LiveJournal was created by Brad Fitzpatrick in the late 1990s initially as a personal journaling tool to document his daily life and thoughts.

Motivated by a desire to share his experiences in a more organized and accessible format, Fitzpatrick developed the application for his own use.

Soon after, recognizing the potential for others to similarly share their personal stories, he launched LiveJournal as a public website in 1999, allowing users to create their own journals and interact socially .

What set LiveJournal apart from other blogging platforms of its time was its seamless integration of social networking features.

It was among the first to offer friend lists, enabling users to designate specific individuals who could view or comment on their posts.

For example, users could tag entries as "friends-only," restricting access to a defined circle rather than the general public.

Furthermore, LiveJournal supported personal communities—groups centered on shared interests or identities where members could post collectively, and discussions were often moderated to maintain focused interactions.

These privacy controls and community features nurtured close-knit digital social spaces, merging self-expression with interpersonal connection in a way that was innovative for early web platforms .

At its height in early 2005, LiveJournal boasted over 2.5 million active accounts, appealing especially to English-speaking users seeking more personal, community-oriented online expression.

However, its decline began as ownership changed hands several times, notably when it was acquired by Russian companies.

This shift brought increased content censorship and restrictions that conflicted with the expectations of many users, particularly concerning freedom of speech and user autonomy.

In addition, the emergence of highly popular social media platforms like Facebook and Tumblr, which offered more modern interfaces, mobile-friendly access, and broader networking possibilities, drew users away.

LiveJournal was created by Brad Fitzpatrick in the late 1990s initially as a personal journaling tool to document his daily life and thoughts.

Title:

Content: Liu Kaiwei went to Wuhan night market and no one recognized Yang Yi and the man entered the house on the same day.
Author: Eric Chu
Published: Updated:
Since the divorce of Liu Kaiwei from 2018 and Yang Yi, the work has gradually reduced production, and in 2020 began to change to the drama industry, when "a piece of white paper" began, in four years only starring in a series, and the response is flat, the exposure is greatly reduced.
Liu Kaiwei ’ s play “Thunderstorm, ”“ After Thunderstorm, ” began its national tour in January last year. (Weibo @ Liu Kaiwei)
On the 4th, Liu Kaiwei uploaded the Vlog at the Wuhan Night Market in November last year. He wore a BALMAIN cold shirt with black trousers and casual clothes. Liu Kaiwei wore glasses and a mask, shuttled through the night market, and entered a toy store first, not knowing if he wanted to buy a gift for his daughter.
Then he went to the roadside stall to buy lotus seeds, because the stall owner's accent question two also answered the question, very funny.
On the way to continue, Liu Kaiwei bought a steamed cake for 5 yuan, and especially took it back to the car to eat, which is very defensive.
Later, under the guidance of the staff, Liu Kaiwei came to a local famous flour shop, sitting on the street to enjoy, very close to the ground, people around, but no one recognized him, very low tone.
On the same day, Yang Yi was shadowed by the mainland paparazzi in Shanghai to the same man in the neighborhood (ie, the house), which immediately aroused heated discussion, but the sharp-eyed netizens quickly recognized the man as Guo Jingming's assistant, speculating that it might be a work matter.
Yang Yi entered the house with the man. (Weibo @ Eat melon girl Zhang Xiaohan)
+ 10
After Liu Kaiwei went to the mainland for development in his early years, he became well known to the public through episodes such as "Feng Wearing Peony", "A Thousand Tears" and "A Thousand Mountains Twilight Snow", and became popular with Yang Yi in 2012.
Just after the divorce of the two in 2018, the male and female careers gradually showed two extremes, the former chose to settle down and try new performances, so the new work is few and the attention has waned, but in Weibo still sits more than 17 million fans; the latter is still on the top of popularity, and every move can cause a sensation.
And from last year, Liu Kaiwei began to shoot Vlog and Plog, named "walking diary", documenting work and life, compared to the rapid pace of the stars in the past, now slowed down, or he more enjoy the current life?
+ 8

Motivated by a desire to share his experiences in a more organized and accessible format, Fitzpatrick developed the application for his own use.

