The evolution of science fiction literature has been influenced by various ideologies, including capitalism and communism, as well as concerns about nuclear power, racism, ecological crises, and climate change.

The genre has been shaped by literary prizes, which have influenced the development of science fiction, and has included works from diverse geographical and linguistic fields.

Semiotics and feminist studies have been used to analyze science fiction narratives, while anthropology and postcolonial studies have informed science fiction perspectives.

The Hugo Award is the highest honor in contemporary science fiction, and was named after Gensbach's contributions in 1955, becoming the official name in 1958.

Notable science fiction authors have won the Hugo Award, including Jo Walton, who won the 2012 Hugo Award for fiction, and Chiang Feng-nan, who won four Hugo Awards between 2002 and 2011.

The genre has also been influenced by authors from diverse demographics, including women authors and people of color, who have made significant contributions to the genre.

Ahmed Saadawi wrote "Frankenstein in Baghdad", a novel that explores the intersection of science fiction and Middle Eastern culture.

The Handmaid's Tale by Margaret Atwood is a classic dystopian novel that explores themes of feminism and oppression.

The Three-Body Problem by Cixin Liu is a new epic involving alien invasion and moral dilemmas, and has won numerous awards for its unique blend of science fiction and Chinese culture.

Contemporary science fiction authors from underrepresented perspectives, such as women and people of color, are subverting traditional science fiction tropes and themes, and this is having a significant impact on the genre as a whole.

The rise of Chinese science fiction has also led to an increase in diverse authors, with Chinese female writers like Regina Kanyu Wang being nominated for Hugo Awards and four anthologies of Chinese fantasy novels by female authors being published.

The internet has also played a significant role in helping women and queer talents in writing science fiction, with online platforms and communities providing opportunities for authors to share their work and connect with readers.

Overall, the genre of science fiction has evolved significantly over time, with contributions from diverse authors and demographics, and continues to be shaped by new and innovative voices.

The genre has become more diverse, with authors from various demographics, such as women and people of color, making an impact and contributing to the evolution of science fiction.

The use of emerging technologies like AI and VR is changing the way authors write and publish science fiction, and new opportunities and challenges are emerging as a result.

Authors must consider the potential benefits and drawbacks of using AI and VR in their work, and must be aware of the potential for these technologies to replace certain aspects of the writing process.

The incorporation of emerging technologies into science fiction is not without its challenges, and authors must be willing to adapt and evolve in order to succeed.

Despite the challenges, the use of emerging technologies like AI and VR is opening up new opportunities for science fiction authors and is allowing them to explore new themes and ideas.

The science fiction genre has undergone significant changes and evolution over time, with various factors influencing its development, including social and cultural shifts.

Online platforms and social media have played a crucial role in promoting diversity and inclusivity in the science fiction genre, providing a space for underrepresented authors to connect with readers and share their work.

The internet has removed barriers to writing for non-male authors, allowing them to overcome industry barriers and thrive in the science fiction genre.

Chinese female writers, in particular, have made significant contributions to the genre, focusing on issues unique to female experiences and publishing numerous anthologies of fantasy novels.

The rise of online platforms has also led to an increase in women writers in science fiction, with Chinese science fiction readers now split equally between men and women.

Social media has helped authors from underrepresented backgrounds connect with readers, promoting diversity and inclusivity in the genre.

African writers have also benefited from online platforms, which have provided a space for emerging voices and supported many African writers, particularly those from the LGBTQ+ community.

The science fiction genre continues to evolve, with new authors and voices emerging, and the influence of authors like Okorafor and Liu can be seen in the growing diversity of the genre.

The reception of works by authors from diverse backgrounds has been largely positive, with critics and audiences praising their unique perspectives and innovative storytelling.

The impact of authors from other demographics, such as women authors and people of color, has been significant, bringing new ideas and perspectives to the genre.

The science fiction genre has evolved over time, with earlier authors like HG Wells influencing the development of the genre, and modern authors incorporating new technologies and ideas into their work.

Emerging technologies like AI and VR are providing new opportunities for science fiction authors to explore the human impact of technological advancements.

Authors are using science fiction to explore human concerns and emotions, and to comment on the potential risks and benefits of emerging technologies.

The use of AI and VR in science fiction is not without its challenges, but authors are finding new and innovative ways to incorporate these technologies into their work.

The Hugo Award is considered the most important literary award in science fiction, and it is chosen by science fiction fans' votes, which helps drive readers' interest in science fiction reading.

The award is used as a reading guide for science fiction and has helped to re-popularize classic science fiction works through film adaptations.

The science fiction industry in China has reached 87.75 billion yuan in revenue in 2022 and is still developing, with new technologies expanding the space for science fiction creation.

Online platforms and social media have also posed challenges for authors, including the potential for the squandering of writers' rights and the need for authors to adapt to new publishing windows.

Despite these challenges, online platforms have provided opportunities for new writers to publish their work and for authors to display their creative production freely and widely.

The use of social media has also led to the adaptation of online novels into movies and TV series, increasing their value and attraction.

However, dialogue presentation and rhythm and pacing are major challenges when adapting online novels into different mediums.

Overall, online platforms and social media have had a significant impact on the science fiction genre, presenting both opportunities and challenges for authors from underrepresented backgrounds.

The evolution of science fiction literature has been influenced by various ideologies, including capitalism and communism, as well as concerns about nuclear power, racism, ecological crises, and climate change.

Title:

Content: Science Fiction and Politics in Literature and the Arts (Symposium, Toulouse)

Science Fiction and Politics in Literature and the Arts

The aim of this symposium run by the LLA-Créatis laboratory at the University of Toulouse Jean-Jaurès is to develop open thinking about “political” questions, in the broad sense of the term, that science fiction narratives allow. Different types of stories can be considered, in different literary genres or in cinema, video series and comics. It can be studied and interrogated from a historical, political and social perspective by involving, where appropriate, the possible contributions of different analyzes (anthropology, semiotics, feminist studies, postcolonial studies, etc.) Diversity of perspectives and questions raised by gender.

The entire twentieth-century period produced works in San Francisco that were marked by ideologies such as capitalism and its “communist” counterpart, but also by threats associated with civilian and/or military nuclear power, religious-related abuses, racism, minority liberation struggles, and pollution. , etc. These perceptions persisted, but in the period from the last 20 years of the 20th century to the first 20 years of the 21st century, other concerns were voiced: ecological pesticides, the climate crisis, demographic crises, resource depletion, or the danger. The scientific and technical potential (transhumanism, “artificial intelligence”, etc.) is being carried away.

The link to the realities of the times (as in the collection “Le Passager Clandestin / Dyschroniques”) can of course depend on one or more authors, take into account a work or compare several (especially in the case of short stories and short films). The broader perspective will consist in considering the basic ideologies, either in relation to the literary prizes awarded, or in relation to the works themselves, the semantics of these presenting themselves from the outset sometimes as criticism, sometimes as propaganda, the two being able to be combined according to modalities that tend to be ironic, Satirical, disruptive, etc.

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In any case, it would be a matter of highlighting the “exploratory potential” in these works, of identifying the “problematic tools” and of making the ideas put forward in fictional form productive from the point of view of political theory. (Y Rambhala).

Of course, it is advisable to include works belonging to different geographical and linguistic fields so that the panorama of this search is sufficiently realistic.

Provisional schedule of courses (date adjustments possible)

Oct 20, 2-4 PM / Nov 17, 2-4 PM / Dec 15, 2-4 PM / Jan 19, 2-4 PM / Feb 9, 2-4 PM / Mar 15, 2-4 PM / May 31 , 2-4 p.m

Contribution proposals must be sent Before October 1, 2023 To the following addresses: frederics[email protected], [email protected], [email protected]

The genre has been shaped by literary prizes, which have influenced the development of science fiction, and has included works from diverse geographical and linguistic fields.

Semiotics and feminist studies have been used to analyze science fiction narratives, while anthropology and postcolonial studies have informed science fiction perspectives.

The Hugo Award is the highest honor in contemporary science fiction, and was named after Gensbach's contributions in 1955, becoming the official name in 1958.

Title:

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Hugo ’ s Soul – Hugo Award, the highest honor in contemporary science fiction
A crazy idea from a science fiction novel has come true.
How can they give up this feeling of being in heaven? Of course they want to go on to heaven.
Heaven appeared in Chicago for the second time in 1940 and Denver for the third time in 1941.
However, the Second World War broke out and their annual extravaganza was interrupted.
After the Japanese attack on Pearl Harbor, the vast majority of science fiction fans enlisted in the military, and only a few stayed home.
Those who stay will send science fiction magazines to their comrades on the front lines, because the comrades who hide in the trenches must rely on them to protect their souls.
In 1945, a crazy idea in science fiction came true, two atomic bombs exploded in Nagasaki, Hiroshima, Japan, ending the war, bringing peace back, and, of course, heaven. In 1946, the Fourth World Science Fiction Conference reopened in Los Angeles.
At science fiction conventions, sometimes science fiction fans vote for their best novel or short story.
At the Eleventh Congress in 1953, a rocket-shaped trophy was presented to the winner, but it was only a temporary initiative that did not continue the following year.
It was not until the Thirteenth Congress in 1955 that the people decided to make the award a permanent ceremony, and the award was named The Science Fiction Achievement Award, but it was still called the Hugo Award in private in honor of Gensbach ’ s contributions.
In 1958, the Hugo Award became the official name.
And so the Hugo Award was born.
Nearly 70% of the awards were awarded.
Canadian author Jo Walton is the winner of the 2012 Hugo Award for fiction.
Starting in 2010, she spent three years reading the novels that won awards and were shortlisted in the 42-year period from 1959 to 2000, and published them on the science fiction website, and in-depth discussions with the science fiction community, which caused widespread response.
In 2018, she published An Informal History of the Hugos.
She said she expanded her reading range to include the finalists because she was curious to see if the winning entries were actually the best ones of the year.
She concluded that twenty-five of those forty-two years were indeed well chosen, equivalent to 69% of the winning entries.
In addition, why stop at the year 2000? She gives two reasons.
First, she has published her own work since 2000 and was shortlisted for the John Campbell Memorial Award in 2001, so she cannot include her work in the evaluation in order to remain detached and objective.
The second and most important reason is that the work must stand the test of time.
Since she started writing the column in 2010, a ten-year interval is a reasonable time frame.
For example, if a novel published in 2000 is not out of print by 2010, it can barely stand the test of time.
It takes time to see the works from the depth of history.
Finally, she said that because she also won the Hugo Award in 2012, deeply shocked, coupled with reading 250 novels and writing a column for three years, she is more convinced that the Hugo Award is indeed of extraordinary significance, indeed the most important literary award in science fiction.
The Ideal Science Fiction Reading Guide
So, for readers in Taiwan, what does the Hugo Award mean?
Compared to English-speaking countries, Taiwan's science fiction publishing is much cooler, however, with the efforts of many publishers, Taiwanese readers can still get access to some classic works in the history of science fiction.
Therefore, the Hugo Award can still be an ideal reading guide.
For example, the 1966 award-winning Dune is a classic in the history of science fiction.
The film based on this novel has been popular around the world since its recent release, which has sparked a rush to read the original novel.
Successful film and television adaptations do help drive readers ’ interest in science fiction reading.
Similarly, the 2016 Oscar-nominated film “Arrival ” is also based on classic science fiction.
The success of the film has made Chiang Feng-nan, one of the most prominent Taiwanese-American writers of the time, a household name.
His two collections of novels, The Story of Your Life and The Breath, won four Hugo Awards in 2002, 2008, 2009 and 2011.
And the 1966 Hugo Award "Best Science Fiction Series" of the "Base" series (Chinese translation fantasy base publication) is the history of science fiction super classic, the impact on the future generations is unparalleled.
A television series based on the novel is also popular.
The 1970 award winning "Left Hand of Darkness" and the 1976 award winning "Nothing" are representative works of the life of the female writer Esula Le Guen, who is familiar to Taiwanese readers.
The 2002 award for American Gods is the work of Neil Gaiman, a leading contemporary fantasy writer, and his award is the most successful example of a Hugo Award-compatible fantasy genre.
The publication of classic science fiction novels in Taiwan still has a long way to go. (Part II)
Fiction Finalists
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Notable science fiction authors have won the Hugo Award, including Jo Walton, who won the 2012 Hugo Award for fiction, and Chiang Feng-nan, who won four Hugo Awards between 2002 and 2011.

The genre has also been influenced by authors from diverse demographics, including women authors and people of color, who have made significant contributions to the genre.

Title:

Content: Monday 27 December 2021
Chairman of the Board of Directors and Editors
I'm sorry.
Mohamad Elbaz
Editor-in-Chief
Wael Lotfy
Chairman of the Board of Directors and Editors
I'm sorry.
Mohamad Elbaz
Editor-in-Chief
Wael Lotfy
“Studies in Scientific Literature. ”
A book that explores the features of science fiction in Arabic works
Science fiction literature has witnessed a wide presence in Arab creative writings despite its emergence and prosperity in the Western world, and despite its creative popularity, it has not received sufficient critical attention. Based on this idea, the Syrian writer and critic Ahmed Ali Mohammed observes the features and features of science fiction in Arabic literature, both ancient and modern, in his book "Studies in Science Literature", recently published in the series of studies by the Arab Writers Union.
The Syrian researcher believes that the Arab criticism has overlooked the literature of science fiction, citing a number of arguments such as the immaturity of this type of writing in the Arab world, and the disregard of his writers for the features of literary writing, as well as the lack of scientific knowledge, which the writer considers weak, especially with the presence of remarkable writings in this field succeeded in setting a firm foot and overcome many shortcomings.
Leadership in scientific literature
Ali points out that the philosophical messages of Avicenna and Ibn Tufayl can be considered as the beginning of the link in ancient Arabic literature between literature and science, as the Arab heritage includes philosophical messages written in successive times that represented the basis of literary thinking based on science fiction, the most prominent of these messages: "The message of Hayy bin Yaqzan" by Avicenna.
Shahabuddeen al-Sahrawardi ’ s “Strange Alienation ” message is inspired by the story of the neighborhood of Ben Yaqzan, and Ibn al-Nafees ’ s“ Perfect Letter ” in which he followed the example of his predecessors.
The author says of the relevance of these letters to science fiction: "These letters draw a narrative basis based on the facts of science, elaborate on the imagination based on thought and knowledge, and depict part of the knowledge of their owners.
The most prominent aspect of these letters is the narrative imager related to the facts of science and the perceptions of philosophy, which confirms the existence of seeds of scientific literature in the Arabs. ”
Science Fiction Poetry
The writer points out that science fiction literature has been associated with narrative forms, was raised with the French writer Jules Verne, who published the first story in science fiction literature in 1863 entitled "Five Weeks in a Balloon" and then wrote another story entitled "Journey to the Hollow of the Earth" and then continued productions, including the novel "Time Machine" by George Wells and others.
Science fiction poetry is rare, including the poem "The Asteroid" by Russian poet Nikolai Glazkov, translated by Al-Azhar University professor Ahmed Shafiq al-Khatib, a poem based on the achievements of science fiction literature in terms of prediction, foresight and time travel.
Criticism of scientific literature
Some of the works of Tawfiq al-Hakim include The Year of One Million (1953), which is dominated by philosophical consideration of life, nature and the universe, and his play Journey to Tomorrow (1958), which involves a forward-looking view of the future related to man ’ s struggle with time, as well as his play “Food for Every Mouth ”." In which he talks about the problem of food that people will suffer from in the future, and his play "The Prayer of Angels", which deals with the impact of science on the happiness of humanity and the provision of its needs.
Political fiction literature
The writer monitors the branches of science fiction literature that not only addressed the problems of the environment, pollution, space and planets, but touched the problems of politics, society and economy through the literature of political fiction, which includes under its banner the literature of utopia and dystopia.
There are a number of writings concerned with depicting Utopia, which means a utopia without trace of corruption, evil or injustice, the most prominent of these writings is Thomas Moore ’ s “Utopia ”, which depicts an ideal world critical of the political, religious and social conditions of his time.
The literature of dystopia comes in contrast to utopia, but they belong under the name of political fiction, which is a branch of science fiction literature, as each deals with political life by storytelling accompanied by fiction, and dystopia means the literature of the corrupt city or the world of bitter reality that depicts a society full of corruption and highlights the phenomena of destruction, murder and destruction and transformation of human beings. A feuding.
The author mentions a number of Western and Arabic writings that have emerged in the field of dystopia, including George Orwell ’ s 1984, Aldous Huxley ’ s Brave New World, and Ray Bradbury ’ s Fahrenheit 451.
At the level of Arabic writings, a number of works can be observed such as the novel "The Front" by Izz al-Din Issa, the novel "The Tale of the Last Arab" by Wassini al-Araj, "Frankenstein in Baghdad" by Ahmed Saadawi, "The Second War of the Dog" by Ibrahim Nasrallah, "Mercury" by Mohammed Rabie, "The Line" by Basma Abdul Aziz, and "Novelist of the First City" by Omar Hazek. And "Orwell in the Southern Suburbs" by Fawzi Thebian.
Literary Studies
In his book, the Syrian critic offers critical readings in a number of works under the banner of science fiction literature, including the novel "Hala al-Nour" by Mohammed al-Ashri, seeking to stand on the aesthetic trend, especially with the departure of literary criticism from the study of the aesthetic aspects of science fiction literature, observing the methods of the novelist mixing the facts of science with the world mythical heritage.
The book provides another analysis of the collection “Behind the Dark Walls ” by the Syrian writer Taleb Omran, which falls within the literature of dystopia, because the stories depict worlds in which savagery, destruction, murder and destruction prevail, and on the other hand it monitors the Syrian storyteller ’ s interest in the method of scientific storytelling and its reliance on astronomical knowledge and geographical information.
The writer also analyzes the elements and features of fantasy in some of the works of Ahmed Khaled Tawfik as one of the most prominent writers in this field, explaining that science fiction is different from fantasy or wonder in the contemporary novel in that it starts from the modern scientific output, and depends on scientific knowledge specialized, while fantasy completely degenerates from logic and depends on the imagination and does not find a trace of laws we know in reality and depends on mythological and form It is in harmony not with the outside world but with its own world according to which it takes place.

What is considered a major breakthrough in science fiction publication?

Ahmed Saadawi wrote "Frankenstein in Baghdad", a novel that explores the intersection of science fiction and Middle Eastern culture.

The Handmaid's Tale by Margaret Atwood is a classic dystopian novel that explores themes of feminism and oppression.

Title:

Content: 60 Sci-Fi Books That All Science Fiction Fans Must Read

Are you looking for a new science fiction book to read? Looking to fill up your reading list with journeys to strange new worlds and fast-paced science fiction adventures? You're in luck because we've compiled a list of the best sci-fi books.

Whether you're looking to dive into the great sci-fi classics you missed out on or you're looking to delve into brand new tales from up-and-coming indie authors, you're sure to find something that will spark creativity and excitement for you. Science fiction and fantasy novels provide us with allegories, cautionary tales, and deep dives into the human condition told through the lens of the fantastical and the cutting-edge.

The Best Sci-Fi Origins Books

Where did it all begin? Read these early tales with impossible futures, fascinating creatures, time travel, and alien invasion!

Frankenstein; or, The Modern Prometheus by Mary Shelley

Mary Shelley’s Frankenstein brought us the iconic monster made by Victor Frankenstein. Considered the first true science fiction novel of the modern era, it would foreshadow genetic tinkering stories of the future.

The Blazing World by Margaret Cavendish (also called The Description of a New World, Called the Blazing-World)

Considered to be the first science fiction work, in the 17th century, Duchess of Newcastle Margaret Cavendish wrote of a utopian world.

Ozma of Oz by L. Frank Baum

The third Oz book by L. Frank Baum features Tik-Tok, the wind-up clockwork man Dorothy Gale encounters in the Land of Ev. Tik-Tok is basically one of the first robots in literature. Other wacky features in Ozma of Oz include a sand-sailing boat and lunch pail tree.

The Time Machine by H.G. Wells

A 19th century classic by Wells, depicting time travel and inspiring science fiction tales for over a century.

The War of the Worlds by H.G. Wells

The book would go on to inspire a radio program that terrified people into thinking Martians were actually invading Earth. Wells would kickstart first contact stories and alien invasion at the same time, offering up a cautionary tale that touches sci-fi to this day.

The Best Sci-Fi Space Epics Books

Transport yourself across the universe with these pillars of world-building in science fiction, all of which are either now adapted for TV or film or soon will be.

Dune by Frank Herbert

Frank Herbert’s Dune is considered a masterwork of world-building and family intrigue, inspiring other famous series and their respective houses. In the first book, Paul Atreides encounters the resident free people of the planet Arrakis (Dune), the Fremen, and achieves a destiny of messianic proportions. Dune recently graced the big screen in a new adaptation by Denis Villeneuve.

Binti by Nnedi Okorafor

Nnedi Okorafor's Binti novella series begins with Binti, a Hugo-award-winning Africanfuturistic science fiction horror story published by Tor.com. Binti is the first of the Himba people ever to be offered a place at Oomza University, the most exalted institution of higher learning in the galaxy. She faces the choice to accept the offer and give up her place in her family so that she can travel among the stars. Hulu has ordered a pilot for Binti.

Foundation by Isaac Asimov

The beginning of the Foundation series reveals the “psychohistory” developed by mathematician Harry Seldon. Seldon would establish a new empire called Foundation to preserve the culture from societal collapse. Foundation debuted as a TV show on Apple TV in 2021.

Embers of War by Gareth L. Powell

Gareth L. Powell's award-winning trilogy Embers of War follows the war-weary crew of the sentient spaceship Trouble Dog, who after becoming disgusted by her role in war joins the House of Reclamation. Trouble Dog and her captain Sal Konstanz are sent on a rescue mission, which intersects a mission to find missing poet Ona Sundak. The galaxy teeters on the brink of another war, just as an alien presence makes itself known, altering the course of things to come. Now under development for TV.

Rendezvous with Rama by Sir Arthur C. Clarke

A strange spacecraft enters the solar system, and humanity investigates. The secrets within the enormous craft, called Rama, reveal the heritage of an advanced alien civilization. Rendezvous with Rama is in development for a film adaptation with Denis Villeneuve at the helm.

The Best Hard Sci-Fi Books

If you like your science fiction taut with the edginess of battle and the implication of future wars, you must add these books to your collection!

The Forever War by Joe Haldeman

This classic military sci-fi epic details the tragic effects of time dilation on a group of soldiers fighting a seemingly endless war.

Ringworld by Larry Niven

Set in the 29th century, Louis Wu and his companions explore a vast, Earth-orbit-sized, constructed world. Their adventures uncover the alien civilization that built it.

The Three-Body Problem by Cixin Liu

First set with the backdrop of China’s cultural revolution, this new epic involves secret scientific experiments, alien invasion, challenging moral dilemmas, and impressive world-building.

Old Man’s War by John Scalzi

A man in his 70s is recruited as a soldier in the Colonial Defense Force, and altered physically in unexpected ways. Strong on character development, this kickstarts the Old Man’s War Series.

Starship Troopers by Robert Heinlein

This classic military sci-fi tale follows Johnny Rico and military recruits who become involved in a battle between humans and aliens nicknamed Arachnids or “Bugs.”

If you love Starship Troopers, check out our review of the wisdom of Grand Admiral Thrawn – Michael

The Best Sci-Fi Robot Stories

The future of robots is here and is complex and necessary reading in these sci-fi tales.

I, Robot by Isaac Asimov

Isaac Asimov’s intriguing work introduced the laws of robotics that all robots must adhere to work alongside humans.

All Systems Red by Martha Wells

The first novel in the Murderbot Diaries, All Systems Red, follows a cyborg that goes by the name Murderbot contends with self-awareness in the corporate-dominated future.

Cinder by Marissa Meyer

The beginning of the Lunar Chronicles series is a retelling of Cinderella from the point of view of a cyborg.

Do Androids Dream of Electric Sheep by Philip K. Dick

Famed for its eventual big-screen adaptation, Blade Runner, this novel recounts a future in which highly realistic artificial fugitives are on the run from bounty hunter Rick Deckard.

The Alchemy of Stone by Ekaterina Sedia

Mattie is an automaton in this steampunk and urban fantasy novel involving gargoyles, Mechanics, and Alchemists.

The Best Sci-Fi Mars Stories

Our neighbor, the red planet Mars, beckons to us. What would it be like to walk on the shifting red sands of Mars? Find out in these Martian classics.

The Martian Chronicles by Ray Bradbury

Ray Bradbury’s mesmerizing prose introduces us to a Mars full of exotic possibility, soon plundered by humanity’s arrival.

Red Mars by Kim Stanley Robinson

The first in the Mars Trilogy, Red Mars, involves the colonization and terraforming of Mars and the conflicting moral questions that result.

The Martian by Andy Weir

Astronaut Mark Watney is left behind on a Mars mission and must draw upon his skills and ingenuity in order to survive.

Mars by Ben Bova

Navajo geologist Jamie Waterman joins the first expedition of scientists exploring Mars. The grounded approach Bova takes to all the interaction, politics, and bureaucracy help achieve a plausible future story.

Red Rising by Pierce Brown

The first book in the Red Rising Trilogy envisions a future of planetary colonization in which caste systems abound. Darrow must fight against this system of overlords.

The Best Sci-Fi Fantasy Books

Fly high with dragons, roam lands on epic quests, and learn the hearts of true heroes in the fantasy masterpieces.

The Lord of the Rings Trilogy by J.R.R. Tolkien

J.R.R. Tolkien’s magnum opus spans three books, opening up a fantastically detailed and wholly invented universe in Middle Earth that was hinted at in The Hobbit. Considered the ultimate work of fantasy, The Lord of the Rings brings myth, allegory, poetry, song, war, and melancholy to heights of realism and wonder.

A Wizard of Earthsea by Ursula K. Le Guin

The first novel in The Earthsea Cycle tells the tale of the wizard Ged, and his journey to redeem his reckless past.

A Song of Ice and Fire series by George R.R. Martin

Beginning with A Game of Thrones, Martin’s elaborate, dark fantasy series covers land in which seasons last decades, and a terrible force from the north threatens to bring an icy apocalypse to an area filled with rulers jockeying to take the Iron Throne.

The Dragonriders of Pern Series by Anne McCaffrey

This remarkable series takes place in the world of Pern, where people telepathically bond with dragons. Dragonflight is the first in the series.

The Fifth Season: The Broken Earth, Book 1 by N.K Jemisin

The Fifth Season marks the first book of the award-winning The Broken Earth trilogy. Set against civilization’s collapse and natural disaster, Essun endures great personal tragedy in her quest to rescue her daughter.

The Best Sci-Fi Dystopian & Apocalyptic Books

Set in a nightmare future, these dystopian and apocalyptic legends will keep you up at night.

The Handmaid’s Tale by Margaret Atwood

In a totalitarian future America, handmade Offred is forced to bear children to men of a ruling class. The tale follows her harrowing life in a bleak future, and the attempt to escape and bring down the subjugating class to restore rights.

The Stand by Stephen King

A deadly pathogen escapes a military installation, rapidly spreading and bringing civilization essentially to an end. A group of survivors makes its way to a form of a promised land while battling a malevolent group seeking domination.

Parable of the Sower by Octavia E. Butler

In the near future breakdown of the society of Los Angeles, empathic teenager Lauren believes in a better future entailing traveling to other planets. Lauren gathers followers to her belief as she makes her way north.

Station Eleven by Emily St. John Mandel

Set in the Great Lakes region of America, a group of nomadic creatives picks up the pieces after the fall of civilization due to pandemic flu. Station Eleven has been adapted for HBO Max.

The Hunger Games by Suzanne Collins

The first book in the Hunger Games Trilogy follows the immense challenges that Katniss Everdeen faces in the post-apocalyptic version of America called Panem. She takes her sister’s place in the government-sponsored Hunger Games to compete for survival in a no-holds-barred and deadly competition.

The Best Sci-Fi Near Futures Books

The future is here, or nearly so, in these ground-breaking novels set close to our present day.

Contact by Carl Sagan

Scientist Ellie Arroway detects a potential extraterrestrial signal from space, which appears to instruct humanity in how to build a machine. She faces self-doubt amid scrutiny to uncover the mysteries of the discovery.

Jurassic Park by Michael Crichton

This cautionary tale about genetic engineering in which scientists make living, cloned dinosaurs for an amusement park. Mayhem ensues.

2001: A Space Odyssey by Arthur C. Clarke

Mysterious monoliths appear across many worlds, seeding life with intelligence. Following the discovery of one such monolith on the moon, Dr. Bowman and a team of scientists investigate the signal it sends to Saturn’s moon Iapetus. The onboard AI begins exhibiting dangerous behavior during the journey.

Flashforward by Robert J. Sawyer

A physics experiment creates an unintended consequence of everyone on earth losing consciousness for two minutes. Each person sees a “flash forward” decades in the future while they are unconscious. The resulting accidents and visions challenge everyone’s ideas of free will.

Ready Player One by Ernest Cline

In dystopian 2044, impoverished Wade Watts navigates through the virtual reality world of the OASIS, seeking to reverse his fortune.

The Best Sci-Fi Books for Younger Readers

Take adventures through time and space, no matter your age!

A Wrinkle in Time by Madeleine L’Engle

The Murry children and Calvin O’Keefe crosses universes and space-time to try to find their missing father. Their tale is a mind-bending adventure of good vs. evil.

