This is not the first time the museum’s image as a safe keeper of global treasures has been called into doubt. The poor condition of the British Museum’s western block has been recorded numerous times. Images of water leaking into the Parthenon gallery were broadcast on Greek television in 2018, resulting from a cracked glass ceiling pane. Although the glass was replaced with new fixings and no sculptures were destroyed, a leaking roof in 2021 resulted in water seeping through, once again, delaying the reopening of the Greek galleries following the pandemic.

The British Museum claimed that none of the statues had been damaged and the issue was addressed. However, for Greece, these events demonstrate that the British Museum is failing to care for the Parthenon Marbles, reinforcing the country’s legitimate claim that the sculptures be permanently returned to Athens.

Earlier this year, the British Museum moved closer to a landmark agreement with Athens that could result in the return of the marbles. Although existing legislation makes it illegal to give away treasures, Osborne is reportedly seeking to repatriate the Parthenon Marbles as part of a cultural exchange that would see other Greek antiques displayed at the British Museum. Over half of the British people support their repatriation to Greece.

Hundreds of statues from the Archaic and Classical periods can be found at the ultramodern Acropolis Museum. The top level is the museum’s showcase, which provides a visual link to the Acropolis and allows visitors to view both the monument and its sculptures. The majority of the Parthenon Marbles will be displayed there upon their anticipated return.

The Parthenon Sculptures were made in Greece by Greeks to honour the glory of Greece. They represent millions of people’s cultural identities. Greece is their true home. It is where they belong.

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The British position also contends that lengthy custodianship and proper conservation in London have ensured the marbles' preservation, implying that their return might set a complex precedent affecting many other collections acquired through colonial or imperial contexts .

International cultural organizations have engaged with the controversy, promoting dialogue and highlighting ethical imperatives.

Title:

Content: UK museums strike loan deal to return Asante Gold to Ghana that was looted over 100 years ago

25 January 2024, 07:25 | Updated: 25 January 2024, 07:27

By Jenny Medlicott

The UK is returning a selection of Asante Gold looted from Ghana over 100 years ago in a historic loan deal.

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The British Museum has struck a deal to return 15 pieces of the gold to Ghana and the Victoria & Albert Museum (V&A) 17 pieces, under a new three-year loan deal.

Loan deals are used as a way to enable collections to return to their countries of origin.

The Ghanian loan deal, which can be extended by an additional three years, was agreed with Otumfo Osei Tutu II, the current Asante king known as the Asantehene.

Some national museums in the UK, including the V&A and British Museum, are prohibited from permanently returning such items to their countries of origin.

The items will reportedly go on display at the Manhyia Palace Museum in Kumasi, the capital of the Asante region, to celebrate the Asantehene's silver jubilee.

Tristram Hunt, director of the V&A, said the gold items taken from the court of the Asante King are the equivalent of "our Crown Jewels".

Mr Hunt also said when museums "hold objects with origins in war and looting in military campaigns, we have a responsibility to the countries of origin to think about how we can share those more fairly today.

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"It doesn't seem to me that all of our museums will fall down if we build up these kind of partnerships and exchanges,” he told the BBC.

It is hoped the historic deal will pave the way for handling other repatriation disputes - potentially including the long-running dispute over the Elgin Marbles.

Ghana’s chief operation said he hoped the deal would bring a “a new sense of cultural co-operation” following years of anger.

However, some have expressed concern that accepting the items on loan could be seen as acceptance of the UK’s ownership of the contested items.

Most of the items were taken during 19th-century wars between the British and the Asante.

A sword of state and gold badges worn by officials charged with cleansing the soul of the king are among the items to be returned.

The artefacts are seen as a symbol of the Asante royal government and are believed to hold the spirits of former Asante kings.

As for other contested artefacts held by British museums, in the case of the Elgin Marbles, a senior British Museum has source said the museum was “still exploring if there is an arrangement that would allow some of the Parthenon sculptures to travel to Greece”.

It is hoped deals such as these could help provide a solution to former colonial nations requesting the return of their cultural treasures.

UNESCO, which Greece engaged in 1982 during its World Conference, ruled in favor of the restitution of cultural property that had been illegally removed.

However, the UK government and British Museum assert institutional independence, resisting external interference in collection management.

Past attempts at mediation have thus been limited to diplomatic overtures and bilateral discussions, rather than formal international legal adjudication .

In the past decade, the dispute has witnessed some delicate progression.

