Disney has been producing live-action remakes of its classic animated films in recent years, including The Little Mermaid, which grossed over $550 million globally.

The success of these remakes has underscored the necessity of diversity in storytelling, with films like The Little Mermaid offering representation to young girls of color.

Disney's live-action remakes have been criticized for prioritizing "political correctness" over story and character depth, with some critics arguing that the remakes lack focus on entertainment.

The company's pursuit of "political correctness" has been widely criticized, with some arguing that it comes at the expense of storytelling and character development.

Disney's live-action remakes have a mostly bad reputation, except for Aladdin, which has been praised for its faithfulness to the original story.

The 2023 live-action "Little Mermaid" was criticized for lacking father-daughter story focus, with some critics arguing that the remake prioritized concepts over characters.

Disney's remakes aim to sell familiar content to audiences again, with the company relying on nostalgia to drive interest in the remakes.

The company has been experimenting with animated to live-action film conversions, with films like Mufasa: The Lion King exploring new storylines and characters.

Mufasa: The Lion King is expected to surpass the previous film's revenue, with the 2019 Lion King grossing nearly $1.6 billion worldwide.

Disney's live-action remakes have been adapted to contemporary realia, with films like Snow White featuring a lead character driven by a desire to lead.

The company has faced backlash for its casting choices, with some critics arguing that the remakes prioritize diversity over storytelling.

Disney has stood firm against racist backlash over casting choices, with the company prioritizing authentic and inclusive representation on and off screen.

The company's live-action remakes have challenged traditional fantasy narratives, with films like The Little Mermaid offering new perspectives on classic stories.

Disney's Reimagine Tomorrow initiative promotes diversity and inclusion, with the company prioritizing representation and inclusivity in its storytelling.

The company has been working on a live-action Snow White remake, with Rachel Zegler starring as Snow White and the film facing controversy over its portrayal of dwarves.

Disney has also been working on a live-action Lilo and Stitch remake, with Maya Kelloha playing Lilo's role and Zack Galifianakis joining the cast as Stitch.

The company's live-action remakes have sparked accusations of political agendas, with some critics arguing that the remakes prioritize concepts over characters.

Female performers have faced parasocial disgust on social media, with critics targeting opinionated female performers and sparking backlash against the remakes.

Disney's live-action remakes have faced hyperbolic criticism online, with some critics arguing that the remakes lack originality and prioritize diversity over storytelling.

The company has acquired several studios, including 21st Century Fox, and has expanded its parks with a $60 billion effort.

Disney's film studios include Disney Animation, Pixar, Marvel, and Lucasfilm, with the company prioritizing quality over quantity in film production.

The company has suffered from high-profile flops like "The Marvels" and "Haunted Mansion", but efforts are underway to get Disney's theatrical film business back on track.

Disney's 2024 slate includes big franchise extensions like "Inside Out 2" and "Mufasa", with the company prioritizing storytelling and character development.

The company's experiences segment accounted for 60% of Disney's operating income, with the company prioritizing immersive storytelling and audience engagement.

Disney's CEO succession planning is a top priority for the board, with the company focusing on leadership development and strategic planning.

The company has been producing live-action remakes for several years, with films like Cinderella, The Jungle Book, and Beauty and the Beast achieving significant box office success.

Disney's live-action remakes have been driven by nostalgia, with the company relying on familiar stories and characters to drive interest in the remakes.

The company has been experimenting with new technologies and techniques, including computer animation and live-action photography.

Disney's live-action remakes have been adapted to contemporary realia, with films like The Little Mermaid and Snow White featuring updated storylines and characters.

The company has faced criticism for its live-action remakes, with some critics arguing that the remakes lack originality and prioritize diversity over storytelling.

Despite the criticism, Disney's live-action remakes have been successful at the box office, with films like The Lion King and The Little Mermaid achieving significant commercial success.

Nostalgia plays a significant role in Disney's live-action remake decisions, as it sells well according to the company's practice.

Disney is developing many animated remakes with live actors, including Peter Pan and Wendy, Pinocchio, Little Mermaid, Snow White and the Seven Dwarfs, Hercules, Bambi, and Hunchback.

The success of previous live-action remakes, such as Beauty and the Beast and The Lion King, has influenced Disney's decision to produce more remakes.

Nostalgia drives fan interest in live-action remakes, with many fans eager to see their favorite childhood stories reimagined.

Disney's live-action remakes often feature big-name stars, such as Emma Watson and Angelina Jolie, which helps to attract new audiences.

The remakes can reintroduce classic stories to new audiences, while also incorporating new music and visuals.

However, nostalgia can also lead to controversy over casting decisions, with some fans voicing disapproval based on their childhood memories of the original films.

Disney's live-action remakes have been adapted to contemporary realia, with changes made to the original stories and characters to reflect modern values and diversity.

The company has prioritized representation and diversity in its remakes, with films like The Little Mermaid and Snow White featuring more diverse casts.

The live-action remakes have received mixed reactions from the public, with some fans praising the updates and others criticizing the changes to the original stories.

Despite the controversy, Disney's live-action remakes have been commercially successful, with many of them grossing hundreds of millions of dollars at the box office.

The company's commitment to diversity and representation is leading the way in the industry, with many other studios following suit.

Nostalgia is a key component in the success of Disney's live-action remakes, with many fans eager to relive their childhood memories and introduce the stories to their own children.

However, nostalgia can also be debilitating for creators, who may feel pressured to live up to the expectations of fans who have a strong emotional attachment to the original films.

Overall, Disney's live-action remakes are driven by a combination of nostalgia, commercial potential, and a desire to update classic stories for modern audiences.

Disney has remade several classic animations into live-action versions in recent years, including Cinderella, The Jungle Book, Beauty and the Beast, Dumbo, Aladdin, The Lion King, Mulan, Pinocchio, and Little Mermaid.

The live-action remake of Cinderella, released in 2015, has more realistic characters.

The Jungle Book 2016 remake has tougher scenes and won an Oscar for Visual Effects.

The Beauty and the Beast 2017 remake has an independent Belle and includes LGBT characters.

The live-action remake of Pinocchio, released in 2022, has a unique artistic influence and is not very reverential to the original animated classic.

The Little Mermaid live-action remake, released in 2023, has surpassed the original's box office earnings and features a diverse cast, including Halle Bailey as Ariel.

The live-action remake of Snow White, scheduled to release in 2025, stars Rachel Zegler as Snow White and has sparked controversy over the portrayal of dwarves.

Disney's live-action remakes often make changes to the original stories and characters, such as the removal of traditional love stories and the addition of more diverse characters.

The live-action remake of Snow White, for example, focuses on female empowerment and removes the prince and dwarves from the story.

The live-action remake of The Little Mermaid updates Eric's character and gives him more backstory and personality.

The remake of Pinocchio has a distinct personality and is an enjoyable live-action Disney remake.

Disney's live-action remakes have received mixed reactions from the public, with some praising the updates and others criticizing the changes to the original stories.

The live-action remake of The Little Mermaid, for example, received polarized reviews, with some praising Halle Bailey's casting as Ariel and others criticizing the changes to the story.

The live-action remake of Snow White has also sparked controversy, with some criticizing the portrayal of dwarves and others praising the focus on female empowerment.

Disney's decision to produce live-action remakes of their animated classics is likely driven by nostalgia, as well as a desire to update the stories and characters for contemporary audiences.

The company's emphasis on diversity and inclusion is also evident in their live-action remakes, with many featuring more diverse casts and characters than the original animated classics.

The live-action remake of Disney's Haunted Mansion had a low start with $24-25 million domestically.

Disney's live-action reimaginings, such as Haunted Mansion, had lower starts due to tough competition and reviews.

The Little Mermaid live-action remake was forecasted to sell over $115 million in the US first weekend.

The Little Mermaid live-action remake was predicted to be the summer Hollywood box office champion [22

Disney has been producing live-action remakes of its classic animated films in recent years, including The Little Mermaid, which grossed over $550 million globally.

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How Disney's The Little Mermaid Live-Action Remake Is Changing the Narrative

Disney's live-action remake of The Little Mermaid has made a significant impact by surpassing the original's box office earnings, offering representation to young girls of color, and standing firm against racist backlash.

BNN Correspondents
New Update

In a world where representation matters more than ever, Disney's live-action remake of The Little Mermaid has set a new benchmark. The film, which grossed over $550 million in global ticket sales, has surpassed the original's box office earnings, making a significant financial and cultural impact. Beyond merely being entertaining, the film has become a beacon of hope for young girls of color, seeing themselves represented in a fantasy world for the first time.

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Reimagining Inclusion in Fantasy

The casting of Halle Bailey as Ariel sparked controversy even before filming began. Detractors used AI to alter her features to resemble a white woman, reflecting a narrow view of what a mermaid, or a princess, should look like. Despite the racist backlash, Disney stood firm, challenging the status quo and reimagining inclusion in fantasy. The film's success underscores the necessity of diversity in storytelling, proving that audiences are hungry for fresh perspectives and narratives that resonate with their own experiences.

Standing Firm Against Racism

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The release of the first teaser at D23 Expo was met with enthusiasm and anticipation. The beautiful shots of Halle Bailey's Ariel in the ocean, accompanied by the iconic Part of Your World, were a powerful assertion of Disney's commitment to diversity. The film, directed by Rob Marshall and released in May 2023, also features Jonah Hauer-King as Prince Eric, Melissa McCarthy as Ursula, Awkwafina as Scuttle, Jacob Tremblay as Flounder, Javier Bardem as King Triton, Daveed Diggs as Sebastian, and Noma Dumezweni in an undisclosed role. Each casting choice was a testament to the company's determination to stand against racist attacks and uphold the importance of representation.

Attending to Details for Authentic Representation

With its Reimagine Tomorrow initiative, Disney is leading the way in promoting diversity and inclusion across its productions. By paying meticulous attention to details, the company ensures authentic and inclusive representation both on-screen and off-screen. The success of The Little Mermaid underlines the significance of these efforts, and the film serves as a potent reminder that stories have the power to inspire change.

In conclusion, the journey of The Little Mermaid offers valuable lessons for leadership and the power of storytelling. It highlights the importance of standing firm against critics, especially in the face of racism. It also emphasizes the necessity to reimagine inclusion in fantasy and the significance of paying attention to details for authentic representation. These lessons are not just applicable to film-making, but are relevant in all fields where leaders have the opportunity to challenge hate and inspire change through their work.

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How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

What motivates Disney to keep producing live-action remakes despite mixed reviews?

The success of these remakes has underscored the necessity of diversity in storytelling, with films like The Little Mermaid offering representation to young girls of color.

Disney's live-action remakes have been criticized for prioritizing "political correctness" over story and character depth, with some critics arguing that the remakes lack focus on entertainment.

Title:

Content: Alert
Operation Blue Bird continues … 30,000 people surround the Legislative Yuan in the evening to protest against the delay of the Beijie Red Line and the Blue Line for 15 minutes.
“If you can ’ t afford it, don ’ t give birth to me ” … A middle school student laments that his parents will not be able to pay their tuition fees after remarriage.
Mobile signal analysis crowd provoking... Wang Yichuan shouted "Christmas City also did" blue committee exposed the New Taipei City government 's statement
Can't you watch it from your own family?
"Little Mermaid" director points to Disney's problems
Disney has been the first brand of American animation, bringing many beautiful memories to children around the world, including the early years of "Snow White", "101 loyal dogs", as well as described as the "Renaissance" period of "Beauty and the Beast", "Aladdin" and so on.
However, the recent Disney animation or live-action film, there is a big problem: each time in the casting and plot direction of the controversy, many people complain that too much "political correctness", or to put some ideas into the story arrangement, character layout and other basic details are put aside, turned into an alternative "educational film".
With such a big change, audiences can ’ t fail to feel that last year ’ s five most expensive movies, Disney Group accounted for four, even celebrating the centenary of their own animation as “Star Wish ”, both at the box office and in word of mouth have lost.
Recently, the director of "Little Mermaid", "Aladdin", "Hercules", "Treasure Island", "Ocean Strange" and other famous Disney animation director John Musk admitted at the seminar on animation and special effects, video games: "I think they should carry out a part of the course correction, put the concept of the secondary, the entertainment of the film, the story and whether the characters attract people should be more important." "
In John Musk ’ s eyes, the traditional Disney classic is not a concept that you want to put in, but rather an audience into the story and the characters and the world in the film, which he believes should still be the core of the current Disney film, “You don ’ t have to completely put aside the idea of putting in, but before that you have to create characters that the audience can empathize with and feel eye-catching. ”
"He said.
John ’ s past Disney animations also included “The Princess and the Frog, ” the first black princess to be the main character. Even so, he said the film was not built to promote an“ awakening culture, ” although he could understand the criticism.
As for the past few years, Disney has become more and more frequent remakes of old animations into live-action versions, he believes that the film companies are always looking at how to reduce the risk, and when they see that the audience likes something, they are thinking, is there a way to change the appearance and sell it to them again, or even do it better than the last time?
Just a few Disney classic animation remakes, audience word-of-mouth or film ratings are not as good as the original animation, based on their own history, John Musk did not take last year caused a lot of controversy of the live-action version of "Little Mermaid" to open: "They do not ink on the story of the father and daughter, that is the core of the whole movie, and that crab, you can see the real animal in the zoo, They all have a much richer expression than the ones in the movies, and so does the Lion King."
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"You made Johnson the Boulder look like Beckham," the wax image, the skin color, the deliberate whitening... he cited the little mermaid infarction controversy.
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What approach makes Disney's classics successful according to John Musker?

