The Elgin Marbles, originally part of the Parthenon in Athens, were removed by Lord Elgin between 1801 and 1804 during Greece's occupation by the Ottoman Empire, under a disputed claim of permission from Ottoman authorities.

Elgin justified his actions by citing the neglect and damage the Parthenon suffered under Ottoman rule, including reports of marbles being used as construction material.

In 1816, the British government purchased the marbles from Elgin after a parliamentary committee deemed his actions legal, and they have since been housed in the British Museum.

Greece has consistently argued for the return of the marbles, framing their removal as cultural theft and emphasizing their significance to Greek heritage and identity.

The Acropolis Museum, opened in 2009, was specifically designed to house the marbles, countering earlier claims that Greece lacked a suitable facility for their display.

The British Museum defends its retention of the marbles, citing their legal acquisition under Ottoman law and their role in a universal museum that promotes global cultural understanding.

Efforts to resolve the dispute have included proposals for cultural exchanges, such as Greece offering to loan other artifacts in return for the marbles' repatriation.

Innovative solutions, such as long-term loans or rotating exhibitions, have been suggested to allow both nations to share the marbles while avoiding permanent ownership changes.

The controversy underscores broader ethical questions in archaeology, emphasizing the need to respect the cultural heritage of source nations and consider the historical context of artifact acquisition.

Aspiring archaeologists can draw lessons from this debate, recognizing the importance of balancing scientific inquiry with cultural sensitivity and international cooperation.

The Elgin Marbles, originally part of the Parthenon in Athens, were removed by Lord Elgin between 1801 and 1804 during Greece's occupation by the Ottoman Empire, under a disputed claim of permission from Ottoman authorities.

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Content: LONDON (Reuters) - The historic Greek treasure of Elgin Marbles is nearing its return to its country of origin, 200 years after it was moved and ended up in the British Museum.
The Parthenon marble, seen as a symbol of freedom in Greece, was controversially moved out of the country by a British diplomat in a move that ignited a debate that lasted more than two centuries.
Greece has made repeated requests for the sculptures to be returned after they were controversially removed from one of the world ’ s most historic landmarks.
Prime Minister Rishi Sonak had been scheduled to meet his Greek counterpart Kyriakos Mitsotakis on Tuesday, but Downing Street canceled the arrangement and sent Deputy Prime Minister Oliver Duden instead.
The head of the British Museum, former Conservative Chancellor George Osborne, is pushing for a temporary loan to be returned to Greece, and is believed to have drawn up a deal.
But both Sonak and Labour leader Sir Keir Starmer say they will not support a change to the British Museum law that currently bars their return.
The museum said it was continuing "constructive discussions" about their possible return.
Gin Marble
The Algin marble is 17 sculptures that are 2,500 years old.
His pieces were part of a frieze that adorned the ancient Parthenon temple at the Acropolis in Athens, Greece.
The marbles make up about half of the 160-meter-long frieze of the Parthenon Temple, which is considered one of the greatest cultural monuments in the world.
These sculptures are seen as symbols of freedom in Greece, where they are known as Parthenon marble.
British diplomat Lord Elgin removed the sculptures from the majestic Parthenon temple in the early 19th century.
At that time, he was ambassador to the Ottoman Empire, which ruled Greece.
Beginning in 1801, Lord Elgin is said to have supervised the removal of the marble and shipped it to the UK in 170 boxes.
He is said to have claimed to have obtained permission from the Ottoman Empire to move the marble, but despite massive documentation from that period, nothing was found to support his actions.
In the United Kingdom, Lord Elgin received support and criticism, and sold it to the United Kingdom government in 1816 before the marble was transferred to the custody of the British Museum.
The beginning and evolution of the dispute
The controversy between Greece and Britain can be traced back to when the marble first arrived in Britain due to criticism of its removal.
In 1832, Greece gained independence from the Ottoman Empire before it began trying to recover sculptures and other works of art taken from the country.
In the early 1980s, the actress and then Greek Minister of Culture, Melina Mercury, reignited the campaign when she made it her mission to secure the return of marble sculptures.
In 1983, she met with the director of the British Museum, Dr. David Wilson, in London to demand the return of the sculptures.
She continued to press the museum and the British government until her death in 1994.
Despite other requests and high-level media coverage, no agreement was reached in the years that followed.
A new campaign
In 2009, Greece stepped up its marble recovery campaign after opening a new museum at the foot of the Acropolis Hill, hoping one day to house it.
In 2014, human rights lawyer Amal Clooney called on Britain to start talks with Greece over the return of the Elgin marble.
The lawyer, who is the wife of Hollywood star George Clooney, said: "This is an injustice that has been going on for a long time, in a world full of intractable conflicts."
In 2015, Greece ruled out any legal action against the UK over Elgin Marbles.
In May 2022, the so-called Fagan fragment — a piece showing the foot of the ancient Greek goddess Artemis seated — was permanently returned to Athens from a museum in Italy.
It was originally part of the eastern frieze of the temple dating back to the 5th century BC.
The British reaction
In 2022, there were calls to make it easier for UK museums to consider returning cultural objects, but the government rejected them.
Former Conservative culture minister Lord Vaizi also headed a new body aimed at returning Elgin marble to Greece.
The refusal came after then-Prime Minister Boris Johnson told the Greek prime minister during talks at Downing Street in 2021 that the sculpture issue was "a matter for the curators of the British Museum".
Then, at the beginning of December, George Osborne, the head of the British Museum, reportedly held secret talks with the Greek prime minister about the possibility of returning the marble sculptures.
Negotiations between former Treasury Secretary Osborne and Kiriakos Mitsotakis have been taking place in London since November 2021, according to the Greek daily Ta Nea.
The Greek prime minister has on numerous occasions called for the relocation of the sculptures, and even offered to lend other treasures to the British Museum in return.
A spokesman for Project Parthenon, a campaign advocating the return of marble sculptures, hailed the talks as a “positive sign ” that a“ win-win solution ” to the centuries-old debate could be reached.
Possible deal?
In December last year, Downing Street said there were no plans to change the law that prohibits the museum from disposing of objects in its collection except in very limited circumstances.
A spokesman for the prime minister said: “The Parthenon sculptures are legally owned by trustees and are practically independent of the government. ”
Last month, the British Museum issued a statement saying it would not dismantle its collection “because it tells a unique story of our common humanity, ” but added that it wanted to forge a new“ Parthenon partnership ” with Greece.
The talks in Westminster were used by former culture minister Lord Vaizi to press again for the return of the sculptures.
He said that the frieze in Athens "resembles a film that was cut in half and half of it was moved against the will of its owners to another country."
After cancelling the bilateral meeting between Sonak and Mitsotakis on Tuesday, the Greek leader said he was "disappointed".
Mr Sonak said the UK “has no plans to change our approach ” but“ did not ask him [Mr Mitsotakis] what short-term or new ideas have been put forward ”.
Starmer and Mitsotakis Meet
Opposition Labour leader Sir Kiir Starmer met Mitsotakis on Monday.
A source close to Labour leader Sir Kiir Starmer told the Financial Times he was unlikely to change the law if he won the next election.
"We are committed to the current law, but if a mutually acceptable loan deal can be agreed between the British Museum and the Greek government, we will not stand in the way."
Is the agreement possible?
The head of the National Museum, George Osborne, is understood to have drawn up a deal with Athens, according to the Daily Telegraph.
Current legislation bars the museum from legally granting treasures, but Osborne is said to be seeking to repatriate the antiquities as part of a long-term "cultural exchange."
But this loan deal is not expected to permanently end the long-running dispute.
The article was prepared from the site of (Sky News) British channel:
https: / / news.sky.com / story / elgin-marbles-what-are-they-and-how-did-they-end-up-in-the-british-museum-12779617

