Syrian traditional glassblowing is an artisanal craft that originated with the Phoenicians and evolved in Damascus.

The craft has a rich history, with evidence of glassblowing dating back to the 1st century BC in Syria.

According to historical records, Syrian craftsmen invented glassblowing in various cities, including Sidon, Aleppo, Hama, and Palmyra.

The technique of glassblowing remains essentially the same today, involving the heating of sand to high temperatures and shaping molten glass with tools and air.

Glassblowing is a significant part of Syrian culture, with the craft being passed down through centuries.

The importance of glassblowing in Syrian culture is also reflected in its inclusion as part of the traditional professions in the country.

In addition to its cultural significance, glassblowing is also considered a type of plastic art, with artisans using their imagination to create unique shapes and designs.

The craft has been affected by war, but it has been revived after liberation, with some artisans having over 40 years of experience in glassblowing.

Despite its rich history and cultural significance, the current status of the craft in terms of the number of craftsmen doing traditional glassblowing is not available.

However, it is known that the craft is still practiced in Damascus, which is a hub for traditional Syrian glassblowing.

The use of natural materials, such as recycled glass and high-temperature ovens, is also still prevalent in the craft.

UNESCO has listed Syrian glassblowing as an Intangible Cultural Heritage in Need of Urgent Safeguarding, recognizing its cultural significance and the risk it faces.

The listing was made in 2019, with UNESCO acknowledging the importance of preserving the craft as part of Syria's national identity.

The reason for UNESCO's listing is due to the craft's cultural significance and the risk it! faces, with the organization recognizing the need for urgent safeguarding to preserve the craft.

Syria is working to preserve its intangible cultural heritage, including traditional crafts like glassblowing, which contributes to preserving the country's national identity.

The Levant region, where Syria is located, has the oldest and richest heritage, making the preservation of traditional crafts like glassblowing crucial.

Overall, Syrian traditional glassblowing is a significant part of the country's cultural heritage, and efforts are being made to preserve the craft and pass it down to future generations.

The importance of preserving the craft is reflected in its inclusion in UNESCO's List of Intangible Cultural Heritage in Need of Urgent Safeguarding, and it is hoped that the craft will continue to thrive in the future.

Exhibitions and seminars are being held to showcase and preserve the craft, with artisans participating in these events to maintain the importance of traditional professions.

The use of natural materials and traditional techniques is still prevalent in the craft, and it is hoped that these practices will continue to be passed down to future generations.

In conclusion, Syrian traditional glassblowing is a significant part of the country's cultural heritage, and efforts are being made to preserve the craft and pass it down to future generations.

Syrian traditional glassblowing is an artisanal craft that originated with the Phoenicians and evolved in Damascus.

Title:

Content: Samples of the Damascene Literary Heritage Attend an Exhibition and Seminar in the Culture of Infection
Damascus-Sana
In the exhibition “Heritage Crafts are Inherited by the Fragrance of History ” hosted by the Adawi Cultural Center, the artworks varied between glass decoration, Damascene brocade and various handicrafts.
The exhibition was followed by an introductory seminar on these arts for the Sheikhs of Carr and craftsmen specialized in these professions under the supervision of the handicraft trainer Rowaa Yousef.
Youssef Lassana explained that the exhibition was dedicated to traditional professions in general and handicrafts, especially such as brocade, painting on glass, Islamic motifs and handicrafts to maintain their continuity and importance.
Mohammed Bassam Rayhan Sheikh Al-Karar in painting on glass and decoration spoke in his intervention about the history of this craft, its forms, fields of work and materials used in it, pointing out that the glass, which was the first to be invented by the Phoenicians, evolved in Damascus throughout history and was painted on the mishkat and lanterns using oxides and various materials, thermal colors, acrlik and others.
The Damascene brocade craftsman Mohammed Rankous explained in his intervention that this cloth is made of natural silk and golden reed yarns and attributed to Damascus because it took its character, heritage and environment, such as the painting of Omar Khayyam, the Levantine Rose, grape clusters, the lover and the beloved, and the octagonal geometric drawings, pointing out that this craft entered the cultures of different civilizations.
Nasruddin Mohammed is a graduate of applied arts and a drawing teacher who participated in paintings for his students from children and boys. In his intervention, he explained the history of the Damascene plant decoration, its methods, types and schools such as Andalusian, Persian and Damascene, and its differences in decoration, diggings, mirrors and miniatures, indicating that its history dates back to the Andalusian civilization, which was its main creativity in palaces and buildings.
Mohammed Sabha is a bridal craftsman who participated in a group of decorative glass works for brides and explained that he has completed a model of a waterfall flowing from an electric mountain that is operated by hand from cardboard, wood and cork inspired by his ideas.
Rana Ayoub participated in a group of works of three-dimensional models and miniatures of the Levant environment. She explained that she chose this environment because she grew up and lived in it and adored it. It is necessary to inform future generations of their heritage and history, pointing out that she works with cork, wood, natural materials, gypsum, ceramic paste and others.
Bilal Ahmed

The craft has a rich history, with evidence of glassblowing dating back to the 1st century BC in Syria.

Title:

Content: Bella Hadid flashes her toned figure in shorts and a cropped sports top while showing off her creative side as she learns the art of glassblowing

It appears Bella Hadid has found a new hobby that showcases her artistic side.

On Sunday, the catwalk queen took to her Instagram page and posted a step-by-step video of herself making her own glass piece, using classic glassblowing technique in a workshop.

Considering the extreme temperatures it takes to make glass from beginning to end, Bella opted to keep her cloths to a minimum and wore skimpy white shorts with a cropped purple sports top.

Showing her creative side: Bella Hadid, 25, learned the classic art of glassblowing to make her own glass piece and posting a video on her Instagram page on Sunday

Glass is made from the process of heating sand to an extremely high temperature so that it turns into a moldable liquid. When it solidifies, a piece of glass is formed in whatever shape the creator has molded it into.

In the video, viewers will find Bella at the stage where she's working to shape the molten red hot material.

She can be seen sitting down and jabbing a long, sharp wrench-like tool with her scorching hot material, which was attached to a hollow blow pole about three feet long.

She was concerned with safety and wore goggles to protect her eyes.

Shaping: The video shows Bella at the stage where she's working to shape the molten red hot material that is attached to a blow pole

Working it: An instructor can be heard voicing a couple of tips as she spins that object around to the point where a small hole begins to form

Dose of heat: By the end of the first clip, Bella gets up and gives the hot material another dose of intense heat by placing it into a fiery furnace

An instructor can be heard voicing a couple of tips as she spins that object round and round to the point where a small hole begins to form.

By the end of the first clip, Bella gets up and gives the hot material another dose of intense heat by placing it into the fiery furnace.

For the next phase, the instructor assists Bella and slowly spins the blow pole while she sands down the still-molten red piece with two black blocks.

The heat is so intense that you can see steam floating into the air as they continue the sanding-down process.

Honing it: For the next phase, the instructor assists Bella and slowly spins the blow pole while she sands down the still molten red piece with two black blocks

Team work: Bella and the instructor work together to begin molding the molten hot object into shape with those two black blocks

Trippy: Bella gave her 53.7 million Instagram fans and followers a look at how her glass piece is looking at this stage of the process

More intense heat: At one point, the Washington, DC, native can be seen kneeling down using a small propane tank to heat up the object to make a few more changes

At one point, the Washington, DC, native can be seen kneeling down using a small propane tank to heat up the object to make a few more changes.

'Oh yeah, that's the one right there,' a man's voice from behind the camera can be heard saying as they continue to spin the object while jabbing it with that sharp tool.

As the process continues, Bella sits down, spinning the blow pole back and forth as it rests in a round plate that she holds with her right hand.

'It's a perfect shape,' the instructors says in encouragement.

'Here it is, ladies and gentlemen,' the man continues just as Bella gets up to blow into the pole to expand the molten hot material out to form some sort of glassware or vase.

Example: The catwalk queen drew out the shape of her piece she was trying to attain with chalk

Rounding it out: As the process continues, Bella sits down and spins the blow pole back and forth as it rests in a round plate that she holds with her right hand

Major phase: 'Here it is, ladies and gentlemen,' the man from behind the camera continues as Bella starts blowing into the pole

Expanding: Bella then process of blowing into the pole to expand the molten material out to form some sort of glassware

Old technique: Glassblowing is the practice of shaping a mass of glass that has been softened by heat by blowing air into it through a tube, or in this case a pole

The final clips shows a closeup of Bella spinning the glass while adding a few intricate touches to the piece with a prong-like tool.

Glassblowing is the practice of shaping a mass of glass that has been softened by heat by blowing air into it through a tube

It was was invented by Syrian craftsmen in the area of Sidon, Aleppo, Hama and Palmyra in the 1st century BC, according to Britannica.

The technique has remained essentially the same to the present day.

Ancient art form: Glassblowing was was invented by Syrian craftsmen in the area of Sidon, Aleppo, Hama and Palmyra in the 1st century bc, according to Britannica

Lovin' it: The glassblowing technique has remained basically the same to the present day

Advertisement

Bella Hadid flashes her toned figure in shorts and a crop top while learning the art of glassblowing

No comments have so far been submitted. Why not be the first to send us your thoughts, or debate this issue live on our message boards.

According to historical records, Syrian craftsmen invented glassblowing in various cities, including Sidon, Aleppo, Hama, and Palmyra.