His Dark Materials Trilogy (The Golden Compass/The Subtle Knife/The Amber Spyglass) by Philip Pullman

The Golden Compass/Northern Lights begins this sweeping saga of two children, one born in a parallel universe, one born in our own. In Lyra’s world, people’s souls exist in animal form, called daemons. Her father and mother represent warring factions determined to control all universes. Filled with talking animals, witches, airships, and strange creatures, His Dark Materials packs an emotional punch.

The Apothecary Series by Maile Meloy

Set in the 1950s, The Apothecary starts this highly entertaining, thrilling adventure series in which American Janie Scott meets Benjamin Burrows, the son of an apothecary. After Benjamin’s father is kidnapped, the teenagers uncover a terrifying plot that could result in humanity’s end. They use potions with magical effects to try and stop the impending doom.

The Serpent's Secret (Kiranmala and the Kingdom Beyond #1) by Sayantani DasGupta

The first of the Kiranmala and the Kingdom Beyond series, book one begins with Kiranmala discovering her parents are missing, and there is a demon in her kitchen! Two princes recruited her and sent to another dimension, where she must battle the Serpent King and the Rakkhoshi Queen to rescue her parents and save the Earth.

The Wild Robot by Peter Brown

This delightful middle-grade novel recounts a discarded robot named Roz and her search for love and acceptance.

The Best Sci-Fi Ponderous Books

These mind-bending sci-fi novels will have you thinking for a long time afterward.

Stranger in a Strange Land by Robert Heinlein

Raised on Mars, Valentine Michael Smith returns to Earth and tries to fit in. His unusual upbringing makes him seem superhuman, but he attempts to help his Earth kin understand things from a different perspective.

The Demolished Man by Alfred Bester

Set in the 24th century when telepaths (“Espers”) are common, and police are telepathic as well. Ben Reich tries to evade the telepathic police for a murder he wants to commit. The story opens up the moral issues of using telepathy, regulated mostly by a guild, but raises concerns about the exclusion of telepaths who run astray as well as psychological intrigue.

Solaris by Stanislaw Lem

Solaris follows humans’ failed attempts to communicate with extraterrestrial intelligence. The sentient planet tests the researchers with their memories and emotions.

Cloud Atlas by David Mitchell

A story spanning time and space and connections between various characters, Cloud Atlas explores the theme of fate with a mind-bending narrative.

The Left Hand of Darkness by Ursula K. Le Guin

This classic tale follows the journey of Genly Ai on his mission to the planet Gethen. The ambisexual Gethenians present challenges and growth for Ai.

The Best Sci-Fi Cyberpunk Books

If you dream of the future lit by neon, shadowed by noir, and fueled with intrigue, these seminal cyberpunk novels are for you!

Neuromancer by William Gibson

In the first novel of the Sprawl Trilogy, hacker Henry Case is hired to help an AI take over the global network called The Matrix.

All the Birds in the Sky by Charlie Jane Anders

A modern cyberpunk tale is weaving together magic and science, with wit and feeling.

Altered Carbon by Richard K. Morgan

Set in the 25th century, humans have spread through the galaxy and can be preserved after death via cortical stacks, then essentially regenerated or “re-sleeved” into another body. Takeshi Kovacs stumbles upon a vast conspiracy after his latest “sleeve.”

The Stars My Destination by Alfred Bester

This early entry into cyberpunk sci-fi follows teleporter Gully Foyle, an outcast considered dangerous.

Synners by Pat Cadigan

The synthesizers, or Synners, are people who can turn mental images into products for consumption. The story is told via various characters’ viewpoints.

The Best Sci-Fi and Fantasy Books by Indie Authors

Discover the latest sci-fi and fantasy stories, while supporting independent authors!

Mindful Things by Mya Duong

Nineteen-year-old Lauren begins to experience visions and uncovers the fact her deceased parents were witches. A madman hungry for power pursues her, and she must embrace her magical heritage to try to stop him.

The Infinite by John W. Akers

The inventor Pax works on a secret project that can revolutionize human cognition. His plans are derailed by a computer virus that could end civilization, so Pax is forced to choose how he can help humanity survive.

Threadwalkers by Joanna Volavka

Miranda Woodward undergoes a discordant series of events following her father’s death. This is a young adult time travel tale.

Resonance by Jennifer Greenhall

In Book One of the Resonance Series, Sophia Walsh uses her psionic abilities for good but finds herself the next target of a killer.

Heliopause: The Questrison Saga®: Book One by J. Dianne Dotson

Heliopause by J. Dianne Dotson kickstarts The Questrison Saga®, a four-book series science fiction and fantasy series. In Heliopause, a mystery at the edge of the solar system reveals a galactic menace. A galactic natural disaster unfolds, aiding the monster in the void. Human Forster and human-looking, ageless Galla-Deia team up with telepaths, galactic mages, aliens, and androids to face the greatest threat to all life in the galaxy. Full of diverse characters and exotic worlds, found and made families, heartbreak, and whimsy, this space opera recalls Star WarsDoctor Who, and Game of Thrones.

At Your Money Geek, we are huge fans of the science fiction genre, everything from military science fiction to novels about space travel, parallel worlds, and fantasy novels. We are always looking for new books to read and exciting sci-fi writers to profile, let us know in the comments what authors you are currently enjoying.

This post was produced and syndicated by Wealth of Geeks.

| Website | + posts

J. Dianne Dotson dreamed up other worlds and their characters as a child in the 1980s in East Tennessee. She formed her own neighborhood astronomy club before age 10, to educate her friends about the universe. In addition to writing stories, she drew and painted her characters, designed their outrageous space fashions, and created travel guides and glossaries for the worlds she invented.

As an adult, Dianne earned a degree in ecology and evolutionary biology, and spent several years working in research. She published Heliopause: The Questrison Saga®: Book One (2018) and its sequels Ephemeris: The Questrison Saga®: Book Two (2019), Accretion: The Questrison Saga®: Book Three (2020) and her last novel in the saga, Luminiferous: The Questrison Saga®: Book Four (2021).

Dianne is also a science writer, content writer and manager, short story writer, watercolorist, and illustrator. She lives with her family.

The Three-Body Problem by Cixin Liu is a new epic involving alien invasion and moral dilemmas, and has won numerous awards for its unique blend of science fiction and Chinese culture.

Contemporary science fiction authors from underrepresented perspectives, such as women and people of color, are subverting traditional science fiction tropes and themes, and this is having a significant impact on the genre as a whole.

Title:

Content: Sunday Literature ‧ 2021 The Most Awakening Book List (Literature)
Post Date: December 26, 2021
【 Ming Pao Newsletter 】 Fiction
by Sunfai
A variety of Hong Kong in three novels
In the past, I actually read less and less Hong Kong literature, and this year I wanted to distance myself from some words that were too timely to respond to society, and also found that I was getting farther and farther away from the younger generation, so I specially found some young writers' novels to look at, and taste the multiple Hong Kong in different eras and frames.
1) The Love Method of the Overcrowded City
Author: Huang Yi
Publisher: United Literature (September 2021)
Before the winter solstice, I finished Huang Yi ’ s “The Love Method of the Overcrowded City ”.
Each short story is put together with a painting, and the words are light and light because of the power of the picture, so that the reader has the possibility of multiple reading.
Whether it is heterosexual love, homosexual love, complex entanglement of love, the author wrote so naturally, but as a reader of my psychological reaction turned out to be so twisted.
The novel was written in the past two or three years, the dark shadow of the era is like a shadow, but it does not reduce the warmth of the heart, love, the breath of youth so that people still have a little space in the oppression.
2) Single Bed
Author: Jiajun
Publisher: Mishan Bookstore (2021)
Because of the promotion of "Sunday Literature", I read the first book by Mishan Bookstore, "Single Bed", and was surprised at the resilience of the younger generation.
In the book, Jiajun writes about Beijing, Xinjiang, Mongolia, South America and other places, but Hong Kong is always a lingering theme.
Central white-collar life is certainly not easy, but occasionally open anal, bladder jokes, the meaning of life still has to rely on their own to find.
As in the case of the righteous, there is a life of lawlessness, a life of lawlessness.
3) Nan Hui Truck: A Collection of Short Stories from New Territories West
Author: Wang Zen-heng
Publisher: Postscript Studio (January 2021)
But the most profound, or after the vernal equinox read "Nan Hui truck: New Territories West short story collection".
The workers in the northwest New Territories under Wang Zen-heng ’ s pen, the crane workers, the massage girls, the unmarried women from the Mainland who came to Hong Kong, the border youths, and the low-level agents of the anti-triad unit, are not the groups I have come into frequent contact with in my life, but I know that they are the background of this society.
The black sand beach of Lung Kwu Tan, the disorderly walk on Castle Peak Road, the village entrance of Siu Lam Tsuen, and the unquenchable smoke head of the ground of the rear hill breaking down the primary school are obviously not the schizophrenic construction of "Illusion Love", but in fact, they are the cruel reality of the nightmare that impels Yuen Tin and even our city.
I am 30 years old and 40 years old, I am particularly taught by the post-90s generation this year, whether it is music, YouTube Channel, or the creators of novels.
This year has not been easy, and the road ahead is even more difficult. I just hope that you will continue to work hard and unleash more power than you can imagine.
Science fiction
Man TANG Ching-kin
The Crossing between Science Fiction and Pure Literature
If science fiction is still regarded as genre literature today, it would be too light on science fiction.
Now pure literature writers are happy to take science fiction as the topic, and actively explore the pursuit of literature with science fiction; on the other hand, many authors who are regarded as science fiction writers have gradually pushed "science fiction" to a new position beyond traditional types of literature.
If possible, I would prefer to use "Watsuki" to understand the relationship between science fiction and pure literature.
1) Clara and the Sun
Author: Kazuo Ishiguro
Translator: Lin Hongtao
Publisher: Shang Zhou (March 2021)
Nobel Prize winner Ishiguro Ishiguro has written many works with science fiction elements, but the literary laurels make him incompatible with the label of "science fiction writer".
But as soon as you start reading his words, you will immediately understand what I mean by "Watanabe".
Klara and the Sun is a bittersweet grown-up novel about Clara ’ s feelings and introspection as she grows up — the only thing special is that Clara is a robot made to be a companion to human children.
The novel uses a robot as a first-person narrative, so the novel not only responds to the growing fiction tradition in the history of literature, but also transcends it: how did the robot human spirit grow? How did Clara's knowledge of self and love get excavated under the pen of the novelist?
Ishiguro Ishiguro is one of the few writers to write gently and deeply about science fiction, and this new work after the Nobel Prize has not disappointed.
2) Zero Separation
Author: Imah
Publisher: Maitian (May 2021)
However, this kind of "crossing" is not limited to the topic of the novel.
In Taiwan, for example, a group of Mesozoic novelists even regarded it as a basic narrative skill, and science fiction has become a common material for them to practice narrative skills.
This year, I was particularly interested in the new book Zero Separation.
Since "The Dreamer", Yi has explained to the Chinese speaking world that he has the ability to lead Chinese novels to a new territory of "science fiction - (pure) literature".
The complexity of the narrative of the novel lies in the fact that he takes on the universe of The Dreamer and at the same time inserts various fictional "subtexts" such as preface, postscript, and dialogue to contain a future world written by a future author.
3) "Transit: 15 Trans Dimensional Travels by Le Guin"
Author: Ursula K. Le Guin
Translator: Yan Yun
Publisher: Trojan Horse Culture (August 2021)
Finally, I have to recommend a science fiction writer in the strict sense.
Her "six songs of earth and sea" has long been a science fiction type of classic.
This year, Taiwan translated her short story series, “Changing Planes, ” a series of stories about moving through different dimensions.
Under Le Guin ’ s pen, science fiction stories are written as ethnography, spreading the magnificent and mixed heterogeneous universe.
Literary readers with a clear heart can also read a kind of intertextuality: the novel refers to many literary names, such as Bochs, Calvino, and Dostoyevsky.
As I read, I twirled between the “sci-fi universe ” and the“ literary dimension. ”
This is the experience of reading contemporary "science fiction - (pure) literature".
prose
Mann Chan Yen-kai
1) Copy the "Unfathomable": "Drifting Clouds"
Author: Li Rikang
Publisher: Postscript Studio (January 2021)
Those frightened, harsh eyes were staring at me.
He is forcibly taken away by a dog squad with a dog pen, or has become a dish on someone else ’ s table.
It was the black dog that accompanied me through my childhood.
It turns out that "a lot" is also the case, which may be the fate of rural dogs.
Li Ri Kang ’ s “Leaving the Clouds ” also revealed the scars of my childhood.
The author says this book is about misinformation.
While studying in Kyoto, he enjoyed Japanese aesthetics, but also encountered natural disasters.
In the summer of 2018, I was editing a collection of student essays, and I soon received an article entitled “A Journey to Kyoto ” from Li Rikang.
The article explains the various aspects of visiting students, and carefully explains the experience of copying ancient books in college.
A year later, someone is determined to open the Pandora box, and the result is “unexpected ”.
Later, people experienced "grief, sigh, destruction, mystery, fear, determination, and dreams."
There is also a "mishap" to be written.
Man Hsu Ti-chung
Guarded by Dragons: Encounters with Rare Books and Rare People
Written by Rick Gekoski
Publisher: Constable (August 2021)
When Gekoski was a student, he sold a set of Shakespeare and made his first pot of gold, which led him to start his gold business by trading old books.
His original occupation was a professor of English at Warwick University, and he probably taught Tao Jie. Obviously, being a rare bookseller is much more fun than teaching.
The subtitle of this book, "The Best Book and the Best People", can also be used in the previous similar work, Tolkien's Gown (American version of Nabokov's Butterfly), both to write books, and more importantly to write people, these people, mostly famous writers, Gekoski help them sell books, or Their book heritage, written about their great personalities and behaviors.
So the bookseller can not be offended, otherwise he will explode your dark side - rest assured, after you pass.
3) "Geng Zi Hai Wu Xu"
Author: Yeh Han-liang
Publisher: OUP (April 2021)
Yeh Han-liang is now widely known as a martial artist. When he knew his name, he was a musician and a broadcaster.
When I bought this book, I wanted to see if he was teaching people how to spend years and fortune telling.
If so, you might end up putting the book down.
There is only a small amount of talk in the book, and because of the circumstances, it is not selling cucumbers.
And Ye Han-liang is the same generation, he talks about the old life, I can most of the experience, feel the same.
The words in the book are quite beautiful - a little higher than fluency, Li is the meaning of sprinkling.
He studied foreign languages at university, but has long paid attention to "national history", and academic numbers, had to understand Chinese classics, the pen quotes the ancients, pure and natural, will not give people the feeling of dropping a book bag. Geng Zi, that is, 2020, 2019, 2018, is the eventful autumn of Hong Kong, the article is more lyrical than emotional (in fact, it is absolutely not), it is not only political, it is more everyday.
4) 《 Love Bookstore 》
Author: Yosuke Ikouchi
Publisher: Small Bookstore Small Case Publishing (July 2021)
The coronavirus epidemic has dealt a heavy and even fatal blow to various industries, and the book industry naturally bears the brunt of it, with fewer people taking to the streets. But according to the author of the book, some booksellers have turned to selling books online, and their business has been ahead of the curve.
Another interesting phenomenon is the addition of a number of independent bookstores and independent publishing houses in that year alone (2020).
I found that this is also the case in Hong Kong, in addition to bookstores and publishing houses, as well as magazines, it is because of curiosity that we have to see what is happening in the Japanese book industry.
The author visited 10 independent bookstores in Japan and their founders, and his list is said to be as long as 40.
These bookstores have their own characteristics, but they generally have one thing in common, which is that they often host lectures and events, and even publish.
In Hong Kong, some bookstores offer paid lectures, classes, and even become a major source of income.
The author is Japanese, understands Chinese, and the book is written in Chinese, so there is no translator.
Man Lee King-heng
I ’ m not a fan of new books, but I ’ ve recently read a couple of memorable books that happened to be published in 2021.
5 ） 《 Shop Life 》
Author: Huang Guoxuan, Zheng Junhan
Publisher: Extraordinary (March 2021)
I rarely read the prose, but this collection of essays calls me unrelenting.
The article in the book depicts the daily life of the bookstore, but in the clever arrangement, the whole book structure is complete and unified, the content is comprehensive, and thought-provoking.
The story begins with two people entering the bookstore and ends with a review of everyone ’ s departure.
The author briefly and warmly outlines the daily work of the bookstore — ordering, unpacking, putting on shelves, stocking, packing, book fairs, and even dealing with rat plague floods, as well as the fate and interests of bosses, colleagues, guests, publishers, authors, book club owners, and even porters.
The book permeates the author's ideal mission and realistic management of books, reading, bookstores, and even social life care and reflection.
Reading this book about books and bookstores made me feel the texture and temperature of the book.
6) Running to the Night: A Collection of YOASOBI Novels
Author: Hoshino Dance Night, Ishigaki Aota, Ishigaki no, Underwater Wave
Translator: Chen Fanfan
Publisher: Cutting-Edge (May 2021)
I like books and I also like music.
This “musical novel ” project, which combines music and literature, is very special: the record company first released the draft under the premise that the winning works will be adapted into songs, and the Japanese duo YOASOBI wrote and interpreted the lyrics based on the winning works. YOASOBI is good at subtly composing melodies of melancholy and melancholy, and subtly composing melodies through the contrast of form and content. It is a simple but complex rhyme.
This book contains four original novels adapted by YOASOBI as songs on the album THE BOOK, including young people ’ s feelings and reflections on death, fate, love, and the end.
Hoshino Dance Night ’ s “The Temptation of Sonatos / Dissolve in the Night Sky ” is a story about death in an ingenious and one-of-a-kind way, and the song“ Run to the Night ” has been downloaded over 100 million times.
But I prefer - whether it is a song or a novel - "Maybe", like it to capture the sadness and helplessness left by a couple after their love fades with a precise but understated brush stroke.
7) Becoming Simonova
Author: Kate Kirkpatrick
Translator: Zhang Wei
Publisher: Acropolis (June 2021)
Simompova is a legendary woman: an open relationship with Saudi Arabia; an existentialist following Saudi Arabia; a world-renowned feminist. It is absolutely amazing to read this more than 500 pages of Being Simompova with these impressions.
Based on the letters and diaries published after Bova ’ s death, the author presents one of the most three-dimensional complex Simone Bova has ever seen.
Rather than being the perfect embodiment of ideal love, Bova and Saudi Arabia are more like partners on the intellectual road.
In fact, she is much more passionate about other heterosexual and same-sex relationships, and has been deeply hurt by Saudi Arabia ’ s popularity and coldness.
Academically, Bova ’ s ability to argue is higher than Saudi Arabia ’ s, forming ideas about existence and nothingness earlier, and even developing a set of existential ethics on her own.
She was dissatisfied with the feminists of the time, and wrote "Second Sex" originally only to organize their own growth experience, but unexpectedly became the most influential feminist.
Finally, I have to mention that the foreword of this book is very wonderful, and even if she is not a Bova fan, she will certainly feel endless fun.
WEN YARAN
(8) The Complete Seventies.
Author: 7th Grade
Publisher: Imprint (December 2020)
A full set of 13 books, with novels, poems and essays, published in December 2020, should not be excessive if it is included in the 2021 awakening book list.
I have not read the seventh grade before, it is after his death in 2020, the printing and publishing of this set of complete began to read.
The words of the seventh class are really powerful, like one of his masterpieces, the short story "I Love Black Eyes", is pouring rain, pedestrians scramble to climb the ladder to the roof of the house to avoid flooding, he wrote: "He has never hated human beings as much as at this moment. The goal of the project."
The words of the seventh class, I would say, have a unique dark atmosphere, and when asked where this atmosphere came from, the prologue in the second book of the Complete Collection provides an answer: that is, "the characteristics of the rhythm of the text."
In the words of the seventh class, the rhythm is different from other, there is "the breath of life, the beating of the blood."
You will understand when you read.
9) The past is not as good as smoking.
Author: Zhang and
Publisher: OUP (September 2021)
When you see the author ’ s name, you know it ’ s a must read book.
The six characters in the book, like the first book published in 2004, are the stories of the upper echelons of Chinese society and the last aristocrats, all of whom have been talking to the author's father, Zhang Bojun, for many years.
In China before and after World War II, as well as resisting foreign enemies, the elites of these countries wandered between the two parties, and in their lives, there were questions about where the country should go and what role they should play and what role they should play.
There are dramatists like Hong Shen, who was once a member of the Kuomintang, and later hoped to be recognized as a communist after his death; there are also political figures like Zuo Shunsheng, who was once the secretary general of the NLD, an important figure of the third force outside the KMT, and was the object of Mao Zedong's active recruitment.
It was only after 1949 that he did not go to Beijing and did not go to Taiwan, choosing to settle in Hong Kong and continue to discuss politics as a scholar.
Under the political storm, there are at least six examples of what people can choose and how they should choose.
"The Anatomy of Melancholy"
Author by: Robert Burton
Publisher: Penguin Classics (July 2021)
The Chinese translation "Anatomy of Depression", first published in 1621, and finally revised after the author's death in 1651. In 2021, the Penguin Classic reprinted this monumental work in hardcover.
This year, there is such a book on the pillow, there will be a calming effect. More than 1,300 pages, talking about what depression is, was written by Robert Burton in Oxford.
The book is very thick, but in addition to the opening preface, there is actually no need to read from scratch, find the chapter that interests you, that is, a specific depression that troubles you, or what kind of curiosity you are about depression, like the root of love depression, or why we are angry or afraid, the author as early as the 17th century, has the answer.
Wen Yi-jen
11) The Mayfly of the Great Age
Author: Shao Songxiong
Publisher: Mishan Bookstore (December 2021)
Shao Chung-hsiung studied in the 1980s, and has a wide range of knowledge and interests in the humanities. In the past, Oxford published only three collections of essays on music: Black and White, The Joy of Music, and The Twilight of the Gods.
"The Mayfly of the Great Age" just compiled his column articles written in the last years of the Apple Daily, from memoirs of the pioneers he encountered during his school years, to talk about Hong Kong popular culture such as movies or TV dramas, from family education to learning boxing and cooking, etc., and chatter and talk, and let the reader savor the image of the last student.
The book is divided into six parts by content: floating life, religious views, teaching, world style, humanities and film arts.
Shao Songxiong ’ s words do not have beautiful words, on the contrary, he sincerely shares his experience and insights with readers in a solid text, which is a long example of scholarly prose in the classical humanistic tradition.
"The Soul of the Old."
Author: Guo Ting
Publisher: Maitian (July 2021)
What are old things? Why are old things important? Guo Ting, who grew up with the elderly in Shanghai, seems to have a firm belief in old things.
From the old things, she saw people who had lived and died in a single line of time and did not return, leaving behind a chance to reconnect with the lost time.
While studying in the UK, she found that the society has been relatively stable for hundreds of years, and its charity shop has left a large number of intact old things, from fashion to porcelain, from books to vinyl records, and even home furnishings. Guo Ting will be her rich knowledge and passion for charity shops, second-hand shops, and old bookstores, focusing on the soul of old things. It is written in a very detailed manner, and it is written in a poetic manner.
How did the sad days pass?
Author: Huang Shu-han
Painting: LAI En-tsi
Photographer: Ruan Chi Him
Publisher: Shi Ching Culture (November 2021)
After two turbulent years, many Hong Kong people re-examine the past life and find the shadow of the past life. Huang Han-sook's "How to Live the Sad Days" recorded some of her own experiences and thoughts in the past few years: as a person in the education system, a witness of my city's aging, a patient, how should she view the city people's evasion of negative things?
In search of the whole, she listens to other people ’ s stories; in search of answers, she reads classic literary novels.
The book contains not only her simple words, but also the paintings of theater director Ryan Enci and the street scenes photographed by Ruan Zhiqian, which show a more three-dimensional look of sadness.
Poetry collections
Mann Chan Tzu-him
1) Save me with her little tongue.
Author: Cao Shuying
Publisher: Black Eyes Culture (June 2021)
Cao Shuying is good at short poetry and rapid segmentation, full of improvised fun, you can never guess where it will turn, how to stop.
This book is published in Taiwan, but it is full of memories of Hong Kong. At least four and a half of the seven chapters refer to this place: Hong Kong, Tai Yu Shan, Night Kowloon, Heart Lake City, Green Island.
Some poems seem to have no local memory, and the author still does not forget the point at the end of the poem, which shows deep feelings.
On the other hand, poetry does not always flow into reality, but can also plunge into the mind.
Also written in Taikoo, Cao Shuying ’ s “In Taikoo ” does not outline the landscape and concentrate history like the“ Taikoo ” of Ru Ming, but says that those “women like robots ” and“ men like silk ”, “should not walk in King ’ s Road, Jusco, Percy ’ s Restaurant, / They should walk in Rome, Prague, Brooklyn. ” A mysterious rope is drawn.
How far can poetry go from life?
2) "Simboska. Collage of Life"
Author: Alice Milani
Translator: Lin Wei-yun
Publisher: BIG CULTURE (July 2021)
Simboska is very popular in the Chinese world, and there are many translations of poetry, but no biographies in Chinese have been seen so far.
Based on biographies, interviews and other materials, the graphic novel "Simboska. Collage of Life" is a virtual reality, which not only presents the poet's life turning point, changes in literature and political beliefs, but also infuses imagination with fun.
Poets love to collage images, and so does this book, which uses crisp splicing to connect different time and space.
When it quotes poetry, it often does not restore the writing background like a biography, but deliberately mismatches the poetry to another time and space, and uses it to interpret the poet's psychology and arouse the reader's imagination.
Simboska is known for his humor, and the book is just as humorous, and even the dullest thank-you note makes me laugh: “Finally, I want to thank my unparalleled manager, Alexandra Sparta. ”
He has my love and 70% of my income. "
The Rose Is Open for No Reason: 40 Paths Approaching Modern Poetry
Author: Liao Wei-tang
Publisher: New Classical Culture (May 2021)
Roses bloom, there is no need for reasons, but when the city people can not feel the poetry, who will give them the reason to read poetry, or temptation? "Roses are open for no reason - approaching the 40 paths of modern poetry" does not intend to generalize all poetry issues, prefer to give the right medicine, and respond to the public's questions: Is modern poetry and classical poetry incompatible?
Is there no musicality without rhyming? Why branch?
Therefore, this book does not look like a hard textbook, but a dialogue with a living person.
There are 40 chapters in the book, each with two or three poems carefully read to explore a poetry topic. It is obvious that Liao Wai-tong does not first have concepts and then find examples, but first draws inspiration from poetry reading and then distills concepts.
Therefore, the discussion of the topic in the book may not be complete, but the appreciation is always written brilliantly, as tempting as poetry.
Art • Liu Ruoji
Editor • Kwan Hsiao-yang
Email • literature @ mingpao.com
fb: http: / / www.facebook.com / SundayMingpao

What is considered a major breakthrough in science fiction publication?

The rise of Chinese science fiction has also led to an increase in diverse authors, with Chinese female writers like Regina Kanyu Wang being nominated for Hugo Awards and four anthologies of Chinese fantasy novels by female authors being published.

Title:

Content: Science Fiction: Chinese Female Writers | Culture | DW | 21.10.2023
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Cultural warp and weft
Science fiction: the rise of Chinese women writers
While the space for feminist expression in China has shrunk further over the past decade, there ’ s good news from this week ’ s World Science Fiction Conference in Chengdu: Chinese female writers are thriving in the science fiction world, making them one of the most striking trends in the genre.
The rise of Chinese female writers in science fiction has become one of the most striking trends in the genre, according to participants at this week's World Science Fiction Conference in Chengdu.
The World Science Fiction Conference, the world ’ s oldest and most influential science fiction event, was held in China for the first time this year and attracted a large number of local fans, both male and female.
China remains a relatively socially conservative country, and under President Xi Jinping, the space for feminist expression has narrowed further over the past decade.
But author and editor Regina Kanyu Wang, who was nominated for two prestigious Hugo Awards at the World Science Fiction Conference this year, said the number of women writers in science fiction has soared in recent years.
She said more and more women are now realizing that "it's not just nerdy, nerdy science-fiction novels like Liu Cixin [author of the three-body series] that can be published, or can be considered science fiction." Liu Cixin is great, and we all like him.
But there's a lot more to it than Liu Cixin's style. "
The good news, says Wang, is that once women start to become writers, they don ’ t feel they ’ re being treated unequally.
The market and readers need a new perspective, she said.
The 81st World Science Fiction Conference will be held in Chengdu from October 18 to 22.
"Now, many Chinese female science fiction writers focus on issues that women face that men may not feel," Zhou Danxue, a literary scholar at XJCC Liverpool University, told AFP. "These writers can reflect unique female experiences in their own way."
Wang said that in the past two years, four anthologies of Chinese fantasy novels written only by female or non-binary authors have been published, which is a major breakthrough.
There wasn ’ t even an all-female science fiction writer ’ s portfolio before that.
Before the 1990s, there were very few female science fiction writers.
An article in the collection "The Way Spring Comes", which Wang Kanyu participated in compiling, pointed out that the Internet is a training base for women and queer talents.
Author Ni Xueting explained that the widespread use of the Internet “not only brought a new sense of community to people, but also … removed many barriers to writing based on industry and social stereotypes, especially for non-male writers. ”
Chen Qiufan, one of China ’ s leading science fiction writers, told AFP that the genre had traditionally not received special attention and was seen as “written and read by boys. ”
He said there was now a "wider and more diverse audience", estimating that his readers were split equally between men and women.
Chinese women writers begin to make their mark in science fiction
Monet, a 21-year-old woman who visited the science fiction convention on Friday, said she sometimes felt isolated among her own fan base.
“It ’ s hard to share my interests with people who don ’ t understand me.
They ask, "Why does a girl like science fiction?"
She is optimistic about these changes in attitude, pointing out that there are a lot of interested primary and secondary school students at the conference site.
“I think interest in Chinese science fiction has to be nurtured from an early age, ” she says.“ We didn ’ t have that opportunity when we were young … I really envy them, to be honest. ”
(AFP)
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Any misconduct will lead to recovery and criminal prosecution.