Title:

Content: Interviews

A Man Walks Into a Museum: For Tony Fitzpatrick, 2021 is a Return to More Than Before

Fall 2021 CGN Cover Interview. Subscribe to receive the print version here

By GINNY VAN ALYEA

Fresh from a positive report from his cardiologist, artist Tony Fitzpatrick invites me to sit down and indulge in some fried chicken and cake. Following a 2015 heart attack Fitzpatrick, at 63, is full of life and fire. A widely-known creative force in Chicago and well beyond, the artist says he was given a second act (or third, or fourth, if you listen to his stories of previous close calls) in order to keep making art.

Fitzpatrick’s stories are legend, and he loves a listener. More than that, he loves an audience. He’s sure to get one this October, when he opens Jesus of Western Avenue, an expansive exhibition taking place at the Cleve Carney Museum of Art in suburban Glen Ellyn. The artist will also be publishing Apostles of Humboldt Park, a book featuring a collection of work Fitzpatrick created in isolation: signature drawing collages of birds he’s observed and admired throughout Chicago’s famed west side park.

As much as Fitzpatrick loves connecting with people and sharing his stories, from Facebook to a theater stage, he seems most at home in his west side studio, working on his latest collages as well as directing deliveries and shipments of art, hosting visitors or introducing artists and collectors through exhibitions at The Dime and T.F. Projects. If Western Avenue is the solar system, Fitzpatrick might be its sun. There is a gravitational pull that keeps everything in orbit around this particular star.

Fitzpatrick wears his heart (tatooed) on his sleeve. There is no speak softly and carry a big stick. There is if you don’t like what he says, you can see yourself out. What pours from Fitzpatrick’s stream of unselfconsciousness are positions on a multitude of topics. When Fitzpatrick took to Facebook during 2020’s lockdown to encourage fellow citizens to be masked and socially distant, he chose the hashtag #staythefuckhome over the more pedestrian, #StayHomeStaySafe.

Art, not surprisingly, occupies many of Fitzpatrick’s areas of opinion. For the dozen or so years I’ve known him, Fitzpatrick has frequently shared that he dislikes art fairs. The multi-day, scene-obsessed frenzy they can generate has represented, for him, the apex of all that can be obscenely money-driven, ego-centric and just plain ridiculous about the art world. However, during a recent shared ride to attend the funeral of a friend, Fitzpatrick had the chance to tell Tony Karman, founder of EXPO Chicago, one of the country’s most prominent contemporary art fairs, that he sees fairs in a different light now.

Where he once ranted at the affront of an art marketplace that seemed to rule at the expense of true creativity and art appreciation, he says he now realizes that when many people gather for fairs there are celebrations of art as well as unparalleled opportunities for idea sharing and artist recognition; not everyone is a self-interested speculator. The professional convergence and standards set at the best art fairs have facilitated timely and productive discussions and projects that benefit a broader public. Fitzpatrick sees Karman, amidst a landscape more challenging than ever, as a man trying to harness the best forces of the market in order to bring people together – to Chicago – in a way that positively moves art and artists forward together.

“I think Tony’s been a good steward of culture in this city. He’s the most brutal optimist you’ve ever met in your life. It’s infectious,” Fitzpatrick exhalts.

This about face is just one sign that Fitzpatrick continues to be full of surprises. He considers, “I got a new lease on life from heart surgery, and I lead a really different life now. I swim every single morning. I don’t eat fried chicken a lot (just today).” His opinions, as well as his habits, are like the man himself: sometimes stubborn, but never immoveable.

“In the last five years I realized the glass is half full. I wasn’t looking for the good, but I found it. I learned that even just walking around Humboldt park could do me a world of good. I’ve gotten into birding in a big way and also become kind of an activist on behalf of birds and the environment.”

With more time to himself in 2020, except for socially distanced jigsaw puzzle deliveries via pizza peel to friends and clients, Fitzpatrick says he had the chance to care more about the local and global environment and how change relates to weather as well as his much loved local birds. “That’s one issue I think we really have to face as a culture and as artists – being better stewards of our planet. Everything’s changed. I think COVID kind of made us somebody else.”

Fitzpatrick has also been a sort of activist on behalf of emerging artists who need mentoring support and exhibition exposure and has launched several gallery spaces in Chicago, from partnering on AdventureLand, to founding The Dime, and the newer T.F. Projects. In each case he has sought to adjust the traditional gallery model from an even split between dealer and artist to one that favors the artist. Fitzpatrick recently appointed a new full-time director, Rachael Raab-Wasaff, to manage the galleries and lead from a female vantage point, while also managing Fitzpatrick’s career, freeing him up to work on his art.