The technique of glassblowing remains essentially the same today, involving the heating of sand to high temperatures and shaping molten glass with tools and air.

Glassblowing is a significant part of Syrian culture, with the craft being passed down through centuries.

The importance of glassblowing in Syrian culture is also reflected in its inclusion as part of the traditional professions in the country.

In addition to its cultural significance, glassblowing is also considered a type of plastic art, with artisans using their imagination to create unique shapes and designs.

Title:

Content: Art of glassblowing returns again in Aleppo countryside liberated from terrorism

The town of Urem Al-Kubra in Aleppo province in northern Syria has historically been famous for its skilled glassblowing craftsmen. The war considerably affected this traditional craft inherited from our ancestors, but after the liberation of the city from terrorism, some artisans have brought it back to life. The artisan, Yassin Arab learned the glassblowing craft from his father when he was a child, and after the town was liberated from terrorism, he returned to his small facility, where he worked to restore it and start working again. Arab does not hide his enormous passion for the craft of glassblowing and his belief in the need to preserve this ancient Syrian heritage. Regarding the working mechanism, the artisan explained to SANA that he uses recycled glass, melts it again in the oven at high temperature, and then chooses a specific shape for its manufacture, whether hookah bottles, vases, plates, small jugs, fish houses for decoration, decorated cups and antiques of different sizes. After that, t he piece is blown, rotated and processed by the artisan until it takes its final shape using white and brown colors, and once the manufacturing of the product is finished, it is decorated and colored to give it the required aesthetics. For his part, Hussein Najjar noted that he learned the craft of blowing glass manually since he was young and has been working in this field for 40 years. He added that he is able to make any shape or glass container, using his imagination, and considered that the art of glassblowing is one of the types of plastic arts. Traditional glassblowing is a profession that dates back more than two thousand years (since the time of the Phoenicians) and was included in December 2023 by UNESCO on the list of intangible cultural heritage of humanity that needs urgent preservation. Source: Syrian Arab News Agency

The craft has been affected by war, but it has been revived after liberation, with some artisans having over 40 years of experience in glassblowing.

Despite its rich history and cultural significance, the current status of the craft in terms of the number of craftsmen doing traditional glassblowing is not available.

However, it is known that the craft is still practiced in Damascus, which is a hub for traditional Syrian glassblowing.

Title:

Content: Red Sea Festival in Jeddah
Arab culture in 2023.
Achievements and Creations
The year 2023 witnessed a large number of important cultural events in the Arab world. In addition to the periodic film, theater and visual festivals and book fairs, there was a real presence of creative ideas and new initiatives not witnessed in the cultural arena in previous years.
The sixth edition of the Cultural Summit was held in Manarat Al Saadiyat under the theme ‘ A Matter of Time ’, to explore how culture is changing the world ’ s perception of time, alongside the Al Hosn Festival, which documents the heritage of this ancient city.
The Emirates Airline Festival of Literature, one of the top 10 literary festivals around the world, also kicked off in Dubai, UAE, and hosted more than 260 writers, creators and thought leaders from around the world and the Arab world in more than 300 events covering all topics, such as literature, arts, culture and more.
Saudi Arabia launched the Culture Index in the Islamic World project, which monitors the transformation of the cultural landscape and its development and documents its achievements in Islamic countries within four dimensions and axes: “Culture for Economic Development, Culture for Environment, Climate and Resilience, Culture for Social Development, and Culture for Openness and Diversity. ”
Red Sea Film Festival selects 17 films for its official competition
The Red Sea International Film Festival (RIFF), the first international film festival in Saudi Arabia, was held in Jeddah, Saudi Arabia in early December. In addition to film screenings and competitions, the festival will feature “Talent Days ”, which will provide specialized discussion sessions and orientation workshops for filmmakers who are passionate about learning the craft and enhancing their skills and artistic tools.
In the context of cinema, the year 2023 witnessed Arab participation in a number of film festivals, most notably the Cannes Film Festival, which witnessed the culmination of three Arab films in the "Some Look" competition dedicated to encouraging young talents in the field of film.
The Moroccan film "Hunting Dogs" by Kamal Lazrak won the jury award, the Moroccan director Asma Al-Mader won the directing award for her documentary "White Lie", while the Sudanese film "Goodbye Julia" by Mohamed Kordafani won the freedom award, the first participation of a Sudanese film in this prestigious festival.
At the Berlin Film Festival, the Lebanese film “Yarqa ” for the sisters Michel and Manuel Ksarwani won the“ Golden Bear for Best Short Film ”, while the Yemeni director Amr Jamal ’ s “The Tired ” won the Amnesty International Human Rights Award at the same festival.
In the field of literature, the winning of the Iraqi novelist Firat al-Ani Award for Arabic Literature, presented by the Jean-Luc Lagardère Foundation and the Institut du Monde Arabe in Paris, for his novel “I Remember Fallujah ”. Similarly, the Omani novelist Zahran Al Qasimi won the International Prize for Arabic Fiction“ Poker ” for his novel “Taghriba Al Qaffer ”. The novel.
In an earlier interview with Erm News...
How did Zahran Al Qasimi predict that his novel would win poker?
Continuing the literary prizes, Ashraf Ashmawy of Egypt won two prizes from Katara of Qatar, while Mohammed Al Yahyaei of Oman won the prize for his novel “The War ”.
As for the intangible cultural heritage, the inclusion of the Syrian glass blowing element on UNESCO ’ s lists of urgent conservation is a milestone achieved by Damascus.
The losses of Arab creators remain a milestone in the scene, including, for example, the Lebanese composer Elie Choueiri, the Syrian novelist Khaled Khalifa, and the pioneer of children ’ s literature in Egypt Yacoub Sharouni.
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The use of natural materials, such as recycled glass and high-temperature ovens, is also still prevalent in the craft.

UNESCO has listed Syrian glassblowing as an Intangible Cultural Heritage in Need of Urgent Safeguarding, recognizing its cultural significance and the risk it faces.

The listing was made in 2019, with UNESCO acknowledging the importance of preserving the craft as part of Syria's national identity.

Title:

Content: Culture of Al-Baath Newspaper
Intangible heritage contributions to the protection of national identity
Amina Abbas
Heritage researchers and scholars agree that the Levant region is the most important heritage repository for humanity, as it has the oldest and richest heritage, and this heritage, both material and intangible, was coveted by the colonists since ancient times to destroy culture and identity, there is no identity without heritage based on it, and no heritage without identity, so Syria is keen through its institutions and bodies to emphasize the importance of preserving it.
Hence, the Quneitra branch of the Arab Writers Union, in celebration of World Heritage Day, decided to hold a seminar in the Levant Hall of the National Museum entitled “Contributions of Intangible Heritage to the Protection of National Identity ” with the participation of Dr. Amal Daccak, Professor Ruba Al-Diab, Qas Ghassan Houranieh and Dr. Rima Diab, Head of the Quneitra branch of the Arab Writers Union. It represents not only traditions and the past, but society in all its layers, and links the past to the present and the future, and it is a means for each people to prove its existence in the world and its authenticity, while stressing that the intangible heritage contributes to the preservation of identity and personality. Our identity and our heritage in the era of globalization, which is trying to eliminate our heritage and culture to be part of this lost world.
This was also confirmed by Dr. Dakak in her participation: “The Syrian tangible and intangible heritage is rich in its authenticity and civilization that dates back thousands of years, so it was and still is coveted by the colonists who stole many treasures to be in their world museums, and their war on Syria recently was aimed at destroying culture and identity and stealing antiquities. ” It is an integrated cultural unit formed by man throughout his long history with his creative thinking, observations, reflections and experiences accumulated generation after generation, and it is the social environment occupied by man and the components and pillars produced by previous generations until it reached subsequent generations and has the function of supervising the behavior of the individual and his sociocultural upbringing because it is a reflection of the social, intellectual and cultural life of peoples. As Daccak pointed out, the identity is the set of psychological, social and civilizational features of our nation throughout its long history, and the folklore constitutes the identity of a homeland rich in culture and civilization, calling in the era of globalization to seek to preserve our cultural identity and heritage, which represents this identity to face the challenges of globalization that invade us and want to eliminate our identity and culture. And our originality by drawing different borders in which national identity is absent and killing people in their country.
Because the Levantine rose and its associated practices and traditional crafts are important Syrian heritage elements inherited from generation after generation, and was included by UNESCO in 2019 in the list of intangible human heritage was talked about by Professor Al-Diab, who was crowned queen of roses and became Syrian ambassador to the world: “The Levantine rose was found painted on the wall of a palace on the island of Crete and was introduced to France during wars. As the poet Nizar Qabbani wrote about her,“ I am your Damascene rose, O people of the Levant, and whoever finds me should put me in the first vase, ” referring to the areas of its cultivation in Damascus countryside and Ghubartha. The project was launched by the Syrian Secretariat for Development in 2020 with the support of First Lady Asma al-Assad, affirming that Syrians consider the Levantine Rose an important part of their culture. The Ministry of Tourism has taken it as its slogan, in addition to many medical and cosmetic companies and building a path that is architecturally designed in the form of a Levantine Rose, explaining that the elements of the Syrian intangible cultural heritage include: Traditions and expressions “qaṣīda, mawwāl, ataba, dalaouna, zaghārīd, folk proverbs ” and the arts:“ Aleppo qadūd, coastal dabka, Circassian dance, Syriac church music ” Social practices “preparing and serving bitter coffee ” Knowledge and practices related to nature and the universe:“ cupping, traditional architecture ” Skills related to traditional crafts “wooden mosaic, brocade ” The crafts associated with the Levantine Rose ”, and that the elements of the intangible Syrian heritage included in the lists of human heritage are: falcon hunting, shadow fiction theater, Levantine Rose, Aleppo cod, glass blowing and making sticks and playing on them.
It is noteworthy that the seminar included the presentation of a film prepared by dr.
Amal Daccak spoke about heritage in our contemporary lives and its role in preserving our national identity, and the participation of the storyteller Ghassan Houranieh through a short story titled “The Levantine Rose ”.