What is considered a major breakthrough in science fiction publication?

The internet has also played a significant role in helping women and queer talents in writing science fiction, with online platforms and communities providing opportunities for authors to share their work and connect with readers.

What is considered a major breakthrough in science fiction publication?

Overall, the genre of science fiction has evolved significantly over time, with contributions from diverse authors and demographics, and continues to be shaped by new and innovative voices.

What is considered a major breakthrough in science fiction publication?

The genre has become more diverse, with authors from various demographics, such as women and people of color, making an impact and contributing to the evolution of science fiction.

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Content: Science Fiction Conference Concludes at Jeddah Book Fair with "Anime" and "One Thousand and One Nights"
Specialists, writers and experts discussed the most important issues during 8 sessions and workshops
Part of the sessions of the Science Fiction Conference in Jeddah
The Commission for Literature, Publishing and Translation concluded yesterday the Science Fiction Conference, which is being held for the first time in the Kingdom, coinciding with the Jeddah Book Fair, held in (Super Dome).
Through eight sessions and a workshop, specialists, writers and experts discussed a number of issues related to science fiction, fantasy and anime, in addition to global trends in the manufacture of science fiction and sound fiction books, books and novels in film and television, and a number of related topics and themes.
In the first session of the second day of the conference, entitled "Pioneers of science fiction, fantasy and anime", the participants discussed the challenges of women in writing about science fiction and the worlds of fantasy and anime, reviewing some of the difficulties they faced during writing in this art, and how they overcome them to reach what they are today. The last three.
During the second session, which was entitled "Global Trends in the Science Fiction and Audio Fiction Industry", it discussed the most important challenges facing the audiobook market, as well as ways to turn science fiction fiction into attractive audiobooks, a statistical review on the rise in the Arab world towards audio books, the presence of 8,000 Arabic audiobooks available through audio content applications, pointing to the growth of audiobooks and listeners following the Coronavirus epidemic to 400%. I have the podcast; the number of listeners in 2015, 200 million listeners; while this number increased in 2022 to reach one billion listeners of various podcast materials.
On their most prominent experiences in this field, a number of Saudi writers and authors, who enriched the content of science fiction with a number of novels that appeared on the shelves of libraries and publishing houses, talked about a number of issues and topics related to science fiction and fantasy, and explained the difference between science fiction and fantasy and the change of concepts and culture of the new generation, which has become more comprehensive.
In the fourth session, entitled "One Thousand and One Nights: The Fantasies of the Old World", intellectuals agreed on the validity and merit of keeping the novel (One Thousand and One Nights) under consideration, as it has a progressive vision of history for each creator, and that it suffers from an old and new crisis "old as texts that carry in the eyes of some, and a new crisis after being honored externally", and referring to its pivotal role in music, Video and many literary and cultural fields.
The fifth session is entitled "Books in Film and Television".
Licensing, Copyright and Production ", which deals with intellectual rights that take place between the author and the production company and are subject to contracts agreed by the parties and are not subject to certain terms.
Noting that the literary agent represents the lawyer for the author or writer of the novel, and that the Arab world is very late in appointing a literary agent; but it began to spread in the present time, and facilitate the writer to devote himself to writing without thinking about the stages of publication and others.
In a session entitled (Beyond the series "Stranger Things"), she stressed that the confident director faces all obstacles and challenges, and that imagination helps to get out of the traditional roles, but it needs a lot of training, especially in scenes of fighting, and sometimes taking risks if there is no alternative.
The session reviewed the series (Altered Carbon) and the most prominent stations and scenes that the work went through to turn it on TV, in a session entitled "Soul, Body and Memory in Science Fiction", and talk about the construction of plot, scenes and sites, fantasy works that are seen from different perspectives and locations and different images on paper, and the difference in reality in changing some events and characters, and talk about innovation in technology and moving between bodies in a quarter. A century, and the emphasis on creative things in the content until it becomes a film, and the importance of the creative crew of directors, designers and artistic vision, to put the content better; where things start small and then grow to come out to the viewer with a beautiful fantasy plot.
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What is considered a major breakthrough in science fiction publication?

The use of emerging technologies like AI and VR is changing the way authors write and publish science fiction, and new opportunities and challenges are emerging as a result.

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Content:
Many of us working with emerging technologies like artificial intelligence (AI), augmented reality (AR), virtual reality (VR), real-time capture technology (RTC), and so on, knew that these would eventually find their way into mainstream media and entertainment. Still, we also recognized that this dramatic change presumably wouldn’t occur overnight.

Because of the clear use cases and simpler adaptation, many individuals working in this technological field switched their focus to industry and business a few years ago. But it’s been more than a year since the global epidemic put many of us on lockdown, and the entertainment sector was severely impacted. Concerts, live events, and movie theaters all nearly vanished suddenly. The union of technologists, artists, filmmakers, and creators has resulted in several online entertainment twists we have seen and are still anticipating.

Fashion

Full-body tracking is anticipated to take course in the next few years, enabling users to track their bodies in real-time. It is not too long in the future when we will witness people walking down the street with their augmented reality mixed with reality glasses, and with this, we will see their custom bits of virtual clothing. Clothe lines are also expected to take this road as it will enable them to showcase their latest and upcoming releases. Fashion shows are also expected to go in the same direction, particularly in employing virtual beings. Soon, we will experience virtual models walking down the stage as if they were real humans.

Unreal Engine

“Streaming movies and shows after a tiresome day is fantastic, but this latest trend is mind-blowing,” says the chief editor for LateNightStreaming. “The unreal engine has previously been used to bring to life virtual production pipelines that have powered great hit shows like Dream and the Mandalorian.”

This is a platform where creators can design realistic virtual characters, unlike how it has been in the past. More avenues where creators will build their stories are anticipated.

Virtual Beings

Most of us have seen this trend used across all forms of media. From virtual social influencers like little McKellar to virtual avatars, virtual beings will bring virtual events to life. These virtual beings are expected to respond intelligently to humans, thanks to the integrated GPT3 language models. It will almost be like conversing with a real human.

Travis Scott, a popular artist, used one of these to virtualize his concert, and the turnout was crazy. While these trends in the entertainment industry are satisfactory, they might render some people jobless. Nonetheless, we can’t avoid them as they are fast coming.

Authors must consider the potential benefits and drawbacks of using AI and VR in their work, and must be aware of the potential for these technologies to replace certain aspects of the writing process.

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Content: Skip to main content

How AI art killed an indie book cover contest

Science fiction and fantasy authors are struggling with AI-generated media — and formulating strategies to deal with it.

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The book cover for M.V. Prindle’s Bob the Wizard shows a coiffed man in sunglasses, smoke dancing from his mouth as a gray, ominous sky swirls behind him. A small fairy-like creature flutters nearby, and the folds and shadows of Bob’s jacket and beard fade into one while a bright green key hangs around his neck. The book tells the story of a “shotgun-wielding ex-garbage man” on the hunt for his family’s killer, the chase winding through a mystical world.

Bob the Wizard’s cover was a hit. In May, it won the Self-Published Fantasy Blog-Off (SPFBO) cover contest, an annual competition run by author Mark Lawrence that highlights indie authors in the fantasy genre. But the victory didn’t last long. The same day the winner was announced, readers and fans on Twitter were questioning whether the art was created at least in part using AI tools. The incident highlighted a growing crisis of trust in science fiction and fantasy publishing: in a world where AI-generated media is common, do you know the work you’re looking at was made by a human?

The SPFBO’s cover contest explicitly outlawed using AI tools, and the winning artist, Sean Mauss, initially insisted that he had made the art himself. He even shared a trove of documents and Photoshop files that he said proved the finished product was his own. Readers found the evidence was unconvincing. Using a Photoshop layer in files the artist had shared, Twitter users scoured the archives of Midjourney, a generative AI system, and found images that matched elements in the Bob the Wizard cover. The username that created the images was even spotted in a file name. The striking cover art, it seemed, was simply a collage of Midjourney outputs.

Within a day, Mauss had withdrawn the submission, deactivated several social media accounts, and apparently taken a personal website offline. (An email sent to an address on an archived version of the site wasn’t returned.)  Prindle, the book’s author, said on Twitter that he was misled and has since hired a new artist to do the cover. “I’ve woken up to compelling evidence that the cover was at least partly AI generated, breaking the rules of the contest,” Lawrence wrote on his blog. “So, in addition to having been withdrawn, it’s now also disqualified under the existing rules.”

“I think it needs to be a separate contest, [organized] by someone with the necessary expertise and the appetite for controversy.”

But Lawrence went further than disqualifying Mauss’ entry. In the same blog post, he abandoned the idea of holding a cover contest in the future, saying there wouldn’t be a competition going forward. In Tweets, Lawrence makes clear he’s uninterested in litigating future debates about whether art is human or machine-made.

“I think it needs to be a separate contest, [organized] by someone with the necessary expertise and the appetite for controversy,” he wrote in response to someone suggesting a way forward. “That’s not me.” (Lawrence didn’t respond to requests for comment.)

The cover contest saga comes at a time when the fantasy and science fiction community is wrestling with what role, if any, generative AI tools have in the industry. Earlier this year, prominent magazines like Clarkesworld and Asimov’s Science Fiction said they were experiencing a deluge of low-quality AI-generated short stories, overwhelming their publications and, at times, even forcing outlets to temporarily close submissions. Though editors said they could spot the works almost immediately, sifting through the influx was a time-suck, forcing publishers to wade through a new kind of spam coming from people outside the industry. Now, the community of writers, artists, and readers is confronted with a new reality: AI-aided work that — at least at first — can pass for a human’s output.

Soon after the cover contest controversy began, other authors started to suspect they’d unwittingly paid for AI-generated work by Mauss. Michael R. Fletcher and Clayton W. Snyder had both been impressed by the Bob the Wizard cover, and they’d commissioned Mauss to produce art for two books back in April. “One of the things we specified [with Mauss] right off the bat was that none of this art be AI-generated in the first place. We wanted an actual working artist to do the art,” Snyder says. But the fiasco — and Mauss’ disappearance — suggested they’d been deceived.

At first, Fletcher wasn’t sure the work was AI-generated. “I didn’t know who to trust,” he says. By the next morning, he was convinced. “At that point, it was like, ‘Crap, how do we deal with this?’”

“I didn’t know who to trust.”

The authors showed their own covers to artists familiar with AI image generation. Tools like Midjourney sometimes leave behind clues — a file name with the prompt used to generate it, for instance, or elements that don’t match how the artist said they created their work. Anatomy or composition might be wonky. The experts’ conclusion: their work used generative AI elements, too.

“That was a breach of trust,” says Snyder. “At its core, we were lied to.” The pair set up a GoFundMe to pay for new art and quickly raised more than $2,000, which they plan to spend on commissioning another artist.

The past months have seen a string of controversies around AI and fiction, including bestselling SFF novels using covers with AI-generated stock art, as well as Clarkesworld’s spam problem. And the writing world is starting to formulate a response. Around the time the cover contest was ended, Neil Clarke, editor of Clarkesworld, published a first attempt to codify norms and expectations for AI software in the SFF publishing industry. The statement sketches out the framework for handling AI-generated work, addressing unsettled questions around the legality of training data, the efficacy of AI detection software, and the need for disclosures when these tools are used. (Tools to detect AI-generated text and imagery exist, but they remain unreliable and can be confused further if humans have edited the output.) Clarke has invited other industry members to sign on in agreement.

Some publishers have tried to preempt an embarrassing mistake by openly welcoming work that is created using AI software. NewMyths, a quarterly magazine, accepts submissions that use AI tools as long as they’re flagged as such and says it will add a label to any published content.

But so far, it appears to be an outlier. Sheila Williams, editor of Asimov’s, says her publication is still being deluged with low-quality AI-generated submissions. In response, she’s added an explicit line in submissions guidelines that Asimov’s doesn’t want AI-generated stories. Asimov’s strictly buys writing by humans, and Williams says continuing to do so is a way to build — and maintain — trust with readers and writers. There’s a fear that magazines will fill pages with free or cheap material produced via chatbot, though she says the quality is nowhere near publishable.

“You’d cancel your subscription,” Williams says.

But while Williams believes AI-generated fiction is still easy to spot, things like generated cover images could be harder. “I don’t feel confident it wouldn’t slip through — not 100 percent, not like fiction,” Williams says. When selecting cover art, Williams researches potential artists and consults her art department but contends that it may be easier for AI-generated art to evade detection.

And the SPFBO cover contest’s effects have rippled through the industry. The Self-Published Science Fiction Competition, which hosts a different cover contest, hinted that it may have to cancel its own awards, suggesting in tweets that the task of weeding out AI art may be too much.

Readers and community members responded negatively to the revelations about Bob the Wizard’s cover. But in the long term, it’s not clear if these tools will remain forbidden. Misrepresenting work as AI-free is one thing — but what happens if generative AI systems become more ingrained in the artistic process?

“There is a level at which computers have been making things easier in the arts for decades. Things are possible in Photoshop that weren’t possible before, and people are okay with that,” Fletcher says. “We’re in this awkward middle ground here, where people are coming down on both sides.”

“There is a level at which computers have been making things easier in the arts for decades.”

Whatever happens with AI-generated media in the future, for now, the industry’s dynamics may be about to change. Snyder and Fletcher predict that more writers and artists will begin to have formal contracts when working together, which historically hasn’t been how the community operated. “I’ve got a dozen or so books out, [and for] every single cover, I have never had a written contract. It’s been verbal, maybe text messages via Twitter or Facebook,” Fletcher adds. “I have trusted that the artist is going to hand in what I’m asking for, and this is the first time that is not the case.”

The indie SFF publishing community is small, and artists are largely hired through word of mouth — including, as with Fletcher and Snyder, seeing the work they’ve done for other authors. Now, the pair is in talks with a handful of well-known artists to take on the project instead. Fletcher says that going forward, authors will likely want to work with more established artists with a solid portfolio and happy clients who can attest to their work.

“The artist who’s just starting out, who hasn’t done a book cover before, is going to be under some vicious scrutiny,” he says. “It’s going to be hard to land those first gigs, I suspect.”

The incorporation of emerging technologies into science fiction is not without its challenges, and authors must be willing to adapt and evolve in order to succeed.