Of course, Fitzpatrick is really never just making art. He’s also designing puzzles, publishing books, collaborating on public art–he unveiled a large-scale mural for Steppenwolf Theater Company this summer–and preparing for what he says will be his final museum show this fall, at the Cleve Carney Museum of Art.

“I feel really good about the exhibition,” says Fitzpatrick. “Right now we have at least 75 pieces in it, so far. We may have to cut, but we’re working with a lot at this point.”

The Cleve Carney Museum of Art, formerly the Cleve Carney Art Gallery, part of the College of DuPage and the McAninch Art Center, underwent a renovation and expansion of its galleries as well as a name change in 2019, in anticipation of Frida Kahlo: Timeless, which, along with Fitzpatrick’s show, was delayed for a year due to the pandemic.

When I ask about Fitzpatrick’s connection to the museum, he reveals, “I started caddying for Cleve Carney’s father, Marv Carney, in the 70s when I was about 12.” Looking across the table at Fitzpatrick, wearing his favorite White Sox hat and with gray in his beard, his fair skin mostly obscured by colorful tattoos, I am trying to picture him as a country club caddy, let alone a pre-teen. Fitzpatrick confirms he was never a golfer. “Why would I wear funny pants and chase a little ball around?” he asks me. He explains, however, that he was particularly good at reading greens, a skill he possessed because his drawing acumen helped him understand planes and trajectories.

Fitzpatrick emphasizes that he learned a lot from that time. “You wouldn’t think it would be the job that most formed me, but it did. I learned how to win graciously, and how to lose gracefully.” Fitzpatrick also got to practice the art of listening (to more than a few dirty jokes), as well as getting, and holding, someone’s attention – skills that would all be put to use when he would later perform and tell stories in theaters and on film.

He says, “I had a remarkably bad attitude, but Marv liked me because I read his putts, and they played for money.” Following some remarks on the course one day–Carney let Fitzpatrick know he needed a haircut as well as an attitude adjustment–when asked what he was going to do with himself in life, Fitzpatrick responded, “I wanna be an artist.” To which Carney exclaimed, “Fuck. You’re not going to make any money. My kid’s into that. He just got out of law school. Every damn dime he makes, he spends on art.” Carney offered to introduce Fitzpatrick and his son the next time he was out golfing.

However stern Marv was, Fitzpatrick says, Cleve was a lot of fun. “If I were to liken him to something in nature, it would be a pond full of otters.” When he did get to know Cleve, eventually Fitzpatrick showed him some drawings, and Cleve, in his late 20s at that point, responded by telling the young artist about many others, such as the German expressionists, and the artists of the Weimar Republic. When Fitzpatrick shared that he wanted to learn how to make etchings, Cleve pointed him to study Hogarth, and Picasso. “He really came to me with the right things at the exact right time [in the 70s.] When I started making a name for myself in the 80s, Cleve was the first guy to come to my studio, and every time he came, he would buy something. He was just unbelievably kind and supportive of me.”

Cleve Carney built a major art collection over the years and championed a wide range of nonprofits and causes throughout Chicago. His 2012 donation of $1 million in cash and art to the college helped establish the Cleve Carney Arts Gallery which became the Cleve Carney Museum of Art in 2019. Fitzpatrick knew he had to do this exhibition, the one he says will be his last museum show, because he credits the support of this one man with making him an artist.

*

I’ve heard Fitzpatrick talk about lasts before, so knowing he’s looking to keep going, following his heart attack, rather than call it quits, I press him if he really means it. Does he wonder what new, impossible to pass up offer could still come along?

“The museum thing, for sure it’s the last,” he responds. “It’s time to get out of the way for people who don’t look like me. If I deal myself out of that equation, then some institutional wall space becomes available for somebody else. I think it’s important for us to create some equity, and it starts with every single artist.”

He emphasizes the significance in artists recognizing that they are each other’s advocates as well as worthy of accepting each other’s support. “The one thing the community has to realize is the most valuable assets we have are each other. Most things one artist cannot do by themselves. You put four or five of them together, and you can move mountains.”