The reason for UNESCO's listing is due to the craft's cultural significance and the risk it! faces, with the organization recognizing the need for urgent safeguarding to preserve the craft.

Syria is working to preserve its intangible cultural heritage, including traditional crafts like glassblowing, which contributes to preserving the country's national identity.

The Levant region, where Syria is located, has the oldest and richest heritage, making the preservation of traditional crafts like glassblowing crucial.

Overall, Syrian traditional glassblowing is a significant part of the country's cultural heritage, and efforts are being made to preserve the craft and pass it down to future generations.

The importance of preserving the craft is reflected in its inclusion in UNESCO's List of Intangible Cultural Heritage in Need of Urgent Safeguarding, and it is hoped that the craft will continue to thrive in the future.

Exhibitions and seminars are being held to showcase and preserve the craft, with artisans participating in these events to maintain the importance of traditional professions.

The use of natural materials and traditional techniques is still prevalent in the craft, and it is hoped that these practices will continue to be passed down to future generations.

In conclusion, Syrian traditional glassblowing is a significant part of the country's cultural heritage, and efforts are being made to preserve the craft and pass it down to future generations.


Syrian traditional glassblowing is an ancient craft that originated in the 1st century BC, with Syrian craftsmen inventing glassblowing in cities such as Sidon, Aleppo, Hama, and Palmyra.

The craft has a rich history, with some sources suggesting it evolved in Damascus with the Phoenicians.

Glassblowing is an important part of Syrian culture, with the craft being passed down through generations.

The technique of glassblowing remains essentially the same today, involving the heating of sand to high temperatures and shaping molten glass with tools and air.

UNESCO has listed Syrian glassblowing as Intangible Cultural Heritage in Need of Urgent Safeguarding, recognizing its significance in Syrian culture.

The craft was affected by war in Syria, but has been revived after liberation, with artisans using recycled glass and high-temperature ovens to create pieces.

The number of craftsmen practicing traditional glassblowing is not specified in the available sources, but it is clear that the craft is still practiced and valued in Syria.

UNESCO's decision to list Syrian glassblowing as Intangible Cultural Heritage in Need of Urgent Safeguarding is due to the craft's importance in preserving national identity and its risk of being lost due to various threats.

The listing of Syrian glassblowing as Intangible Cultural Heritage was made in 2019, according to some sources [7], while others suggest it was listed in 2023.

Overall, Syrian traditional glassblowing is a unique and valuable craft that plays a significant role in Syrian culture and heritage.

Syrian traditional glassblowing is an ancient craft that originated in the 1st century BC, with Syrian craftsmen inventing glassblowing in cities such as Sidon, Aleppo, Hama, and Palmyra.

Title:

Content: Bella Hadid flashes her toned figure in shorts and a cropped sports top while showing off her creative side as she learns the art of glassblowing

It appears Bella Hadid has found a new hobby that showcases her artistic side.

On Sunday, the catwalk queen took to her Instagram page and posted a step-by-step video of herself making her own glass piece, using classic glassblowing technique in a workshop.

Considering the extreme temperatures it takes to make glass from beginning to end, Bella opted to keep her cloths to a minimum and wore skimpy white shorts with a cropped purple sports top.

Showing her creative side: Bella Hadid, 25, learned the classic art of glassblowing to make her own glass piece and posting a video on her Instagram page on Sunday

Glass is made from the process of heating sand to an extremely high temperature so that it turns into a moldable liquid. When it solidifies, a piece of glass is formed in whatever shape the creator has molded it into.

In the video, viewers will find Bella at the stage where she's working to shape the molten red hot material.

She can be seen sitting down and jabbing a long, sharp wrench-like tool with her scorching hot material, which was attached to a hollow blow pole about three feet long.

She was concerned with safety and wore goggles to protect her eyes.

Shaping: The video shows Bella at the stage where she's working to shape the molten red hot material that is attached to a blow pole

Working it: An instructor can be heard voicing a couple of tips as she spins that object around to the point where a small hole begins to form

Dose of heat: By the end of the first clip, Bella gets up and gives the hot material another dose of intense heat by placing it into a fiery furnace

An instructor can be heard voicing a couple of tips as she spins that object round and round to the point where a small hole begins to form.

By the end of the first clip, Bella gets up and gives the hot material another dose of intense heat by placing it into the fiery furnace.

For the next phase, the instructor assists Bella and slowly spins the blow pole while she sands down the still-molten red piece with two black blocks.

The heat is so intense that you can see steam floating into the air as they continue the sanding-down process.

Honing it: For the next phase, the instructor assists Bella and slowly spins the blow pole while she sands down the still molten red piece with two black blocks

Team work: Bella and the instructor work together to begin molding the molten hot object into shape with those two black blocks

Trippy: Bella gave her 53.7 million Instagram fans and followers a look at how her glass piece is looking at this stage of the process

More intense heat: At one point, the Washington, DC, native can be seen kneeling down using a small propane tank to heat up the object to make a few more changes

At one point, the Washington, DC, native can be seen kneeling down using a small propane tank to heat up the object to make a few more changes.

'Oh yeah, that's the one right there,' a man's voice from behind the camera can be heard saying as they continue to spin the object while jabbing it with that sharp tool.

As the process continues, Bella sits down, spinning the blow pole back and forth as it rests in a round plate that she holds with her right hand.

'It's a perfect shape,' the instructors says in encouragement.

'Here it is, ladies and gentlemen,' the man continues just as Bella gets up to blow into the pole to expand the molten hot material out to form some sort of glassware or vase.

Example: The catwalk queen drew out the shape of her piece she was trying to attain with chalk

Rounding it out: As the process continues, Bella sits down and spins the blow pole back and forth as it rests in a round plate that she holds with her right hand

Major phase: 'Here it is, ladies and gentlemen,' the man from behind the camera continues as Bella starts blowing into the pole

Expanding: Bella then process of blowing into the pole to expand the molten material out to form some sort of glassware

Old technique: Glassblowing is the practice of shaping a mass of glass that has been softened by heat by blowing air into it through a tube, or in this case a pole

The final clips shows a closeup of Bella spinning the glass while adding a few intricate touches to the piece with a prong-like tool.

Glassblowing is the practice of shaping a mass of glass that has been softened by heat by blowing air into it through a tube

It was was invented by Syrian craftsmen in the area of Sidon, Aleppo, Hama and Palmyra in the 1st century BC, according to Britannica.

The technique has remained essentially the same to the present day.

Ancient art form: Glassblowing was was invented by Syrian craftsmen in the area of Sidon, Aleppo, Hama and Palmyra in the 1st century bc, according to Britannica

Lovin' it: The glassblowing technique has remained basically the same to the present day

Advertisement

Bella Hadid flashes her toned figure in shorts and a crop top while learning the art of glassblowing

No comments have so far been submitted. Why not be the first to send us your thoughts, or debate this issue live on our message boards.

The craft has a rich history, with some sources suggesting it evolved in Damascus with the Phoenicians.

Title:

Content: Samples of the Damascene Literary Heritage Attend an Exhibition and Seminar in the Culture of Infection
Damascus-Sana
In the exhibition “Heritage Crafts are Inherited by the Fragrance of History ” hosted by the Adawi Cultural Center, the artworks varied between glass decoration, Damascene brocade and various handicrafts.
The exhibition was followed by an introductory seminar on these arts for the Sheikhs of Carr and craftsmen specialized in these professions under the supervision of the handicraft trainer Rowaa Yousef.
Youssef Lassana explained that the exhibition was dedicated to traditional professions in general and handicrafts, especially such as brocade, painting on glass, Islamic motifs and handicrafts to maintain their continuity and importance.
Mohammed Bassam Rayhan Sheikh Al-Karar in painting on glass and decoration spoke in his intervention about the history of this craft, its forms, fields of work and materials used in it, pointing out that the glass, which was the first to be invented by the Phoenicians, evolved in Damascus throughout history and was painted on the mishkat and lanterns using oxides and various materials, thermal colors, acrlik and others.
The Damascene brocade craftsman Mohammed Rankous explained in his intervention that this cloth is made of natural silk and golden reed yarns and attributed to Damascus because it took its character, heritage and environment, such as the painting of Omar Khayyam, the Levantine Rose, grape clusters, the lover and the beloved, and the octagonal geometric drawings, pointing out that this craft entered the cultures of different civilizations.
Nasruddin Mohammed is a graduate of applied arts and a drawing teacher who participated in paintings for his students from children and boys. In his intervention, he explained the history of the Damascene plant decoration, its methods, types and schools such as Andalusian, Persian and Damascene, and its differences in decoration, diggings, mirrors and miniatures, indicating that its history dates back to the Andalusian civilization, which was its main creativity in palaces and buildings.
Mohammed Sabha is a bridal craftsman who participated in a group of decorative glass works for brides and explained that he has completed a model of a waterfall flowing from an electric mountain that is operated by hand from cardboard, wood and cork inspired by his ideas.
Rana Ayoub participated in a group of works of three-dimensional models and miniatures of the Levant environment. She explained that she chose this environment because she grew up and lived in it and adored it. It is necessary to inform future generations of their heritage and history, pointing out that she works with cork, wood, natural materials, gypsum, ceramic paste and others.
Bilal Ahmed

Glassblowing is an important part of Syrian culture, with the craft being passed down through generations.