Immersing audiences in story-driven worlds rather than pushing preconceived ideas.

What controversy arose from Disney's casting and updates in The Adventures of Pinocchio?

What has been the general critical response to most Disney's live-action remakes?

The company's pursuit of "political correctness" has been widely criticized, with some arguing that it comes at the expense of storytelling and character development.

Title:

Content: The original "Little Mermaid" director can 't stand it! The real version of the irony: the zoo crab expression is even richer
Reporters Lau Wan-yan / Comprehensive Report
Disney has created countless moving animated films, accompanied by many people to grow up, such as "Snow White", "Sleeping Beauty", "Beauty and the Beast" and other classic films, in recent years, these classic animations have been remade as live-action versions, but Disney has been criticized for pursuing excessive "political correctness", while trying to convey specific ideas, ignoring the story itself. And the depth of the role, deeply criticized by the outside world.
The real version of "Little Mermaid" was criticized.
(Courtesy of Disney)
According to foreign media reports, the director of the "Little Mermaid" and "Aladdin" animation, John Musk, publicly pointed out that Disney should revise the line, focusing on the "entertainment" and "story attraction" of the work, "the concept" should be placed on the secondary, bluntly, "they should revise the line", and added that "it is not necessary to completely put the concept into, but until then, the most important thing is to create the audience. It's a role that captures the eyes of the audience."
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The director of the animated version of "Little Mermaid" believes that the live-action version should be more about the relationship between father and daughter.
(Courtesy of Disney)
John Musk emphasized that Disney ’ s classics were never born out of preconceived ideas, but rather immersed the audience in the world built by the story and the characters.
He believes that while it is not necessary to completely abandon the concept, before that, you should first create characters that the audience can feel and feel attracted to.
As for Disney ’ s frequent remakes of old animations into live-action versions, he believes that this is to make the audience like things, and then sell them again, and he obviously does not agree with this practice.
Disney ’ s remake of the classic animation, apart from Aladdin, has a mostly bad reputation. John Musk pointed to the 2023 live-action version of “The Little Mermaid ” and bluntly said:“ They don ’ t put much ink on the story of their father and daughter, that ’ s the core of the whole movie. ” The lions in the Lion King are much richer.
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What controversy arose from Disney's casting and updates in The Adventures of Pinocchio?

Disney's live-action remakes have a mostly bad reputation, except for Aladdin, which has been praised for its faithfulness to the original story.

What has been the general critical response to most Disney's live-action remakes?

The 2023 live-action "Little Mermaid" was criticized for lacking father-daughter story focus, with some critics arguing that the remake prioritized concepts over characters.

According to John Musker, what should Disney prioritize in its remakes?

What approach makes Disney's classics successful according to John Musker?

Immersing audiences in story-driven worlds rather than pushing preconceived ideas.

Disney's remakes aim to sell familiar content to audiences again, with the company relying on nostalgia to drive interest in the remakes.

How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

The company has been experimenting with animated to live-action film conversions, with films like Mufasa: The Lion King exploring new storylines and characters.

Title:

Content: A new part of The Lion King.
The story of Mufasa as you never knew it.
About five years after the release of The Lion King in 2019, Disney is offering a live-action version of the film, Mufasa: The Lion King, a new story that takes audiences back to the familiar tale of the film, as Simba explores the history of his father, Mufasa, and his father ’ s relationship with his younger brother. Reer Scar.
The film also comes on the 30th anniversary of the original Lion King, released in 1994, as part of Disney ’ s experiments in turning animated films into reality, such as Cinderella, The Mermaid, and Aladdin.
It is a safe strategy to ensure a financially successful product, without risking capital in new experiences that may not generate revenue.
The film is expected to be released on May 5, 2024.
Simba explores the history of Mufasa
The first real-life version of The Lion King in 2019 grossed nearly $1.6 billion worldwide.
The new version of The Lion King is expected to surpass the previous film because it explores an old story never presented before, while retaining all the reasons for the success of the original film, the story of the evil brother "Scar" and his relationship with his brother "Mufasa", a focal point in the main film, and the audience always wondered about the causes of the great evil inherent in the character "Scar".
Disney is looking to make an artistic epic, or a series of films as a result of the film ’ s manifold story, which carries more than one story, especially if its makers can find clues to the stories, because despite the worlds of Disney and its large production of films, it has never produced a major series like Star Wars, for example, and the story of the Lion King can be the beginning of movie series, especially as it moves narrative between the past and present....
Heroes of the New Story
The film was officially announced by Barry Jenkins, and Jeff Nathanson, the screenwriter of The Lion King (2019), completes his role as the writer of the new work "Mufasa".
Genghis said that there are many familiar characters will appear in the next film, and that the version will include new stories about the characters that the audience knew and associated with, and the story will go back in time with the heroes, to know the audience history and how they became what they are in the end, as the film tells how "Mufasa" came out of a modest life to reach the top of power, after he was a young cub roaming alone in life.
The film includes some changes to the voices of the heroes from the previous film, where the voice of young "Mufasa" will be performed by Aaron Pierre, while the voice of Mufasa was provided in the previous film, and in the older film of 1994 James Earl Jones.
Familiar voices that won ’ t change include John Kanye, who will cast Mandrel Reviki, Billy Eichner, who will cast Timon, Seth Rogan, who will cast Pumbaa, Kelvin Harrison, Jr., who will cast Scar, and Beyoncé, who will cast Nala.
Why is Disney bringing back the old stories?
Although audiences on social media complain about reproducing Disney ’ s classics, the box office always favors reproducing the classics, and there are many reasons for audiences to watch animated films in their real-life versions, including the attraction of old fans and the desire of the new generation to explore the modern context of the tale.
From here, such films have a double audience, especially in that story that touches on fatherhood, family, friendship, love and life. Mufasa remains one of the most famous Disney characters, and did not explore his story as befitting his fame and the story of his sad death in the original film, which separated the audiences against their will.
Source: Al Jazeera + Websites

How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

Mufasa: The Lion King is expected to surpass the previous film's revenue, with the 2019 Lion King grossing nearly $1.6 billion worldwide.

How successful was the 2019 live-action version of The Lion King?

Worldwide revenues exceeded one billion dollars

What motivates Disney to keep producing live-action remakes despite mixed reviews?

Disney's live-action remakes have been adapted to contemporary realia, with films like Snow White featuring a lead character driven by a desire to lead.

Title:

Content: Home Movies

Thought the brand of hatred Brie Larson suffered for ‘Captain Marvel’ is over? Well, version 2.0 is here

'The Brie Larson Treatment' comes for another performer with the gall to have opinions.

Image via Marvel Studios

Social media, am I right? What started out as a means for the world to communicate instantly, bringing people together from across the planet, has since metamorphosed into that slime from Ghostbusters 2 that feeds on anger.

And now we’re stuck, knee-deep in a bog of the loudest opinions, all being digitally shouted by everyone that never figured out their internet inside voices. We’ve been here for a while. We all know what it looks like. Arguably, it all boiled over around the time that Captain Marvel came out.

That’s when Brie Larson became angry-boy-Twitter’s favorite place to drag their knuckles, thanks to the way she voiced outlandish opinions like “I don’t have to smile when strangers tell me to” and “I should get treated the same as my male co-stars” and, if we’re being honest, mostly because she was a pretty lady on the internet who wasn’t going out of her way to make strange dudes feel like she’d love to meet them for coffee sometime and really get to know them. The rage was ubiquitous. You couldn’t swing a dead flerken on Twitter without hitting six burner accounts telling Larson how to be an actress.

But that was what, four years ago? We’ve probably moved on as a species, right? If nothing else, I’m sure Twitter has become a more thoughtful public square since Elon Musk took over – I can’t do it, sorry. I’m kidding. Everything is still the exact same kind of bad, only this time the boys are mad about princesses, actress Rachel Zegler playing Snow White in the upcoming live-action to be precise.

The ghost of Brie Larson’s past is making the rounds on Twitter again

The latest target for social media’s putridity is Rachel Zegler, star of Disney’s upcoming live-action adaptation of Snow White. In a recent interview with Variety, Zegler discussed some of the changes that the new film would make to its story – specifically, the lead character is driven by a desire to lead now, she is “not going to be saved by the prince and she’s not going to be dreaming about true love.”

The merits of Disney remakes aside, they’re changes that make sense. As Zegler puts it, storytelling has changed since 1937. People don’t pay to see feature-length movies about women eating fruit, taking naps, and being awoken by non-consensual kisses anymore. But not everyone agrees.

What happened next will shock you, especially if you just now got your America Online disk and you’re logging onto the internet for the first time: People got mad. Tikitok and Twitter sprayed their musk all over the story, calling Zegler’s takes “pseudo-feminism” and accusing her of “single-handedly destroying this movie.” The rhetoric was hyperbolic. It was acidic. It was, you know, Tuesday. Eagle-eyed viewers noticed a pattern.

There’s a lot that stings about the story. It’s rough, knowing that film Twitter might never stop being a free box of megaphones for everyone with a one-way brain filter and a “No Girls Allowed” sign on their bedroom door. It’s also a little bit gutting to know that conversations about live-action Disney adaptations are always going to swing back around to accusations of surreptitious political agendas and the formation of parasocial disgust targeted at opinionated female performers.
Like, these remakes (mostly lacking originality) are often pretty bad on their own merits, guys. Maybe focus on arguments that actually hold water.

About the author

Tom Meisfjord

Tom is an entertainment writer with five years of experience in the industry, and thirty more years of experience outside of it. His fields of expertise include superheroes, classic horror, and most franchises with the word "Star" in the title. An occasionally award-winning comedian, he resides in the Pacific Northwest with his dog, a small mutt with impulse control issues.

The company has faced backlash for its casting choices, with some critics arguing that the remakes prioritize diversity over storytelling.

Title:

Content: Those live-action remakes continue as Disney is currently working on an updated version of Snow White. The classic 1961 animation is a favorite among Disney purists, but since it was announced, the company has been met with backlash. First, it was shared that Colombian-American actress Rachel Zegler would star as the famed porcelain-skinned Disney princess, causing some to bombard the West Side Story star with racist insults.

The Snow White and the Seven Dwarfs live-action remake is being criticized once again, but this time, it comes from Game of Thrones star Peter Dinklage who can't believe Disney even considered drudging up the storyline for a second go-round. The acclaimed actor has a common form of dwarfism called achondroplasia.

Alberto E. Rodriguez / Staff / Getty Images

"Literally no offense to anyone, but I was a little taken aback when they were very proud to cast a Latina actress as Snow White, but you're still telling the story of Snow White and the Seven Dwarfs," Dinklage said while on Marc Moron's WTF podcast. "Take a step back and look at what you're doing there. It makes no sense to me."

"You're progressive in one way, but then you're still making that f*cking backwards story about seven dwarfs living in a cave together, what the f*ck are you doing, man? Have I done nothing to advance the cause from my soapbox?" he added. "I guess I'm not loud enough. I don't know which studio that is, but they were so proud of it. All love and respect to the actress and all the people who thought they were doing the right thing. But I'm just like, what are you doing?"