*

Fitzpatrick’s new Steppenwolf Theater mural, titled Night and Day in the Garden of All Other Ecstasies and completed this spring, may also be his last mural in Chicago. Created in honor of the theater’s former artistic director, and Fitzpatrick’s friend, Martha Lavey, it represents the evolution of the storied company. At 12 feet high by 76 feet long, the mural hits some firsts for Fitzpatrick–his first outdoor mural and his largest work to date. Artist Danny Torres is credited with the laborious process of digitizing Fitzpatrick’s images for the mural inch by inch, which took him six weeks before they could be transferred to tile by a company in Italy. The quality and durability of the images on tile means that the mural won’t be as vulnerable to degradation by sun or weather. Says Fitzpatrick, “I think it’s a future of public art. I love the romance of painting onto something, like Michelangelo, but how often is most of that covered up?”

Coming off of the Steppenwolf mural, Fitzpatrick and Torres started their own company–Fitzpatrick, Torres, Humboldt, Caballo–and are now looking for opportunities around the country and the world. Though this is supposed to be the last one they do in Chicago, time will tell. Either way, their work will not end.

*

Whereas some people become more stubborn with age, swearing off new things, and people, Fitzpatrick thrives on fresh energy. His friendship and business partnership with Torres, who is about half Fitzpatrick’s age, was also borne from what followed Fitzpatrick’s heart attack. Torres’s aunt, a cardio rehabilitation nurse at St Mary’s Hospital where Fitzpatrick received care, called Fitzpatrick. He recalls, “She just says, ‘This is Rosa, who restored you to life. I want you to meet my nephew, who is a marvelous artist.’ The minute we started talking, it was like we knew each other. We were already kind of the same.”

Fitzpatrick liked Torres and wanted to support him, so they talked about taking 18 months to get enough work ready to hang at AdventureLand, the gallery which used to be where T.F. Projects is now. Torres sold out his first show on the opening night. Not long after that was when Steppenwolf approached Fitzpatrick about the mural for their new building. He knew he could make the maquettes but he would need a top crew of artists to work with to execute it on a grand scale. Torres was his first choice. And once COVID altered the project’s entire timeline and prospects, just the two of them were mainly left to see it through.

“No one could say they knew what [COVID-19] was yet,” Fitzpatrick recalls, “We were kind of lost for a while, until Mike Tobin, the head of Steppenwolf’s board, introduced us to the guys at Imola Ceramica.” Around for centuries, the company became known for fabricating decorative porcelain and ceramic tea sets before delving into cutting edge imaging about 30–35 years ago. That connection made the Steppenwolf mural’s production possible, and it also revealed new collaborations for Fitzpatrick and Torres, as well as any future players who come into their orbit.

The mural commission was obviously a significant artistic and business win for Fitzpatrick and his team, but what he says he finds most valuable is the work as public art in Chicago that will last long after he is gone.

“To do this in a public way, where people don’t have to pay a dime to see it? I love that.”

Jesus of Western Avenue is on view at the Cleve Carney Museum of Art: October 16–Jan 31, 2022

Soon after, recognizing the potential for others to similarly share their personal stories, he launched LiveJournal as a public website in 1999, allowing users to create their own journals and interact socially .

Title:

Content: Opinion: Sber pulls LiveJournal
09.12.2021, 4: 30, Miscellaneous
Subscribe to Telegram channel
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The lords of the vaxers have not long to endure the godless Shoemaker in LiveJournal.
The tendency to silence “too sharp ” topics, which I have already mentioned, is becoming clearer and clearer.
Still, it was not in vain that the change of ownership occurred, and LiveJournal passed into the hands of Comrade Gref and Sberbank.
Pay attention to my last 4 (!) posts about kovid - about Germany, the Czech Republic, Ukraine, etc.
None of them is not that “did not get to the top ” – God would be with him; all four were out of the LiveJournal rating at all.
It was as if they “didn ’ t notice ” them.
And it's funny - one still flew into the Top, and immediately in the top ten - and literally an hour later was hastily thrown out of it.
At the same time, from the rating in general.
It's censorship, my friends.
So far, as soft as possible.
I pay tribute to the old LJ - he resists as much as he can.
But no – the forces are too unequal, I understand.
The crazier and frankly ridiculous everything becomes – covid-statistics, the requirement to “vaccinate everyone ”, the rationale for“ the need for codification ”, etc. – the stronger will take control of social networks.
Moreover, they are clamped on two sides: Russian (VK, Zen, LiveJournal) will thin out censors from the government, Western (FB, YouTube, Instagram) do not need censors from the outside, they themselves are the embodiment of censorship.
The exception from the rating “completely ” is, of course, the mildest form of influence so far.
But, as Leo Tolstoy said, “By reducing the ideal by its weakness, one can never find the limit at which one should stop. ”
Source: Reflections of a Free Sociologist
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What set LiveJournal apart from other blogging platforms of its time was its seamless integration of social networking features.