The technique of glassblowing remains essentially the same today, involving the heating of sand to high temperatures and shaping molten glass with tools and air.

UNESCO has listed Syrian glassblowing as Intangible Cultural Heritage in Need of Urgent Safeguarding, recognizing its significance in Syrian culture.

The craft was affected by war in Syria, but has been revived after liberation, with artisans using recycled glass and high-temperature ovens to create pieces.

Title:

Content: Art of glassblowing returns again in Aleppo countryside liberated from terrorism

The town of Urem Al-Kubra in Aleppo province in northern Syria has historically been famous for its skilled glassblowing craftsmen. The war considerably affected this traditional craft inherited from our ancestors, but after the liberation of the city from terrorism, some artisans have brought it back to life. The artisan, Yassin Arab learned the glassblowing craft from his father when he was a child, and after the town was liberated from terrorism, he returned to his small facility, where he worked to restore it and start working again. Arab does not hide his enormous passion for the craft of glassblowing and his belief in the need to preserve this ancient Syrian heritage. Regarding the working mechanism, the artisan explained to SANA that he uses recycled glass, melts it again in the oven at high temperature, and then chooses a specific shape for its manufacture, whether hookah bottles, vases, plates, small jugs, fish houses for decoration, decorated cups and antiques of different sizes. After that, t he piece is blown, rotated and processed by the artisan until it takes its final shape using white and brown colors, and once the manufacturing of the product is finished, it is decorated and colored to give it the required aesthetics. For his part, Hussein Najjar noted that he learned the craft of blowing glass manually since he was young and has been working in this field for 40 years. He added that he is able to make any shape or glass container, using his imagination, and considered that the art of glassblowing is one of the types of plastic arts. Traditional glassblowing is a profession that dates back more than two thousand years (since the time of the Phoenicians) and was included in December 2023 by UNESCO on the list of intangible cultural heritage of humanity that needs urgent preservation. Source: Syrian Arab News Agency

The number of craftsmen practicing traditional glassblowing is not specified in the available sources, but it is clear that the craft is still practiced and valued in Syria.

UNESCO's decision to list Syrian glassblowing as Intangible Cultural Heritage in Need of Urgent Safeguarding is due to the craft's importance in preserving national identity and its risk of being lost due to various threats.

Title:

Content: Culture of Al-Baath Newspaper
Intangible heritage contributions to the protection of national identity
Amina Abbas
Heritage researchers and scholars agree that the Levant region is the most important heritage repository for humanity, as it has the oldest and richest heritage, and this heritage, both material and intangible, was coveted by the colonists since ancient times to destroy culture and identity, there is no identity without heritage based on it, and no heritage without identity, so Syria is keen through its institutions and bodies to emphasize the importance of preserving it.
Hence, the Quneitra branch of the Arab Writers Union, in celebration of World Heritage Day, decided to hold a seminar in the Levant Hall of the National Museum entitled “Contributions of Intangible Heritage to the Protection of National Identity ” with the participation of Dr. Amal Daccak, Professor Ruba Al-Diab, Qas Ghassan Houranieh and Dr. Rima Diab, Head of the Quneitra branch of the Arab Writers Union. It represents not only traditions and the past, but society in all its layers, and links the past to the present and the future, and it is a means for each people to prove its existence in the world and its authenticity, while stressing that the intangible heritage contributes to the preservation of identity and personality. Our identity and our heritage in the era of globalization, which is trying to eliminate our heritage and culture to be part of this lost world.
This was also confirmed by Dr. Dakak in her participation: “The Syrian tangible and intangible heritage is rich in its authenticity and civilization that dates back thousands of years, so it was and still is coveted by the colonists who stole many treasures to be in their world museums, and their war on Syria recently was aimed at destroying culture and identity and stealing antiquities. ” It is an integrated cultural unit formed by man throughout his long history with his creative thinking, observations, reflections and experiences accumulated generation after generation, and it is the social environment occupied by man and the components and pillars produced by previous generations until it reached subsequent generations and has the function of supervising the behavior of the individual and his sociocultural upbringing because it is a reflection of the social, intellectual and cultural life of peoples. As Daccak pointed out, the identity is the set of psychological, social and civilizational features of our nation throughout its long history, and the folklore constitutes the identity of a homeland rich in culture and civilization, calling in the era of globalization to seek to preserve our cultural identity and heritage, which represents this identity to face the challenges of globalization that invade us and want to eliminate our identity and culture. And our originality by drawing different borders in which national identity is absent and killing people in their country.
Because the Levantine rose and its associated practices and traditional crafts are important Syrian heritage elements inherited from generation after generation, and was included by UNESCO in 2019 in the list of intangible human heritage was talked about by Professor Al-Diab, who was crowned queen of roses and became Syrian ambassador to the world: “The Levantine rose was found painted on the wall of a palace on the island of Crete and was introduced to France during wars. As the poet Nizar Qabbani wrote about her,“ I am your Damascene rose, O people of the Levant, and whoever finds me should put me in the first vase, ” referring to the areas of its cultivation in Damascus countryside and Ghubartha. The project was launched by the Syrian Secretariat for Development in 2020 with the support of First Lady Asma al-Assad, affirming that Syrians consider the Levantine Rose an important part of their culture. The Ministry of Tourism has taken it as its slogan, in addition to many medical and cosmetic companies and building a path that is architecturally designed in the form of a Levantine Rose, explaining that the elements of the Syrian intangible cultural heritage include: Traditions and expressions “qaṣīda, mawwāl, ataba, dalaouna, zaghārīd, folk proverbs ” and the arts:“ Aleppo qadūd, coastal dabka, Circassian dance, Syriac church music ” Social practices “preparing and serving bitter coffee ” Knowledge and practices related to nature and the universe:“ cupping, traditional architecture ” Skills related to traditional crafts “wooden mosaic, brocade ” The crafts associated with the Levantine Rose ”, and that the elements of the intangible Syrian heritage included in the lists of human heritage are: falcon hunting, shadow fiction theater, Levantine Rose, Aleppo cod, glass blowing and making sticks and playing on them.
It is noteworthy that the seminar included the presentation of a film prepared by dr.
Amal Daccak spoke about heritage in our contemporary lives and its role in preserving our national identity, and the participation of the storyteller Ghassan Houranieh through a short story titled “The Levantine Rose ”.

The listing of Syrian glassblowing as Intangible Cultural Heritage was made in 2019, according to some sources [7], while others suggest it was listed in 2023.

Overall, Syrian traditional glassblowing is a unique and valuable craft that plays a significant role in Syrian culture and heritage.

Title:

Content: Red Sea Festival in Jeddah
Arab culture in 2023.
Achievements and Creations
The year 2023 witnessed a large number of important cultural events in the Arab world. In addition to the periodic film, theater and visual festivals and book fairs, there was a real presence of creative ideas and new initiatives not witnessed in the cultural arena in previous years.
The sixth edition of the Cultural Summit was held in Manarat Al Saadiyat under the theme ‘ A Matter of Time ’, to explore how culture is changing the world ’ s perception of time, alongside the Al Hosn Festival, which documents the heritage of this ancient city.
The Emirates Airline Festival of Literature, one of the top 10 literary festivals around the world, also kicked off in Dubai, UAE, and hosted more than 260 writers, creators and thought leaders from around the world and the Arab world in more than 300 events covering all topics, such as literature, arts, culture and more.
Saudi Arabia launched the Culture Index in the Islamic World project, which monitors the transformation of the cultural landscape and its development and documents its achievements in Islamic countries within four dimensions and axes: “Culture for Economic Development, Culture for Environment, Climate and Resilience, Culture for Social Development, and Culture for Openness and Diversity. ”
Red Sea Film Festival selects 17 films for its official competition
The Red Sea International Film Festival (RIFF), the first international film festival in Saudi Arabia, was held in Jeddah, Saudi Arabia in early December. In addition to film screenings and competitions, the festival will feature “Talent Days ”, which will provide specialized discussion sessions and orientation workshops for filmmakers who are passionate about learning the craft and enhancing their skills and artistic tools.
In the context of cinema, the year 2023 witnessed Arab participation in a number of film festivals, most notably the Cannes Film Festival, which witnessed the culmination of three Arab films in the "Some Look" competition dedicated to encouraging young talents in the field of film.
The Moroccan film "Hunting Dogs" by Kamal Lazrak won the jury award, the Moroccan director Asma Al-Mader won the directing award for her documentary "White Lie", while the Sudanese film "Goodbye Julia" by Mohamed Kordafani won the freedom award, the first participation of a Sudanese film in this prestigious festival.
At the Berlin Film Festival, the Lebanese film “Yarqa ” for the sisters Michel and Manuel Ksarwani won the“ Golden Bear for Best Short Film ”, while the Yemeni director Amr Jamal ’ s “The Tired ” won the Amnesty International Human Rights Award at the same festival.
In the field of literature, the winning of the Iraqi novelist Firat al-Ani Award for Arabic Literature, presented by the Jean-Luc Lagardère Foundation and the Institut du Monde Arabe in Paris, for his novel “I Remember Fallujah ”. Similarly, the Omani novelist Zahran Al Qasimi won the International Prize for Arabic Fiction“ Poker ” for his novel “Taghriba Al Qaffer ”. The novel.
In an earlier interview with Erm News...
How did Zahran Al Qasimi predict that his novel would win poker?
Continuing the literary prizes, Ashraf Ashmawy of Egypt won two prizes from Katara of Qatar, while Mohammed Al Yahyaei of Oman won the prize for his novel “The War ”.
As for the intangible cultural heritage, the inclusion of the Syrian glass blowing element on UNESCO ’ s lists of urgent conservation is a milestone achieved by Damascus.
The losses of Arab creators remain a milestone in the scene, including, for example, the Lebanese composer Elie Choueiri, the Syrian novelist Khaled Khalifa, and the pioneer of children ’ s literature in Egypt Yacoub Sharouni.
Most Read
No stories found.
Erm News
www.eremnews.com


Syria's traditional glassblowing is an ancient artisanal craft that originated in the 1st century BC, with Syrian craftsmen inventing glassblowing in cities such as Sidon, Aleppo, Hama, and Palmyra.