Negotiations have increasingly entertained the idea of long-term cultural partnerships or loan agreements that could allow parts of the collection to be displayed intermittently in Athens, while replicas or other Greek antiquities might be loaned to London.

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Home > News > Parthenon marbles are to remain in the British Museum

Parthenon marbles are to remain in the British Museum

The museum might yet arrange for the sculptures to be loaned. But Sunak stated that there are no plans to change the statute, which specifies that the museum can only dispose of pieces in its collection under certain circumstances.

British Prime Minister Rishi Sunak has ruled out amending a regulation that prevents the British Museum from permanently returning the Parthenon marbles to Greece.

Sunak confirmed that they have no intention of altering the existing regulations, which limit the museum’s ability to sell or dispose of pieces in its collection except under specific circumstances.

Sunak is unlikely to break with the stances of his two predecessors, who were both against any kind of loan of the marbles to Greece.

“The UK has cared for the Elgin Marbles for generations. Our galleries and museums are funded by taxpayers because they are a huge asset to this country,” Sunak told reporters on his plane as he flew to the United States on monday

“We share their treasures with the world, and the world comes to the UK to see them. The collection of the British Museum is protected by law, and we have no plans to change it.”

Since its independence in 1832, Greece has repeatedly demanded the return of the statues known as the Elgin Marbles, which were stolen from the Parthenon temple in Athens by British ambassador Lord Elgin in the early nineteenth century, while Greece was under Ottoman domination.

George Osborne, a former finance minister and the chair of the British Museum, has been collaborating with Greece to develop a new agreement that would enable the Parthenon sculptures to be displayed in both Athens and London. The Parthenon Project, which has received support from politicians across various parties in the UK, announced on Sunday that a long-term cultural partnership agreement could potentially facilitate the return of the British Museum’s Parthenon collection to Greece.

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Former British Museum chair George Osborne was reportedly involved in fostering such dialogue.

However, political realities remain challenging; British Prime Ministers, including Rishi Sunak, have publicly declined to amend legislation that limits deaccessioning or repatriation, emphasizing the museum’s role as a globally significant institution funded by UK taxpayers .

Proposed frameworks for resolution largely revolve around finding "win-win" outcomes that reconcile legal, cultural, and ethical considerations.

Options include long-term loan agreements, joint stewardship, or cultural exchange programs allowing the marbles to be shared virtually or physically.

The idea of incorporating digital technologies, such as virtual reality reconstructions, could mitigate access difficulties by enabling audiences in London to experience the Parthenon and marbles virtually should the originals physically return to Greece .

This debate is illustrative of broader ethical and professional challenges facing archaeologists and museum professionals today.

It highlights the responsibilities toward source communities and nations, the impact of historical colonial acquisition practices, and evolving international norms regarding cultural heritage restitution.

Cases like the Elgin Marbles echo wider repatriation discussions worldwide, including recent UK agreements to return artifacts to Ghana based on loan arrangements, signaling a potential shift towards cooperative models of heritage stewardship rather than unilateral ownership assertions .

For a future archaeologist, the Elgin Marbles controversy underscores the need for cultural sensitivity, legal awareness, and ethical reflection in the excavation and curation of antiquities.

It demonstrates the complex intersection of history, politics, law, and identity embedded in material culture, and the increasing importance of collaboration between nations, institutions, and stakeholders to ensure heritage is respected and accessible.

The evolving discourse suggests that multidisciplinary approaches and innovative partnerships may offer a way forward for resolving similar disputes, balancing preservation, scholarship, public access, and cultural justice in archaeology’s global practice.


Queen Elizabeth II's lifelong devotion to Pembroke Welsh Corgis played a central role in making the breed a cultural icon worldwide.

She received her first corgi, Susan, as an 18th birthday gift in 1944 and bred 14 generations of corgis descended from Susan, underscoring the breed's importance in her life.

The Queen regarded her corgis as family, personally preparing their meals and ensuring they lived in royal luxury within Buckingham Palace.

Her deep affection was widely known, and her corgis were present both at her deathbed and funeral, symbolizing an intimate and enduring bond with the breed .

This royal association significantly boosted corgis' popularity.

Following the Queen's platinum jubilee and death, Pembroke Welsh Corgi registrations in the UK rose to a 30-year high.

The Kennel Club credits her passion for the breed for transforming corgis from "vulnerable" status in 2014 into one of the UK's most beloved dog breeds today, effectively making the Pembroke Welsh Corgi a symbol of British royalty .

