The live-action remakes of classic animated Disney films have been a prominent feature of the company's production schedule in recent years, with a slew of releases in the last decade, including Cinderella (2015), The Jungle Book (2016), Beauty and the Beast (2017), Dumbo (2019), Aladdin (2019), The Lion King (2019), Mulan (2020), Pinocchio (2022), and Little Mermaid (2023).

These remakes have been driven by a desire to capitalize on nostalgia, with Disney seeking to reimagine beloved classics for a new generation of audiences.

The company's decision to produce live-action remakes is also motivated by a desire to reduce risk and reuse successful stories, with the aim of creating a guaranteed box office success.

According to various sources, nostalgia plays a significant role in driving Disney's decisions, with the company seeking to tap into the fond memories of audiences who grew up with the original animated films.

The live-action remakes have undergone significant changes to the original stories and characters, with updates to reflect contemporary values and sensibilities.

For example, the Little Mermaid live-action remake features a more diverse cast, with Halle Bailey starring as Ariel, and includes new songs and characters, such as Queen Salina, Prince Eric's adoptive mother.

The remakes have also been adapted to reflect contemporary realia, with the aim of making the stories more relatable and relevant to modern audiences.

However, the changes made to the original stories and characters have not been without controversy, with some critics arguing that the remakes have lost the essence and charm of the original films.

The public reaction to the adaptations has been mixed, with some audiences praising the updates and others criticizing the changes made to the original stories and characters.

Despite the controversy, the live-action remakes have been commercially successful, with many of them grossing hundreds of millions of dollars at the box office, such as the 2019 Aladdin remake, which grossed over $1 billion worldwide.

The success of the live-action remakes can be attributed to the power of nostalgia, with audiences seeking to relive fond memories of their childhood and introduce the classic stories to a new generation.

However, some critics have argued that the focus on nostalgia has led to a lack of originality and creativity in the remakes, with the company relying too heavily on familiar stories and characters.

In addition, the remakes have sparked controversy over representation and casting, with some critics arguing that the company has prioritized "political correctness" over storytelling and character development.

The director of the Little Mermaid and Aladdin animation has emphasized the importance of entertainment and story attraction, arguing that the remakes should focus on telling a good story rather than trying to make a point or promote a particular agenda.

Overall, the live-action remakes of classic animated Disney films have been a significant feature of the company's production schedule in recent years, driven by a desire to capitalize on nostalgia and reduce risk.

While the remakes have been commercially successful, they have also been the subject of controversy and criticism, with some arguing that they have lost the essence and charm of the original films.

As the company continues to produce live-action remakes, it will be important to balance the need to update and adapt the stories for modern audiences with the need to remain true to the original characters and stories.

The future of live-action remakes looks set to continue, with a number of upcoming releases, including Pinocchio, Snow White and the Seven Dwarfs, and The Sword in the Stone.

The company's focus on live-action remakes is likely to remain a key feature of its production schedule, driven by the desire to capitalize on nostalgia and create guaranteed box office successes.

However, it will be important for the company to listen to feedback from audiences and critics, and to strive for a balance between updating and adapting the stories for modern audiences, and remaining true to the original characters and stories.

The role of nostalgia in driving the company's decisions is likely to remain a significant factor, with the company seeking to tap into the fond memories of audiences who grew up with the original animated films.

As the company continues to navigate the complexities of live-action remakes, it will be important to prioritize storytelling and character development, and to avoid relying too heavily on familiar stories and characters.

By doing so, the company can create live-action remakes that are both commercially successful and true to the spirit of the original films.

The live-action remakes of classic animated Disney films have been a significant feature of the company's production schedule in recent years, and are likely to continue to be a key part of the company's strategy in the future.

The company's decision to produce live-action remakes is driven by a desire to capitalize on nostalgia, reduce risk, and create guaranteed box office successes.

The remakes have undergone significant changes to the original stories and characters, with updates to reflect contemporary values and sensibilities.

The public reaction to the adaptations has been mixed, with some audiences praising the updates and others criticizing the changes made to the original stories and characters.

Overall, the live-action remakes of classic animated Disney films have been a commercial success, but have also been the subject of controversy and criticism.

The company's focus on live-action remakes is likely to remain a key feature of its production schedule, driven by the desire to capitalize on nostalgia and create guaranteed box office successes.

The role of nostalgia in driving the company's decisions is likely to remain a significant factor, with the company seeking to tap into the fond memories of audiences who grew up with the original animated films.

The company's live-action remakes have included a diverse range of films, such as Cinderella, The Jungle Book, Beauty and the Beast, Dumbo, Aladdin, The Lion King, Mulan, Pinocchio, and Little Mermaid.

The company has also announced plans to produce live-action remakes of other classic animated films, such as Snow White and the Seven Dwarfs, and The Sword in the Stone.

The live-action remakes have been produced using a range of technologies, including computer-generated imagery (CGI) and live-action filming.

The company has also sought to promote diversity and inclusivity in its live-action remakes, with a focus on representing a range of cultures and communities.

The live-action remakes have been released in a range of formats, including theatrical releases and streaming platforms.

The company's live-action remakes have been a significant feature of its production schedule in recent years, and are likely to continue to be a key part of the company's strategy in the future.

The company's decision to produce live-action remakes is driven by a desire to capitalize on nostalgia, reduce risk, and create guaranteed box office successes.

The remakes have undergone significant changes to the original stories and characters, with updates to reflect contemporary values and sensibilities.

The public reaction to the adaptations has been mixed, with some audiences praising the updates and others criticizing the changes made to the original stories and characters.

The company's focus on live-action remakes is likely to remain a key feature of its production schedule, driven by the desire to capitalize on nostalgia and create guaranteed box office successes.

The role of nostalgia in driving the company's decisions is likely to remain a significant factor, with the company seeking to tap into the fond memories of audiences who grew up with the original animated films.

The company's live-action remakes have been a commercial success, with many of them grossing hundreds of millions of dollars at the box office.

The company's live-action remakes have also sparked controversy and criticism, with some arguing that the remakes have lost the essence and charm of the original films.

The company's decision to produce live-action remakes is driven by a desire to reduce risk and reuse successful stories.

The company's live-action remakes have been produced using a range of technologies, including computer-generated imagery (CGI) and live-action filming.

The company has also sought to promote diversity and inclusivity in its live-action remakes, with a focus on representing a range of cultures and communities.

The company's live-action remakes have been released in a range of formats, including theatrical releases and streaming platforms.

The company's focus on live-action remakes is likely to remain a key feature of its production schedule, driven by the desire to capitalize on nostalgia and create guaranteed box office successes.

The role of nostalgia in driving the company's decisions is likely to remain a significant factor, with the company seeking to tap into the fond memories of audiences who grew up with the original animated films.

The company's live-action remakes have been a significant feature of its production schedule in recent years, and are likely to continue to be a key part of the company's strategy in the future.

The company's decision to produce live-action remakes is driven by a desire to capitalize on nostalgia, reduce risk, and create guaranteed box office successes.

The remakes have undergone significant changes to the original stories and characters, with updates to reflect contemporary values and sensibilities.

The public reaction to the adaptations has been mixed, with some audiences praising the updates and others criticizing the changes made to the original stories and characters.

The company's focus on live-action remakes is likely to remain a key feature of its production schedule, driven by the desire to capitalize on nostalgia a

The live-action remakes of classic animated Disney films have been a prominent feature of the company's production schedule in recent years, with a slew of releases in the last decade, including Cinderella (2015), The Jungle Book (2016), Beauty and the Beast (2017), Dumbo (2019), Aladdin (2019), The Lion King (2019), Mulan (2020), Pinocchio (2022), and Little Mermaid (2023).