It isn't much known about the development of this film, but Dinklage isn't totally opposed to it moving forward. "If you tell the story of Snow White with the most f*cked up, cool, or progressive spin on it? Let's do it. All in." Meanwhile, next up on Disney's schedule seems to be their live-action take on The Little Mermaid, starring Halle Bailey.

[via]

According to John Musker, what should Disney prioritize in its remakes?

What approach makes Disney's classics successful according to John Musker?

Immersing audiences in story-driven worlds rather than pushing preconceived ideas.

What aspect of Disney's strategy has been questioned due to the mixed reception of The Little Mermaid?

What controversy arose from Disney's casting and updates in The Adventures of Pinocchio?

What controversy did Disney's The Little Mermaid spark globally?

Debate over both Ariel's casting and racial representation.

Disney has stood firm against racist backlash over casting choices, with the company prioritizing authentic and inclusive representation on and off screen.

What controversy arose from Disney's casting and updates in The Adventures of Pinocchio?

What controversy did Disney's The Little Mermaid spark globally?

Debate over both Ariel's casting and racial representation.

The company's live-action remakes have challenged traditional fantasy narratives, with films like The Little Mermaid offering new perspectives on classic stories.

How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

Disney's Reimagine Tomorrow initiative promotes diversity and inclusion, with the company prioritizing representation and inclusivity in its storytelling.

The company has been working on a live-action Snow White remake, with Rachel Zegler starring as Snow White and the film facing controversy over its portrayal of dwarves.

How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

Disney has also been working on a live-action Lilo and Stitch remake, with Maya Kelloha playing Lilo's role and Zack Galifianakis joining the cast as Stitch.

Title:

Content: Advertisement
Miscellaneous
Disney ’ s most popular movie is ‘ Live Photography ’.
This is what revealed the upcoming work.
01-04-2023 | 06: 51
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Disney Studios is gearing up to remake the popular animated film Lilo and Stitch, but with real-life photography.
According to the information, which Disney declined to comment on, the studios hired Maya Kelloha to play the role of Lilo, the main character in the 2002 film.
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According to details published by the Hollywood Reporter, Dean Fisher Camp is set to be the director of this work, which is expected to see the light of day on the Disney Plus platform.
Actor Zack Galifianakis joined the cast in February, and will likely be appearing as Stitch but via computer animation.
Lilo and Stitch is a film about a young girl named Lilo who lives on the island of Hawaii with her older sister, and decides to adopt an eccentric alien named Stitch who finds himself related to the Lilo family and recognizes the values of friendship, responsibility and family love.
Source: 24.ae
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How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

The company's live-action remakes have sparked accusations of political agendas, with some critics arguing that the remakes prioritize concepts over characters.

What controversy arose from Disney's casting and updates in The Adventures of Pinocchio?

Female performers have faced parasocial disgust on social media, with critics targeting opinionated female performers and sparking backlash against the remakes.

Disney's live-action remakes have faced hyperbolic criticism online, with some critics arguing that the remakes lack originality and prioritize diversity over storytelling.

What has been the general critical response to most Disney's live-action remakes?

The company has acquired several studios, including 21st Century Fox, and has expanded its parks with a $60 billion effort.

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The four Disney executives who could succeed Bob Iger as CEO in two years

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Walt Disney Co. Chief Executive Bob Iger has prevailed in the company’s shareholder fight against billionaire dissident Nelson Peltz. But the celebrated executive’s most challenging task still looms: selecting someone to fill his big shoes.

The 73-year-old chief is set to retire in 2026 — assuming he steps down as planned.

For decades, succession planning has been among the Burbank giant’s most vexing issues. During Iger’s first, highly successful 15-year run, he delayed his planned retirement multiple times, and potential successors, including former Chief Operating Officer Tom Staggs, left the company in frustration.

Peltz and others pointed to the bungled hand-off to parks head Bob Chapek as proof that Disney’s board of directors, who oversee the succession process, weren’t up to the job. Chapek’s tumultuous tenure lasted less than three years; Iger returned in late 2022 to replace him.

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Peltz’s failed bid to join the board gives Iger and the board some breathing room as they assess candidates to eventually take over the storied company. But shareholders, during the contentious proxy campaign, made it clear that Disney can’t whiff again.

Disney shareholders reject billionaire investor Nelson Peltz, who wanted changes, for a board seat. The hard-fought battle exposed Disney’s challenges.

April 3, 2024

Succession is “the board’s No. 1 priority,” Iger said Thursday during an appearance on CNBC. Leading the process is Disney Chair Mark Parker. The company’s succession committee also includes General Motors Co. CEO Mary T. Barra, Morgan Stanley Executive Chair James P. Gorman and Calvin R. McDonald, chief of Lululemon Athetica Inc. The group met seven times last year to address succession, Iger said, and they “intend to meet even more this year.”

“They are confident they will choose the right person at the right time. And they have some time to do that,” Iger said. “But again, they’re treating it with a sense of urgency because it is so important.”

Disney historically promotes from within, but board members currently are looking at potential external candidates as well as four top executives: Disney Entertainment co-Chair Dana Walden, who oversees television; fellow entertainment co-Chair Alan Bergman, who runs the film studios (Walden and Bergman share oversight of streaming); parks, products and experiences czar Josh D’Amaro; and ESPN boss James Pitaro.

Corporate bake-offs can be fraught. Passed-over executives often depart, and Disney cannot afford to have an exodus of its top talent at such a crucial moment as it tries to transition its television business to streaming. More than a decade ago, Time Warner lost two key executives when it chose from among a trio of Warner Bros. executives to lead that Burbank studio.

Disney’s leading contenders have their own areas of expertise, as well as blind spots. None has the experience of running a $220-billion, multifaceted media and entertainment empire such as Disney. But then again, neither did Iger before he ascended to the throne in 2005.

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Disney executives declined to comment for this story.

Dana Walden, boss of all TV

One of the savviest executives in Hollywood, Dana Walden oversees a vast portfolio of properties and programming crucial to Disney’s legacy TV business and its streaming future. She’s in charge of Disney’s television studios, the ABC network, ABC News, children’s and young adult programming, Freeform, National Geographic, FX, Hulu and Hulu Originals.

Walden arrived at Disney five years ago when the company bought much of Rupert Murdoch’s 21st Century Fox. One of Iger’s motivations for the deal was to boost Disney’s TV executive talent by bringing over successful Fox personnel, including Walden, FX’s John Landgraf and former TV head Peter Rice. The pricey Fox acquisition, while lambasted by Peltz and others, gave Disney a programming arsenal to support its streaming ambitions.

Among the four CEO candidates, Walden may be the most similar to Iger in terms of career trajectory and soft touch with talent. He climbed the rungs of the ABC broadcast network before ascending to Disney’s No. 2 job in 2000. Like Iger, Walden is a skilled manager and polished communicator who instinctively understands creative executives. She has deep relationships with, and the respect of, Hollywood’s producers, writers and other talent. She grew up in Studio City and got her start in television as a publicist (including a stint promoting Arsenio Hall).

Disney’s $71-billion purchase of Rupert Murdoch’s entertainment assets, including ‘The Simpsons,’ ‘Avatar’ and Hulu, has also been a financial burden for the studio, which recently said it would eliminate 7,000 jobs to reduce costs.

Feb. 18, 2023

Walden’s long collaboration with Ryan Murphy (“Glee,” “American Crime Story” and the “Feud” franchise) has proved beneficial as he now is working more closely with Disney following a stint at Netflix. Walden also was instrumental in bringing the Kardashians to Hulu from their cable home on the E! Channel.

She has presided over a revitalization of Disney’s youth programming after a fallow stretch, with the popular “Percy Jackson & the Olympians” and “Goosebumps” — shows that are core to Disney’s family entertainment brand.

The 59-year-old executive could become Disney’s first female CEO. Perhaps the biggest knock on Walden is that she didn’t come up through Disney’s ranks, leading some in the rank and file to question whether enough Mickey Mouse DNA is present in her cells. She’d also have to overcome the perception that she’s “just” a TV exec. That’s not the case, given her streaming purview.

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Alan Bergman, the non-flashy studio chief

At Disney’s core, it all comes back to movies, and it’s been that way since Walt and Roy Disney founded their studio in 1923. To this day, theatrical film drives most other parts of the business, including theme park attractions and toy sales.

As such, entertainment co-Chair Alan Bergman, 58, sits atop an extraordinarily important part of the company, shepherding storied brands including Disney Animation, Pixar, Marvel Studios, Lucasfilm and Searchlight Pictures (known for recent four-time Oscar winner “Poor Things”).

Bergman is a true Disney veteran with a deep and detailed understanding of business and finance, having joined the company in 1996. He was promoted to president of Walt Disney Studios in 2005 and fully took over the division in 2020, succeeding Alan Horn after a period of unprecedented box office success, including hits such as “Avengers: Endgame” and “Star Wars: The Force Awakens.”

He’s not flashy. A UCLA graduate in business economics, Bergman has avoided the spotlight, preferring to let his deputies, such as Marvel’s Kevin Feige and Disney Animation’s Jennifer Lee, take their due credit. Yet he commands the respect of those high-powered creatives and has worked for years with the likes of Peter Jackson, James Cameron and Ryan Coogler.

‘The Marvels’ fell out of the top 10 at the box office after three weekends. The studio has been struggling with quality control, according to some.

Dec. 5, 2023

Bergman, like his counterparts, has his hands full. Lately, the studios have suffered from a number of high-profile flops, including “The Marvels” and “Haunted Mansion.” Even last year’s “The Little Mermaid,” which was hammered by racist online attacks, struggled to achieve the heights of past remakes from the Disney vault. The studios — particularly Marvel — were stretched painfully thin by a mandate to crank out material for Disney+, and that showed in the waning quality of the superhero franchise.

Efforts are underway to get Disney’s all-important theatrical film business back on track. Iger has allowed his division heads, including Bergman, to slow their output and focus on quality over quantity. This year’s Disney slate includes big franchise extensions: “Inside Out 2,” a “Moana” sequel and “Mufasa: The Lion King.”

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Josh D’Amaro, keeper of the Magic Kingdom

To legions of superfans, the charismatic Josh D’Amaro is Mr. Disney. Since joining the company in 1998 in a position at the Disneyland Resort, D’Amaro has steadily climbed the corporate ladder. Under his leadership, the parks have embarked on major capital projects, including new lands such as Star Wars: Galaxy’s Edge and the Avengers Campus.

Today, D’Amaro, 53, serves as chair of Disney Experiences, giving him an expansive portfolio that includes oversight of the company’s theme parks, its famed Imagineering division, Disney’s cruise line and its consumer products (think Baby Yoda dolls and Elsa dresses).

In all, D’Amaro is in charge of 180,000 employees, many of whom are unionized or part time, meaning he’s used to leading large teams and wildly capital-intensive initiatives. The parks are Disney’s biggest profit center, showing he can navigate a massive budget. The “experiences” segment accounted for 60% of Disney’s operating income during the most recent fiscal year. He’s in charge of a roughly $60-billion effort to expand Disney’s parks, a huge bet on live, in-person entertainment.

It’s a challenging, multi-pronged job that comes with hazards. D’Amaro recently had to navigate the fallout over Disney’s nasty feud with Florida Gov. Ron DeSantis over the state’s anti-LGBTQ+ legislation and the former Reedy Creek Improvement District.

Disney and the Central Florida Tourism Oversight District settle a lawsuit over the powers of the special body that controls the land Walt Disney World sits on.

March 27, 2024

But he’s popular with Disney’s enthusiastic and demanding fans, which helps. Disney guests will often stop him in the parks and ask for selfies, or query him about park design decisions. His presentations at Disney fan convention D23 are always well-attended.

One knock against him is his lack of direct experience with film and TV, as his entire career has been in the experiences sector, particularly the parks. There is recent precedent for a CEO coming out of the parks division, though it didn’t work out so well. After all, D’Amaro ascended to his current position after Chapek was named Disney CEO. But D’Amaro has the kind of Disney spark that Chapek never did.