The craft has a rich history, with the Phoenicians also contributing to its evolution, particularly in Damascus.

Glassblowing is an ancient art form that is still practiced today, with the technique remaining essentially the same, involving the heating of sand to high temperatures and shaping the molten glass using a blow pole and tools.

The craft is significant in Syrian culture and history, with glass decoration being a traditional profession in Syria's culture.

Syrian glassblowing is also an important part of Syrian culture, with Damascus being a hub for traditional Syrian glassblowing.

The craft has historical and cultural significance in Syrian heritage, representing Syrian culture and civilization.

However, traditional glassblowing is a declining craft in Syria, with the number of craftsmen practicing the traditional craft decreasing.

The current status of the craft is precarious, with the Syrian government emphasizing the need to preserve intangible heritage, including traditional crafts like wooden mosaic and brocade.

Despite the challenges, some artisans have revived the craft after liberation from terrorism, with skilled glassblowing craftsmen still present in the Aleppo countryside.

These artisans use recycled glass and high-temperature ovens to create pieces, with the craft being manually done with imagination and skill.

The craft is considered a type of plastic art in Syria, with glassblowing requiring extreme temperatures and skill.

UNESCO has recognized the importance of Syrian glassblowing, listing it as an intangible cultural heritage element in 2019.

The craft was included in UNESCO's list due to its urgent need for preservation, with the organization citing the need for urgent safeguarding.

The reason for UNESCO's listing is due to the craft being threatened by globalization and war, which has affected the number of craftsmen practicing the traditional craft.

Syrian glassblowing is on UNESCO's urgent conservation list, highlighting the need for immediate action to preserve the craft.

The listing is significant, as it recognizes the importance of preserving national identity through intangible heritage.

Intangible heritage contributes to preserving national identity, with Syrian intangible heritage representing Syrian culture and civilization.

In conclusion, Syrian traditional glassblowing is an ancient and significant craft that requires urgent preservation, with UNESCO's listing highlighting the need for immediate action to protect the craft.

The craft's history, importance in Syrian culture, and current status all emphasize the need for preservation, with the Syrian government and artisans working to revive and protect the craft.

Overall, the preservation of Syrian traditional glassblowing is crucial for maintaining Syrian cultural heritage and national identity.

Syria's traditional glassblowing is an ancient artisanal craft that originated in the 1st century BC, with Syrian craftsmen inventing glassblowing in cities such as Sidon, Aleppo, Hama, and Palmyra.

Title:

Content: Bella Hadid flashes her toned figure in shorts and a cropped sports top while showing off her creative side as she learns the art of glassblowing

It appears Bella Hadid has found a new hobby that showcases her artistic side.

On Sunday, the catwalk queen took to her Instagram page and posted a step-by-step video of herself making her own glass piece, using classic glassblowing technique in a workshop.

Considering the extreme temperatures it takes to make glass from beginning to end, Bella opted to keep her cloths to a minimum and wore skimpy white shorts with a cropped purple sports top.

Showing her creative side: Bella Hadid, 25, learned the classic art of glassblowing to make her own glass piece and posting a video on her Instagram page on Sunday

Glass is made from the process of heating sand to an extremely high temperature so that it turns into a moldable liquid. When it solidifies, a piece of glass is formed in whatever shape the creator has molded it into.

In the video, viewers will find Bella at the stage where she's working to shape the molten red hot material.

She can be seen sitting down and jabbing a long, sharp wrench-like tool with her scorching hot material, which was attached to a hollow blow pole about three feet long.

She was concerned with safety and wore goggles to protect her eyes.

Shaping: The video shows Bella at the stage where she's working to shape the molten red hot material that is attached to a blow pole

Working it: An instructor can be heard voicing a couple of tips as she spins that object around to the point where a small hole begins to form

Dose of heat: By the end of the first clip, Bella gets up and gives the hot material another dose of intense heat by placing it into a fiery furnace

An instructor can be heard voicing a couple of tips as she spins that object round and round to the point where a small hole begins to form.

By the end of the first clip, Bella gets up and gives the hot material another dose of intense heat by placing it into the fiery furnace.

For the next phase, the instructor assists Bella and slowly spins the blow pole while she sands down the still-molten red piece with two black blocks.

The heat is so intense that you can see steam floating into the air as they continue the sanding-down process.

Honing it: For the next phase, the instructor assists Bella and slowly spins the blow pole while she sands down the still molten red piece with two black blocks

Team work: Bella and the instructor work together to begin molding the molten hot object into shape with those two black blocks

Trippy: Bella gave her 53.7 million Instagram fans and followers a look at how her glass piece is looking at this stage of the process

More intense heat: At one point, the Washington, DC, native can be seen kneeling down using a small propane tank to heat up the object to make a few more changes

At one point, the Washington, DC, native can be seen kneeling down using a small propane tank to heat up the object to make a few more changes.

'Oh yeah, that's the one right there,' a man's voice from behind the camera can be heard saying as they continue to spin the object while jabbing it with that sharp tool.

As the process continues, Bella sits down, spinning the blow pole back and forth as it rests in a round plate that she holds with her right hand.

'It's a perfect shape,' the instructors says in encouragement.

'Here it is, ladies and gentlemen,' the man continues just as Bella gets up to blow into the pole to expand the molten hot material out to form some sort of glassware or vase.

Example: The catwalk queen drew out the shape of her piece she was trying to attain with chalk

Rounding it out: As the process continues, Bella sits down and spins the blow pole back and forth as it rests in a round plate that she holds with her right hand

Major phase: 'Here it is, ladies and gentlemen,' the man from behind the camera continues as Bella starts blowing into the pole

Expanding: Bella then process of blowing into the pole to expand the molten material out to form some sort of glassware

Old technique: Glassblowing is the practice of shaping a mass of glass that has been softened by heat by blowing air into it through a tube, or in this case a pole

The final clips shows a closeup of Bella spinning the glass while adding a few intricate touches to the piece with a prong-like tool.

Glassblowing is the practice of shaping a mass of glass that has been softened by heat by blowing air into it through a tube

It was was invented by Syrian craftsmen in the area of Sidon, Aleppo, Hama and Palmyra in the 1st century BC, according to Britannica.

The technique has remained essentially the same to the present day.

Ancient art form: Glassblowing was was invented by Syrian craftsmen in the area of Sidon, Aleppo, Hama and Palmyra in the 1st century bc, according to Britannica

Lovin' it: The glassblowing technique has remained basically the same to the present day

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Bella Hadid flashes her toned figure in shorts and a crop top while learning the art of glassblowing

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The craft has a rich history, with the Phoenicians also contributing to its evolution, particularly in Damascus.

Title:

Content: Samples of the Damascene Literary Heritage Attend an Exhibition and Seminar in the Culture of Infection
Damascus-Sana
In the exhibition “Heritage Crafts are Inherited by the Fragrance of History ” hosted by the Adawi Cultural Center, the artworks varied between glass decoration, Damascene brocade and various handicrafts.
The exhibition was followed by an introductory seminar on these arts for the Sheikhs of Carr and craftsmen specialized in these professions under the supervision of the handicraft trainer Rowaa Yousef.
Youssef Lassana explained that the exhibition was dedicated to traditional professions in general and handicrafts, especially such as brocade, painting on glass, Islamic motifs and handicrafts to maintain their continuity and importance.
Mohammed Bassam Rayhan Sheikh Al-Karar in painting on glass and decoration spoke in his intervention about the history of this craft, its forms, fields of work and materials used in it, pointing out that the glass, which was the first to be invented by the Phoenicians, evolved in Damascus throughout history and was painted on the mishkat and lanterns using oxides and various materials, thermal colors, acrlik and others.
The Damascene brocade craftsman Mohammed Rankous explained in his intervention that this cloth is made of natural silk and golden reed yarns and attributed to Damascus because it took its character, heritage and environment, such as the painting of Omar Khayyam, the Levantine Rose, grape clusters, the lover and the beloved, and the octagonal geometric drawings, pointing out that this craft entered the cultures of different civilizations.
Nasruddin Mohammed is a graduate of applied arts and a drawing teacher who participated in paintings for his students from children and boys. In his intervention, he explained the history of the Damascene plant decoration, its methods, types and schools such as Andalusian, Persian and Damascene, and its differences in decoration, diggings, mirrors and miniatures, indicating that its history dates back to the Andalusian civilization, which was its main creativity in palaces and buildings.
Mohammed Sabha is a bridal craftsman who participated in a group of decorative glass works for brides and explained that he has completed a model of a waterfall flowing from an electric mountain that is operated by hand from cardboard, wood and cork inspired by his ideas.
Rana Ayoub participated in a group of works of three-dimensional models and miniatures of the Levant environment. She explained that she chose this environment because she grew up and lived in it and adored it. It is necessary to inform future generations of their heritage and history, pointing out that she works with cork, wood, natural materials, gypsum, ceramic paste and others.
Bilal Ahmed

Glassblowing is an ancient art form that is still practiced today, with the technique remaining essentially the same, involving the heating of sand to high temperatures and shaping the molten glass using a blow pole and tools.