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Content: Chairman of the Board of Directors and Editors
Mohamad Elbaz
Chairman of the Board of Directors and Editors
Mohamad Elbaz
Osama Rayan: Applications of "artificial intelligence" threaten the reality of the Arab novel
Writer Osama Rayan said that Dr. Yusri Abdullah chose the topics of discussion to include: Variations and problems faced by the contemporary novel, especially that the applications of "artificial intelligence" threaten its current reality, and may control the standards.
This came during the activities of the symposium (current Arab novel and its future), within the activities of the forum "Papers" hosted by the newspaper "Constitution".
The seminar is presented by the writer and critic Dr. Yusri Abdullah, and the participation of writers and novelists: (Dr. Safa Al-Najjar, Samar Nour, Dr. Sherif Saleh, Subhi Musa).
Ryan continued: "Intelligently selected dr.
The guests of this tour are from the next generation of the previous episode, and this may allow for an opportunity to compare interests and trends after a period of time. ”
He pointed out that perhaps there is a need to follow this art "novel" in our culture, and we notice that it is alien to our culture from the origin of the Western (story or novel), but perhaps this idiomatic translation in our language is due to what was done by a historical "narrator" as an oral act, but of course it turns into a "book, a prelude to my readers" in the form of literature using aesthetics and art tricks in an event or relationship. In time and place, the competitions began with the taste of the masses and critics, and then came the prizes, which required "judges", and the problems multiplied, especially with the introduction of new templates such as "horror" and "science fiction"!
Ryan concluded: If we add to our confused literary reality, especially in a situation that some call "deterioration of taste", perhaps it is appropriate here to remember another deterioration, I mean "deterioration of education" and manifested in the spread of what owners called "artistic creativity workshops", and perhaps it came logically - in terms of ages - generations have already grown up on private lessons, and pictures of them can know "One of them is how to create! ” and it was a flattening that we can glimpse its spread, and he may also have found someone to praise it.
And that's another story.

Despite the challenges, the use of emerging technologies like AI and VR is opening up new opportunities for science fiction authors and is allowing them to explore new themes and ideas.

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Content: Chairman of the Board of Directors and Editors
I'm sorry.
Mohamad Elbaz
Chairman of the Board of Directors and Editors
I'm sorry.
Mohamad Elbaz
Attention to technology.
Writers explain the shift in current literature
In a new novel by journalist Yumi Adejuki, an anonymous statement circulating on social media threatens to undermine the burgeoning relationship between a young couple, the novel illustrates all the fears and toxins that social media apps can sow.
Anatomy of the role of contemporary technology
This is not the only work of fiction in recent years that puts aspects of modern technology under the microscope, there are many books that dissect the role of contemporary technology in our lives.
In Gabriel Zevin ’ s Tomorrow, Tomorrow, and Tomorrow, he touches on the themes of life, death, reconciliation, and love through the lens of the evolution of video games and online worlds.
A best-selling book like Yellowface looks at race, privilege, power, and the pitfalls of the publishing industry, but it also touches on Twitter.
Technology company scandals
Bookblogger Julian Bonocore told Mashable that she has seen a rise in technology-based fiction in recent times, attributing it to the fact that such books play on the public ’ s concerns, especially regarding real-life tech scandals in Silicon Valley and big tech companies.
Technology-based stories are compelling and interesting, from business diving to personal success and scandals.
Young author Wendy Maas told Mashable: “Twenty-first-century novels are increasingly entangled with the constant evolution of technology and its impact on humans.
For decades, futuristic gadgets like artificial-intelligence-controlled devices and the ability to instantly communicate with anyone around the world have been the exclusive stuff of science fiction writers.
Now, a lot of great technology has become part of our daily lives, so authors of other genres can incorporate it into their stories as well.
The ever-evolving technology
Stories about tech workers have become commonplace.
Many authors have been praised for their accounts of the people behind the big tech companies and the dark side of the industry.
Sometimes, the industry is used as a symbolic story, but more often, as a framework for exploring the undulating consequences of a culture of bustle, freedom, and ambition.
Sophie Vershbow, a writer who previously worked in publishing for 10 years, believes that this kind of fiction exploits our very real and human fears about the ever-evolving technology landscape.
Books containing technology are popular for the same reason dystopian novels were popular during President Trump ’ s presidency, and epidemiological novels were popular during the early days of the COVID-19 pandemic.
Imagination is a way to indulge our fears and curiosity across pages.

The science fiction genre has undergone significant changes and evolution over time, with various factors influencing its development, including social and cultural shifts.

Online platforms and social media have played a crucial role in promoting diversity and inclusivity in the science fiction genre, providing a space for underrepresented authors to connect with readers and share their work.

The internet has removed barriers to writing for non-male authors, allowing them to overcome industry barriers and thrive in the science fiction genre.

What is considered a major breakthrough in science fiction publication?

Chinese female writers, in particular, have made significant contributions to the genre, focusing on issues unique to female experiences and publishing numerous anthologies of fantasy novels.

What is considered a major breakthrough in science fiction publication?

The rise of online platforms has also led to an increase in women writers in science fiction, with Chinese science fiction readers now split equally between men and women.

What is considered a major breakthrough in science fiction publication?

Social media has helped authors from underrepresented backgrounds connect with readers, promoting diversity and inclusivity in the genre.

African writers have also benefited from online platforms, which have provided a space for emerging voices and supported many African writers, particularly those from the LGBTQ+ community.

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Content: The first longitudinal study of digital literature in Africa, African Literature in the Digital Age: Class Politics and Sexuality in New Writing from Kenya and Nigeria, is of great academic interest.
The book, written by Shula Adenikan, a former journalist and associate professor of African studies, examines the role of the Internet and new media in shaping new audiences for African literature.
Adenekan ’ s inspiration for writing the book came from his own experiences with the internet and the contacts he established with writers and thinkers through email lists and social media platforms.
He noted a growing trend of African literature being published online, on platforms such as blogs and websites, and later on social media platforms such as MySpace, Facebook and Tumblr.
The digital landscape has provided more space for these emerging voices, with their primary audience becoming the African digital audience rather than traditional publishers.
Many writers and thinkers were women and gay Africans whose works were not considered worthy of attention by traditional publishers.
Platforms such as Sokari Ikeni's blog, cultural and literary networks, have provided spaces for gay writers from Kenya, Somalia, and South Africa to network and share their work.
The Internet has greatly influenced Kenyan and Nigerian literature.
For example, the early works of Nigerian novelist Shimamanda Ngozi Adichi were first published online, while Kenyan writer Billy Kahura ’ s real-life book originated from an article published on a blog that no longer exists.
African digital magazines such as African Writers, African Writing, and Kwani also played a crucial role in providing platforms for many of today ’ s well-known African writers.
Queer activism has found its home in the digital space.
Many queer writers, who faced homophobia, emigrated to Europe and America but continued to fight against discrimination.
The online platform allowed them to express their experiences and showcase the richness of gay African life.
The works of queer writers such as Kegoro Macharia, Sokari Ikeni, Chilja Patel, Onuma Azuah, and Romeo Oriogun are a starting point for understanding and theorizing digital Africa, highlighting the intersection of queer, politics, and civil rights.
The chapter also plays a role in the digital literary landscape.
While millions of Africans from different backgrounds use the internet, many pioneers of digital literary communities come from a strong middle-class background.
These writers often have the privilege of being cultural ambassadors of the continent and can discuss forbidden topics such as sex in their work.
Adenekan hopes his book will inspire others to explore the digital and queer life of Africa in their writings.
It emphasizes the importance of studying everyday life in Africa, moving beyond a focus on amazing rituals and engaging in everyday rituals.
In conclusion, African Literature in the Digital Age highlights the dynamic and transformative power of the Internet in shaping African literature, highlighting the narratives of gay Africans and voices that challenge traditional publishing standards.
African Literature in the Digital Age: Class Politics and Sexuality in New Writing from Kenya and Nigeria by Shula Adenikan.

The science fiction genre continues to evolve, with new authors and voices emerging, and the influence of authors like Okorafor and Liu can be seen in the growing diversity of the genre.

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Nnedi Okorafor's Akata Witch Books Are The Next Great Fantasy Series That Should Be On Hollywood's Radar

If you're not yet familiar with the Nebula, World Fantasy, and two-time Hugo Award-winning author Nnedi Okorafor, you soon will be.

In 2020, The Hollywood Reporter announced that Michael Ellenberg's Media Res would bring the author's critically-acclaimed "Binti" trilogy to the small screen for Hulu, with a script co-written by Okorafor and the Emmy-nominated Stacy Osei-Kuffour (of "Watchmen"). Meanwhile, over on HBO, another award-winning writer, George R.R. Martin, is in the process of developing Okorafor's renowned novel, "Who Fears Death." What's more, Martin is far from the only big name attached to the project: Marvel alum Tessa Thompson will serve as an executive producer, while Aïda Mashaka Croal (of "Jessica Jones" and "Luke Cage") is signed on as showrunner.

Though release dates have yet to be announced, it's safe to say the next few years will introduce an even wider audience on to the work of Okorafor, whose genre-bending stories consistently defy strict categorization, with works ranging from her 2019 memoir to the Hugo Award-nominated comic book "Black Panther: Long Live the King." Yet while Hollywood is clearly, and rightfully, aware of Okorafor's diverse catalog of groundbreaking work, they've yet to scoop up her "Nsibidi Scripts Series" — comprised, for now, of 2011's "Akata Witch," 2017's "Akata Warrior," and 2022's "Akata Woman" — a narrative whose themes have only grown in relevance, urgency, and necessity with each passing year.

It's not just the relevance of the "Nsibidi Scripts Series" that makes them ripe for mainstream adaptation, however. Each book does something only the rarest of stories manage to fully achieve — but that any work of art must, by definition, aspire to achieve. That is, they leave their reader forever changed.

What is the Nsibidi Scripts Series?

Before we dive into why Hollwood should turn its attention to the "Nsibidi Scripts Series," it must be said that the paramount motive for adapting the YA narrative is, simply, that it's just damn good storytelling.

In "Akata Witch," we meet the tale's central protagonist, Sunny Nwazue, and accompany her on a bewildering, empowering, dangerous, frightening, and fulfilling journey of self-discovery. Immediately, we learn that Sunny's background and appearance confuses her peers. As Sunny tells us, "I'm Nigerian by blood, American by birth, and Nigerian again because I live here. I have West African features, like my mother, but while the rest of my family is dark brown [...] I'm albino."

It isn't just Sunny's appearance and dual cultural identity that makes her an outcast: there are other seeming contradictions. She's an athletic and extremely intelligent young girl in a world that frequently discourages or underestimates both her brain and her brawn; she's a Leopard Person living in a world of Lambs (more on that in a moment); and, as a "free agent" (that is, a Leopard with Lamb parents), she's a rarity twice over.

As in all of Okorafor's work, Leopard People resist a simple, straightforward explanation. They possess secret knowledge and skills, including the ability to engage with, manipulate, and combat juju. They can access places, concepts, and whole worlds that Lambs (the non-mystically gifted) cannot, and while the term for such magical individuals differs across the world, the notion of "Leopard Person" is specifically West African. With the help of mentors and her newfound friends — the bold and defiant Chichi, the mysterious, impulsive (and like Sunny, Nigerian-American) Sasha, and the sensible Orlu — Sunny discovers what it means to be a Leopard, and she faces off against forces with apocalyptic intent.

Akata Witch is far more than the Nigerian Harry Potter

Amazon's "Akata Witch" description labels it "The Nigerian Harry Potter," an association both inaccurate and inadequate. In a Tin House interview, Okorafor addressed this: "I understand the inclination to think like that, but that way of thinking will prevent you from ever really seeing beyond what you're familiar with."

Frustrated by the reductive effect the correlation was having on the understanding of her work, Okorafor stressed she was writing in an entirely different genre from J.K. Rowling by giving that genre a name: Africanjujuism, telling Publishers Weekly, "I felt that a lot of my work, including the 'Nsibidi Script series,' was being read through a Western lens. People [...] weren't understanding that a lot of the mystical things happening in these books were real [mythology]."

West African culture is embedded deeply into the "Akata Witch" books, which pull from actual cosmologies and traditions — e.g., masquerades, secret societies, and deities like Ekwensu, Ogbuide, and Udide — of also real peoples such as the Igbo, the Efik, and, yes, the Leopard People. While Okorafor's universe grows increasingly fantastical, the realness of its Nigerian setting is significant. Both the serious and playful aspects are based on real-world Nigerian traditions (see: pepper soup vs juju-infused, tainted pepper soup). To suggest that juju is simply "the 'African' term" for magic, or Leopard People "the 'African' term" for wizards and witches, suggests all fairytales are about tiny blonde winged women with an odd dependence on a guy named Peter. And if a story has nothing new to teach us, what's the point?

We're emphasizing this, because what Okorafor intentionally refuses to do in the novels is — with regard to its need for an adaptation — almost as important as what she triumphantly succeeds at.

Akata Witch's narrative trusts you to learn, experience, and grow

To fully appreciate the "Nsibidi Script Series," a Western reader — or, if an adaptation ever happens, future viewer — must get comfortable admitting and even embracing how little they know. From "Akata Witch" onwards, you'll stumble across words you've never seen and can't immediately pronounce, concepts you might struggle to understand, traditions you've never heard of, as well as flora, fauna, and terrain that you'll have to look up in order to know whether or not it's real.

What makes this even more exciting is that Okorafor does something all-too-rare in mainstream storytelling: she trusts you. She expects you to manage it all, and to grow and learn along with her protagonist the entire time. When she plays with stereotypes, Okorafor trusts you to get it. When she introduces a concept, like Leopard People having a human face and a spirit face (their mystical identity, which is not of this world) she makes no attempt to squeeze it into Western terminology. And when things like sexism, bigotry, corruption, or senseless murder occur, they occur as they do in the real world.

Okorafor saves the vast majority of her metaphors for the intangible and ideological. She doesn't couch things many of her readers confront on a daily basis in tried-and-true YA tropes like ghouls or monsters. The books' very titles, in fact, trust you to embrace an uncomfortable reckoning. As she explained on The New Yorker's radio hour, "[Akata is] a derogatory term for Black Americans, but that also includes Nigerian Americans as well. This is a word that I have grown up hearing and being called and grappling with and yelling about."

Nnedi Okorafor's work defies any efforts to simplify it

In The Los Angeles' Review's report on "Akata Woman," reviewer Deborah Williams writes, "Okorafor's trilogy — and this third book in particular — wants to teach us how to read: how to read outside of an Anglo European context."

Crucially, the mystical object at the heart of "Akata Woman" isn't a grail, sword, or diary, but a ghazal, and as Williams points out, Sunny's education in Nsibidi script is in direct conversation with both the 7th century form of Arabic verse, and the author's work as a whole. Indeed, as Okorafor has explained (via Brittle Paper), "Nsibidi is a secret and often mystical ideographic writing system created in what is now called southeastern Nigeria [...] It is truly deeply only West African."