The cultural impact of the Queen’s corgis extended beyond pet ownership, permeating popular media and public events.

They appeared prominently in the 2012 London Olympics opening video and the James Bond film featuring the Queen herself, showcasing their royal connection on the international stage.

Additionally, events like the annual "Tour de Corgi" parade include a "Queen Elizabeth and her corgis" costume category, highlighting how her legacy inspired celebrations that honor this unique bond .

Historically, while the Pembroke Welsh Corgi was known as a herding breed from Wales, its global recognition today as a charming and intelligent pet with a noble lineage is largely due to the Queen’s public presence with these dogs.

She owned approximately 30 corgis over her lifetime, providing extensive visibility and endearing them to audiences worldwide.

Queen Elizabeth II's lifelong devotion to Pembroke Welsh Corgis played a central role in making the breed a cultural icon worldwide.

Title:

Content: King Charles Spaniel numbers are declining and the breed is on the Kennel Club's 'vulnerable list' - amid Corgi boom following Queen Elizabeth's death

  • Corgis have seen boom in popularity after Platinum Jubilee and death of Queen
  • Number of Pembroke Welsh Corgis registered with Kennel Club hit 30-year peak
  • But popularity of King Charles Spaniels is continuing to decline, hitting a low
  • Lovers of the breed are hoping sharing name with new King will boost the dogs

Interest in Corgis has boomed following the Platinum Jubilee and the death of Queen Elizabeth, according to the Kennel Club.

Numbers of Pembroke Welsh Corgis registered with the organisation have reached a 30-year high, the Times reports.

Conversely, King Charles Spaniels are continuing to see a decline in their popularity, with lovers of the breed reportedly hoping that sharing a moniker with the new monarch may give the dogs a boost (though the new king prefers Jack Russells).

The breed, which is on the Kennel Club's vulnerable list, hit a low in 2020, with just 56 registrations. This increased to 91 in 2021, but numbers so far this year are so low, it is likely to drop beneath 2020.

The number of Corgis registered with the Kennel Club has reached a 30-year high, with interest growing following the death of the Queen (pictured here in 1980 with three of the dogs)

Cavalier King Charles Spaniels (as pictured) are doing well in terms of popularity, although their close relative the King Charles Spaniel (not pictured) is seeing a decline

However, it notes that Cavalier King Charles Spaniels, the original breed from which King Charles diverged in the middle of the century, is doing well, with 3,772 registrations last year.

The original Cavalier King Charles Spaniel dog breed was developed from toy spaniels. Popular as women's pets, they were also beloved of King Charles II, who was said to be so fond of his spaniels, he could not be parted from them.

Although Corgis were on the Kennel Club's vulnerable list in 2014, they are now one ofthe UK's most popular breeds, and the Queen is credited with boosting their popularity (pictured: Queen Elizabeth with one of her beloved corgis, Candy)

The Pembroke Welsh Corgi has become known as a symbol of British royalty thanks to its long-standing association with the Queen

Lovers of the ailing King Charles Spaniel may look to the influence the Queen had in turning around the fortune of corgis in recent decades.

The breed was listed as 'vulnerable' in 2014, and the Kennel Club credits Her Majesty's love of the dogs as the major factor in making them one of the UK's most popular breeds today.

Corgis, which have four short legs, a long snout and two huge pointed ears, are famous for being a symbol of British royalty.

HISTORY OF THE CORGI BREED

The word 'Corgi' is Welsh for 'Dwarf Dog', and there are two types; the Pembroke, which is the Queen's breed, and the Cardigan Corgi, a descendent Teckel family of dogs, which also produced the Dachshund

Pembroke Welsh Corgis originated in Pembrokeshire, Wales from the Spitz family of dogs which are characterised by long, thick fur and pointed ears and muzzle

Corgis are a cattle herding breed that can be traced back as far as 1107 AD, thought to have been brought to Wales by  Flemish weavers

They are the type of herding dog referred to as 'heelers', meaning that they would nip at the heels of cattle to keep them moving

The combination of their low height off the ground and the innate agility of Welsh Corgis would allow them to avoid the hooves of the larger animals

They were officially recognised as a native British breed by The Kennel Club in 1928, but Cardigans and Pembrokes weren't seen as separate breeds until 1934

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The Queen owned more than 30 of the sandy, short-legged dogs throughout her reign.