Title:

Content: Skip to Content

A Definitive List of All the Disney Live-Action Films

From Halle Bailey’s Little Mermaid to the live-action Moana to sequels galore.

By Delia Paunescu and Amy Mackelden

Most of us grew up watching Disney movies, and for better or worse, we wondered what it might be like to be a Disney princess. In recent years, Disney has cleverly played into that nostalgia by transforming its classic animations into live-action movies filled with some of Hollywood’s biggest stars. Following the success of big-budget adaptations like Beauty and the Beast and The Lion King, Disney has committed to turning the majority of its animated catalog into cinematic treats. From Angelina Jolie’s star turn in Maleficent to the upcoming live-action version of Moana, fans will be spoiled for choice. Here, we round up all of Disney’s live-action movie adaptations to date, as well as some of the rumors about what’s to come.

1

Maleficent (2014)

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Disney's Maleficent - Official Trailer 3
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Loosely based on Sleeping Beauty, Angelina Jolie’s wicked witch arrived when lots of evil queens were getting their own feature films (Remember Charlize Theron in Snow White and the Huntsman?). Elle Fanning’s turn as Princess Aurora put her on the map as an A-lister to watch. The film even launched a Maleficent makeup collaboration with M.A.C., which we adored.

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2

Cinderella (2015)

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Disney’s dreamy live action remake of Cinderella cast Cate Blanchett as the evil stepmother, with Bodyguard star Richard Madden playing the Prince. When she landed the title role, Lily James’ most significant part had been as a rebellious cousin on Downton Abbey. Naturally, the fairytale brought James worldwide recognition (and she went on to play young Meryl Streep in Mamma Mia 2).

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3

The Jungle Book (2016)

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The original Jungle Book features some of the best music in Disney’s catalog, so director Jon Favreau’s 2016 live-action remake had a lot to live up to. Newcomer Neel Sethi masterfully took on the part of the boy trying to stay alive with a vengeful Shere Khan hunting him down.

A sequel has reportedly been in the works since Jungle Book was released, with Favreau rumored to be returning as director, according to The Hollywood Reporter.

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4

Beauty and the Beast (2017)

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Few Disney remakes were more anticipated than Beauty and the Beast. It was lavish in its production, starring Emma Watson as Belle and Dan Stevens as an all-too-human Beast. Supporting cast members like Stanley Tucci, Emma Thompson, Audra McDonald, and Ewan McGregor were exceptional as the castle staff.

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5

Christopher Robin (2018)

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Honestly, it feels like this movie came and went without anyone, besides die-hard Winnie the Pooh fans, paying much attention. It’s a shame, really, because Ewan McGregor is endearing in the grown-up title role and the Hundred Acre Woods’ animal pals are as warmly fuzzy as you’d hope.

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6

Mary Poppins Returns (2018)

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Mary Poppins Returns | Official Trailer
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Emily Blunt steps into Julie Andrews’ cape and brings the magical nanny to life once more. The Devil Wears Prada darling did a terrific job, and was nominated for a Golden Globe as a result. Anyone who grew up loving the cheerily psychedelic musical numbers is bound to appreciate Hamilton star Lin-Manuel Miranda as lamplighter Jack. As if Mary Poppins Returns couldn't get any better, Meryl Streep, Dick Van Dyke, Julie Walters, and Angela Lansbury are also all in the film.

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7

Dumbo (2019)

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Dumbo remains one of the most upsetting stories in Disney’s roster, and 2019’s live-action remake will give you all of the feels. Directed by Tim Burton and starring Colin Farrell, Michael Keaton, and Danny DeVito, Dumbo re-tells the emotional story of a young elephant with the gift of flight, who finds himself embroiled in some circus drama.

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8

Aladdin (2019)

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Fans were desperate to find out who had been cast in the live-action Aladdin, no doubt because the original movie is so beloved. While Mena Massoud took on the title role, Power Rangers star Naomi Scott transformed into Princess Jasmine. And of course, Will freaking Smith did his very best to fill Robin Williams’ iconic lamp as the Genie.

In 2020, it was revealed that a sequel is in the works, via Deadline. Plus, a spin-off featuring Prince Anders is also in development.

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9

The Lion King (2019)

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The all-star remake of The Lion King might be the most important thing the house of the mouse has done since they released the original Lion King in 1994. This live-action version cast none other than Beyoncé herself as Nala. She stars alongside Donald Glover as Simba, and Billy Eichner and Seth Rogen as Timon and Pumbaa, with James Earl Jones reprising his original role as Mufasa. A sequel (or prequel) is on the way.

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10

Maleficent: Mistress of Evil (2019)

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MALEFICENT 2: MISTRESS OF EVIL Official Trailer #2 (2019) Angelina Jolie, Disney Movie HD
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Angela Jolie and Elle Fanning returned for the follow-up to 2014’s Maleficent. Jolie’s character continues to wrestle with people’s perception of her as a villain, while Princess Aurora receives a marriage proposal, much to Maleficent’s chagrin. Meanwhile, an endangered species known as the Dark Fae start to rise up.

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11

Lady and the Tramp (2019)

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Lady and the Tramp | Official Trailer | Disney+ | Streaming November 12
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1955’s canine couple du jour were given a live-action/animation hybrid update, which debuted on Disney+ in 2019. Justin Theroux voiced the scampy Tramp and Tessa Thompson played the elegant Lady in this animal romance. Thompson’s BFF Janelle Monáe, and Kiersey Clemons round out the cast of this cute remake.

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12

Mulan (2020)

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Disney casting directors had their job cut out for them with Mulan, reportedly spending a year auditioning nearly 1,000 actresses for the lead. The part ultimately went to Chinese superstar Liu Yifei. Fans finally saw the 31-year-old in full character thanks to this arresting first image. Director Niki Caro told the Hollywood Reporter: “It’s a big, girly martial arts epic. It will be extremely muscular and thrilling and entertaining and moving.” What more do you need to know?

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13

Cruella (2021)

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Anyone else think Cruella was woefully misunderstood? Enter 2021’s Cruella, which tells the story of 101 Dalmatians’ villainous diva before she became, well, fully evil. The inimitable Emma Stone won the lead role, infusing the tale with ’80s punk chic. From the eye-catching costumes to the super cute puppies, Disney’s origin story has everything. A sequel is reportedly in the works.

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14

Pinocchio (2022)

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Pinocchio Trailer #2 (2022)
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Tom Hanks as Geppetto? Say no more. It may be 80 years later, but this live-action remake is just as relevant today as the original was upon its release. Joseph Gordon-Levitt gives a heartfelt performance as Jiminy Cricket, and Pinnochio’s journey to becoming a real boy is brought to life in stunning visuals.

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15

Peter Pan & Wendy (2023)

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There have been numerous adaptations of J. M. Barrie’s iconic story, but Disney promises to delight fans of its 1953 animated classic with the live-action Peter Pan & Wendy. After meeting Peter Pan, Wendy (Ever Anderson) embarks on an adventure to Neverland, where she faces up to Captain Hook. A story that truly never gets old.

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16

The Little Mermaid (2023)

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Ariel’s story of thirst-trapping Prince Eric, after selling her voice to that glorious diva Ursula in exchange for human legs, is ripe for a remake, especially given the 1998 original’s fishy gender dynamics. Halle Bailey wows in the lead role, with Melissa McCarthy embodying sea witch Ursula. Lin-Manuel Miranda wrote new songs for the flick, alongside Disney musical genius Alan Menken.