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Jimmy Pitaro, sports supreme

When ESPN Chair Jimmy Pitaro took the reins of the sports cable giant in 2018, he inherited a division beset by shrinking TV ratings while cord-cutting was eroding its ability to reach viewers. ESPN’s hosts were under fire over the political discourse on its talk shows in the wake of President Trump’s 2016 victory.

Pitaro, 54, who previously led Disney’s consumer products and interactive media division, is credited with calming the waters and preparing the network for the future by increasing its digital prowess and growing its social media presence to keep it relevant with younger viewers.

To further that aim, he’s overseeing the launch of ESPN’s long-awaited direct-to-consumer product, which by the fall of 2025 will give consumers access to its full suite of channels, including the flagship ESPN. Ratings at the ESPN cable channel have improved, despite dramatic declines in pay-TV subscriptions.

Pitaro is also credited with repairing ESPN’s relationship with the NFL (whose games are America’s most-watched TV programming), helping to pave the way for a new 11-year media rights deal with the league that gives the company two Super Bowls that will air on Disney’s ABC broadcast network. ESPN has also secured the media rights to its major live events for the rest of the decade, with only the NBA contract — up in 2025 — remaining as its next major test.

There are actually things to talk about in Hollywood other than the WGA and SAG-AFTRA strikes — such as the Disney-Charter deal to end the blackout.

Sept. 12, 2023

That said, sports is a smaller segment within Disney than either entertainment or parks in terms of revenue. It wasn’t long ago that analysts wondered if ESPN would even be part of Disney’s empire for the long term. When Iger seemed to muse aloud about spinning off ESPN, though, Pitaro was said to be a good soldier and didn’t complain.

The idea of cleaving ESPN from Disney no longer appears to be under serious consideration. Iger has begun touting the unit’s strong financial performance again. Though Pitaro is well-liked within the company, he’d be a novice in the Hollywood side of the business. But he’s comfortable with show business types. His wife, Jean Louisa Kelly, is a veteran film actress.

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Disney's film studios include Disney Animation, Pixar, Marvel, and Lucasfilm, with the company prioritizing quality over quantity in film production.

The company has suffered from high-profile flops like "The Marvels" and "Haunted Mansion", but efforts are underway to get Disney's theatrical film business back on track.

What has been the general critical response to most Disney's live-action remakes?

Disney's 2024 slate includes big franchise extensions like "Inside Out 2" and "Mufasa", with the company prioritizing storytelling and character development.

According to John Musker, what should Disney prioritize in its remakes?

What approach makes Disney's classics successful according to John Musker?

Immersing audiences in story-driven worlds rather than pushing preconceived ideas.

The company's experiences segment accounted for 60% of Disney's operating income, with the company prioritizing immersive storytelling and audience engagement.

Disney's CEO succession planning is a top priority for the board, with the company focusing on leadership development and strategic planning.

The company has been producing live-action remakes for several years, with films like Cinderella, The Jungle Book, and Beauty and the Beast achieving significant box office success.

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Content: [Exhibition] Disney Animation Exhibition: What stories do paintings tell to create a century-old dream kingdom?
Photo Credit: Courtesy of the author
What we want you to know is
Disney animation has been a hundred years, from the small studio, to the animation kingdom, and now the film and television entertainment empire, but they continue to extend different tentacles, produce a variety of subject matter works at the same time, but also do not forget those classic animation works that are deeply rooted in people's memories.
What ’ s so interesting about the recent exhibition “Disney Animation Show ”?
This article is presented once.
Text: Lan Ying
In my opinion, we still have a lot of stories to tell.
— — Walt Disney
What are the animations that accompanied you in your childhood? Maybe the works of Miyazaki and Ghibli Studios, maybe Pixar, DreamWorks and other animation companies, and Disney, which has a place in American animation, must be on the list of many people ’ s childhood animations, and it accounts for a large proportion?
I remember when I was a kid, the first animation I came into contact with was a reel of Disney animations that my father had bought — Snow White, Sleeping Beauty, Little Mermaid, Bambi, The Lion King, Strange in the Wind, and so on.
Disney not only opened the door for me to see animation, but also the first medium I know fairy tales, which accompanied my childhood, that is, more than 20 years later, I still have a special feeling for it, still remember.
A group of passionate and dreaming people and a mouse build a century-old animation kingdom.
Disney Animation Studios, founded in 1923, is turning 100 this year.
The world famous Mickey Mouse - Mickey was born in 1928, Disney produced, with Mickey as the main character of the world's first audio animation, more than 7 minutes of "Willie Steamboat" was also released in November of the same year, and since then Mickey has become a household name animation star.
The exhibition site not only displays a number of animated manuscripts, but also broadcasts the complete "Willy Steamboat" animation, set up an automatic hand-drawn animation simulation device, so that the public can see the characters in the high-speed movement of the situation, feel the most original animation production method.
The beautiful manuscript brings you closer to the brush strokes and attentions of the animator. Even after many years, you can still feel the warmth of the carefully crafted work from the patterns on the paper.
After Mickey became popular, Minnie, Donald Duck, Gao Fei, Bruce and other characters have also appeared in the animation, accompanying many children through their childhood.
But Disney did not stop here, and began to try the animation feature production that no one had tried at that time. In the era of animated short films that were no longer than 10 minutes, making an animated feature film was a wild idea, and there was a lot of effort, resources, and manpower involved.
But if you stop trying and settle for the status quo, maybe Disney animation will not be the most classic today.
The mirror not only finds Snow White, but also shows the future of animation.
In 1937, Disney's first classic animated feature, Snow White, which took three years to produce and adapted from Green's fairy tale, was released, and sparked Disney's plans for the next animated feature.
In addition to the large output of the image drawings of the early stage of production, the exhibition hall also set up a mirror scene, and loop play "Mirror ah, who is the most beautiful woman in the world"?
Many people stopped to take pictures to commemorate the moment when they met their childhood again.
Disney Animation show this century years divided into different periods, each period has picked out a number of classic animation, and those works have accompanied many Disney fans to spend a good childhood, such as "Little Elephant", "Bambi", "Cinderella", "Sleeping Beauty", "101 Loyal Dog", etc., looking at these familiar animation and its characters, like old friends. Once again, those familiar stories, the time spent together, all came back to mind in the exhibition.
In the exhibition hall, each section of the animation on display is clearly divided, according to the tone of each animation, to give the appropriate color matching, the exhibits are mostly divided into pictures and animation manuscripts - there are characters, there are scenes, there are also models showing how they originally made and shot the animation.
However, after the death of the Disney brothers, the Disney animation studio also faced difficulties in the internal personnel changes and subsequent production failures, and fell silent for a short period of time.
From the ocean, the little mermaid sparks the waves of revival.
At the end of 1989, The Little Mermaid, Disney ’ s 28th classic animated feature, based on Andersen ’ s fairy tale, was released, and the Broadway musical style allowed the work to win praise not only for its animation, music and characters, but also for its commercial success.
"Under the Sea" won the Academy Award for Best Original Score and Best Original Song.
The success of "Little Mermaid" also marked the arrival of the Renaissance era of Disney animation, allowing Disney to clear the shadow of a series of losses in the early 1980s and welcome the opportunity to regain a new life.
During this period, Disney continued the style of musical production and introduced computer production technology to assist in animation, releasing many works that are still popular today, such as "Beauty and the Beast", "Aladdin", "The Lion King", "Strange in the Wind", "Mulan", "Tarzan" and so on. In recent years, many works have been slowly adapted into live-action movies to return to the audience, which shows the success and deep rooted hearts of these works.
However, when the last work of this period, "Tarzan" was launched, Disney animation slowly went down again, and it was bound to find a chance to return to the peak in the challenge of technological innovation and peer competition.
Embrace technology and continue the original intention to open a new century of entertainment
After the revival of traditional hand-drawn animation with its own characteristics in the late 20th century, Disney suffered the market impact of computer animation in the early 21st century.
During this period, although Disney also released other blockbuster movies (such as "Fantastic Voyage: Pirates of the Caribbean"), only "Star Baby" animated movies were popular because of its cute shape.
After a series of changes and consolidation, Disney acquired Pixar Animation in 2006, which is the path to computer animation production.
However, although most of the works of this period were produced using computer animation, there are still "Princess and the Frog" and "Winnie the Pooh Movie" are hand-drawn animation, of which "Winnie the Pooh Movie" (2011) is the last Disney animated film to be produced using hand-drawn animation.
After years of trying, Disney launched "Frozen" in 2013 swept the world, the theme song "Let it go" even people who have not seen the works will know which song to hear the melody, which shows that the legendary degree is extremely high.
Subsequent animated films, whether new works or sequels, such as Animal City, Invincible Destroyer 2, and Full House of Magic, have been successful.

How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

What motivates Disney to keep producing live-action remakes despite mixed reviews?

Disney's live-action remakes have been driven by nostalgia, with the company relying on familiar stories and characters to drive interest in the remakes.

How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

The company has been experimenting with new technologies and techniques, including computer animation and live-action photography.

Disney's live-action remakes have been adapted to contemporary realia, with films like The Little Mermaid and Snow White featuring updated storylines and characters.

How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

The company has faced criticism for its live-action remakes, with some critics arguing that the remakes lack originality and prioritize diversity over storytelling.

According to John Musker, what should Disney prioritize in its remakes?

What has been the general critical response to most Disney's live-action remakes?

Despite the criticism, Disney's live-action remakes have been successful at the box office, with films like The Lion King and The Little Mermaid achieving significant commercial success.

How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

How successful was the 2019 live-action version of The Lion King?

Worldwide revenues exceeded one billion dollars

What motivates Disney to keep producing live-action remakes despite mixed reviews?

Nostalgia plays a significant role in Disney's live-action remake decisions, as it sells well according to the company's practice.

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Content: Watch movies for $1
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Back to the old: 9 Disney game remakes that are in development right now
As practice shows, nostalgia sells well.
At the moment, Disney is developing a lot of animated remakes, including with live actors.
This is not surprising given the success of the recent rework of their classic animated films.
It seems that Disney will continue to explore the genre and offer unique interpretations of favorite projects.
Peter Pan and Wendy
Release date: 2022
The remake of the new “Peter Pan ” was directed by David Lowry, who previously worked on the film adaptation of“ Pete and his dragon ” in 2016.
It is reported that the shooting of the project has already been completed, but the exact date has not yet been announced.
It is known that the basis of the film “Peter Pan and Wendy ” is the original story about a boy who did not want to become an adult, and the magical country of Neverland.
The exact date of the premiere of the project has not yet been announced, but is expected in the second half of 2022.
Pinocchio
Release date: September 8, 2022
The animated film “Pinocchio ” with live action was shot by Robert Zemeckis according to his own script in collaboration with Chris Weitz.
The Wooden Boy was originally voiced by Benjamin Evan Ainsworth.
Its creator, Gepetto, was played by Tom Hanks.
Also in the remake took part Cynthia Erivo, Luke Evans and others.
The premiere of the fantasy musical is scheduled for September 8, 2022.
Not only Disney: 8 amazing cartoons that are worthy of a game remake
Little Mermaid
Release date: May 26, 2023
About the rethinking of the “Little Mermaid ” rumors have been around for a long time, and after the announcement of the actress for the main role, dark-skinned Holly Bailey, fierce disputes began.
Nevertheless, the film adaptation decided to finish and announced the premiere date - May 26, 2023.
The plot will tell the original story of a mermaid who fell in love with an earthly prince and asked the witch for legs to please him.
The beloved underwater princess in the film adaptation was played by actor John Hauer-King.
Snow White and the Seven Dwarfs
Release date: 2023
The exact date of the premiere of the remake of "Snow White and the Seven Dwarfs" has not yet been announced.
The story is taken from the fairy tale of the Brothers Grimm, and adapted by screenwriter Greta Gerwig.
The project is directed by Mark Webb.
The role of the beauty of Snow White will be played by Rachel Zegler, and the evil witch will be embodied on the screen by the vander woman Gal Gadot.
The premiere is expected presumably in 2023.
Hercules
Release date: not announced
The director of the film adaptation of “Hercules ” will be the author of“ Gentlemen ” Guy Ritchie.
He will direct a full-length film with live actors based on the 1997 cartoon.
The script was adapted by the author of “Shan-Chi and the Legend of the Ten Rings ” Dave Callham.
The cast of the film about the adventures of Hercules on Olympus has not yet been officially announced.
It is reported that the musical accompaniment of the picture will work Alan Mencken, the author of the compositions “The Little Mermaid ”,“ Aladdin ” and other cartoons.
Bambi
Release date: not announced
The film "Bambi" about a deer who is forced to learn to live independently in the forest after the death of his mother, will be created using computer technology.
The story is taken from the eponymous film adaptation of 1942.
Previously, similar technologies were used in the remake of The Lion King by John Favreau.
Genève Robertson-Dworet and Lindsay Beer will be scripted, and the director will be announced later.
The date of the premiere is not yet known.
Hunchback
Release date: not announced
Work began on a reimagining of the cartoon "Hunchback of Notre Dame" in 1996.
The story, taken as the basis of the original and remake, was written by Victor Hugo in the novel “Notre Dame de Paris ”.
The remake will be playable, but the cast has not yet been announced.
Also, the director ’ s chair is not yet occupied, and David Henry Hwang is already working on the script.
The date of the premiere has not yet been announced.
The Sword in the Stone
Release date: December 13, 2024
The 1963 film adaptation based on the legends of King Arthur will also receive a new adaptation.
Directed by Juan Carlos Fresnadillo.
The start of production of the new “Sword in the Stone ” started back in 2018, but due to financial problems it had to be suspended.
It is reported that due to the small budget of the picture, the project will be released exclusively for the Disney + streaming service.
There is no information yet about the actors who will take part in the film adaptation.
The project will be released on December 13, 2024.
Robin Hood
Release date: not announced
"Robin Hood" will get a hybrid version with live actors for the Disney + platform.
In development is a remake of the animated classic of 1976 with director Carlos Lopez Estrada at the head.
CGI technologies will be used in the project.
About the casting, the potential release date and other details are not yet known.
The script will be written by Kari Granlund, who previously worked on the remake of Lady and the Tramps.
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Related video