Sunny's Nsibidi journey in Book 3 of the series is, as Williams writes, "A version of what happens when we read a ghazal [...] Ghazals are written in couplets, each of which ends with the same word or phrase. Depending on the context of the specific couplet, the repeating phrase shifts in meaning — we must learn to hold all these meanings in mind, simultaneously, as we read." And so, a Nsibidi book (as depicted in the "Akata Witch" novels) is constantly shifting in meaning, even shifting from one genre to the next — like Okorafor's own writing, which can be anything from fantasy, to horror, to speculative fiction, to Africanfuturism, to Africanjujuism, to all of these things at once.

Sunny must hold all those meanings — as well as all her various identities — in mind, simultaneously, in order to fully realize herself and embrace her power. And Okorafor's books aren't just teaching us the value of knowledge. She's training us to comprehend multiple — and conflicting — concepts, meanings, and worldviews simultaneously.

Sunny's story deserves the widespread attention an adaptation would give it

This is why "Akata Witch" and its sequels deserve the attention a mainstream TV or movie adaptation would bring: these books have a lot to give. Because despite the myopic nature of the internet, with its echo chambers and constant lines drawn in the sand, the world itself is a vast, complex, conflicting and conflicted place. There aren't singular "right" answers. There are complex, conflicting and conflicted ideologies, worldviews, and people. Most of us will only ever understand the tiniest sliver of it.

Among the many things Sunny teaches us (by learning them herself) in the series, the following lessons are deeply relevant: There are no zero-sum games. No group is a monolith. No identity is whole, singular, and easy to define. But when we refuse to accept that nuance and complexity, we'll suffer (as so many Lambs do) due our own willful ignorance.

Unfortunately, over the past several years (and particularly, though not exclusively, in the United States) that ignorance has only grown in its willfulness, as groups across the country conspire to pass it on to the next generation. Halfway through 2023, nearly 900 books have been banned in U.S. schools. As PEN America reports, such bans are intently aimed at books featuring discussions of racism, LBTQ+ characters, and LGBTQ+ themes. Meanwhile, politicians — with the support of fearful parents, in the guise of preserving "America" — are making it illegal to teach any reality that might conflict with what (white) children already "know."

In contrast, in "Akata Warrior," it's no accident that Sunny — in order to defeat a djinn, and redeem and free the trapped Ogwu, a descendant of Udide, and her many spider children — must "remember" a tragic, violent event that happened long before her birth.

The Akata Witch books elevate knowledge and learning as a (literal) currency

This sequence in "Akata Warrior" is a tense and terrifying moment for Sunny, and after her triumph over the djinn, and her memory of her ancestral and spirit past, it's written that, "Her muscles felt sore and her head ached. But she felt good. She felt strong. The memory of Ogwu's failure and curse was vivid in her head." Ogwu was part of a team, Sunny "remembers," who failed to stop the Enola Gay from dropping the bomb on Hiroshima.

Sunny's confrontation with the djinn is not the first time, and it won't be the last, that she must past through uncertainty, confusion, fear, and pain in order to gain knowledge. Okorafor's "Nsibidi Scripts Series" is overflowing with valuable lessons for young people (and adults) from all walks of life who happen to be living in this day and age. For instance: for Leopard People, what Lamb society sees as their flaws are in fact the very source of the power. For example, the dyslexic Orlu can undo juju, while Sunny's albinism allows her to "glide" freely between our world and the wilderness — that is, the spirit world, which exists all around us, but that only Leopard People can access, and only someone like Sunny can move through without temporarily dying.

And there are, of course, lessons about friendship, sacrifice, teamwork, self-discovery and self-acceptance, as well as a strong commentary on war, capitalism, and the destruction of the natural world. But it's the series' emphasis on learning, and on knowledge and wisdom as the most valuable possession in the world — the only way to obtain currency in the Leopard world is by learning something new — that makes its adaptation not only desirable, but downright urgent.

A Nsibidi Scripts adaptation is exactly what we need right now

Early on in "Akata Warrior," Sunny — who's been traumatically separated from her spirit face, Anyanwu — enters the fearsome Nimm Village on a quest for the ghazal. There, she must speak to Chichi's estranged auntie, aka Abeng Nimm, aka She Who Lives in a Tree. Okorafor's writing, here, elevates the central theme of these books:

"[Sunny] was almost there, and she had just one moment to process two things [...] She smashed through the huge tungwa and glided right into the tree. [...] She could feel the tree's flesh biting and pulling at her as she passed through it as nothing but spirit. She kept going. She didn't know how long she burrowed, and more than once the fear of getting stuck inside the solid flesh of a tree crossed her mind [...] When she tumbled onto the smooth surface of the tree's wooden floor, she was Anyanwu and Anyanwu was her. They moved together and they felt confident in their motion. The rays of sunshine that glowed from her spirit face lit the entire room."

Anyanwu isn't just a clever name Okorafor gave to Sunny's spirit face. In Igbo, it means "eye of the sun," but Anyanwu is also recognized as a solar deity, and a manifestation of the supreme creator, Chukwu. The truth can hurt, and the process of learning can indeed be uncomfortable — even painful. But it is, as both the candle-loving Sunny and the reader learn early in Book 1, the only way out of the dark. And at a time when so many are determined to keep themselves and their children in that darkness, an adaptation of Sunny's journey would serve as a powerful and necessary light source.

The reception of works by authors from diverse backgrounds has been largely positive, with critics and audiences praising their unique perspectives and innovative storytelling.

The impact of authors from other demographics, such as women authors and people of color, has been significant, bringing new ideas and perspectives to the genre.

What is considered a major breakthrough in science fiction publication?

The science fiction genre has evolved over time, with earlier authors like HG Wells influencing the development of the genre, and modern authors incorporating new technologies and ideas into their work.

Emerging technologies like AI and VR are providing new opportunities for science fiction authors to explore the human impact of technological advancements.

Authors are using science fiction to explore human concerns and emotions, and to comment on the potential risks and benefits of emerging technologies.

What concepts does Ishiguro's literary science fiction novel bring up?

What did Frank Herbert's "Dune" manage to achieve?

The use of AI and VR in science fiction is not without its challenges, but authors are finding new and innovative ways to incorporate these technologies into their work.

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The author of the American – Chinese War novel “The Devil ’ s Fleet ” writes science fiction stories for the British military to predict the future.
2023 / 2 / 28 22: 17 (Updated on 2 / 28 23: 04)
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The Defence Science and Technology Laboratory (DST), which is part of the UK ’ s Ministry of Defence, today released “Stories from the Future ”, which includes exploring possible future developments and impacts such as drone technology, as well as possible threats that may need to be addressed. (Photo taken from the UK government website gov.uk)
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The Defense Science and Technology Laboratory (Dstl) of the British Ministry of Defense today released a "story from the future", hoping to explore the possible development of defense technology in the next 20 years through "useful fictional works", the author of the "devil fleet" political scholar Singh and former military journalist Cole.
The first edition of Ghost Fleet in the United States in 2015, subtitled "The Next World War", depicts a war between the two powers, with Russia helping China to invade Hawaii and take control of the Pacific Ocean, and the war extending from physical to virtual space, with a thriller style comparable to "The Hunt for Red October".
Peter W. Singer and August Cole write eight different stories for Dstl, exploring the possible future development, use and impact of quantum computing, human performance enhancement technology, artificial intelligence, net-zero carbon emission technology, human psychological and behavioral manipulation technology, unmanned aerial vehicles, autonomous computing, and the threats that may need to be addressed.
Dstl said that in addition to in-depth research in related fields, Singer and Cole also interviewed experts on various topics to ensure the intellectual value and insight of their work.
Compared to traditional learning methods, “stories ” can help people understand and feel potential security threats.
Angela McLean, the UK ’ s chief scientific adviser to the Department of Defense, wrote the introduction to the eight “Stories from the Future ”, noting that science fiction writers can often surpass their contemporaries in predicting future technological trends for many years, such as the Internet, mobile phones, unmanned driving technology, electric submarines, and so on.
McLean said the defense field must harness the creativity and vision of science fiction narratives to inspire innovation, “foresight ” and flexible, resilient solutions to prepare for the future.
Dstl mentioned in the preface to the storyline that the most critical historical moments often begin long before the news headlines happen.
“Useful fiction ” combines imagination, scientific reasoning, fact-based research, and creative communication to stimulate readers to take action in a way that is different from official documents such as white papers or pure fictional science fiction.
In addition to the UK, Dstl noted that “useful fiction ” has been adopted and developed by the North Atlantic Treaty Organization (NATO) and the US, Australian military and other organizations to predict the future operating environment, identify new technologies and important geopolitical changes that can disrupt or reverse the situation, and adjust the content of professional military training accordingly.
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The Hugo Award is considered the most important literary award in science fiction, and it is chosen by science fiction fans' votes, which helps drive readers' interest in science fiction reading.

The award is used as a reading guide for science fiction and has helped to re-popularize classic science fiction works through film adaptations.

The science fiction industry in China has reached 87.75 billion yuan in revenue in 2022 and is still developing, with new technologies expanding the space for science fiction creation.

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Online Commentary: Turn Beautiful Imagination into Reality Creativity
http: / / www.CRNTT.com 2023-11-27 10: 27: 46
Beijing, Nov. 27 / Net Review: Turning Beautiful Imagination into Reality Creativity
Source: People's Daily Author: Yu Sinan
Contemporary Chinese science fiction novels are popular all over the world, local science fiction films have gained a good reputation, and science fiction theme parks are favored by tourists... In recent years, China's science fiction industry has entered the fast track of development.
Recently, the World Science Fiction Conference was held in China for the first time.
This science fiction event showcases the profound innovation potential of China ’ s science fiction industry, injecting fresh energy into the development of the world science fiction industry.
Combining science and fantasy elements, science fiction is an important vehicle for cultivating the imagination, which can stimulate innovation and creation.
Guided by humanity ’ s ongoing quest for the natural universe, science fiction contains fantasies that can sometimes inspire scientific research.
From interstellar exploration to human-robot dialogue, many of the scenes that were once thought of in science fiction are now a reality.
Science fiction works satisfy people's curiosity and wonder, and have a natural advantage in promoting popular science.
For example, thanks to the popularity of film and television works such as "Wandering Earth 2" and "Three Bodies", space elevators, digital life, nuclear fusion and so on have become popular topics, which have inspired the whole society's vision of the vast space and determination to explore.
Today, from quantum science, brain-computer interfaces to the future network, the ever-expanding scientific frontier has also opened up space for science fiction creation.
At present, China's science and technology construction of a stable pace, major achievements continue to emerge, face recognition, intelligent driving and other new technology applications into depth, more and more people pay attention to science fiction, love science fiction, science fiction industry development foundation is more solid.
The "2023 China Science Fiction Industry Report" shows that in 2022, the total revenue of China's science fiction industry reached 87.75 billion yuan, and the development momentum of science fiction reading, science fiction vision, science fiction culture and tourism is stronger.
Times provides the soil for the development of science fiction, and people have more expectations for science fiction.
Compared with the rapid scientific and technological progress, China's science fiction industry is generally in its infancy, science fiction writers, audience groups and high-quality works are still lacking, and the atmosphere of science fiction to stimulate imagination and cultivate creativity has not yet been formed.
Facing the future, promoting the high-quality development of science fiction industry can not only provide people with rich cultural products, but also help illuminate the public's curiosity and love of the unknown, improve the scientific quality of the whole people, and cultivate a batch of scientific and technological innovation.
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Online platforms and social media have also posed challenges for authors, including the potential for the squandering of writers' rights and the need for authors to adapt to new publishing windows.

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Content: Friday 1st September 2023 Abu Dhabi UAE
Prayer times
News Highlights
Today 's Issue
Today 's Issue
A culture
The means of communication...
Enhanced windows for creativity
Social networking sites have provided creators with platforms to spread (from source)
September 1, 2023 01: 03
Said Yassin (Cairo)
Creators in the fields of story, novel, plastic art, comics and other types of art have suffered over the past decades from the decline in the levels of access of their literary and intellectual production to the public, in light of the shrinking number of publishing houses and art exhibitions in many countries. It has a special character and can not be bypassed in any way.
Al-Ittihad polled the opinions of a number of writers, writers and artists about the role of social media and electronic publishing, and did it add new publishing windows to creativity or has it a negative role on it?
In the beginning, Noha Dawood, who has published a number of novels, said that social media has become one of the most important outlets for the writer to reach readers, and hundreds of visitors and audiences of book fairs have known the creators through electronic platforms and social media, and this represents a great challenge for the creator, as he can provide good works and at the same time reach the audience easily, provided that he does not overstep on social media no matter how good. Reality moves with its calculations.
The researcher, artist and poet Mahmoud al-Shanqarabi acknowledges that the networking sites have added a lot to the creators of plastic art and cartoonists in light of the decline in the establishment of individual and collective exhibitions, as well as the decline of some paper newspapers that used to accommodate dozens of drawings per day for artists.
He pointed out that social media introduced him more to the public, and that his paintings and works published immediately after their completion provided him with opportunities to communicate with a wide sector of the public from various Arab countries, especially that his audience on social networking sites exceeded the number of his artistic audience that he has been for 60 years.
The writer Iman Al-Omari believes that social media has many positive aspects, contrary to what some of those who focus on highlighting its negative and bad aspects on culture and creativity, as it is like anything else contains the good and bad, and in the field of literature has benefited the book a lot, where it facilitated the acquaintance of writers among them, and facilitated the exchange of experiences and knowledge of what is offered in markets, without going through libraries in search of supply. For international and old writers, these can download their writings from their sites and avoid any practical difficulties that may hinder their purchase.
She said that the e-book will not cancel the paper book, as evidenced by the continued holding of regular book exhibitions and the increasing number of printed books and the demand for their purchase.
As for the Syrian artist Ibrahim al-Hassoun, he considered that communication sites are important windows for the creator, and free to display his creative production, especially as they reach the largest possible segment.
The writer and novelist Mohamed Refaat looks at the matter from another angle, and believes that although online platforms provide the opportunity for many writers, especially new ones, they have also sometimes contributed to the squandering of their rights, in some countries, in the absence of laws governing the relationship between the publisher and the writer or the reservation of intellectual property rights decisively.
All rights reserved to Al Ittihad Newspaper 2023 ©

Despite these challenges, online platforms have provided opportunities for new writers to publish their work and for authors to display their creative production freely and widely.

The use of social media has also led to the adaptation of online novels into movies and TV series, increasing their value and attraction.