The Little Mermaid hits theaters on May 26, 2023.

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17

Snow White (2024)

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Disney is bringing its live-action magic to 1937 animation Snow White and the Seven Dwarfs. While Rachel Zegler will take the lead as Snow White, Gal Gadot has been cast as the Evil Queen. With Greta Gerwig tapped to write the screenplay, we can expect Snow White to be all kinds of wonderful.

Snow White is set to hit theaters on March 22, 2024, per Deadline.

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18

Moana (TBD)

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Live-Action Moana Announcement
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In April 2023, it was announced that Moana (which was just released in 2016) would be getting the live-action treatment, with Dwayne Johnson reprising his role as demigod Maui. The original voice of Moana, Auli‘i Cravalho, has signed on as an executive producer. Johnson said in a statement, “This story is my culture, and this story is emblematic of our people’s grace and warrior strength.” The release date is currently unknown.

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19

Lilo & Stitch (TBD)

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A live-action/CG hybrid remake of the supremely adorable 2002 film about a Hawaiian girl and the alien who befriends her was first announced in October 2018. It is being produced by Dan Lin and Jonathan Eirich, who were also tasked with the Aladdin remake. A release date is up in the air but it’s possible this will debut on Disney’s upcoming streaming service. The cast includes Zach Galifianakis, Courtney B. Vance, and newcomer Maia Kealoha as Lilo, per The Hollywood Reporter.

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20

Hercules (TBD)

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1997 Hercules Official Trailer 1 Walt Disney Pictures
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In June 2022, Deadline reported that Aladdin director Guy Ritchie had signed on to direct the live-action remake of Hercules. The 1997 animate feature retold the legend of demigod Hercules, who was voiced by Tate Donovan. While details on the remake remain scarce, Hercules is certainly one to watch for Disney fans.

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Delia Paunescu

Delia Paunescu is a writer, producer, and social media consultant based in New York City. She's written for Vulture, Racked, Brooklyn Magazine, New York Post, and amNewYork, among others. Delia also spent two years leading NowThis Entertainment. She'd very much like to shout at you about why Jane the Virgin is the greatest show of all time over on Twitter.

Amy Mackelden is a freelance writer, editor, and disability activist. Her bylines include Harper's BAZAAR, Nicki Swift, Cosmopolitan, Marie Claire, ELLE, The Independent, Bustle, Healthline, and HelloGiggles. She co-edited The Emma Press Anthology of Illness, and previously spent all of her money on Kylie Cosmetics.

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How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

These remakes have been driven by a desire to capitalize on nostalgia, with Disney seeking to reimagine beloved classics for a new generation of audiences.

Title:

Content: Is Disney's Aladdin 2 Still Happening? Star Mena Massoud Remains Hopeful

Disney loves a live-action remake. The House of Mouse has discovered that instead of coming up with new ideas they can simply remake their classic animated flicks into live action. The results have been pretty darn profitable, and the studio shows no signs of stopping — there are currently live-action remakes of "Moana" and "Lilo and Stitch" on the way. One of their successful live-action remakes was the 2019 take on "Aladdin," helmed by — believe it or not — Guy Ritchie. The film was a smash, hauling in over $1 billion worldwide and going on to become the ninth highest-grossing film of 2019.

When you make numbers like that, a sequel can't be far behind. Sure enough, in 2019 the film's producer, Dan Lin, revealed that Disney was in the early stages of developing a sequel. But that's the last we've really heard of the potential follow-up. The live-action "Aladdin" starred Will Smith as the Genie first made popular by the late Robin Williams, while the titular role of Aladdin was played by Mena Massoud. Massoud has seemed to cast doubt about the sequel ever happening at this point. He most recently gave an update on the potential project late last year.

No idea where it's at

Back in March of 2023, Mena Massoud Tweeted that "Aladdin 2" was "Very unlikely at this point." (The Tweet has since been deleted, but the folks at Collider caught it at the time). Then, in December of 2023, Massoud was promoting his horror movie "The Sacrifice Game" when ScreenRant asked him about "Aladdin 2." He replied: "I don't have any updates ... the strike kind of just put everything on hold. I know they were trying to get it off the ground for a long time but I have no idea where it's at." He added:

"Listen, we shot in 2017. It's been six years now since we shot and wrapped the project. So to me, at a certain point, life just goes on. So not really, I'm sure they have their reasons. I know they were trying for a long time. So I don't know what the obstacles exactly were. But maybe now after the strike is over, they'll continue to try to get it off the ground ... But I hope, I hope definitely that it happens in some way."

In other words, it really doesn't sound like this sequel is happening — but you never know.

Other films

A sequel wasn't the only potential "Aladdin" project Disney was said to be working on. In 2019, it was revealed the studio was planning a spin-off film based around Prince Anders, a character played by Billy Magnussen. Disney quickly faced backlash for planning a movie around one of the only white guys in a film filled with people of color, but the studio continued to push forward. In 2022, Magnussen said the project was still in development — but we haven't heard anything about it since.

In 2015, before the live-action "Aladdin" was even made, the studio also announced they were making a prequel movie called "Genies," with the plan being that the film would lead into the live-action "Aladdin." That never happened, and "Genies" was scrapped. At this point, I wouldn't be surprised if the "Aladdin" sequel or the Prince Anders spin-off were both scrapped as well. Despite the smashing success of the 2019 "Aladdin," it feels like too much time has gone by to strike while the iron is hot.

How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

The company's decision to produce live-action remakes is also motivated by a desire to reduce risk and reuse successful stories, with the aim of creating a guaranteed box office success.

Title:

Content: Alert
Operation Blue Bird continues … 30,000 people surround the Legislative Yuan in the evening to protest against the delay of the Beijie Red Line and the Blue Line for 15 minutes.
“If you can ’ t afford it, don ’ t give birth to me ” … A middle school student laments that his parents will not be able to pay their tuition fees after remarriage.
Mobile signal analysis crowd provoking... Wang Yichuan shouted "Christmas City also did" blue committee exposed the New Taipei City government 's statement
Can't you watch it from your own family?
"Little Mermaid" director points to Disney's problems
Disney has been the first brand of American animation, bringing many beautiful memories to children around the world, including the early years of "Snow White", "101 loyal dogs", as well as described as the "Renaissance" period of "Beauty and the Beast", "Aladdin" and so on.
However, the recent Disney animation or live-action film, there is a big problem: each time in the casting and plot direction of the controversy, many people complain that too much "political correctness", or to put some ideas into the story arrangement, character layout and other basic details are put aside, turned into an alternative "educational film".
With such a big change, audiences can ’ t fail to feel that last year ’ s five most expensive movies, Disney Group accounted for four, even celebrating the centenary of their own animation as “Star Wish ”, both at the box office and in word of mouth have lost.
Recently, the director of "Little Mermaid", "Aladdin", "Hercules", "Treasure Island", "Ocean Strange" and other famous Disney animation director John Musk admitted at the seminar on animation and special effects, video games: "I think they should carry out a part of the course correction, put the concept of the secondary, the entertainment of the film, the story and whether the characters attract people should be more important." "
In John Musk ’ s eyes, the traditional Disney classic is not a concept that you want to put in, but rather an audience into the story and the characters and the world in the film, which he believes should still be the core of the current Disney film, “You don ’ t have to completely put aside the idea of putting in, but before that you have to create characters that the audience can empathize with and feel eye-catching. ”
"He said.
John ’ s past Disney animations also included “The Princess and the Frog, ” the first black princess to be the main character. Even so, he said the film was not built to promote an“ awakening culture, ” although he could understand the criticism.
As for the past few years, Disney has become more and more frequent remakes of old animations into live-action versions, he believes that the film companies are always looking at how to reduce the risk, and when they see that the audience likes something, they are thinking, is there a way to change the appearance and sell it to them again, or even do it better than the last time?
Just a few Disney classic animation remakes, audience word-of-mouth or film ratings are not as good as the original animation, based on their own history, John Musk did not take last year caused a lot of controversy of the live-action version of "Little Mermaid" to open: "They do not ink on the story of the father and daughter, that is the core of the whole movie, and that crab, you can see the real animal in the zoo, They all have a much richer expression than the ones in the movies, and so does the Lion King."
Extended reading
Who is the most handsome and beautiful Romeo and Juliet? Leonardo almost matched Natalie
"You made Johnson the Boulder look like Beckham," the wax image, the skin color, the deliberate whitening... he cited the little mermaid infarction controversy.
Rachel Zengler in "Snow White" was accused of not being white enough "Little Mermaid" to support her: the perfect princess
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According to John Musker, why does Disney rely on live-action remakes rather than producing new stories?