It was among the first to offer friend lists, enabling users to designate specific individuals who could view or comment on their posts.

Title:

Content: • |
• Fast Quote
• |
• Member
• Product Services / Streaming
• Settings
25 / 07 / 2022
Book Fair Travel and Sharing New Directions
• Add Favorite Column
• Collection of articles
• Zhifan
Zhifan
Grassroots roots, ordinary wage earners, not in the financial and financial sector, share knowledge about value investing and financial freedom in their personal blog, don ’ t talk about investment tips, don ’ t chase the market, and the blog has millions of views.
He has held investment workshops, received numerous media invitations for interviews, lectures, etc., and is now a columnist for financial magazines, and has published many financial books.
Earn money
This post is updated every Monday.
Visit the book fair with your family on Saturday to see the sales of your new books, and feel the atmosphere of the book fair as an author.
I do not know whether it is related to the epidemic or anti-epidemic procedures, but I can see that the number of participants this year is not as good as before. Fortunately, there are arrangements, so it is not lonely.
One of the fun arrangements is to arrange a number of bloggers in advance, to visit the book exhibition together, see and meet, and the opportunity is rare.
When I asked her if she had met other good bloggers near the publishing house, she reminded me that she had never met other bloggers, and it was impossible to recognize each other.
At the time, I was the only one who had ever met any of my fellow bloggers.
(Screenshot)
Bloggers have a unique feature: they have been friends online for many years, but they have never met a real person.
So bloggers seem to have known each other for a long time, but even if they meet in the street like strangers, this is also the case.
On that day, McGavin brought a camera to film, and you can see the true faces of several bloggers (wearing masks) in the film.
When he arrived at the booth of Bright Light Publishing House, he immediately saw Brother Duncan, who was standing with his own book, and another reader reading his book.
It turns out that Duncan is pretending to read, while secretly observing and listening to how readers comment on his work.
This reminds me of how many years ago, when my debut novel was published, I often went to the bookstore to do a similar action, which is a new author's interest.
When everyone chatted, mentioned the new work of Little Potato Brother, that it is not easy to see, there are a lot of accounting numbers, to understand but also a bit of basic skills.
Little Potato has heard similar comments, but thinks he has written very shallow.
In fact, this is the distance between many authors and readers, can write books, always a bit of professional knowledge or excesses, to write their own knowledge, experience and cognition, readers may not have relevant background knowledge. How to write a book that resonates with readers, so that the most people have gained, this is the author's difficulty, this problem in the field of financial books often exist.
Sharing a new direction
Recently, my brother ’ s sharing arrangements have changed significantly, one of the main reasons is that the YouTube channel was removed earlier, more than three years of hard work, more than 400 precious videos, this one-size-fits-all approach, coupled with the subsequent negotiations, so that I completely lost confidence in YouTube.
The direction of change has been carefully considered and many aspects have been considered.
For example, the number of YouTube subscriptions seems to go to the bottleneck, and the number of views is not as large as it used to be.
Plus the long-appeared haters, enjoy the free sharing after the point.
I am already struggling, should I continue to share something that works for the general public on public platforms?
Or choose a way to stay away from the public and look for a small number of wise people? Since youtube has happened, I decided to switch to Patreon as the main force.
An earlier video mentioned the "China Light and Power Cable Bridge Incident", pointing out that in the eyes of ordinary people, in fact, it depends on how the parties deal with it. If handled well, it can definitely turn bad things into good things.
I hope this bad thing will become a good thing in the future.
In addition, in order to make it easier for everyone to use Patreon, my brother has organized the video catalog to make it easy to revisit.
Video Catalog: https: / / docs.google.com / spreadsheets / d / 1iv2PAD7cGMsO2QzslBeeR _ NTQhxXpvmbxBwlFQ4Xg0c / edit? usp = sharing
Related video ： https: / / youtu.be / rMqyp49qDLY
The content of the signed and / or unsigned articles published by Economic Times is the author's personal opinion and does not represent the position of Economic Times, and the role of Economic Times is to provide a free speech platform.
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For example, users could tag entries as "friends-only," restricting access to a defined circle rather than the general public.