The craft is significant in Syrian culture and history, with glass decoration being a traditional profession in Syria's culture.

Syrian glassblowing is also an important part of Syrian culture, with Damascus being a hub for traditional Syrian glassblowing.

Title:

Content: Red Sea Festival in Jeddah
Arab culture in 2023.
Achievements and Creations
The year 2023 witnessed a large number of important cultural events in the Arab world. In addition to the periodic film, theater and visual festivals and book fairs, there was a real presence of creative ideas and new initiatives not witnessed in the cultural arena in previous years.
The sixth edition of the Cultural Summit was held in Manarat Al Saadiyat under the theme ‘ A Matter of Time ’, to explore how culture is changing the world ’ s perception of time, alongside the Al Hosn Festival, which documents the heritage of this ancient city.
The Emirates Airline Festival of Literature, one of the top 10 literary festivals around the world, also kicked off in Dubai, UAE, and hosted more than 260 writers, creators and thought leaders from around the world and the Arab world in more than 300 events covering all topics, such as literature, arts, culture and more.
Saudi Arabia launched the Culture Index in the Islamic World project, which monitors the transformation of the cultural landscape and its development and documents its achievements in Islamic countries within four dimensions and axes: “Culture for Economic Development, Culture for Environment, Climate and Resilience, Culture for Social Development, and Culture for Openness and Diversity. ”
Red Sea Film Festival selects 17 films for its official competition
The Red Sea International Film Festival (RIFF), the first international film festival in Saudi Arabia, was held in Jeddah, Saudi Arabia in early December. In addition to film screenings and competitions, the festival will feature “Talent Days ”, which will provide specialized discussion sessions and orientation workshops for filmmakers who are passionate about learning the craft and enhancing their skills and artistic tools.
In the context of cinema, the year 2023 witnessed Arab participation in a number of film festivals, most notably the Cannes Film Festival, which witnessed the culmination of three Arab films in the "Some Look" competition dedicated to encouraging young talents in the field of film.
The Moroccan film "Hunting Dogs" by Kamal Lazrak won the jury award, the Moroccan director Asma Al-Mader won the directing award for her documentary "White Lie", while the Sudanese film "Goodbye Julia" by Mohamed Kordafani won the freedom award, the first participation of a Sudanese film in this prestigious festival.
At the Berlin Film Festival, the Lebanese film “Yarqa ” for the sisters Michel and Manuel Ksarwani won the“ Golden Bear for Best Short Film ”, while the Yemeni director Amr Jamal ’ s “The Tired ” won the Amnesty International Human Rights Award at the same festival.
In the field of literature, the winning of the Iraqi novelist Firat al-Ani Award for Arabic Literature, presented by the Jean-Luc Lagardère Foundation and the Institut du Monde Arabe in Paris, for his novel “I Remember Fallujah ”. Similarly, the Omani novelist Zahran Al Qasimi won the International Prize for Arabic Fiction“ Poker ” for his novel “Taghriba Al Qaffer ”. The novel.
In an earlier interview with Erm News...
How did Zahran Al Qasimi predict that his novel would win poker?
Continuing the literary prizes, Ashraf Ashmawy of Egypt won two prizes from Katara of Qatar, while Mohammed Al Yahyaei of Oman won the prize for his novel “The War ”.
As for the intangible cultural heritage, the inclusion of the Syrian glass blowing element on UNESCO ’ s lists of urgent conservation is a milestone achieved by Damascus.
The losses of Arab creators remain a milestone in the scene, including, for example, the Lebanese composer Elie Choueiri, the Syrian novelist Khaled Khalifa, and the pioneer of children ’ s literature in Egypt Yacoub Sharouni.
Most Read
No stories found.
Erm News
www.eremnews.com

The craft has historical and cultural significance in Syrian heritage, representing Syrian culture and civilization.

Title:

Content: Culture of Al-Baath Newspaper
Intangible heritage contributions to the protection of national identity
Amina Abbas
Heritage researchers and scholars agree that the Levant region is the most important heritage repository for humanity, as it has the oldest and richest heritage, and this heritage, both material and intangible, was coveted by the colonists since ancient times to destroy culture and identity, there is no identity without heritage based on it, and no heritage without identity, so Syria is keen through its institutions and bodies to emphasize the importance of preserving it.
Hence, the Quneitra branch of the Arab Writers Union, in celebration of World Heritage Day, decided to hold a seminar in the Levant Hall of the National Museum entitled “Contributions of Intangible Heritage to the Protection of National Identity ” with the participation of Dr. Amal Daccak, Professor Ruba Al-Diab, Qas Ghassan Houranieh and Dr. Rima Diab, Head of the Quneitra branch of the Arab Writers Union. It represents not only traditions and the past, but society in all its layers, and links the past to the present and the future, and it is a means for each people to prove its existence in the world and its authenticity, while stressing that the intangible heritage contributes to the preservation of identity and personality. Our identity and our heritage in the era of globalization, which is trying to eliminate our heritage and culture to be part of this lost world.
This was also confirmed by Dr. Dakak in her participation: “The Syrian tangible and intangible heritage is rich in its authenticity and civilization that dates back thousands of years, so it was and still is coveted by the colonists who stole many treasures to be in their world museums, and their war on Syria recently was aimed at destroying culture and identity and stealing antiquities. ” It is an integrated cultural unit formed by man throughout his long history with his creative thinking, observations, reflections and experiences accumulated generation after generation, and it is the social environment occupied by man and the components and pillars produced by previous generations until it reached subsequent generations and has the function of supervising the behavior of the individual and his sociocultural upbringing because it is a reflection of the social, intellectual and cultural life of peoples. As Daccak pointed out, the identity is the set of psychological, social and civilizational features of our nation throughout its long history, and the folklore constitutes the identity of a homeland rich in culture and civilization, calling in the era of globalization to seek to preserve our cultural identity and heritage, which represents this identity to face the challenges of globalization that invade us and want to eliminate our identity and culture. And our originality by drawing different borders in which national identity is absent and killing people in their country.
Because the Levantine rose and its associated practices and traditional crafts are important Syrian heritage elements inherited from generation after generation, and was included by UNESCO in 2019 in the list of intangible human heritage was talked about by Professor Al-Diab, who was crowned queen of roses and became Syrian ambassador to the world: “The Levantine rose was found painted on the wall of a palace on the island of Crete and was introduced to France during wars. As the poet Nizar Qabbani wrote about her,“ I am your Damascene rose, O people of the Levant, and whoever finds me should put me in the first vase, ” referring to the areas of its cultivation in Damascus countryside and Ghubartha. The project was launched by the Syrian Secretariat for Development in 2020 with the support of First Lady Asma al-Assad, affirming that Syrians consider the Levantine Rose an important part of their culture. The Ministry of Tourism has taken it as its slogan, in addition to many medical and cosmetic companies and building a path that is architecturally designed in the form of a Levantine Rose, explaining that the elements of the Syrian intangible cultural heritage include: Traditions and expressions “qaṣīda, mawwāl, ataba, dalaouna, zaghārīd, folk proverbs ” and the arts:“ Aleppo qadūd, coastal dabka, Circassian dance, Syriac church music ” Social practices “preparing and serving bitter coffee ” Knowledge and practices related to nature and the universe:“ cupping, traditional architecture ” Skills related to traditional crafts “wooden mosaic, brocade ” The crafts associated with the Levantine Rose ”, and that the elements of the intangible Syrian heritage included in the lists of human heritage are: falcon hunting, shadow fiction theater, Levantine Rose, Aleppo cod, glass blowing and making sticks and playing on them.
It is noteworthy that the seminar included the presentation of a film prepared by dr.
Amal Daccak spoke about heritage in our contemporary lives and its role in preserving our national identity, and the participation of the storyteller Ghassan Houranieh through a short story titled “The Levantine Rose ”.

However, traditional glassblowing is a declining craft in Syria, with the number of craftsmen practicing the traditional craft decreasing.

The current status of the craft is precarious, with the Syrian government emphasizing the need to preserve intangible heritage, including traditional crafts like wooden mosaic and brocade.

Despite the challenges, some artisans have revived the craft after liberation from terrorism, with skilled glassblowing craftsmen still present in the Aleppo countryside.