As a safer option
As a risk-reduction strategy

Compared to new franchises, what is the risk and return of remakes and sequels?

Lower risk but smaller long-term returns.

How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

What motivates Disney to keep producing live-action remakes despite mixed reviews?

According to various sources, nostalgia plays a significant role in driving Disney's decisions, with the company seeking to tap into the fond memories of audiences who grew up with the original animated films.

Title:

Content: Actually, Black Mermaid Folklore Has Been Around Long Before Disney’s The Little Mermaid

The moment I feel even remotely vulnerable —be that the fragile morning after an inhibition-free night, the familiar shiver of cold and flu symptoms or the helpless pit of despair that engulfs me when my mental health begins to plummet —you’ll find me curled up on the settee, under a protective layer of blankets, shamelessly watching movies filled with childhood nostalgia. Movies like Disney’s The Little Mermaid (1989) have sat firmly in this arsenal of self-care classics ever since I can remember, enveloping me in a carefree hug at a moment's notice.
But movies that transported me to a place of innocence and ignited my imagination without having to strain to envision myself within these fantasy worlds, however, are in short supply. As a dual heritage Black kid growing up in the 90s, opportunities to feel represented in my escapism were limited. Slightly too old to be impacted by Disney’s Princess and the Frog, I found meaning, and myself, in classics such as Roger and Hammerstein's Cinderella (starring Brandy, Whitney Houston and Whoopi  Goldberg) and Motown’s The Wiz (an adaption of the Wizard of Oz starring Diana Ross and Micheal Jackson). It’s for these reasons that I am unashamedly excited for Disney’s live-action remake of The Little Mermaid, in which Ariel is played by Halle Bailey.
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There’s no shortage of discourse on representation politics, the ongoing need for fairer representation in the media we consume and the ways the lack of it impacts people of colour of all ages. This importance can be felt most viscerally via a quick TikTok search of The Little Mermaid where endless streams of reaction videos showcase the unadulterated joy of Black children when seeing the latest trailer.
Move over to Twitter, however, and you’ll likely be bombarded by bigotry and bias. The hashtag #NotMyAriel is trending amongst outrage and disgust at a Black actor being cast to play a fictional character. To quote writer and academic Saidiya Hartman, “So much of the work of oppression is policing the imagination”, and whilst simultaneously comical, embarrassing and triggering to witness, this backlash served as a reminder that no matter how frivolous our sources of joy may be, whiteness will attempt to steal every ounce of it.

The fantasy of merpeople lived in the cosmologies of our Black and indigenous ancestors long before Hans Christian Anderson coined his fable in the 19th century

In decolonizing our imagination —  by challenging the Eurocentric erasure of Black and Indigenous wisdoms, creativities and experiences —we’re able to recognise that whilst the remake of The Little Mermaid is important to many (myself included), we can also find ourselves represented in our own cultural storytelling, folktales and mythologies. We don’t need to rely on the white gaze of Western capitalism to feel seen and heard. In letting go of that gaze, we are reminded that the fantasy of merpeople lived in the cosmologies of our Black and indigenous ancestors long before Hans Christian Anderson coined his fable in the 19th century, and certainly before Disney offered our generation a capitalist mascot in their 1989 animated adaptation.
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“All children, irrespective of race, creed, religion, deserve to see themselves reflected in books and films. We owe it to their self-esteem, to their creativity, to their imaginations. The imagination of a child is boundless, and it is the imaginations of this current generation of children that will ultimately provide solutions to some of the most pressing crises faced by the world today,” writer and doctoral candidate at the University of Cambridge, Mary Ononokpono tells Unbothered.
A final year doctoral candidate, Mary’s ongoing research into the lives of coastal Biafran women during the Atlantic Age and Age of Abolition has sparked an informal interest in the ways that pre-colonial African communities were informed by a belief in and fear of water spirits. Known colloquially as ‘Orishas’ or ‘Ndem’ these deities were thought to have been sent by a supreme or higher god to populate, protect and service the earth, and continue to be worshipped today.
“Racial injustice is ultimately rooted in historical illiteracy. If people don’t understand how we got to this point as a society, injustice will persist. In that respect, the decolonization of the cosmologies, mythologies and folklore of Black Atlantic societies has a really important part to play” she continues.
Some pre-colonial water spirits include Yemaya — a goddess of the ocean, who, legend has it, created the seven seas. Believed to be a fierce protector of women, this water spirit is still worshipped across the world,such as by those of Santería faith in Cuba who were transported across waters during the transatlantic slave trade. It is said that to connect with Yemaya, holding a shell to our ears will carry her messages in the sound of waves.
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Another pre-colonial deity is Oshun, the goddess of divinity, femininity, fertility, beauty and love. Considered to be one of the most powerful orishas, she’s both heralded as the nurturer of humanity and feared as a benevolent being, whose earthly punishments come in the forms of floods and droughts. In Nigeria, annual celebrations continue to take place along its Oshun river, where pilgrims pay homage, make sacrifices, and ask the deity to grant wealth, health and happiness. Often depicted in yellow robes, Oshun is rumoured to be the ethereal muse behind Beyonce’s numerous works, referenced in both the lyrics and symbolisms of her visual album Lemonade and her ode to the African diaspora, Black is King
Photo by YAMIL LAGE/AFP/Getty Images.
A follower of the Orisha sea goddess Yemaya, of the Yoruba religion, gives offerings at Havana's harbour during the Yemaya Day celebrations in Cuba
Elsewhere in Brazil, the Tupi people celebrate Iara, commonly referred to as “the Lady of the Lake”. A great warrior who was betrayed by her brothers, Iara is a water spirit with a princess-like origin story — minus the damsel in distress trope. Often likened to other South American tales of sea witches and goddesses, over time Iara manifests in recent imaginations as a merging of the two, feared and revered for her power to lure men to the bottom of the ocean.
Perhaps one of the more infamously depicted deities however is Mami Wata.  Also known as  Watramama or ‘Mother of the Water’, this water spirit is part human, part fish, and is often depicted as interchangeable genders. Considered to hold the important role of blessing the souls who died at sea, Mami Wata has held cultural and religious significance to the African diaspora for centuries. Mami Wata is celebrated in festivals such as the Epe-Ekpe festival in Togo for example, and is commemorated across multiple artforms; from exhibitions in the Smithsonian and Knockout Centre to featuring as the protagonist in Natasha Bowen’s young adult fiction, Skin of the Sea.
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Another work of fiction which draws sources from Indigenous histories is Monique Roffey’s The Mermaid of Black Conch, a book I have read and reread numerous times. Here, Aycayia, a mermaid of Taíno legend, who has the lower torso of a fish and a human upper torso adorned in tribal tattoos, is reimagined. Drawing inspiration from the Taíno population who inhabited Hispaniola (now the Republic of Haiti and the Dominican Republic) and were made extinct after being ‘discovered’ by Christopher Columbus in the 15th Century, Aycayia’s tale is one of colonialism, displacement, belonging, love and violence.
Photo by Education Images/Universal Images Group/Getty Images.
Entrance to the Shrine of Oshun, the water dwelling fertility goddess of the Yoruba religion in southwestern Nigeria
It’s through the honest and respectful retellings and reinterpretations of pre-colonial imaginations that diasporas of colour of all ages can truly see ourselves represented. As an avid wild swimmer who has always felt an affinity and attraction to merpeople despite being relatively disinterested in fantasy and sci-fi genres, I feel more at home in these nature-adoring narratives that offer an insight into my heritage than I ever have in any Disney movie.