She was gifted her first corgi, called Susan, for her 18th birthday from her late father King George VI. Ten generations of her corgis then descended from Susan.

Her dogs were given the Royal treatment having their own rooms with elevated wicker baskets and meals of beef, chick, rabbit, liver, cabbage and rice being prepared by a chef each evening.

Sometimes the Queen herself made the dog's meals. But her late husband was said to have 'loathed' the dogs' yapping.

She left behind two dogs - Sandy and Muick - who are now cared for by Prince Andrew and the Duchess of York at their Royal Lodge home.

Muick, pronounced Mick, joined the royal family at the start of 2021 along with a so-called 'dorgi', a cross between a corgi and a dachshund, called Fergus.

Fergus, who had been named after the Monarch's uncle who was killed during battle in the First World War, died after just five months.

He was later replaced with a new corgi called Sandy, as a 95th birthday present from Prince Andrew and his daughters, Princesses Beatrice and Eugenie.

Meanwhile Muick was named after Loch Muick on the Balmoral Estate.

Palace sources speaking to the Daily Mail previously revealed the beloved corgis were 'with [the Queen] in the room' at her deathbed when she died on September 8 at Balmoral.

They then touched people's hearts when they made a poignant appearance at Her Majesty's funeral on September 19.

As the late monarch's coffin made its way from London to its final resting place in Windsor, Muick and Sandy waited for the processional to pass, to see the Queen for one last time.

The dogs were seen waiting in the quadrangle with two aides before the late monarch was laid to rest in St George's Chapel.

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King Charles Spaniel numbers declining amid Corgi boom following Queen Elizabeth's death

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She received her first corgi, Susan, as an 18th birthday gift in 1944 and bred 14 generations of corgis descended from Susan, underscoring the breed's importance in her life.

Title:

Content: Queen Elizabeth II's corgis are 'thriving' a year after death of the monarch, Sarah, Duchess of York has said.

The late Queen's former daughter-in-law took over care of her final two corgis, Muick and Sandy, after her passing - housing them at Royal Lodge in Windsor.

The duchess has revealed how Queen Elizabeth 'entrusted' her with their care after death. Sarah shared a photograph of herself crouching on the edge of a field with the dogs, as she commemorated the anniversary of Queen Elizabeth II's death a year today.

Sandy and Muick were given to the Queen during the coronavirus pandemic as gifts from her son the Duke of York. They played a sweet role in her committal service at Windsor Castle last September.

Read more: Anniversary tribute to late Queen Elizabeth II will be led by the Prince and Princess of Wales

The neatly groomed dogs were brought to the castle's quadrangle for the arrival of the late Queen's coffin, ahead of the service exclusive to family and trusted staff at St George's Chapel. Sarah Ferguson - nicknamed Fergie - wrote: "As we mourn a year on, we also celebrate the wonderful times we shared with Her Late Majesty the Queen.

"She entrusted me with the care of her corgis Sandy and Muick and I am delighted to say they are thriving."

Throughout her life, the Queen owned more than 30 corgis - many of which were direct descendants from Susan, who was an 18th birthday present from her parents in 1944. The Queen fell in love with her father George VI's dog Dookie, and wanted a corgi of her own.

Susan was so loved and cherished that she even accompanied Princess Elizabeth on her honeymoon.

The Queen regarded her corgis as family, personally preparing their meals and ensuring they lived in royal luxury within Buckingham Palace.

Her deep affection was widely known, and her corgis were present both at her deathbed and funeral, symbolizing an intimate and enduring bond with the breed .

Title:

Content: To the rest of the world, she is Elizabeth II, Queen of the United Kingdom—but to generations of corgis, she was always just Mum.

The queen’s beloved corgis have never been far from her side, ever since she fell in love with the breed as a young girl.

See Also: Royal Family Shares Throwback Photos of Prince Charles

The queen received her first corgi, Susan, as an 18th birthday present, and her 14 generations of royal corgis since then have all descended from the same line. Sadly, Susan’s very last descendant, Willow, recently passed away, marking the end of era for the royal family. However, the queen will forever be associated with the distinctive breed.

We’re looking back at her lifelong affection for corgis. Launch the gallery to see candid photos of Queen Elizabeth and her favorite canine companions!

This royal association significantly boosted corgis' popularity.

Following the Queen's platinum jubilee and death, Pembroke Welsh Corgi registrations in the UK rose to a 30-year high.