Title:

Content: Art of glassblowing returns again in Aleppo countryside liberated from terrorism

The town of Urem Al-Kubra in Aleppo province in northern Syria has historically been famous for its skilled glassblowing craftsmen. The war considerably affected this traditional craft inherited from our ancestors, but after the liberation of the city from terrorism, some artisans have brought it back to life. The artisan, Yassin Arab learned the glassblowing craft from his father when he was a child, and after the town was liberated from terrorism, he returned to his small facility, where he worked to restore it and start working again. Arab does not hide his enormous passion for the craft of glassblowing and his belief in the need to preserve this ancient Syrian heritage. Regarding the working mechanism, the artisan explained to SANA that he uses recycled glass, melts it again in the oven at high temperature, and then chooses a specific shape for its manufacture, whether hookah bottles, vases, plates, small jugs, fish houses for decoration, decorated cups and antiques of different sizes. After that, t he piece is blown, rotated and processed by the artisan until it takes its final shape using white and brown colors, and once the manufacturing of the product is finished, it is decorated and colored to give it the required aesthetics. For his part, Hussein Najjar noted that he learned the craft of blowing glass manually since he was young and has been working in this field for 40 years. He added that he is able to make any shape or glass container, using his imagination, and considered that the art of glassblowing is one of the types of plastic arts. Traditional glassblowing is a profession that dates back more than two thousand years (since the time of the Phoenicians) and was included in December 2023 by UNESCO on the list of intangible cultural heritage of humanity that needs urgent preservation. Source: Syrian Arab News Agency

These artisans use recycled glass and high-temperature ovens to create pieces, with the craft being manually done with imagination and skill.

The craft is considered a type of plastic art in Syria, with glassblowing requiring extreme temperatures and skill.

UNESCO has recognized the importance of Syrian glassblowing, listing it as an intangible cultural heritage element in 2019.

The craft was included in UNESCO's list due to its urgent need for preservation, with the organization citing the need for urgent safeguarding.

The reason for UNESCO's listing is due to the craft being threatened by globalization and war, which has affected the number of craftsmen practicing the traditional craft.

Syrian glassblowing is on UNESCO's urgent conservation list, highlighting the need for immediate action to preserve the craft.

The listing is significant, as it recognizes the importance of preserving national identity through intangible heritage.

Intangible heritage contributes to preserving national identity, with Syrian intangible heritage representing Syrian culture and civilization.

In conclusion, Syrian traditional glassblowing is an ancient and significant craft that requires urgent preservation, with UNESCO's listing highlighting the need for immediate action to protect the craft.

The craft's history, importance in Syrian culture, and current status all emphasize the need for preservation, with the Syrian government and artisans working to revive and protect the craft.

Overall, the preservation of Syrian traditional glassblowing is crucial for maintaining Syrian cultural heritage and national identity.


Global avocado consumption has increased substantially in recent years, with European avocado imports rising by 23% in 2023.

The demand for avocados has also increased in the US, with Mexico supplying 80% of avocados eaten in the US.

This rising demand has had a significant economic impact on countries that produce avocados, with Mexico's avocado exports to the US reaching $2.8 billion last year.

The avocado industry is a billion-dollar industry, with companies like Tova Farms raising $950,000 in Series A funding and valued at approximately $1.4 million.

However, this increased demand has also raised environmental concerns, such as deforestation and water use, with avocado cultivation depleting local water supplies in Mexico.

Avocado production requires a significant amount of water, with one kilogram of avocado consuming about 1,000 liters of water.

The social effects of the rising demand for avocados have also been significant, with 300,000 workers in Michoacán depending on the avocado industry.

However, the industry has also been linked to exploitation of migrant workers and community displacement.

Climate change is also expected to have a significant impact on avocado production, with Mexico's avocado production potentially declining by 31% by 2050.

Overall, the rising demand for avocados has had a complex impact on the countries that produce them, with both economic benefits and environmental and social concerns.

Global avocado consumption has increased substantially in recent years, with European avocado imports rising by 23% in 2023.

Title:

Content: Avocado imports rise in Europe, decline in China

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Specialized intelligence company Avobook's week 29 report noted interesting movements in the global avocado market.

European avocado imports saw a 23% rise compared to the same week in 2023. Interestingly, the report points out that this has not induced a price reduction.

. The interesting thing, the report points out, is that this has not induced a price reduction.

Something different can be observed in China, where arrivals from Peru have decreased by more than half year-on-year. Peruvian supplies usually dominate the market at this time of the year.

In the case of the United States, Avobook explains that Mexican supplies account for 40% of the market, while California's account for 28%, and Peru's, 24%. The scenario in the U.S. market shows slightly lower prices than the previous week in all grades.

Review the full report here.

The Global Avocado Summit, organized by the Chilean Avocado Committee and the Yentzen Group, will be held on November 21 at the Casino Monticello event center in Chile.

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How has avocado consumption changed in recent years?

What are the countries and regions that import avocados?

The demand for avocados has also increased in the US, with Mexico supplying 80% of avocados eaten in the US.

Title:

Content: For foodies, workers, restaurant owners and investors on both sides of the Rio Grande border, Friday brought a sigh of relief after the United States lifted its temporary ban on imports of Mexican avocados.

The week-long pause — albeit a short one — had fueled concerns in the avocado industry, from the workers who pick the fruit in Mexico to consumers worrying about a potential shortage of a staple in the diets of many Americans.

Mexico supplies about 80 percent of the avocados eaten in the United States. The import ban — stemming from purported threats to a U.S. inspector in the Latin American country — shook a billion-dollar industry. Not only did the commotion showcase the law enforcement issues that growers are frequently subjected to in Mexico, but experts said it underscored the importance of one of the strongest and most successful bilateral trade agreements.

Before being smeared into toast or squashed into guacamole, the avocado’s life begins in an orchard in Michoacán — a western Mexican state over a thousand miles away from the border and the only one allowed to send over avocados to the United States. From a bright-green fruit hanging atop trees to its final stage inside American kitchens, the avocado’s journey from seed to food encompasses different phases of inspections and agreements between the two nations — which suddenly took a hit.

Last week, a plant safety inspector from the U.S. Agriculture Department’s Animal and Plant Health Inspection Service was inspecting avocados in Michoacán, when he saw some avocados that looked suspiciously like they came from another state, according to USDA and other industry experts. He raised a red flag and soon after, he received a voice-mail threat. Then the USDA announced it was shutting down imports until it could be assured its agents were safe.

The potential of an impending shortage quickly rippled across the industry — one that came shortly before the Super Bowl, one of the avocado’s biggest events. Soon, food establishments and groceries began worrying about keeping up with a demand that has exponentially increased throughout the past decade.

Prices for the fruit deemed “green gold” were already 100 percent higher than the previous year, said David Magaña, a senior analyst for RaboResearch Food & Agribusiness. But the year-long availability of avocados had also increased as well — indicating that a surge in demand can be attributed to different factors, he said.

For one, avocados, with their versatility and healthy fat attributes, became a food trend and Internet obsession. At the same time, the Hispanic population booms across the country — with a larger share of Latinos among Gen Z — have been “one of the major forces pulling the demand for avocados,” the analyst said.

But behind all those green juices and avocado Instagram-worthy photos is the partnership between Mexico and the United States — which has played a crucial role in enabling the market to expand.

In 1995 — a time when “fat-free” food staples ruled the market — the United States did not have much of a taste for avocados. The majority of the consumed fruit was produced in California. Avocado imports that year totaled $14.7 million, of which $700,000 came from Mexico, said David Orden, a professor in the department of agricultural and applied economics at Virginia Tech.

Mexico’s avocados had been banned in the decades before the North American Free Trade Agreement from 1994, Orden said — mostly out of a concern that weevils, scabs and other pests could enter U.S. orchards from imported products. The trade agreement opened the door for the incremental expansion of avocados.

In establishing a system in which U.S. inspectors verify that avocados are pest-free — from when they are growing in orchards to the moment they are packed into sealed trucks — Mexico has been allowed to ship its agricultural product. It started with an approved wintertime stock in Alaska back in the ’90s that has turned into a current year-long supply in all states.

“So that’s all very encouraging and great story about growth and trade agreements, and something the U.S. is trying to do in other countries as well,” Orden said.

The agreement has contributed to economic progress in both sides of the border. Last year, “the two-way food and agricultural trade reached $65 billion, including $2.8 billion in Mexican avocado exports to the United States,” U.S. Ambassador to Mexico Ken Salazar said in a statement. In Michoacán, some 300,000 workers depend on the avocado industry — including those doing the picking, the packing and the transporting of the fruit.

But their livelihoods have been threatened by encumbering cartels, who see the booming industry as a golden hen for profit, Orden said.

“It has attracted the attention of these gangs in an area where the cartels are not under control,” he said. “That’s where this story takes on a shadier color. But that’s really a law enforcement issue, and one that affects all of our relationships with Mexico.”

The USDA’s Animal and Plant Health Inspection Service said in a statement that it had worked with the Mexican government and the Association of Avocado Exporting Producers and Packers of Mexico to enact “additional measures” to safeguard the safety of its inspectors.

While the agency did not disclose what such measures encompass, they served to avert what could have been a costly avocado crisis — one that would had impacted plenty, from those picking the fruit to those biting into their avocado toasts.

“With this we ensure the exportation of fruit and provide economic certainty to farmers and day laborers,” Michoacán Gov. Alfredo Ramírez Bedolla tweeted Friday.

How has avocado consumption changed in recent years?

What are the countries and regions that produce and export avocados?

This rising demand has had a significant economic impact on countries that produce avocados, with Mexico's avocado exports to the US reaching $2.8 billion last year.

How has avocado consumption changed in recent years?

What are the countries and regions that produce and export avocados?