How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

What motivates Disney to keep producing live-action remakes despite mixed reviews?

Disney is developing many animated remakes with live actors, including Peter Pan and Wendy, Pinocchio, Little Mermaid, Snow White and the Seven Dwarfs, Hercules, Bambi, and Hunchback.

How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

The success of previous live-action remakes, such as Beauty and the Beast and The Lion King, has influenced Disney's decision to produce more remakes.

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A Definitive List of All the Disney Live-Action Films

From Halle Bailey’s Little Mermaid to the live-action Moana to sequels galore.

By Delia Paunescu and Amy Mackelden

Most of us grew up watching Disney movies, and for better or worse, we wondered what it might be like to be a Disney princess. In recent years, Disney has cleverly played into that nostalgia by transforming its classic animations into live-action movies filled with some of Hollywood’s biggest stars. Following the success of big-budget adaptations like Beauty and the Beast and The Lion King, Disney has committed to turning the majority of its animated catalog into cinematic treats. From Angelina Jolie’s star turn in Maleficent to the upcoming live-action version of Moana, fans will be spoiled for choice. Here, we round up all of Disney’s live-action movie adaptations to date, as well as some of the rumors about what’s to come.

1

Maleficent (2014)

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Loosely based on Sleeping Beauty, Angelina Jolie’s wicked witch arrived when lots of evil queens were getting their own feature films (Remember Charlize Theron in Snow White and the Huntsman?). Elle Fanning’s turn as Princess Aurora put her on the map as an A-lister to watch. The film even launched a Maleficent makeup collaboration with M.A.C., which we adored.

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2

Cinderella (2015)

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Disney's Cinderella Official US Trailer
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Disney’s dreamy live action remake of Cinderella cast Cate Blanchett as the evil stepmother, with Bodyguard star Richard Madden playing the Prince. When she landed the title role, Lily James’ most significant part had been as a rebellious cousin on Downton Abbey. Naturally, the fairytale brought James worldwide recognition (and she went on to play young Meryl Streep in Mamma Mia 2).

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3

The Jungle Book (2016)

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The original Jungle Book features some of the best music in Disney’s catalog, so director Jon Favreau’s 2016 live-action remake had a lot to live up to. Newcomer Neel Sethi masterfully took on the part of the boy trying to stay alive with a vengeful Shere Khan hunting him down.

A sequel has reportedly been in the works since Jungle Book was released, with Favreau rumored to be returning as director, according to The Hollywood Reporter.

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4

Beauty and the Beast (2017)

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Beauty and the Beast – US Official Final Trailer
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Few Disney remakes were more anticipated than Beauty and the Beast. It was lavish in its production, starring Emma Watson as Belle and Dan Stevens as an all-too-human Beast. Supporting cast members like Stanley Tucci, Emma Thompson, Audra McDonald, and Ewan McGregor were exceptional as the castle staff.

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5

Christopher Robin (2018)

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Honestly, it feels like this movie came and went without anyone, besides die-hard Winnie the Pooh fans, paying much attention. It’s a shame, really, because Ewan McGregor is endearing in the grown-up title role and the Hundred Acre Woods’ animal pals are as warmly fuzzy as you’d hope.

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6

Mary Poppins Returns (2018)

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Mary Poppins Returns | Official Trailer
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Emily Blunt steps into Julie Andrews’ cape and brings the magical nanny to life once more. The Devil Wears Prada darling did a terrific job, and was nominated for a Golden Globe as a result. Anyone who grew up loving the cheerily psychedelic musical numbers is bound to appreciate Hamilton star Lin-Manuel Miranda as lamplighter Jack. As if Mary Poppins Returns couldn't get any better, Meryl Streep, Dick Van Dyke, Julie Walters, and Angela Lansbury are also all in the film.

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7

Dumbo (2019)

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Dumbo remains one of the most upsetting stories in Disney’s roster, and 2019’s live-action remake will give you all of the feels. Directed by Tim Burton and starring Colin Farrell, Michael Keaton, and Danny DeVito, Dumbo re-tells the emotional story of a young elephant with the gift of flight, who finds himself embroiled in some circus drama.

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8

Aladdin (2019)

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Fans were desperate to find out who had been cast in the live-action Aladdin, no doubt because the original movie is so beloved. While Mena Massoud took on the title role, Power Rangers star Naomi Scott transformed into Princess Jasmine. And of course, Will freaking Smith did his very best to fill Robin Williams’ iconic lamp as the Genie.

In 2020, it was revealed that a sequel is in the works, via Deadline. Plus, a spin-off featuring Prince Anders is also in development.

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9

The Lion King (2019)

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The all-star remake of The Lion King might be the most important thing the house of the mouse has done since they released the original Lion King in 1994. This live-action version cast none other than Beyoncé herself as Nala. She stars alongside Donald Glover as Simba, and Billy Eichner and Seth Rogen as Timon and Pumbaa, with James Earl Jones reprising his original role as Mufasa. A sequel (or prequel) is on the way.

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10

Maleficent: Mistress of Evil (2019)

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Angela Jolie and Elle Fanning returned for the follow-up to 2014’s Maleficent. Jolie’s character continues to wrestle with people’s perception of her as a villain, while Princess Aurora receives a marriage proposal, much to Maleficent’s chagrin. Meanwhile, an endangered species known as the Dark Fae start to rise up.

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11

Lady and the Tramp (2019)

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1955’s canine couple du jour were given a live-action/animation hybrid update, which debuted on Disney+ in 2019. Justin Theroux voiced the scampy Tramp and Tessa Thompson played the elegant Lady in this animal romance. Thompson’s BFF Janelle Monáe, and Kiersey Clemons round out the cast of this cute remake.

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12

Mulan (2020)

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Disney casting directors had their job cut out for them with Mulan, reportedly spending a year auditioning nearly 1,000 actresses for the lead. The part ultimately went to Chinese superstar Liu Yifei. Fans finally saw the 31-year-old in full character thanks to this arresting first image. Director Niki Caro told the Hollywood Reporter: “It’s a big, girly martial arts epic. It will be extremely muscular and thrilling and entertaining and moving.” What more do you need to know?

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13

Cruella (2021)

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Anyone else think Cruella was woefully misunderstood? Enter 2021’s Cruella, which tells the story of 101 Dalmatians’ villainous diva before she became, well, fully evil. The inimitable Emma Stone won the lead role, infusing the tale with ’80s punk chic. From the eye-catching costumes to the super cute puppies, Disney’s origin story has everything. A sequel is reportedly in the works.

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14

Pinocchio (2022)

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Tom Hanks as Geppetto? Say no more. It may be 80 years later, but this live-action remake is just as relevant today as the original was upon its release. Joseph Gordon-Levitt gives a heartfelt performance as Jiminy Cricket, and Pinnochio’s journey to becoming a real boy is brought to life in stunning visuals.

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15

Peter Pan & Wendy (2023)

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There have been numerous adaptations of J. M. Barrie’s iconic story, but Disney promises to delight fans of its 1953 animated classic with the live-action Peter Pan & Wendy. After meeting Peter Pan, Wendy (Ever Anderson) embarks on an adventure to Neverland, where she faces up to Captain Hook. A story that truly never gets old.

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16

The Little Mermaid (2023)

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Ariel’s story of thirst-trapping Prince Eric, after selling her voice to that glorious diva Ursula in exchange for human legs, is ripe for a remake, especially given the 1998 original’s fishy gender dynamics. Halle Bailey wows in the lead role, with Melissa McCarthy embodying sea witch Ursula. Lin-Manuel Miranda wrote new songs for the flick, alongside Disney musical genius Alan Menken.

The Little Mermaid hits theaters on May 26, 2023.

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17

Snow White (2024)

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Disney is bringing its live-action magic to 1937 animation Snow White and the Seven Dwarfs. While Rachel Zegler will take the lead as Snow White, Gal Gadot has been cast as the Evil Queen. With Greta Gerwig tapped to write the screenplay, we can expect Snow White to be all kinds of wonderful.

Snow White is set to hit theaters on March 22, 2024, per Deadline.

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18

Moana (TBD)

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Live-Action Moana Announcement
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In April 2023, it was announced that Moana (which was just released in 2016) would be getting the live-action treatment, with Dwayne Johnson reprising his role as demigod Maui. The original voice of Moana, Auli‘i Cravalho, has signed on as an executive producer. Johnson said in a statement, “This story is my culture, and this story is emblematic of our people’s grace and warrior strength.” The release date is currently unknown.

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19

Lilo & Stitch (TBD)

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Lilo & Stitch (2002) Trailer #1 | Movieclips Classic Trailers
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A live-action/CG hybrid remake of the supremely adorable 2002 film about a Hawaiian girl and the alien who befriends her was first announced in October 2018. It is being produced by Dan Lin and Jonathan Eirich, who were also tasked with the Aladdin remake. A release date is up in the air but it’s possible this will debut on Disney’s upcoming streaming service. The cast includes Zach Galifianakis, Courtney B. Vance, and newcomer Maia Kealoha as Lilo, per The Hollywood Reporter.

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20

Hercules (TBD)

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1997 Hercules Official Trailer 1 Walt Disney Pictures
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In June 2022, Deadline reported that Aladdin director Guy Ritchie had signed on to direct the live-action remake of Hercules. The 1997 animate feature retold the legend of demigod Hercules, who was voiced by Tate Donovan. While details on the remake remain scarce, Hercules is certainly one to watch for Disney fans.

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Delia Paunescu

Delia Paunescu is a writer, producer, and social media consultant based in New York City. She's written for Vulture, Racked, Brooklyn Magazine, New York Post, and amNewYork, among others. Delia also spent two years leading NowThis Entertainment. She'd very much like to shout at you about why Jane the Virgin is the greatest show of all time over on Twitter.

Amy Mackelden is a freelance writer, editor, and disability activist. Her bylines include Harper's BAZAAR, Nicki Swift, Cosmopolitan, Marie Claire, ELLE, The Independent, Bustle, Healthline, and HelloGiggles. She co-edited The Emma Press Anthology of Illness, and previously spent all of her money on Kylie Cosmetics.

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How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

What motivates Disney to keep producing live-action remakes despite mixed reviews?

Nostalgia drives fan interest in live-action remakes, with many fans eager to see their favorite childhood stories reimagined.

How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

Disney's live-action remakes often feature big-name stars, such as Emma Watson and Angelina Jolie, which helps to attract new audiences.

How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

The remakes can reintroduce classic stories to new audiences, while also incorporating new music and visuals.