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Content: Supplement
Sunday literature.
Culture
Sunday Literature ‧ From the Lecture to the Big Screen: Hong Kong Internet Fiction and Film and Television Adaptations
[Ming Pao News] ViuTV ’ s “That Summer We Bloom Like Flowers ” is based on the online novel“ The Dead Family ” serialized by He Xixian in the discussion forum in 2017. This set of sci-fi and bloody works unexpectedly won the attention and appreciation of the audience, allowing many people to see the possibility of online novel adaptation.
This time, we found 4 online writers, alas madman, orange green tea, Zhang Enqing and Xilou Yuexiu, to share with us the views of online fiction, and 4 online writers have set up a "writer Gathering" channel on YouTube, and share their views on literature with the audience.
West Building Moon Hook (West)
Born in Wenshi, currently working in the life and death industry, I believe that humor is the greatest resistance to absurdity.
She is the author of "Love is a messy poem", "Wrong correspondence with the girl ten years ago", etc.
Orange Green Tea (Orange)
Graduated from the Department of Psychology, he has been writing novels in online discussion forums since 2012. His masterpiece is “Have You Heard? ”
The Haunted House of San Diego, an exploration of human darkness by writing bloody horror stories.
Crazy people (alas)
Post-nineties network writers believe that creation is a struggle between ideals and reality, and a collection of self-inflated ideas.
The main writing of urban love, the author of "the goddess turned me into a player", "we did not say okay" and so on.
Zhang Enqing (Zhang)
After learning to write in Hong Kong after the millennium, he published two novels, "Ten Years of Love" and "Children Don't Return", and liked to write, but also liked to be a reader.
The prospect of videoconferencing in online fiction
Yang: How do you see the future of online fiction?
Alas: Not so optimistic at present, there were also online novels adapted into movies in the past, and people at that time thought there would be more and more adaptations.
After a work is "red", others will continue to try and make more adaptations, but they are not as good as the first one.
You need to know that one work "red" does not necessarily make the other two works "red", and then no one will invest in it in the long run.
Hong Kong ’ s ecology has always been purely about hit rate, and it will not be serious about nurturing a new kind of possibility.
Compared to the experience of adapting comics and novels in Korean dramas, I feel that it is difficult to implement in Hong Kong, because everything looks to money.
KM: I ’ m keeping an optimistic mind.
Because I think the previous several sets of adaptations have not had much response, but recently ViuTV's "We bloom like flowers in that summer" many people will discuss, but also let more people realize that in fact, the network novel adaptations have value and attraction.
In the past, some people would think that the content of online novels may not be comparable to traditional novels, and despised online novels, because some films and TV works let people gradually understand to appreciate.
I have seen some people ’ s comments that even if we compare “We Bloom That Summer ” with Netflix ’ s works, they will not lose to other episodes, so they will feel that the original novels of the series are also good.
In addition to TV dramas, our novels will be turned into stage dramas. I think there have been fewer such adaptations in the past. In recent years, more and more people will find online writers to publish book adaptations for stage dramas.
Zhang: I remember there were a lot of stories in the Gordon era that were adapted into movies.
Some people will see the adaptation of the film, feel that the original can not be on the stage, it is because after the story is adapted into a film, because the content is different because of the writer, the director, and the content has become another look.
But it seems that ViuTV this drama has the author himself to participate, will supervise it, so the effect is good.
If you want to make a movie with confidence, you need the author to grasp the content of the story.
West: I remember that in the Gordon era, there were many works that were adapted into movies, which led to the storytelling platform culture, and more people would participate in the creation – it turned out that writing stories could be converted into movies and encouraged people to create.
On the one hand, I feel that there are no outstanding works, and the second is that there is no ecological circle of adapted films in Hong Kong.
In fact, there have always been different network novels adapted into movies, but as Zhang Xiqing said, there are some differences, which will make people feel that the quality of the network novels is not good, so the final return of the problem is the director or screenwriter how to control.
Yang: When online novels are adapted into movies, they inevitably have to change the content of the movie model. What do you think is the biggest difficulty in adapting?
Orange: I have an original script adapted into a stage play, but my style is more murderous, so the first aspect of consideration is the method of killing people, writing can be written, but there may be many factors that lead to the actual performance can not be done in the ideal picture, or can be felt by reading the text. This is similar to the problem faced by "that summer we bloom like flowers", sometimes the content is too bloody, but it will make a group of people because they are too afraid to see, so the market will be limited, this factor will also be limited to the original creation and the effect of the painting.
West: I think it is the presentation, after all, the genre of fiction, stage drama, television drama is different, originally in the method is not necessarily the same, may be a novel can be written very empty, I can use a few thousand words to describe a scene, or describe some good science fiction things, but how can the stage drama be completed with limited costs?
Alas: I ’ m currently experiencing my own work being adapted and seeing other people ’ s work being adapted, and I usually find the hardest thing to present is dialogue.
Maybe you don ’ t feel embarrassed when you write, but when someone reads it, it will be very embarrassing, and I will think, why would I write these things? I think that if I want to present the book, even if the film is very “close to the ground ”, but those dialogues are also flickering for me.
Zhang: I think it is a matter of rhythm. For example, if I write more about feelings in a certain period, the content will be longer, and a novel can take a long time to get to the moving position. But when I become a second medium, for example, the story is only two hours long.
The Future of Online Writers
Yang: Do you think that the trend of online fiction towards film and television, facing a larger market, will not be the way out for online writers in the future?
Alas: Talking about this issue, it should be recalled that in the past, the ecology of online novels began with discussion forums, and books will be published after the forum is serialized, and then there are movie works, but the film adaptations have been quiet for a while.
And for me, the book has been called the last step, so even if the network novel is adapted into a film, I dare not say that it is a huge market, but it is also an opportunity to contact more different audiences.
Orange: We online writers, what is called a way out, or what to survive? In fact, our livelihood is usually not dependent on the publication of books, the author's share is very small, may only be enough for you to drink a cup of coffee.
So some of our writer friends, including me, are trying to open their own publishing house to publish their own books, to control the cost, and to guarantee the source of income, which is the first way I see.
And when it comes to video network novels, more like the author's own milestone, he may want to write a book first, after the book will want to have a more angle to see the works.
Zhang: If the definition of the way out is to make more money, I believe most independent publishing people dare not say that they can earn their own money through publishing, there should be nothing possible, so I do not have the idea of making money.
But if the novel into a movie can let more people know their own words, I also feel that the video works is a good way, always in the online world, the online novel will only let those readers who read the text on the Internet see, not everyone will use this way to know the works and the author, but after the video, there will be more people through different media to recognize me, let people notice that there is always online. It is also one of the benefits that people are writing and passing on their ideas and words to others.
West: My opinion is similar, as a writer in Hong Kong, I guess the biggest driving force for everyone to write is interest, and then I will think about whether this matter can make a living.
I think most Hong Kong creators and writers have to go to the very top to raise themselves with royalties.
And to move the work to video is also a way out, I will feel that video can drive the original creator's popularity, his royalties may return more to themselves.
And the second is whether it can cultivate an ecological chain, which can be continuously cycled, so that the work can be continuously visualized, and then the author can maintain himself, but the establishment of this matter is the need for conditions.
Alas: Plus I can remember to do the ecological chain as you said, his own books and constantly been adapted, currently only to the West Village upper spring tree can do, he has a total of 4 works of adaptation, 3 films 1 set of drama.
Orange: I want to look at sustainability, because the money you ’ re talking about in the adaptations of the works, compared to the writing time of Haruki Nishimura over the years, may not be able to sustain him for so many years.
So I think that to continue to adapt to achieve that ideal state, if it is intermittent adaptation can only be regarded as bonus.
Yang: What do you think will be considered when you write your work?
Alas: I think most writers in Hong Kong have not considered this, and I have not imagined that there will be an opportunity to be adapted, but only after the book is published, I will simply think about it.
But looking at other countries, such as South Korea, Korean writers will certainly have to consider adaptation, their TV series are mostly adapted from online comics and online novels, has a mature environment, and the ecology of the adapted works will also affect the author's perspective and perspective when writing.
Zhang: I feel that Hong Kong ’ s limited resources limit my imagination of how my work can become a different medium.
For example, I think that after writing, the work becomes a novel, and then publishing contact with readers is the end of the work, and there are no more possibilities.
In recent years, because of the realization of theater, I will find that the works can be adapted into different plays, and I will want to try.
Orange: I didn ’ t think about it when I wrote it, because if I had to think about actual shooting often, it would affect my own creation, as if I would “hoop ” myself.
And I am good at writing murder, bloody drama, if I often think about whether I can shoot, it will limit my thinking about the way to kill, how to look good.
In addition, I feel that the consideration of Hong Kong writers without such adaptations is a matter of style, and it is a restriction of the region.
West: I think it is normal to see if the adaptation is a normal thing. If you are in a place, you will think about adapting the work into a film and television work.
It is difficult to suddenly have a writer will think of it when writing - wait for me to write a work that will be changed into a stage play, a TV series, just like spiritual training.
We usually write stories as the only way to get started.
If everyone starts with adaptation, then the revenue generated by adaptation is considerable.
If film and television become the norm, we will see the TV station in the rendition of the script, then people will deliberately write for the adaptation, but we have not seen such a trend.
Orange: I want to emphasize that what we online writers write will not feel cinematic, that is, the plot is tight and tense.
Write a script, then a novel?
Yang: Another approach is to write a film into a novel, first a film, then a novel, like "Fantasy", how would you see this creative method?
Zhang: I think the script and the novel are different genres, and the narrative is not the same, so it is not necessary for me to just sell a script to the reader.
But if there is a novel perspective, the writing in the novel is different, it is also feasible to see another story.
And for the producer, you can make more money.
Orange: If, from an audience point of view, I think it looks good after a play, I would like to see the novel again.
But it may be my memory problem, I do not remember the bridge of the film, so when reading the novel, I feel like reading a story again.
The second is that the movie picture and text bring a very different feeling, but watching the movie is only more than two hours, and watching the novel can be slowly felt.
Alas: I feel like peripheral goods, to meet some people who like text, can enjoy it more.
But my personal experience is that usually the movie will not be as good as the movie, such as "Yin Leaf Court", "5cm per second", which is only after the animation of the novel.
When I look at the animation, I will be more immersed in the inner struggle of the protagonist and the pure love between the male and female protagonists.
Zhang: And when reading a novel, there is more room for imagination. I remember watching a movie before I felt that the male protagonist was miserable and pitiful, and when I read a book, I felt that he was very resistant to death.
But because the actor who plays the lead actor is very good looking after the film, even if he does the same bridge, he does not resist the feeling of death.
So the imagination brought by reading the novel will make the angle of view different, the feeling is different, and the film is too clear to show the difference in the effect of the picture.
Postscript
The conversation with the four authors allowed me to understand that there is still a lot of room and direction for development in Hong Kong. Online novels can rely on the popularity of original readers to make film and television works more effective, and film and television works can also be regarded as an extension of the novel, and beckon to more unknown audiences.
And from the novel to the visual-led medium, there are many changes, such as the length of film and television works, the mirror can be very different from the original, in the process of transformation or will affect the original, should be regarded as two works, two kinds of presentation.
Author: Gathering
“Writer Gathering ” is part of the“ Restructuring Theatre New Project ”, which combines online theatre and literature to invite online writers to develop their works into theatre performances.
The YouTube Channel "Writer Gathering" is to explore the phenomenon of fiction and online culture with everyone, and introduce culture to the audience in an easy way "close to the people" and reach more readers.
There are five main members of “Writer Gathering ”, including Orange Green Tea, Yang Ge, West Lou Yuehu, Ah Crazy Man, and Zhang Enqing, so that the writer can become a YouTuber and face the reader directly.
For writers, writing is mostly alone, such as the West Lou Yueh-Hou and Zhang Enqing books rarely appear in front of the curtain, West Lou admitted that he prefers to be a person when creating, but it is rare to be able to discuss literature and art with a group of people.
And this attempt for Zhang to overcome the fear of performing in front of the curtain, she was worried that she would say the wrong thing, and writing, interacting with people and filming are very different, and talking about things other than writing occasionally caught her "off guard."
Another member, Orange Green Tea, believes that writers are "on the mirror" and returning to writing, when there is a big gap to the reader, and it is easy to "disillusion". She explains that sometimes the text allows readers to fantasize about a certain image of the writer, and the writer in front of the camera is different from the imagination of some readers.
Yang Xiying - is striving to become a professional writer, believing that the written word is a vehicle for responding to the world, and is a reporter, editor and publisher.
The article appears in Ming Pao, "Flowers" and so on.
Art • Liu Ruoji
Editors • Chow Ling Pu
Email • literature @ mingpao.com
fb: http: / / www.facebook.com / SundayMingpao
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However, dialogue presentation and rhythm and pacing are major challenges when adapting online novels into different mediums.

Overall, online platforms and social media have had a significant impact on the science fiction genre, presenting both opportunities and challenges for authors from underrepresented backgrounds.

Title:

Content: SFWA Market Report – April 2023

Welcome to the April edition of the SFWA Market Report.

Please note: Inclusion of any venue in this report does not indicate an official endorsement by SFWA. Those included on this list pay at least $0.08/word in at least one category of fiction. This compilation is not exhaustive of all publication opportunities that pay our recommended minimum professional rate. Additionally, SFWA adheres to our DEI Policy when making selections for this report. We strongly encourage writers to closely review all contracts and consult our resources on best contract practices.

New Markets

Impossible Worlds
The Off-Season: An Anthology of Coastal New Weird (Upcoming)

Markets Currently Open for Submissions

Analog Science Fiction & Fact
Apex Magazine
Asimov’s Science Fiction
Assemble Artifacts Magazine
Beneath Ceaseless Skies
Cast of Wonders (Recently Opened)
Clarkesworld Magazine (Recently Opened)
Escape Pod
Factor Four Magazine
Fantasy & Science Fiction (F&SF)
Fantasy Magazine (Recently Opened)
Flame Tree Fiction Newsletter
Habitats Magazine
Infinite Horrors
Infinite Worlds
Islandia Journal
Issues in Earth Science
khoréo magazine (khoreo) (Recently Opened)
LatineLit
Lightspeed (Recently Opened)
Little Blue Marble
midnight & indigo
Nature: Futures
PodCastle
PseudoPod (Recently Opened)
Reckoning
riddlebird (Recently Opened)
Robotic Ambitions (Recently Opened)
Samovar
Small Wonders (Recently Opened)
The Big Issue (Recently Opened)
The Deadlands
Uncharted Magazine

Markets Recently Closed for Submissions

CatsCast
Cosmic Roots and Eldritch Shores
FIYAH
Metastellar (Originals)
Zooscape

Other Opportunities

If There’s Anyone Left Micro-Fiction Contest

Upcoming Market Changes

Cast of Wonders‘s “Banned Books Week” theme ends soon.
Cast of Wonders‘s Limited demographic submission window: young authors begins and ends soon.
Cosmic Roots and Eldritch Shores‘s Submission Window begins and ends soon.
If There’s Anyone Left Micro-Fiction Contest‘s Submission Window ends soon.
khoréo magazine (khoreo)‘s Submission Window ends soon.
Lightspeed‘s General science fiction, short fiction ends soon.
Lightspeed‘s BIPOC-only fantasy, short fiction begins and ends soon.
Lightspeed‘s General fantasy, short fiction begins soon.
Robotic Ambitions‘s Limited Demographic Submission Window: marginalized writers ends soon.
Strange Horizons opens soon.