What are the positive effects of the global demand for avocados on the countries and regions that produce and export them?

The avocado industry is a billion-dollar industry, with companies like Tova Farms raising $950,000 in Series A funding and valued at approximately $1.4 million.

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Mike Coudrey’s Tova Farms Raises Nearly $1 Million In Funding, Adds Strategic Export Partners

·2 min read

LOS ANGELES, CA / ACCESSWIRE / February 17, 2022 / Tova Farms said Monday it raised $950,000 in a Series A funding round that values the agricultural company at approximately $1.4 million - nearly triple its last reported valuation in 2021, according to PitchBook data. The Puerto Rico-based company, known for its innovative investment strategy, has now raised nearly $1.2 million to date.

Tova Sustainable Farms CEO, Michael Coudrey

Avocado agriculture is a billion-dollar industry that's failed to move with the speed of the 21st century, long reliant on outdated supply chain management, inadequate commercial operations in jurisdictions nearby to the target market, and import/export phytosanitary regulation that act as a blockade for international trade. Numerous challenges - from congestion at ports to shortages of shipping containers - have arisen throughout the pandemic, leading to higher produce costs and delivery delays, and magnifying how critical the often-taken-for-granted agricultural industry is more broadly.

Tova Farm's commercial farming operations exceed 5000 acres, and their additional local sourcing methodology positions them as a multinational powerhouse in the global avocado industry. Tova's innovative approaches to local sourcing in cost-effective jurisdictions, policy and trade agreement brokering between governments, and its influential political arm allow it to rapidly expand its operations, while also moving the market in a positive direction for smaller agricultural companies, giving them an opportunity to take advantage of the openings in international trade.

In the past year, founder and CEO Michael Coudrey has focused on questions like how can avocado be produced and exported in the most cost effective manner - the company has recently signed export agreements with leading European firms.

"The avocado market has increased substantially in the last two decades, and our company seeks to capitalize and control a large market share of such revenues, as well as vertically integrate across our supply chains," Coudrey said in a statement announcing the funding. "This investment signals that the market recognizes the need for a tech-enabled agricultural ecosystem that has the visibility and resilience to handle unexpected challenges of any scale."

Tova Sustainable Farms has more than 5000 acres of commercial farmland and export partners in 6 countries, and reportedly doubled its commercial operations within the last year. With fresh financing, the company says it plans to begin expanding into new markets and accelerate the development of its current operations.

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SOURCE: Tova Farms

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What are the positive effects of the global demand for avocados on the countries and regions that produce and export them?

However, this increased demand has also raised environmental concerns, such as deforestation and water use, with avocado cultivation depleting local water supplies in Mexico.

Title:

Content: Avocado: Between Environmental Impacts and Global Market Controllers
In the Mexican state of Michoacán, which produces about 80% of the world ’ s avocado, avocado cultivation has depleted local water supplies and caused severe environmental damage, with studies showing that avocado cultivation has led to deforestation, soil erosion and chemical contamination of water sources.
(Getty)
In recent years, the avocado industry has become a staple in many diets around the world, and its popularity has increased greatly due to the multiple health benefits.
However, the demand for this fruit has led to harmful environmental effects and the emergence of a mafia that controls the production and distribution of avocados in some countries.
A Chilean study published recently said that avocado cultivation has caused severe water shortages, as well as in Peru, where large farmers have dominated the avocado market since the 1990s, where cultivation requires huge amounts of water, the production of one kilogram of avocado, consumes about 1,000 liters of water, much more than other crops such as tomatoes or oranges.
According to a report by the Water Footprint Network, the production of one kilogram of tomatoes requires about 300 liters of water, and the high water use of avocado production has led to water scarcity and depletion of aquifers in some areas.
In the Mexican state of Michoacán, which produces about 80% of the world ’ s avocado, avocado cultivation has depleted local water supplies and caused severe environmental damage, with studies showing that avocado cultivation has led to deforestation, soil erosion and chemical contamination of water sources.
According to the report, moving avocados from the production site to the market also has a significant impact on the climate, as avocados are grown mainly in developing countries, and are exported to developed countries such as the United States, Europe and Japan, and the transport of avocados over long distances contributes to greenhouse gas emissions harmful to the environment. Approximately 5.4 kg of carbon dioxide emissions per kg of avocado.
Avocado production has also led to the emergence of a mafia that controls the production and distribution of avocados in some countries, where the avocado mafia operates mainly in Mexico, where it controls the production and export of avocados, and this mafia, according to media reports, consists of criminal organizations that use violence and intimidation to control the production and distribution of avocados, and often extort money from farmers. The avocado mafia uses violence to eliminate competitors and dominate the export market, as studies have shown that these gangs are responsible for deforestation, land grabbing and violence against indigenous communities in Mexico.
According to dozens of studies published in recent years, avocado cultivation also has negative effects on local communities. In some areas, demand for avocados has led to land grabbing, community displacement, labor exploitation, and avocado cultivation in the Mexican state of Michoacán has led to the displacement of indigenous communities and the exploitation of often paid migrant workers. Some studies have shown that the expansion of avocado cultivation has displaced traditional crops, leading to food insecurity and loss of biodiversity.
According to the study, governments around the world can take various measures to mitigate the impact of this agriculture on the climate, and one way is to promote sustainable avocado farming practices that reduce water use and reduce the use of chemicals. Protect the environment, provide financial incentives to farmers and enact laws that will deter illegal and criminal practices in these countries.

What negative impact has the increased global demand for avocados had on the environment?

Avocado production requires a significant amount of water, with one kilogram of avocado consuming about 1,000 liters of water.

What negative impact has the increased global demand for avocados had on the environment?

The social effects of the rising demand for avocados have also been significant, with 300,000 workers in Michoacán depending on the avocado industry.

How has avocado consumption changed in recent years?

What are the positive effects of the global demand for avocados on the countries and regions that produce and export them?

However, the industry has also been linked to exploitation of migrant workers and community displacement.

What illegal activities have surfaced in avocado trade in recent years?

What negative impact has the increased global demand for avocados had on the social structure and the economy of the countries that produce them?

labor exploitation
displacement of local communities

What strategies can make global avocado trade more ethical?

improving working conditions for employees

Climate change is also expected to have a significant impact on avocado production, with Mexico's avocado production potentially declining by 31% by 2050.

Title:

Content: Lifestyle
Study: Climate change threatens avocados
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Thank you for reading about the study: Climate change threatens avocados and now we start with the details
Activists have called for more support for avocado farmers, with a study released by the international charity Christian Aid (Christian Aid) revealing that climate change is having a “terrible impact ” on fruit.
The highly useful and popular fruit, which is high in fiber and healthy fats, requires a lot of water to grow, making it particularly vulnerable in a hotter, drier world.
A study by FAO showed that the best farming regions in countries such as Burundi, Chile, Peru, Spain, South Africa and Mexico are experiencing declines in productivity due to more volatile conditions.
The study, published yesterday, showed that these regions are expected to decline by between 14% and 41% by 2050, depending on how quickly emissions are reduced in the world.
Mexico, the world ’ s largest producer of avocado, could see a 31% decline in cultivated areas by 2050.
Christian Aid called on governments to commit to urgently reducing emissions, accelerating the energy transition and committing to more climate aid for developing countries.
The charity also called for more financial support to vulnerable farming communities that rely on avocado cultivation for a living, so they can invest in mitigation measures.
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Overall, the rising demand for avocados has had a complex impact on the countries that produce them, with both economic benefits and environmental and social concerns.

Title:

Content: Mexican avocado production to fall in 2021-22 - FreshFruitPortal.com

Mexican avocado production to fall in 2021-22

Mexican avocado production is forecast to fall by eight percent year-on-year in the 2021-22 season, according to a USDA GAIN report.

The country is expected to produce 2.33 million metric tons (MMT) between July 2021 and June 2022, following a record volume year in the previous season.

"Growers state that they are expecting needed tree recovery after record productivity and production (especially in Michoacán) in the MY 2020/21 season," the report said.

"Additionally, insufficient rainfall and high temperatures are likely to reduce production and yields in non-Michoacan producing states."

Mexico is forecasted to export 1.33 MMT in 2021-22, eight percent lower than the previous season, on lower production. Exports to the U.S. are forecasted at 1.04 MMT.

Michoacán, the only state with phytosanitary approvals to export to the U.S. typically exports approximately 85 percent of production.

According to the USDA, profit margins for export to the U.S. are typically more than 50 percent higher than supplies sold to the domestic market. Michoacán also exported 22 percent greater volumes in 2020/21 than the previous MY to non-U.S. markets, on increased production. Canada, Japan, and Spain were the main destinations.

International demand for avocados from Mexico continues to increase, and producers without access to the U.S. market continue to seek international markets with higher profitability than the domestic market. Jalisco exported 26 percent more volume than the previous marketing year in 2020/21, mainly to Japan, Canada, France and Spain.

Planted and harvested areas are forecasted at 227,126 hectares (ha) and 225,910 ha respectively, with a national yield of 10.30 metric tons per hectare (MT/ha).

Harvest reaches peak from October to February, with average supply from March to May, and low season from June to September.

Annual per capita consumption is seven kilograms (approximately 15 pounds) per person. While a staple in Mexican cuisine, avocado consumption has not grown in recent years because of high prices driven by increased international demand.

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What negative impact has the increased global demand for avocados had on the environment?

What negative impact has the increased global demand for avocados had on the social structure and the economy of the countries that produce them?