Furthermore, LiveJournal supported personal communities—groups centered on shared interests or identities where members could post collectively, and discussions were often moderated to maintain focused interactions.

These privacy controls and community features nurtured close-knit digital social spaces, merging self-expression with interpersonal connection in a way that was innovative for early web platforms .

At its height in early 2005, LiveJournal boasted over 2.5 million active accounts, appealing especially to English-speaking users seeking more personal, community-oriented online expression.

Title:

Content: The dark web surprised the seller 's personal data! 160,000 yuan to buy 23 million household registration data engineer: the certificate is correct
▲ Two years ago, hackers were selling household registration data in Taiwan for US $5,000 on the BF dark web.
Photo / Mirror Weekly
The Ministry of Education recently announced that the school system of 7 schools has been hacked, and this magazine received a complaint that the relevant information has been sold on the famous American dark web BF (BreachForums) before the Ministry of Education announced, I am afraid it has become a criminal tool of the fraud group.
In fact, it is not the first time that a hacker has sold Taiwan personal data on the website. In October 2022, a self-proclaimed "OKE" netizen claimed on the forum that he owned 23,572,055 personal data in Taiwan. In order to gain credibility with the public, it was also the same as this time, first opened 200,000 personal data registered in Yilan for verification by other netizens. About NT $160,000), selling all personal data, and specifying virtual currency as the payment method, and leaving Telegram as the transaction contact method.
At that time, an engineer in Taiwan, due to curiosity, contacted the other party and bought the file, wanted to use his relatives and friends to verify the authenticity of the information, and found that in addition to translation problems, some Chinese were incorrect, as long as the number of the parts, such as the certificate number, were correct.
▲ Reports from Taiwan ’ s intelligence units were also sold by PO on the dark web. (Photo taken online)
At that time, the Ministry of the Interior denied that it was leaked by the household service system for the first time, but the Investigation Bureau formed an ad hoc group to investigate and confirm that the information was the household service information of our country before April 2018. (c) Deferred from prosecution.
Last year, some netizens found that some people on the website were still peddling regular reports of Taiwan's intelligence units, and the Military Intelligence Bureau announced that it had launched an investigation and handled it in accordance with the regulations, but the investigation of these two cases was still closed in the end.
According to our survey, the BF website is an English-based hacker crime forum that is active between 2022 and 2023, allowing members to discuss various hacking technology topics, and users can also share stolen data or hacking tools for others to use.
A few days ago, people were angry because they were not satisfied with the number of police departments, and they opened fire in their office area.
The website was created by Conor Brian Fitzpatrick, then 19 years old, who also used hacking technology to attack the FBI ’ s email system, and other users on the forum, who also attacked other FBI organizations, even Columbia ’ s health insurance data is difficult to escape. Or someone else ’ s body is still in the process of being resurrected.
In recent years, the government has set up a digital development department in order to protect information security and deter fraud. However, it has continued to spread the problem of data leakage. After the incident, it has not seen any active action by the data development department and related units.
More Mirror Weekly News
[Exclusive] [Taisheng personal information online sales 1] Hackers hacked into the school system of 7 middle schools in the United States, the famous dark net sold the personal information of 20,000 Taisheng students
He was beaten, beaten and chased after his father by a motorcycle.
The demolition of Uranus building is expected to be completed in 2 weeks.
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However, its decline began as ownership changed hands several times, notably when it was acquired by Russian companies.

This shift brought increased content censorship and restrictions that conflicted with the expectations of many users, particularly concerning freedom of speech and user autonomy.

In addition, the emergence of highly popular social media platforms like Facebook and Tumblr, which offered more modern interfaces, mobile-friendly access, and broader networking possibilities, drew users away.