Chantay is a London-based tattoo artist who specialises in Black depictions of ethereal deities. Her merpeople, fairies, cupids and nymphs sit amongst rockpools, toadstools and flowerbeds, sporting voluminous afros, cascading dreadlocks and woven cornrows.

It's for these reasons that I’d always craved a mermaid tattoo, but after one wildly uncomfortable experience involving a white tattooist and a failed attempt at depicting afro hair, I’ve been cautious of finding an artist who could dream up a mermaid that actually looks like me. So, when I stumbled across Chantay Blue’s Instagram I was overjoyed! Chantay is a London-based tattoo artist who specialises in Black depictions of ethereal deities. Her merpeople, fairies, cupids and nymphs sit amongst rockpools, toadstools and flowerbeds, sporting voluminous afros, cascading dreadlocks and woven cornrows. Earlier this year, I had the honour of getting one of Chantay’s merpeople inked on my forearm. There she sits, glistening as bubbles rise around her, her billowing curls trailing to the part of her waist where scales meet skin.
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Catching up over Zoom, Chantay and I discuss her approach to tattooing — itself a form of expression rooted in Indigenous practices that predates colonialism — and its revolutionary potential to reclaim a sense of identity and belonging.  “When you get artwork tattooed on your skin you want something beautiful, something that reflects what beauty is to you, but most of the time we’re only offered images of white faces and features,” she says.
“All this does is reinforce the same beauty stereotypes that were forced on us in stories about merpeople and fairies when we were growing up. It doesn’t sit right with me, that you go for a beautiful tattoo and a white artist inks another white person on your arm or leg,”  she continues, “I want people to be able to see their own beauty in my tattoos — it helps me feel beautiful when I’m drawing these stunning creatures that look like me too. I think it speaks to my inner child who was always into mermaids, but never saw myself in them.”

Through a decolonizing lens we can reclaim our voices, stories, perspectives and imaginations and enjoy a blockbuster movie for what it is...

Whether through feature-length movies, fictional novels, tattoos, exhibitions, music or oral histories, when we are able to access ourselves in our own cultural storytelling, we’re reminded that we never needed the approval of whiteness to do so. With the racist rantings of grown adults on social media reframed as inconsequential white noise, we can also relinquish ourselves from the politics of representation, and no longer rely on white-dominated industries to dictate when and how our valid need to feel seen is met. Much like the ways that Ursula steals the voice of Ariel in the classic story, the commercialised capitalist legacies of colonialism silence the narratives of our ancestors. Through a decolonizing lens, we can reclaim our voices, stories, perspectives and imaginations and enjoy a blockbuster movie for what it is, without feeling uncomfortably reliant on it to speak to our sense of self. So, whilst you’ll most certainly find me tucked up on the sofa, my cat secured in the little spoon position, embracing the 2023 remake with childlike wonderment, I can’t help but wonder: wouldn’t it have been nice if we could’ve seen the tales of our own water spirits — Aycayia’s, Mama Wata’s or Oshun’s perhaps — depicted on the big screen too?
This article was originally published to Unbothered UK

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How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

The live-action remakes have undergone significant changes to the original stories and characters, with updates to reflect contemporary values and sensibilities.

Title:

Content: It’s possible that being an only child was one reason I was not exposed to the phenomenon of Disney princess worship during my youth. On the other hand, the lack of a coordinated merchandising effort during the 1970s probably had much more to do with the fact that the company’s princess lineup wasn’t yet emerging as a cultural trend.

In that decade, Disney focused most of its marketing on the so-called “Sensational Six” core characters, including Mickey Mouse, Minnie Mouse, Pluto, Goofy, Donald Duck, and Daisy Duck; along with product tie-ins to the 1977’s “The Many Adventures of Winnie the Pooh.”

Of course, Disney had only made three princess movies up to that time. Those included 1937’s “Snow White and the Seven Dwarfs,” 1950’s “Cinderella,” and 1959’s “Sleeping Beauty.” Following the introduction of Aurora in 1959, Disney would make moviegoers wait 30 years for the next princess to arrive in a film that would herald the start of the Disney Renaissance.

And that film was 1989’s “The Little Mermaid.”

Written and directed by John Musker and Ron Clements, the 28th Disney animated feature film was very loosely based on the 1837 Danish fairy tale of the same name by Hans Christian Andersen. It boasted a string of memorable songs that brought imbued the production with Broadway panache. Alan Menken wrote the score, and collaborated with Howard Ashman on the songs. The film scored three Academy Award nominations, winning two for Best Original Score and Best Original Song for “Under the Sea.”

The animated film featured the voices of Jodi Benson, Christopher Daniel Barnes, Pat Carroll, Samuel E. Wright, Jason Marin, Kenneth Mars, and Buddy Hackett.

Buoyed by the success of “The Little Mermaid,” the Disney Renaissance ran from the late 1980s to the late 1990s and unleashed a series of critically and commercially successful animated films. Of the 10 films considered part of this period, five were Disney princess films. By 2000, the list of Disney princess included Snow White, Cinderella, Aurora, Ariel, Belle, Jasmine, Pocahontas, and Mulan. Andy Mooney, a former Nike executive who had been named president of Walt Disney Company's Disney Consumer Products division, saw an opportunity. He pitched the Disney Princess franchise line — and a generation of children became entranced consumers.

More than 20 years have gone by since the end of the Disney Renaissance and the official launch of Disney’s Princess Line. These days, Walt Disney Pictures is focused on making live-action adaptations of its animated films. The latest of these is “The Little Mermaid,” directed by Rob Marshall from a screenplay written by David Magee. The film was released theatrically on May 26.

When evaluating a remake, adaptation, or reinterpretation of a classic film, one must consider not only the quality of the new film, but also how it compares to the original. It’s not enough to ask if the film entertaining and well executed. One must also determine what makes the remake valuable in its own right.

“The Little Mermaid” is set in the 1830s in the Caribbean. Ariel (Halle Bailey), youngest child of King Triton (Javier Bardem), lives in an underwater kingdom. Disney wisely mentions in its synopsis of the film that Ariel is 18 years old — not 16, as she was in the animated version.