How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

However, nostalgia can also lead to controversy over casting decisions, with some fans voicing disapproval based on their childhood memories of the original films.

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Commentary: Unpacking the meaning behind ‘Tangled’ and the Grimm tale it’s based on

Recent casting rumors spark conversation over the popular children’s story

By LORENA ALVAREZ — arts@theaggie.org

Disney holds a track record as one of the leading brands worldwide, but that does not shield the company from backlash. While they are known for their children-oriented animations, their live-action remakes appeal to their older audience. This childhood nostalgia can often lead to an uproar over casting decisions.

While Disney has yet to confirm plans for a live-action “Tangled,” let alone casting decisions, the rumors of a remake have been met with criticism, with some fans voicing their (dis)approval of the fan-casting of Avantika Vandanapu as Rapunzel. In light of the recent controversy, the following is a commentary discussing the meaning behind the Grimm brothers’ original tale and Disney’s “Tangled.”

Although Disney fans picture Rapunzel as a young girl with long golden locks, Rapunzel’s hair and race are not key factors in the overarching message of the story. The original version does not even emphasize her hair color, only mentioning it once in passing. Here, what is of importance is the fairytale’s cautionary tale.

Grimm’s 1812 “Children and Household Tales” version follows a couple who is punished for trespassing into the garden of Frau Gothel, a powerful sorceress. The text warns of the dangers of greed and temptation as a man steals in response to his wife’s “longing” for an edible purple wildflower “belonging to a sorceress who possessed great power and was feared by everyone.”

The acknowledgment that people were not welcome to take from the sorceress’ garden suggests that the couple, although driven by great desire, are in the wrong as they deliberately go behind the sorceress’ back to steal from her.

When the sorceress catches the man trespassing for the second time, she is angered that the man steals from her rather than asking if she could spare some rampion for his pregnant wife.

“How dare you climb over into my garden like a thief, and steal my rampion! It shall be the worse for you!” Gothel said in the story.

The message encouraging people to be truthful as well as grateful is further emphasized at the end of the tale, where Gothel cuts Rapunzel’s beautiful locks after discovering that her “daughter” has also betrayed her.

“I thought I had hidden thee from all the world, and thou hast betrayed me!” Gothel said.

As the story concludes with Rapunzel reuniting with the king’s son after living “in great woe and misery” as their punishment, the household tale warns children against disobeying their guardians and giving into temptation.

While Grimm’s version teaches children to be loyal and ask before taking things from people, Disney’s adaptation is a modernized take exploring the good that can come from taking risks and believing in oneself.

“Tangled” follows Rapunzel as she takes agency over her life that has been stolen from her by Mother Gothel and helps Flynn Rider, a thief, redeem himself by helping her leave the tower. For those unfamiliar with the story, Rapunzel dreams of leaving the tower in hopes of seeing the yearly lanterns that cover the sky on her birthday.

The iconic song “When Will My Life Begin? (Reprise 2)” depicts Rapunzel’s struggle to overcome her fears and explore the scary world that she believes Gothel has been protecting her from.

“Look at the world so close and I’m halfway to it,” Rapunzel sings. “Look at it all, so big, do I even dare? Look at me, there at last, I just have to do it […] here I go.”

The animation pairs these lyrics with a scene of Rapunzel cautiously pausing before stepping on the grass, and leaving her tower’s safety (and isolation). Through this, the scene highlights the fear and anxiety she must overcome to make her dream of leaving the tower a reality.

As she demands that Rider take her to see the lights, the script stresses the importance of taking an active role in the direction of one’s own life.

“You will act as my guide, take me to these lanterns, and return me home safely,” Rapunzel said. “Then, and only then, will I return your satchel to you.”.

Thus, classics like Rapunzel’s story play an important role in teaching young impressionable people valuable life lessons — both Grimm’s and Disney’s versions warn against theft, but the latter’s version adapts the story to encourage agency and bravery. While there is a lot of controversy over whether adaptations are better than the originals, taking a popular story and adapting it to meet modern audiences can oftentimes do more good than harm.

Written by: Lorena Alvarez — arts@theaggie.org

What aspect of Disney's strategy has been questioned due to the mixed reception of The Little Mermaid?

Disney's live-action remakes have been adapted to contemporary realia, with changes made to the original stories and characters to reflect modern values and diversity.

How does Disney's live-action Pinocchio modernize the story according to Robert Zemeckis?

How does Peter Pan and Wendy enhance inclusivity?

What controversy arose from Disney's casting and updates in The Adventures of Pinocchio?

The company has prioritized representation and diversity in its remakes, with films like The Little Mermaid and Snow White featuring more diverse casts.

What controversy did Disney's The Little Mermaid spark globally?

Debate over both Ariel's casting and racial representation.

The live-action remakes have received mixed reactions from the public, with some fans praising the updates and others criticizing the changes to the original stories.

How did audiences react to the 2020 Mulan live-action remake?

Some positive reactions praising both changes and additions

Despite the controversy, Disney's live-action remakes have been commercially successful, with many of them grossing hundreds of millions of dollars at the box office.

How successful was the 2019 live-action version of The Lion King?

Worldwide revenues exceeded one billion dollars

What motivates Disney to keep producing live-action remakes despite mixed reviews?

The company's commitment to diversity and representation is leading the way in the industry, with many other studios following suit.

Nostalgia is a key component in the success of Disney's live-action remakes, with many fans eager to relive their childhood memories and introduce the stories to their own children.

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Lightyear Director Angus MacLane Explains Why Nostalgic Toy Story Fans Will Love The Movie And Its Theme - Exclusive

Original "Toy Story" fans have waited literal decades to see Andy's favorites from the original film again. No longer children themselves, the fandom has grown up with Andy, reaching the same milestones — and ultimately giving their toys away, too. Many OG fans now even have their own families with whom they've shared their love of the franchise. After all this time, the wait is almost over as "Lightyear," a spinoff story for the popular Buzz Lightyear character, is coming to theaters this summer. Starring Chris Evans as Buzz, how does the new film and its focus on time recapture some of the original nostalgia?

During an exclusive interview with Looper, Angus MacLane shed some light on the main theme of time in "Lightyear." He also revealed whether or not it was an intentional homage to the now grown-up former kids who grew up with "Toy Story" and how the concept of nostalgia played into the film's plot and direction.

Time is a fickle beast when bringing characters back to life

There's no denying that time is a palpable character in "Lightyear." When it comes to how screenwriter/director Angus MacLane thinks the concept of time will impact the adults who grew up with "Toy Story," he said, "I've never thought about that. That's fascinating. I was thinking about it earlier today, that I've been here for 25 years, but it really feels like it started yesterday. There's a thing about that, that when you're doing something you love, time can melt by."

He added, "I really feel like we're making the movie that we want to make, and that's the only way you can make a movie that's universal ... It's someone's vision, someone's nerding out about this so that you can enjoy it." While there are certainly homages to the original story arc in "Lightyear," and the theme of passing time will certainly resonate with millennials who grew up on "Toy Story," the new film certainly stands on its own, even for audiences who never watched the first edition.

The unspoken idea of nostalgia in 'Lightyear'

As MacLane added, nostalgia was another main component of "Lightyear" and its story. "The idea of nostalgia, [and the] potential for it, only really came about when we started working with the voice casting, and when we were recording Uzo [Aduba] doing, 'To infinity and beyond.' It was a big deal for her on a fan level," he said, adding, "I didn't quite understand it because we've never experienced really, the movie. I liked the first movie, [but] I was already in college by then. The stewardship we had over the property was really, 'Can we make a great movie?'"

It can be pretty debilitating thinking about the reception of long-time fans for a new project. Luckily, MacLane didn't psych himself out with that line of thinking, and noted, "I'm glad I didn't think about it too much, about the weight of responsibility on a nostalgia level because that would seem really daunting to me, and I'm glad to hear it went over well."

MacLane also mused, "I could see it just as easily irritating so many people because you're giving a voice to something [where] everyone has a point of view. When we're making the movie, we're like, 'It's not really the movie.' People have an opinion about it." He added, "The only way we were going to solve that is by making something that's so exciting and awesome that ... while the details may not have been what you expect, at least [the] final product is something that's really exciting. You go, 'Well, it's not what I thought it was going to be, but it's amazing.'" As MacLane noted, "Everyone has a point of view about what that world is," but he just had to focus on creating his own vision.

"Lightyear" premieres exclusively in theaters on June 17.

How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

However, nostalgia can also be debilitating for creators, who may feel pressured to live up to the expectations of fans who have a strong emotional attachment to the original films.

Overall, Disney's live-action remakes are driven by a combination of nostalgia, commercial potential, and a desire to update classic stories for modern audiences.

How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

Disney has remade several classic animations into live-action versions in recent years, including Cinderella, The Jungle Book, Beauty and the Beast, Dumbo, Aladdin, The Lion King, Mulan, Pinocchio, and Little Mermaid.

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Content: Snow White director’s son calls Disney remake a “disgrace”

Disney

The original Snow White director’s son has slammed the upcoming Disney remake as “insulting” and a “disgrace.”

Disney has recently recreated several of its classic films into live-action adaptations. Past examples include The Little Mermaid, Dumbo, and Pinocchio. However, these recreations have generated backlash for various reasons.

For example, Halle Bailey’s role as Ariel wasn’t universally agreed upon. This is due to haters complaining that the princess should have been white like in the 1989 animated movie.

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Now, the upcoming remake of Disney’s Snow White starring Rachel Zegler has been under fire for its controversial portrayal of the seven dwarves among other reasons. Here’s what the son of the original Snow White director had to say about the film.

Son of Snow White director criticizes upcoming Disney remake

In an interview with The Telegraph, David Hand, who worked as a Disney designer in the 1990s, admitted his negative feelings toward the Snow White remake. Hand’s father, also named David, served as one of the directors of the 1937 film.

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“It’s a whole different concept and I just totally disagree with it, and I know my dad and Walt would also very much disagree with it,” 91-year-old Hand said. He continued by calling the movie a “disgrace” and discussed Disney’s “radical thoughts.”

“They’re making up new woke things and I’m just not into any of that. I find it quite frankly a bit insulting [what] they may have done with some of these classic films,” Hand remarked. “There’s no respect for what Disney did and what my dad did. … I think Walt and he would be turning in their graves.”

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The Snow White remake has finished filming and is scheduled to premiere on March 22, 2024. Other Disney live-action projects in the works include Lilo & Stitch, Moana, and Mufasa: The Lion King.

You can find out more about Zegler’s Snow White controversy here.

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How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

The live-action remake of Cinderella, released in 2015, has more realistic characters.

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“Cinderella ” and others: the main remakes of recent years
Warner Bros. plans to make a remake of the movie “The Bodyguard ”.
The 1992 film with and in the lead roles was a success at the box office, and the music for it became the best-selling soundtrack in the history of the film, and this record has not been broken so far.
Details about the new film are still few, it is known that his script is written by the famous playwright Matthew Lopez.
About the most popular movie remakes of recent years, read in the selection of "Rambler".
Photo by RIA NovostiRIA Novosti
Cinderella (2015, directed by Kenneth Branagh)
Video of the day
A remake of a classic Disney cartoon from 1950.
The action takes place in a traditional fairy-tale entourage, but the characters have become more like real people, rather than characters in a children's book.
With the magic and magic of love, the emphasis is shifted to people and the reasons for their decisions.
The film was nominated for an Oscar for the best costumes.
The Jungle Book (2016, directed by John Favreau)
A remake of the 1967 Disney cartoon of the same name.
It is stated as a game with elements of animation, but in fact there are at least living heroes there, mainly realistically drawn, but still fake animals on the screen.
If Disney has all the male characters, then women appeared in the film among them, for example, Kaa voiced a python.
The film has many visual quotes from the cartoon, but some scenes, for example, the battle with Sherkhan, are shown much tougher, critics noted that they can scare not only children, but also adults.
The tone of history has also changed.
Mowgli does not seek people, but wants to help the inhabitants of the jungle, and in the end does not leave, but remains.
The film won an Oscar and the British Academy Award for Visual Effects.
In 2022, the premiere of the second part of the picture is scheduled.
It (2017, directed by Andy Muschetti)
The second book of the same name.
The first, television, was shot in 1990 by Tommy Lee Wallace and won several Emmy Awards.
The new film set a box office record among horror films with an age rating of R. Its only award was the award for the best trailer, but critics took the film very well, it did not receive any sharply negative reviews.
Two years later, the second part of the picture came out, but it went almost unnoticed.
Beauty and the Beast (2017, director)
A remake of the classic Disney cartoon, filmed in 1991.
There are some notable differences in the story.
In particular, the writers explained why the villagers do not know about the monster castle, which is only an hour walk, and the main character Belle made more independent.
The soundtrack, which became one of the factors of the cartoon ’ s success, also underwent changes: it included not only new versions of old songs, but also several new compositions.
The film caused a scandal due to the appearance of LGBT characters in the frame.
Director Bill Condon said that the episode in which two men are dancing waltz, very short, and people who resent him, "inflated out of a fly elephant", but in Russia the picture was assigned an age rating of 16 +.
A Star is Born (2018, directed by Bradley Cooper)
A remake of the 1976 film, the actor's directorial debut.
The main roles were played by Cooper himself and they also performed songs.
The film tells about the relationship of aspiring singer Ellie and drunk famous musician Jackson Maine.
Initially, the picture was going to shoot, and it was planned to invite Bionse to the main female role.
Lady Gaga said in an interview that she has a lot in common with the heroine.
For example, at the dawn of her career, she, like Ellie, was advised by everyone to fix her big nose.
The picture was nominated for seven Oscars, as a result, received one for best song.
The same award was given to the original film with and.