The Kennel Club credits her passion for the breed for transforming corgis from "vulnerable" status in 2014 into one of the UK's most beloved dog breeds today, effectively making the Pembroke Welsh Corgi a symbol of British royalty .

The cultural impact of the Queen’s corgis extended beyond pet ownership, permeating popular media and public events.

They appeared prominently in the 2012 London Olympics opening video and the James Bond film featuring the Queen herself, showcasing their royal connection on the international stage.

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The Queen of England has raised more than 30 dogs for her loyal Corgi fans who have appeared in the Olympic Games and 007 in the same frame [shadow]
2022 / 9 / 9 17: 33 (Updated on 9 / 9 18: 16)
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Queen Elizabeth II loved dogs, but she stopped keeping them in her 90s because she didn ’ t want them to become orphans after she died.
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The most loyal public servant of Queen Elizabeth II should belong to her Corgi.
These puppies have been at the Queen ’ s feet for generations, accompanying her for nearly a century, and the Queen has raised more than 30 Corgi in her lifetime.
The combination of the Queen and the Corgi is as natural as the British drink tea and cake, making the little-known breed known around the world.
This brown puppy with pointy ears bustled around the Buckingham Palace, following the Queen from room to room and appearing in official photographs.
In the 2012 London Olympics opening video, the puppies even performed as part of the show.
In the film, the Queen of England leaves Buckingham Palace accompanied by Daniel Craig's 007 agent and climbs into a helicopter, leaving behind her Corgi dogs Holly, Monty and Willow.
Image source: Olympics
As a child, the Queen loved the Corgi.
When she was seven years old in 1933, little Elizabeth visited the home of a friend who had a dog and wanted to have one. Her father, George VI, gave her her first dog, Dookie.
However, the royal Corgi family, which has been with the Queen for more than 70 years, originated in 1944 when King George VI gave her her Corgi, Susan, on the Queen ’ s 18th birthday.
Even as the Queen went on her honeymoon and ascended to the throne at the age of 25, Susan accompanied her.
She loves Susan so much, and the Corky dogs she keeps are all descendants of Susan.
The Queen stopped keeping Corgi in her 90s because she didn ’ t want the puppy to become an orphan after her death. In 2018, her last Corgi dog, Vero, died.
Despite this, in the last moments of her life, the Queen was accompanied by two "Dachshund" dogs, mixed with the Koki.
One of the puppies, Vulcan, died in 2020.
But in March 2021, it was rumored that the Queen had two more Corgi puppies.
The royal family was battling a series of crises, including the Queen ’ s husband, Prince Philip, who was in declining health at the time.
The two Corgi are said to have been with the Queen when she moved to quarantine at Windsor Castle in the western suburbs of London during the outbreak.
Royal writer Penny Junor told The Sun that the dogs loved the Queen very much and never disappointed her.
She said, “Of course, the Corgi won ’ t go to Los Angeles for an interview. ”
She was referring to Prince Harry and his wife Meghan, who spat bitterly during an interview with the famous Oprah Winfrey, accusing the royal family of racism and not supporting them.
According to Brian Hoey, author of Pets by Royal Appointment, the Queen loves her Corgi so much that she prepares her own food for them.
Every day at 5 p.m., the servant prepares the dog ’ s filet steak and chicken breast for dinner, and the Queen personally waters the gravy.
However, not everyone in the royal family loves dogs.
According to Hoy, the Queen ’ s husband reportedly doesn ’ t like the stumbling, short-legged puppies because they bark too much.
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Additionally, events like the annual "Tour de Corgi" parade include a "Queen Elizabeth and her corgis" costume category, highlighting how her legacy inspired celebrations that honor this unique bond .

Title:

Content: Sunday, Sep 11, 2022

Annual ‘Tour de Corgi’ event to include new ‘Queen Elizabeth’ costume category to honour the monarch

“We all have a very strong affection for her as a fellow corgi lover," Tour de Corgi founder Tracy Stewart was quoted as saying

Queen Elizabeth II is seen walking in the private grounds of Windsor Castle, in England, on steps at the rear of the East Terrace and East Garden with four of her dogs: clockwise from top left Willow (corgi), Vulcan (dorgie), Candy (dorgie) and Holly (AP/PTI)

As a tribute to the late UK monarch Queen Elizabeth II, who passed away at the age of 96 at her Balmoral estate in Scotland on September 8, after reigning for 70 long years, the Tour de Corgi parade — an annual event that celebrates the dog breed corgi — will include a new element this year that is likely to make fans of the British royal family and corgi lovers happy.