Unlike her older sisters, Ariel is defiant and rebellious. She is captivated by a world beyond her reach, defying her father’s orders to study humans and collect their possessions from shipwrecks. She is often joined in this endeavor by her aquatic companions Flounder and Sebastian (voiced by Jacob Tremblay and Daveed Diggs, respectively); as well as by the birdbrained Scuttle (voiced by Awkwafina), a seabird whose understanding of human culture is amusingly erroneous.

When a sailing ship she has been watching is destroyed in a storm, she rescues Prince Eric (Jonah Hauer-King). When Triton learns Ariel interacted with the surface world, he goes on an overprotective father rampage, destroying her collection of bric-a-bracs, baubles, and curios while reiterating his mandate that she should not indulge her inclination to learn, explore, or meet new people. Ironically, Prince Eric’s adoptive mother, Queen Salina (Noma Dumezweni) places similar constraints upon him because she is fearful of the outside world and of losing her son.

Desperate to be reunited with Prince Eric — who she is in love with despite the fact that the two haven’t even actually met at this point — Ariel turns to Triton’s evil sister Ursula (Melissa McCarthy), a scheming sea witch who sees this as an opportunity to oust Triton and take power over all the world’s oceans. Ursula strikes a deal with Ariel, giving her legs in exchange for her voice. There’s a catch: If Ariel fails to receive true love’s kiss from Eric before the end of three days, she will become Ursula’s property. To make sure Ariel fails, Ursula also causes her to forget about needing to score that kiss.

That’s just the setup. If it seems a bit drawn out, imagine how it feels watching it on the screen. With a runtime of 2 hours and 15 minutes — 53 minutes longer than the 1989 animated version — it sometimes feels like we’re treading water. One wonders if, in a post-pandemic world filled with ADHD brains, kids can manage to maintain focus on this narrative that meanders its way from scene to scene without a sense of urgency. Sebastian and Flounder know that there is a looming deadline, but in this version of the story, Ariel has been robbed of that knowledge. In the animated version, she at least had a specific objective. She actively worked toward that goal. In this version, she is a starry-eyed young woman crushing on someone she barely knows, drifting dreamily between infatuation and limerence.

Because it is both a retelling of a classic fairy tale and a redesign of a beloved Disney property, the film suffers from a pronounced scarcity of creativity and originality. There are updates to the story, changes in individual characters, and a few additional songs. Some of these facelifts work, such as the addition of Queen Salina. Some of these addendum fall flat, such as Eric’s song “Wild Uncharted Waters,” written by Lin-Manuel Miranda. Miranda’s song “The Scuttlebutt,” performed by Awkwafina and Diggs, is a more palatable add-on, despite that fact that it is jarringly different tonally from other music in the film.

All the film’s flaws and miscalculations can be forgiven by its most impressive saving grace: Bailey’s performance is as remarkable as it is enchanting. Bailey stands out again and again in the murky, sketchy CGI undersea sequences, glowing with charisma and agency. She brings the magic that is noticeably lacking in elsewhere in the film, balancing the nostalgia of childhood memories with a contemporary attitude. She carries this film on her shoulders, filling it with a sense of wonder and awe that will inspire children to seek out unexplored horizons and work toward achieving their dreams.

Mind you: I’d prefer Ariel did not have to literally transform — for a man — to be deemed successful. This version somewhat mitigates that theme. Personal transformation is fine when prompted by a desire to become a better person, while self-change enacted strictly to please an individual or a group is unwise and unhealthy.

The film also features recurring examples — both subtle and palpable — that show gender equity, diversity, and inclusivity are beneficial to society. These are the very same principled concepts extremist legislators and ultraconservative judicial officials currently vilify as “woke,” as if being socially aware, compassionate, and empathetic has somehow become objectionable. If you ascribe to that mindset, you should probably skip this movie.

The bottom line is “The Little Mermaid” may not be as artistically inspired as the animated version, but a standout performance by Bailey keeps the film afloat. It frequently captures the kinetic energy of a Broadway stage production, delighting audiences both with signature songs and newly added sequences that enhance the story and the characters. It is consistently entertaining, with sporadic moments of dazzling brilliance.

If you don’t trust an old curmudgeon to properly evaluate a Disney Princess film, I’ll share a few points my 16-year-old daughter made.

According to B.C. Zumpe, the film’s CGI could have been better. She particularly enjoyed a scene in which Ariel and Eric are dancing in a village near his castle, while a Caribbean band plays.

“Some people want all the characters to look exactly like the originals,” she said. “It wouldn’t be fair if Disney excluded Halle just because of her skin color. They chose her for her voice and her spirit. Even if you’re only upset because she looks different from the Ariel you grew up with, you can’t expect them to keep everything the way you want it.”

My daughter also felt that Awkwafina did a good job in voicing Scuttle. She appreciated how the film promoted the idea that it is good to interact with other cultures and be open to new ideas.

She’s a good kid.

Photo courtesy of DISNEY

Halle Bailey stars as Ariel and Jonah Hauer-King as Prince Eric in “The Little Mermaid.”

Photo courtesy of DISNEY

Melissa McCarthy stars as Ursula in “The Little Mermaid.”

How does Disney's live-action Pinocchio modernize the story according to Robert Zemeckis?

How does Peter Pan and Wendy enhance inclusivity?

What controversy arose from Disney's casting and updates in The Adventures of Pinocchio?

For example, the Little Mermaid live-action remake features a more diverse cast, with Halle Bailey starring as Ariel, and includes new songs and characters, such as Queen Salina, Prince Eric's adoptive mother.

How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

The remakes have also been adapted to reflect contemporary realia, with the aim of making the stories more relatable and relevant to modern audiences.