The Jungle Book 2016 remake has tougher scenes and won an Oscar for Visual Effects.

The Beauty and the Beast 2017 remake has an independent Belle and includes LGBT characters.

The live-action remake of Pinocchio, released in 2022, has a unique artistic influence and is not very reverential to the original animated classic.

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Content: Robert Zemeckis understands two things about Disney’s Pinocchio. First, he knows the 1940 animated film is ingrained in the entertainment behemoth’s DNA. It’s considered by many to be the best animated film from the studio’s early days. “When You Wish Upon a Star” is now the Walt Disney Pictures fanfare. The song’s promise of wishes fulfilled under starlight is part of Disney’s patented feel-good m.o. Heck, over the years Jiminy Cricket has become the company’s B-tier mascot, right behind Mickey Mouse.

But Zemeckis also knows that the ’40s Pinocchio is weird as hell. The stranger things that punctuate that seminal early Disney effort are hidden in plain sight, though they're often forgotten as people marvel at the film's artistry. Most other filmmakers would’ve bent over backwards to pay homage if given a chance to bring Pinocchio to life in 2022. Zemeckis is not the guy you hire to do that.

His new live-action Pinocchio adaptation gives you what you’d expect, but so, so much more. It’s as if Zemeckis wanted his adaptation to play like if Moulin Rouge-era Baz Luhrmann directed Willy Wonka and the Chocolate Factory. The film is only as reverential as a Zemeckis film can be, which is not very reverential at all.

After Disney's years of uninspired retreads, like 2019’s The Lion King and 2017’s Beauty and the Beast, Pinocchio veers all the way in the other direction. The eye-popping Pleasure Island sequence alone has more personality than most anything Disney has done in this space recently. While the aggressive shift in artistic influence might alienate some Mouse House purists, anyone willing to take a walk on Zemeckis’ wild side might get a kick out of this one.

Take Tom Hanks, for example. As Geppetto, the screen legend channels the same cornball energy that made his portrayal of Col. Tom Parker in Elvis a glorious meme. Even when Hanks is hamming it up, he’s still credible and magnetic (kind of like Zemeckis as a director). Continuing with the irreverence, the film’s portrayal of Pinocchio is like if you made Ralph Wiggum out of wood and gave him Jacob Tremblay’s voice. Zemeckis gets in a few fun jabs at Pinocchio’s blissful ignorance (at times involving fire), which help keep the film from getting too saccharine.

Zemeckis’ Pinocchio doesn’t hew too closely to the preciousness and regality of the animated classic. It's more of a parking-lot carnival ride through an uncompromised vision, and the most enjoyable one of these live-action Disney flicks since 2016’s Pete’s Dragon.

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The Little Mermaid live-action remake, released in 2023, has surpassed the original's box office earnings and features a diverse cast, including Halle Bailey as Ariel.

How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

What motivates Disney to keep producing live-action remakes despite mixed reviews?

The live-action remake of Snow White, scheduled to release in 2025, stars Rachel Zegler as Snow White and has sparked controversy over the portrayal of dwarves.

How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

Disney's live-action remakes often make changes to the original stories and characters, such as the removal of traditional love stories and the addition of more diverse characters.

Title:

Content: Disney Remake Cancels Century-Old Love Story

in Movies

Credit: Disney

From Snow White to Frozen, Disney has been responsible for creating and adapting some of the most enchanting fairytales ever put to screen. While many of their stories are hundreds of years old, the studio’s adaptations are likely the prime example in the mind of the public consciousness.

Reimagining these classic tales has also done wonders for Disney. However, the recent controversy surrounding the upcoming adaptation of Snow White and the Seven Dwarfs has sparked a decidedly volatile reception, especially since the studio has officially abandoned its first and original love story.

No Love for Snow White

Recent coverage of the film’s progress revealed that Disney is officially stepping away from the traditional fairytale elements that make up Snow White’s narrative. Rachel Zegler plays the title role, and her recent quote on the matter has more than a few Disney fans up in arms.

“It’s no longer 1937… She’s not going to be saved by the prince, and she’s not going to be dreaming about true love. She’s dreaming about becoming the leader she knows she can be.”

Related: Gal Gadot’s ‘Snow White’ Sabotaged by Media Frenzy

That means no dwarves, prince, or spell broken by love’s first kiss. Although Disney has several strong leading women in many of its other productions, Snow White really isn’t the appropriate story to take that approach, and fans recognize that.

Some viewers, like the creator seen here, are absolutely outraged that Disney would remove the romance and love story element from their original fairytale. While it’s true we no longer live in 1937, that doesn’t mean there isn’t still a desire or an audience for a traditional romanticized tale about princesses and magical creatures without some sort of shoe-horned message behind it.

Related: Iconic Dwarf Actor Rips Into Woke ‘Snow White,’ Says Story Is “For Dwarfs”

To put it bluntly, Disney should make a fantasy-themed female-empowerment film, but not at the expense of another established work. At this point, “Snow White” is just a namesake, as any charm or enchantment associated with the story has gone entirely out the window.

Has Disney erased the love in Snow White? Tell Inside the Magic what you think in the comments below!

Be the first to comment!

How does Peter Pan and Wendy enhance inclusivity?

Tiger Lily avoids stereotype
The Lost Boys are portrayed as diverse

The live-action remake of Snow White, for example, focuses on female empowerment and removes the prince and dwarves from the story.

The live-action remake of The Little Mermaid updates Eric's character and gives him more backstory and personality.

Title:

Content: Filed under:

The Little Mermaid live-action remake actually fixed the right character

The biggest story changes aren’t for Halle Bailey as Ariel

Whenever a new Disney live-action remake of an animated classic comes out, there’s always a hullabaloo about what, if anything, changed from the source material. Specifically, fans question whether the latest remake updates anything to take modern standards into account, or a creator boasts that it does — whether it’s giving LeFou an “exclusively gay moment” in 2017’s Beauty and the Beast or canning the Siamese cat song in 2019’s Lady and the Tramp.

For whatever reason, though, most of the filmmakers behind these projects seem determined to also “fix” the stories’ main heroines — usually losing what made them so appealing in the first place. The most nefarious case in point is Beauty and the Beast’s Belle, a character beloved by young bookworms everywhere. Making her a book-lover wasn’t enough for the 2017 remake, which also turned her into an inventor for some reason — and then did absolutely nothing with that plot point.

But in the case of the new Little Mermaid, director Rob Marshall and screenwriter David Magee actually picked the right character to update.

That isn’t Ariel, who for the most part keeps pretty much the same personality she had in the original, though she certainly gets more moments to flesh it out. Ariel is a beloved heroine, and Marshall and Magee understand what made her so appealing in the original animated Disney film. She’s curious, passionate, and idealistic, and the 1989 movie takes great care to highlight those things, while also embracing her faults, like her absent-mindedness and stubbornness. Halle Bailey’s stellar performance as Ariel in the live-action version bolsters all of those points. Even with some added moments, her Ariel is pretty much recognizable. She isn’t the one who needed to undergo a modern makeover, after all.

The character who really needed a change was Eric.

The original animated Eric is a hero of his era. He meets the minimum requirements to be a Disney Prince, in that he’s handsome and brave, and not much else. In the 1989 film, Ariel sees him on a ship, playing with his dog, and immediately falls in love with him. That’s pretty true to the original Hans Christian Andersen story — not to mention the Disney fairy-tale movies that came before — but in 2023, we need more evidence that this is a man worthy of Ariel’s time, and worthy of her giving up everything to try and be with him.

The 2023 live-action version of Eric, played by Jonah Hauer-King, isn’t just a hunk. He feels restless in his palace, and he wants to explore the world beyond his island nation, but he feels trapped by his mother’s rules. That’s a direct parallel to Ariel’s story, so it makes sense that she would relate to him. Her bargain with Ursula (Melissa McCarthy) is more about her desire to escape her father’s controlling rules about her being in love. (Ariel’s “Daddy, I love him!” line doesn’t make the cut in this version.) There’s a sense of comfort in knowing that there is at least one person on land who would understand her choice to leave the ocean. In Eric, she sees more of a kindred spirit than a soulmate.

The new Little Mermaid also gives Ariel and Eric more time to get to know each other. Instead of the dinner scene where Ariel bungles basic social interaction, now Ariel and Eric bond over Eric’s vast collection of trinkets he found on his adventures. As it turns out, they’re both total nerds when it comes to their interests, and they’re both just squirming to talk about what they love with someone. Ariel still can’t talk because of Ursula, but she’s still an active participant in the interaction, showing Eric a thing or two about his treasures from the sea, and eagerly poring over his maps. All their interactions are fueled by an awkward yet adorable attraction that just makes their romance all the more believable, and worth rooting for.

There are some superfluous changes to the live-action movie that don’t really add anything meaningful. For instance, Ariel’s sisters are rulers of their own seas, not Triton’s decorative choral singers, but they still don’t contribute much to the plot. Ursula has added motives, but that doesn’t come up beyond her introduction. Scuttle the seagull (voiced by Awkwafina) raps for a bit, because sure, why not? If you think too hard about some of the more consequential world-building changes in 2023’s The Little Mermaid, the movie begins to unravel.

But what makes The Little Mermaid isn’t whether the fish look good, or what exactly fuels Triton and Ursula’s feud. It all comes back to Ariel and her journey, which is fueled by the central romance between her and Eric. Just because Ariel falls in love doesn’t mean she’s not a strong and beloved protagonist, and just because Eric is a handsome and dashing prince doesn’t mean he lacks the substance behind that charming smile. By updating their romance, the 2023 Little Mermaid makes the love story more satisfying — and resonant for a new generation.

The Little Mermaid swims into theaters on May 26.

News

Disney to remove Willow, Y: The Last Man, and original movies from Disney Plus and Hulu to save cash

Movies

How The Good Dinosaur’s director found his perfect Elemental cast

A Century of Disney

50 years after release, Disney’s Robin Hood is still a life-changing furry phenomenon

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According to John Musker, what should Disney prioritize in its remakes?

The remake of Pinocchio has a distinct personality and is an enjoyable live-action Disney remake.

How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

Disney's live-action remakes have received mixed reactions from the public, with some praising the updates and others criticizing the changes to the original stories.

How did audiences react to the 2020 Mulan live-action remake?

Some positive reactions praising both changes and additions

The live-action remake of The Little Mermaid, for example, received polarized reviews, with some praising Halle Bailey's casting as Ariel and others criticizing the changes to the story.