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It is no secret that the queen was extremely fond of dogs, especially corgis, from a very early age, and that she had been breeding them until 2018, when she finally realised that she may have to leave some of them behind after her death.

According to Country Living, the queen had four dogs at the time of her death: two Pembroke Welsh Corgis, a Dorgi (Corgi-Dachshund mix), and a Cocker Spaniel named Lissy, who joined the family only this year, in January 2022.

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In her lifetime, she reportedly bred 14 generations of corgis, and even famously declared: “My corgis are family.”

According to an Independent report, Queen Elizabeth‘s love for her four-legged friends was well-documented during this year’s platinum jubilee celebrations in the UK, when the sky above Buckingham Palace was lit up with images of the dog breed.

The publication mentioned that the Tour de Corgi parade this year — which has been taking place in Fort Collins, Colorado since 2014 — will include a “Queen Elizabeth and her corgis” costume competition, in “memorium and to honour her”, quoting the event’s organisers who shared this with a local newspaper ‘The Coloradoan‘.

This is a May 12, 1973 file photo of Queen Elizabeth II sitting with her corgis, at Virginia Water to watch competitors, including Prince Philip in the Marathon of the European Driving Championship, part of the Royal Windsor Horse Show.

Tour de Corgi founder Tracy Stewart was quoted as saying, “We all have a very strong affection for her as a fellow corgi lover. I think it is just, you know, our dogs are such a big part of our hearts that it creates a very heartfelt connection.”

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The aforementioned event will take place on October 1, 2022, and will conclude with a corgi parade through the town.

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According to a Reader’s Digest report, the queen was fond of corgis because of their “energy and untamed spirit”, and the fact that her parents welcomed the family’s first corgi, Dookie, in 1933. Eleven years later, in 1944, the queen’s father gifted her a corgi named Susan for her 18th birthday. The pupper even accompanied her on her honeymoon, and gave birth to a pair of puppies in 1949, which reportedly marked the beginning of the royal line of corgis.

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First published on: 11-09-2022 at 07:10:45 pm
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Historically, while the Pembroke Welsh Corgi was known as a herding breed from Wales, its global recognition today as a charming and intelligent pet with a noble lineage is largely due to the Queen’s public presence with these dogs.

She owned approximately 30 corgis over her lifetime, providing extensive visibility and endearing them to audiences worldwide.

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ABC Rural

Corgis bred for herding livestock long before Queen Elizabeth II made them famous

By Sophie Johnson
Posted

While corgis are synonymous with the late Queen Elizabeth II, it might be a surprise to know the tiny breed is still used as a working dog in Australia.

The Queen had 30 corgis as pets over her lifetime, giving the breed its international recognition.

But the dog has been used for centuries to herd livestock.

Jean Milnes herds south of Adelaide with her female corgi, Tirion.

"[Corgis] have been herding since the Middle Ages at least, there is documentary evidence of them herding back in about 800AD," she said.

"I just got into it because I thought this would be fun to do to see if she could remember what her ancestors used to do."

Exercising instincts

There are few corgi herders in Australia now, but Ms Milne is hoping the popularity will boom after the death of the Queen, returning the breed to its farming roots.

"I still have the conversation with people who think corgis are wonderful, associate them with being the Queen's dog, and don't realise that they actually have a job to do," Ms Milnes said.

"There is ... going to be an influx of people wanting corgis for the next year or so, and it would be nice if they did something more than just go to the dog park."

Her corgi trains for herding competitions.

"We should be doing things that … dogs enjoy as well," she said.

"They need to be given the opportunity to achieve things.

"I think it is very important in any breed to maintain what they were intended to do."

Big brain, little legs

National Welsh Corgi Council secretary Sadie Podger said the dogs were very intelligent, which was needed when herding animals.

"Years ago … the farmers found that these dogs are actually quite smart and adapt to their conditions that they're in and found that they were the better of all the cattle type dogs that they had," she said.

Ms Podger said corgis were known as herd heelers because they could nip the rear legs of livestock to guide and direct the animal.

"When they herd they can roll from one side … of the cattle to the other side with that, and then sort of directing the cattle to where they want it, because cattle can be quite stubborn."

"They're low to the ground so they can drop their head a little bit, and basically the hoof goes over the top of their head where a taller dog could get hit in the head."

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