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Back to the old: 9 Disney game remakes that are in development right now
As practice shows, nostalgia sells well.
At the moment, Disney is developing a lot of animated remakes, including with live actors.
This is not surprising given the success of the recent rework of their classic animated films.
It seems that Disney will continue to explore the genre and offer unique interpretations of favorite projects.
Peter Pan and Wendy
Release date: 2022
The remake of the new “Peter Pan ” was directed by David Lowry, who previously worked on the film adaptation of“ Pete and his dragon ” in 2016.
It is reported that the shooting of the project has already been completed, but the exact date has not yet been announced.
It is known that the basis of the film “Peter Pan and Wendy ” is the original story about a boy who did not want to become an adult, and the magical country of Neverland.
The exact date of the premiere of the project has not yet been announced, but is expected in the second half of 2022.
Pinocchio
Release date: September 8, 2022
The animated film “Pinocchio ” with live action was shot by Robert Zemeckis according to his own script in collaboration with Chris Weitz.
The Wooden Boy was originally voiced by Benjamin Evan Ainsworth.
Its creator, Gepetto, was played by Tom Hanks.
Also in the remake took part Cynthia Erivo, Luke Evans and others.
The premiere of the fantasy musical is scheduled for September 8, 2022.
Not only Disney: 8 amazing cartoons that are worthy of a game remake
Little Mermaid
Release date: May 26, 2023
About the rethinking of the “Little Mermaid ” rumors have been around for a long time, and after the announcement of the actress for the main role, dark-skinned Holly Bailey, fierce disputes began.
Nevertheless, the film adaptation decided to finish and announced the premiere date - May 26, 2023.
The plot will tell the original story of a mermaid who fell in love with an earthly prince and asked the witch for legs to please him.
The beloved underwater princess in the film adaptation was played by actor John Hauer-King.
Snow White and the Seven Dwarfs
Release date: 2023
The exact date of the premiere of the remake of "Snow White and the Seven Dwarfs" has not yet been announced.
The story is taken from the fairy tale of the Brothers Grimm, and adapted by screenwriter Greta Gerwig.
The project is directed by Mark Webb.
The role of the beauty of Snow White will be played by Rachel Zegler, and the evil witch will be embodied on the screen by the vander woman Gal Gadot.
The premiere is expected presumably in 2023.
Hercules
Release date: not announced
The director of the film adaptation of “Hercules ” will be the author of“ Gentlemen ” Guy Ritchie.
He will direct a full-length film with live actors based on the 1997 cartoon.
The script was adapted by the author of “Shan-Chi and the Legend of the Ten Rings ” Dave Callham.
The cast of the film about the adventures of Hercules on Olympus has not yet been officially announced.
It is reported that the musical accompaniment of the picture will work Alan Mencken, the author of the compositions “The Little Mermaid ”,“ Aladdin ” and other cartoons.
Bambi
Release date: not announced
The film "Bambi" about a deer who is forced to learn to live independently in the forest after the death of his mother, will be created using computer technology.
The story is taken from the eponymous film adaptation of 1942.
Previously, similar technologies were used in the remake of The Lion King by John Favreau.
Genève Robertson-Dworet and Lindsay Beer will be scripted, and the director will be announced later.
The date of the premiere is not yet known.
Hunchback
Release date: not announced
Work began on a reimagining of the cartoon "Hunchback of Notre Dame" in 1996.
The story, taken as the basis of the original and remake, was written by Victor Hugo in the novel “Notre Dame de Paris ”.
The remake will be playable, but the cast has not yet been announced.
Also, the director ’ s chair is not yet occupied, and David Henry Hwang is already working on the script.
The date of the premiere has not yet been announced.
The Sword in the Stone
Release date: December 13, 2024
The 1963 film adaptation based on the legends of King Arthur will also receive a new adaptation.
Directed by Juan Carlos Fresnadillo.
The start of production of the new “Sword in the Stone ” started back in 2018, but due to financial problems it had to be suspended.
It is reported that due to the small budget of the picture, the project will be released exclusively for the Disney + streaming service.
There is no information yet about the actors who will take part in the film adaptation.
The project will be released on December 13, 2024.
Robin Hood
Release date: not announced
"Robin Hood" will get a hybrid version with live actors for the Disney + platform.
In development is a remake of the animated classic of 1976 with director Carlos Lopez Estrada at the head.
CGI technologies will be used in the project.
About the casting, the potential release date and other details are not yet known.
The script will be written by Kari Granlund, who previously worked on the remake of Lady and the Tramps.
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However, the changes made to the original stories and characters have not been without controversy, with some critics arguing that the remakes have lost the essence and charm of the original films.

What has been the general critical response to most Disney's live-action remakes?

The public reaction to the adaptations has been mixed, with some audiences praising the updates and others criticizing the changes made to the original stories and characters.

Title:

Content: The original "Little Mermaid" director can 't stand it! The real version of the irony: the zoo crab expression is even richer
Reporters Lau Wan-yan / Comprehensive Report
Disney has created countless moving animated films, accompanied by many people to grow up, such as "Snow White", "Sleeping Beauty", "Beauty and the Beast" and other classic films, in recent years, these classic animations have been remade as live-action versions, but Disney has been criticized for pursuing excessive "political correctness", while trying to convey specific ideas, ignoring the story itself. And the depth of the role, deeply criticized by the outside world.
The real version of "Little Mermaid" was criticized.
(Courtesy of Disney)
According to foreign media reports, the director of the "Little Mermaid" and "Aladdin" animation, John Musk, publicly pointed out that Disney should revise the line, focusing on the "entertainment" and "story attraction" of the work, "the concept" should be placed on the secondary, bluntly, "they should revise the line", and added that "it is not necessary to completely put the concept into, but until then, the most important thing is to create the audience. It's a role that captures the eyes of the audience."
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The director of the animated version of "Little Mermaid" believes that the live-action version should be more about the relationship between father and daughter.
(Courtesy of Disney)
John Musk emphasized that Disney ’ s classics were never born out of preconceived ideas, but rather immersed the audience in the world built by the story and the characters.
He believes that while it is not necessary to completely abandon the concept, before that, you should first create characters that the audience can feel and feel attracted to.
As for Disney ’ s frequent remakes of old animations into live-action versions, he believes that this is to make the audience like things, and then sell them again, and he obviously does not agree with this practice.
Disney ’ s remake of the classic animation, apart from Aladdin, has a mostly bad reputation. John Musk pointed to the 2023 live-action version of “The Little Mermaid ” and bluntly said:“ They don ’ t put much ink on the story of their father and daughter, that ’ s the core of the whole movie. ” The lions in the Lion King are much richer.
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How did audiences react to the 2020 Mulan live-action remake?

Some positive reactions praising both changes and additions

Despite the controversy, the live-action remakes have been commercially successful, with many of them grossing hundreds of millions of dollars at the box office, such as the 2019 Aladdin remake, which grossed over $1 billion worldwide.

What motivates Disney to keep producing live-action remakes despite mixed reviews?

The success of the live-action remakes can be attributed to the power of nostalgia, with audiences seeking to relive fond memories of their childhood and introduce the classic stories to a new generation.

How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

However, some critics have argued that the focus on nostalgia has led to a lack of originality and creativity in the remakes, with the company relying too heavily on familiar stories and characters.

What does Disney's reliance on sequels and spin-offs instead of new IP suggest about its creativity?

A stalling of the company's creative engine.

What has been the general critical response to most Disney's live-action remakes?

In addition, the remakes have sparked controversy over representation and casting, with some critics arguing that the company has prioritized "political correctness" over storytelling and character development.

What aspect of Disney's strategy has been questioned due to the mixed reception of The Little Mermaid?

What controversy arose from Disney's casting and updates in The Adventures of Pinocchio?

What controversy did Disney's The Little Mermaid spark globally?

Debate over both Ariel's casting and racial representation.

The director of the Little Mermaid and Aladdin animation has emphasized the importance of entertainment and story attraction, arguing that the remakes should focus on telling a good story rather than trying to make a point or promote a particular agenda.

According to John Musker, what should Disney prioritize in its remakes?

What approach makes Disney's classics successful according to John Musker?

Immersing audiences in story-driven worlds rather than pushing preconceived ideas.

Overall, the live-action remakes of classic animated Disney films have been a significant feature of the company's production schedule in recent years, driven by a desire to capitalize on nostalgia and reduce risk.

According to John Musker, why does Disney rely on live-action remakes rather than producing new stories?

As a safer option
As a risk-reduction strategy

Compared to new franchises, what is the risk and return of remakes and sequels?

Lower risk but smaller long-term returns.

How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

While the remakes have been commercially successful, they have also been the subject of controversy and criticism, with some arguing that they have lost the essence and charm of the original films.

How successful was the 2019 live-action version of The Lion King?

Worldwide revenues exceeded one billion dollars

What has been the general critical response to most Disney's live-action remakes?

What motivates Disney to keep producing live-action remakes despite mixed reviews?

As the company continues to produce live-action remakes, it will be important to balance the need to update and adapt the stories for modern audiences with the need to remain true to the original characters and stories.

How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

The future of live-action remakes looks set to continue, with a number of upcoming releases, including Pinocchio, Snow White and the Seven Dwarfs, and The Sword in the Stone.

How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

The company's focus on live-action remakes is likely to remain a key feature of its production schedule, driven by the desire to capitalize on nostalgia and create guaranteed box office successes.