Title:

Content: In recent years, Disney has actively adapted its animation to a live-action version, but the related works have been controversial.
Among them, "Snow White and the Seven Dwarfs" recently, due to the outflow of the picture in the shooting, set off a wave of discussion about the casting, and Rachel Zegler, who is the heroine, responded to the sentence in the past, seemingly changing the image of Snow White's role, so that the relevant picture flowed out, triggering criticism from netizens.
According to foreign media "TMZ" reported, Rachel Zengler was interviewed last year, mentioning her views on the live-action version of "Snow White", that it is no longer similar to the 1937 animated version, but also said: "Snow White will not be rescued by the prince, she does not expect true love, but hopes to become a" she can become a leader. "
In the story, her late father told her that if she was fearless, brave and true to herself, she could be a leader.
In addition, the relevant screen was streamed on TikTok and also forwarded to Twitter.
However, the original interview clip was accompanied by the text: "Hollywood is inculcating young girls to hate men."
In addition to "Barbie Barbie" is an anti-male feminist propaganda tool, it seems that the new "Snow White" live-action version will be the same. "In the community, the discussion, and once rushed into the popular trend of the list, let some netizens comment:" It has become a work of the same name but different story "," This is not small difference from the original "fairy tale". The story of the book is quite different.
In fact, Disney has recently been controversial because of the live-action film casting, after the news that the live-action film of "Little Mermaid" selected actress Halle Bailey to play the leading role of the female star, even if the film is released, there are still two polarized reviews, and the live-action version of "Snow White" finds Latina actress Rachel Zengler to play "Snow White". It is like a white voice, and it makes a noise.
In response, Rachel Zengler personally tweeted: “Anyway, I want everyone to know that ‘ all children can be princesses ’. ” Haley Bailey also tweeted the post and wrote:“ We love you, truly perfect princess. ”
RACHEL ZEGLER'S SNOW WHITE 'OLD' Woke 'Interview RESURFACES, IGNITES RIGHT WING RAGE
# Snow White # Real Life # Rachel Zengler # Destroying Childhood # Cast

How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

What controversy did Disney's The Little Mermaid spark globally?

Debate over both Ariel's casting and racial representation.

The live-action remake of Snow White has also sparked controversy, with some criticizing the portrayal of dwarves and others praising the focus on female empowerment.

Title:

Content: All Of The Drama Surrounding Disney's Live-Action Snow White Movie

After all the drama surrounding Disney's live-action adaptation of "The Little Mermaid," sadly, it was to be expected that something similar would happen when they cast Latina actor Rachel Zegler to play Snow White in the remake of the legendary "Snow White and the Seven Dwarfs" cartoon. The original, which is from 1937, was based on a German fairytale written by the Brothers Grimm.

It describes Snow White as having fair skin and red lips, so choosing an actor with a darker complexion to portray the character didn't sit right with racist online trolls. Despite the harsh remarks, Zegler stood her ground and made history in the process. As if that wasn't enough drama for a beloved children's story, a famous Hollywood actor also took it upon himself to call Disney out for perpetuating hurtful stereotypes by remaking the cartoon into a live-action movie.

To avoid an out-of-date portrayal, the production claimed that it was replacing some of its human characters with forest-dwelling creatures that just resemble people instead.

Rachel Zegler faced online backlash because of her ethnicity

When actor Rachel Zegler was cast as Snow White, her ethnicity caused trolls to comment that she wasn't fit for the role. Zegler, who is of Polish and Colombian descent, isn't the stereotypical fair princess described in the 19th-century tale, but she has her own point of view. "People are making these jokes about ours being the PC Snow White, where it's like, yeah, it is — because it needed that," the actor said during a conversation with Vanity Fair, adding that the Disney remake gives the character of Snow White more purpose than just waiting for a man to save her.

This isn't the first time Zegler has broken boundaries in Hollywood, of course. The actor gained recognition after she was cast as Maria in Steven Spielberg's "West Side Story" remake. According to Town & Country magazine, a friend had sent Zegler the casting call, so she decided to give it a go. The Latina actor was ultimately chosen among the 30,000 others who applied, despite having no prior acting experience.

"[Her] technical skill, her emotional presence, [and] her grace and charm were just so unusual for someone who was 17 years old," said Cindy Tolan, the hit musical's casting director. While her skin isn't as fair as some would (weirdly) prefer, Zegler's talent is unquestionable, making her the perfect choice of Snow White for a new generation.

Actor Peter Dinklage publicly criticized the remake

Elsewhere, "Game of Thrones" actor Peter Dinklage also lashed out at Disney for casting a Latina Snow White while continuing to reinforce stereotypes by remaking a cartoon that originally showed little people in a bad light. The actor, who has dwarfism himself, argued, "It makes no sense to me. You're progressive in one way, and you're still making that ... backwards story about seven dwarfs living in a cave together," during an appearance on the "WTF with Marc Maron" podcast.

A spokesperson for the iconic production company clarified that they were trying to portray the fairytale in a more modern way that wouldn't be offensive to those with dwarfism. Disney also stated that there would be no humans in the gang of seven but magical creatures instead. The Daily Mail obtained exclusive photographs from the set, in which Zegler can be seen as Snow White, but instead of the seven dwarfs, she's being followed by a number of men and women.

However, only one of them appears to have dwarfism, while the others are of different heights. The "creatures" will reportedly get their final looks with the help of CGI, so the actors following Zegler in the shots are likely bound for a makeover long before the movie's release.

Disney's decision to produce live-action remakes of their animated classics is likely driven by nostalgia, as well as a desire to update the stories and characters for contemporary audiences.

How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

The company's emphasis on diversity and inclusion is also evident in their live-action remakes, with many featuring more diverse casts and characters than the original animated classics.

The live-action remake of Disney's Haunted Mansion had a low start with $24-25 million domestically.

Title:

Content:     The Economic Times daily newspaper is available online now.

    Barbie continues to paint box office pink, scores record $93m in second weekend

    Synopsis

    Barbie has become the powerhouse of the box office and now as it continues to evolve and challenge films of all genres, the movie’s remarkable success has stood out to date. The female-led storytelling is resonating with audiences both in North America and around the globe.

    Barbie, the female-led sensation, continues to dominate the North American box office, raking in an astounding $93 million in its second weekend, making it one of the best second weekends in history and the top-grossing sophomore weekend for Warner Bros., not adjusted for inflation.

    Defying doubters who predicted a quick decline after its remarkable $162 million debut over the July 21-23 weekend, Barbie showcased a remarkable 43 percent hold, a rarity for a film with such a massive opening.

    Greta Gerwig's directorial prowess and the film's captivating storyline have been propelling the film to unprecedented heights. Barbie has now accumulated a domestic total of $351.4 million, far surpassing expectations and reinforcing its status as a major box office triumph.

    Not only dominating the North American market, but Barbie is also painting the overseas box office pink, amassing a dreamy global total exceeding $750 million through Sunday. With its sights set on the coveted $1 billion milestone, Barbie is poised to become the second film of 2023 to join the esteemed billion-dollar club, following Universal's The Super Mario Bros. Movie, which amassed $1.34 billion worldwide.

    Oppenheimer witnesses drop on second weekend

    Christopher Nolan's Oppenheimer, the other half of the Barbenheimer phenomenon, is also a powerhouse at the box office. The three-hour biographical drama secured an impressive $46.2 million in its second weekend, experiencing only a 44 percent drop, and marking the biggest second weekend ever for an R-rated film, surpassing Deadpool 2.

    Oppenheimer's global haul now stands at an estimated $400.4 million, with $174.6 million domestically and $226.3 million internationally. The film ranks as Nolan's sixth-biggest film of all time, outperforming Tenet and Batman Begins.

    Its appeal has been remarkable worldwide, already becoming Nolan's biggest film in 28 markets and his most significant non-superhero title in 39. Over the weekend, it added another $72.4 million to its overseas tally.

    The film's portrayal of J. Robert Oppenheimer, the father of the atomic bomb, has been resonating with audiences and contributed to its box office success. Moreover, Nolan's use of special Imax cameras has been a boon for Imax itself, with Oppenheimer becoming the second-fastest film to reach $80 million in global Imax ticket sales.

    While Barbie and Oppenheimer enjoyed triumphant weekends, Disney's Haunted Mansion was spooked in its debut, delivering one of Disney's lowest starts for its live-action reimaginings of theme park attractions or classic animated films.

    With an estimated $24 million to $25 million domestically, Haunted Mansion faced challenges from tough competition, mediocre reviews, and the actors' strike, limiting the cast's publicity efforts.

    On the other hand, Angel Studios' Sound of Freedom, the sleeper hit of the summer, maintained its strong performance in third place with an additional $12.4 million, bringing its domestic total to an impressive $149 million.

    A24's new specialty horror film Talk to Me, from Australian twin brothers Danny and Michael Philippou of RackaRacka YouTube channel fame, surprised with a better-than-expected $10 million opening.

    FAQs

    Who are the parents of Barbie?
    Individually, Warner Bros. and Mattel have every reason to celebrate as they jointly own Barbie, the iconic 64-year-old doll responsible for the year's most significant movie opening.

    Did Barbie get married?
    It appears that Barbie will remain unmarried indefinitely. As per the wishes of her creator, Ruth Handler, Barbie's appeal to young children lies in her defiance of traditional norms, ensuring she will never tie the knot with Ken or have children.

    Disclaimer Statement: This content is authored by a 3rd party. The views expressed here are that of the respective authors/ entities and do not represent the views of Economic Times (ET). ET does not guarantee, vouch for or endorse any of its contents nor is responsible for them in any manner whatsoever. Please take all steps necessary to ascertain that any information and content provided is correct, updated, and verified. ET hereby disclaims any and all warranties, express or implied, relating to the report and any content therein.
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Disney's live-action reimaginings, such as Haunted Mansion, had lower starts due to tough competition and reviews.

What has been the general critical response to most Disney's live-action remakes?

The Little Mermaid live-action remake was forecasted to sell over $115 million in the US first weekend.

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Content: My channel
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The world is watching Turkey ’ s election, Erdogan is defeated, the West is happy with Russia ’ s worries.
Unprecedented … Janice apologizes for founder ’ s indecent history
Disney infighting? "Aladdin" male star sings bad "mermaid" box office scolded
Disney 's new live-action version of "The Little Mermaid" is about to be released. Although the casting process has caused huge controversy, the current box office forecast is still optimistic that it will sell more than 115 million US dollars in the first weekend in the United States, more than 4 years ago, the live-action version of "Aladdin" North America's first weekend of 112 million US dollars. "Little Mermaid", and was surrounded by fans, so he had to empty his community account first, and ask for quiet.
In recent years, Disney has made a number of classic anime remakes into live-action versions, and several of them have been criticized for not being as good as the original, but still open a box office red plate, so Disney has not stopped shooting the live-action version of the animation.
"Little Mermaid" is because of the selection of black actress Holly Bailey as the main character, obviously and the animated version of the heroine's red hair, white skin, triggered a powerful controversy, but now about to be released, the sales are still popular, and even entertainment sites predict that the film will be this summer Hollywood film box office champion, there are opportunities like "Aladdin", "Beauty and the beast", "The Lion King" Like the remake, it sold over $1 billion worldwide.
But Menamasud doesn ’ t see it that way, writing on the social networking site: “Our film (Aladdin) is very special, and the audience has seen it again and again, which is the only reason why we have sold over $1 billion at the world ’ s premiere box office despite that. ”
“I guess ‘ Little Mermaid ’ won ’ t break $1 billion at the global box office, but there ’ s no doubt it will be a sequel. ”
"The original 'Little Mermaid' is about three times more popular than the original 'Aladdin', I think it will be reflected in the box office." $211.34 million, the original "Aladdin" alone in North American box office is already $217.35 million, the world broke $500 million)
Some people are quite venomous: "No offense, but I forgot that they filmed the real Aladdin."
Some people directly scolded: "Sir, you are too careful, because this film has not been released, it has already reacted better than" Aladdin ".
A word of repentance is a word of repentance, and a word of repentance is a word of repentance.
And Mena had caused trouble with his big mouth before, he had lamented that everyone thought that "Aladdin" sold so well all over the world, and he was sure to be popular.
There were not many films to find the door, and at that time, it also triggered a sense of polarization in the outside world, and now this storm can only prove: Don't mess with Disney fans.
Social media Disney Beyoncé
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What motivates Disney to keep producing live-action remakes despite mixed reviews?

The Little Mermaid live-action remake was predicted to be the summer Hollywood box office champion [22

The Little Mermaid live-action remake was predicted to be the summer Hollywood box office champion [22

The Little Mermaid live-action remake was predicted to be the summer Hollywood box office champion [22