According to John Musker, why does Disney rely on live-action remakes rather than producing new stories?

How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

What motivates Disney to keep producing live-action remakes despite mixed reviews?

However, it will be important for the company to listen to feedback from audiences and critics, and to strive for a balance between updating and adapting the stories for modern audiences, and remaining true to the original characters and stories.

The role of nostalgia in driving the company's decisions is likely to remain a significant factor, with the company seeking to tap into the fond memories of audiences who grew up with the original animated films.

How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

As the company continues to navigate the complexities of live-action remakes, it will be important to prioritize storytelling and character development, and to avoid relying too heavily on familiar stories and characters.

According to John Musker, what should Disney prioritize in its remakes?

What approach makes Disney's classics successful according to John Musker?

Immersing audiences in story-driven worlds rather than pushing preconceived ideas.

What does Disney's reliance on sequels and spin-offs instead of new IP suggest about its creativity?

A stalling of the company's creative engine.

By doing so, the company can create live-action remakes that are both commercially successful and true to the spirit of the original films.

How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

What motivates Disney to keep producing live-action remakes despite mixed reviews?

The live-action remakes of classic animated Disney films have been a significant feature of the company's production schedule in recent years, and are likely to continue to be a key part of the company's strategy in the future.

How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

The company's decision to produce live-action remakes is driven by a desire to capitalize on nostalgia, reduce risk, and create guaranteed box office successes.

According to John Musker, why does Disney rely on live-action remakes rather than producing new stories?

As a safer option
As a risk-reduction strategy

How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

What motivates Disney to keep producing live-action remakes despite mixed reviews?

The remakes have undergone significant changes to the original stories and characters, with updates to reflect contemporary values and sensibilities.

How does Disney's live-action Pinocchio modernize the story according to Robert Zemeckis?

How does Peter Pan and Wendy enhance inclusivity?

Tiger Lily avoids stereotype
The Lost Boys are portrayed as diverse

The public reaction to the adaptations has been mixed, with some audiences praising the updates and others criticizing the changes made to the original stories and characters.

How did audiences react to the 2020 Mulan live-action remake?

Some positive reactions praising both changes and additions

Overall, the live-action remakes of classic animated Disney films have been a commercial success, but have also been the subject of controversy and criticism.

How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

How successful was the 2019 live-action version of The Lion King?

Worldwide revenues exceeded one billion dollars

What motivates Disney to keep producing live-action remakes despite mixed reviews?

The company's focus on live-action remakes is likely to remain a key feature of its production schedule, driven by the desire to capitalize on nostalgia and create guaranteed box office successes.

According to John Musker, why does Disney rely on live-action remakes rather than producing new stories?

How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

What motivates Disney to keep producing live-action remakes despite mixed reviews?

How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

The company's live-action remakes have included a diverse range of films, such as Cinderella, The Jungle Book, Beauty and the Beast, Dumbo, Aladdin, The Lion King, Mulan, Pinocchio, and Little Mermaid.

How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

The company has also announced plans to produce live-action remakes of other classic animated films, such as Snow White and the Seven Dwarfs, and The Sword in the Stone.

How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

The live-action remakes have been produced using a range of technologies, including computer-generated imagery (CGI) and live-action filming.

How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

The company has also sought to promote diversity and inclusivity in its live-action remakes, with a focus on representing a range of cultures and communities.

The live-action remakes have been released in a range of formats, including theatrical releases and streaming platforms.

How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

The company's live-action remakes have been a significant feature of its production schedule in recent years, and are likely to continue to be a key part of the company's strategy in the future.

How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

The company's decision to produce live-action remakes is driven by a desire to capitalize on nostalgia, reduce risk, and create guaranteed box office successes.

According to John Musker, why does Disney rely on live-action remakes rather than producing new stories?

As a safer option
As a risk-reduction strategy

How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

What motivates Disney to keep producing live-action remakes despite mixed reviews?

The remakes have undergone significant changes to the original stories and characters, with updates to reflect contemporary values and sensibilities.

How does Disney's live-action Pinocchio modernize the story according to Robert Zemeckis?

How does Peter Pan and Wendy enhance inclusivity?

Tiger Lily avoids stereotype
The Lost Boys are portrayed as diverse

The public reaction to the adaptations has been mixed, with some audiences praising the updates and others criticizing the changes made to the original stories and characters.

How did audiences react to the 2020 Mulan live-action remake?

Some positive reactions praising both changes and additions

The company's focus on live-action remakes is likely to remain a key feature of its production schedule, driven by the desire to capitalize on nostalgia and create guaranteed box office successes.

According to John Musker, why does Disney rely on live-action remakes rather than producing new stories?

How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

What motivates Disney to keep producing live-action remakes despite mixed reviews?

How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

The company's live-action remakes have been a commercial success, with many of them grossing hundreds of millions of dollars at the box office.

How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

How successful was the 2019 live-action version of The Lion King?

Worldwide revenues exceeded one billion dollars

What motivates Disney to keep producing live-action remakes despite mixed reviews?

The company's live-action remakes have also sparked controversy and criticism, with some arguing that the remakes have lost the essence and charm of the original films.

What has been the general critical response to most Disney's live-action remakes?

The company's decision to produce live-action remakes is driven by a desire to reduce risk and reuse successful stories.

According to John Musker, why does Disney rely on live-action remakes rather than producing new stories?

As a safer option
As a risk-reduction strategy

Compared to new franchises, what is the risk and return of remakes and sequels?

Lower risk but smaller long-term returns.

How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

The company's live-action remakes have been produced using a range of technologies, including computer-generated imagery (CGI) and live-action filming.

How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

The company has also sought to promote diversity and inclusivity in its live-action remakes, with a focus on representing a range of cultures and communities.

The company's live-action remakes have been released in a range of formats, including theatrical releases and streaming platforms.

How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

The company's focus on live-action remakes is likely to remain a key feature of its production schedule, driven by the desire to capitalize on nostalgia and create guaranteed box office successes.

According to John Musker, why does Disney rely on live-action remakes rather than producing new stories?

How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

What motivates Disney to keep producing live-action remakes despite mixed reviews?

The role of nostalgia in driving the company's decisions is likely to remain a significant factor, with the company seeking to tap into the fond memories of audiences who grew up with the original animated films.

How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

The company's live-action remakes have been a significant feature of its production schedule in recent years, and are likely to continue to be a key part of the company's strategy in the future.

How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

The company's decision to produce live-action remakes is driven by a desire to capitalize on nostalgia, reduce risk, and create guaranteed box office successes.

According to John Musker, why does Disney rely on live-action remakes rather than producing new stories?

As a safer option
As a risk-reduction strategy

How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

What motivates Disney to keep producing live-action remakes despite mixed reviews?

The remakes have undergone significant changes to the original stories and characters, with updates to reflect contemporary values and sensibilities.

How does Disney's live-action Pinocchio modernize the story according to Robert Zemeckis?

How does Peter Pan and Wendy enhance inclusivity?

Tiger Lily avoids stereotype
The Lost Boys are portrayed as diverse

The public reaction to the adaptations has been mixed, with some audiences praising the updates and others criticizing the changes made to the original stories and characters.

How did audiences react to the 2020 Mulan live-action remake?

Some positive reactions praising both changes and additions

The company's focus on live-action remakes is likely to remain a key feature of its production schedule, driven by the desire to capitalize on nostalgia a

The company's focus on live-action remakes is likely to remain a key feature of its production schedule, driven by the desire to capitalize on nostalgia a