Elgin justified his actions by citing the neglect and damage the Parthenon suffered under Ottoman rule, including reports of marbles being used as construction material.

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Content: Stephen Fry calls returning Elgin Marbles to Greece 'A classy thing at last'

THE ELGIN Marbles' return to Greece would be "a classy act" by the UK, says Stephen Fry.

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UK has 'no obligation' to return Elgin Marbles says Widdecombe

Greece has called for the repatriation of the collection of Elgin Marbles for more than 200 years – ever since they were taken from the Parthenon in 1802 on the order of Lord Elgin, Britain's then-ambassador to the Ottoman Empire. Mr Fry, who said he is "very keen" to see the sculptures be returned to Athens, has been the latest to join the debate over the home of the monumental artwork.

The actor and broadcaster suggested the marbles be replaced with a virtual experience.

He stressed that with modern technology the carvings can be replicated using lasers.

He said: "So the British Museum would have a Parthenon experience and you go in and see this fabulous technology using AR helmets or whatever you want to wear and you see how the originals were perfectly reproduced and out in place and you watch them being packed up and put on the train."

The sculptures, which sit at the London-based institution, have not been available to be publicly viewed for nearly a year due to ongoing maintenance work and the coronavirus pandemic.

The British Museum is to reopen its Greek galleries to the public on Monday, December 13.

READ MORE: Boris in lockdown warning: 'Tidal wave' of Omicron to hit UK - PM unveils new jabs plan

Critics argue the Elgin Marbles, which sit at the British Museum, should be repatriated to Greece (Image: Getty)

Mr Fry, 64, said: "I know a lot of people say 'we've looked after them' and it's certainly true we've looked after them, but it would be such a classy act.

"I promise you one million Athenians would come on to the street to welcome them.

"They mean so much to the Greeks, they are part of the nature of what Athens is."

The British Museum houses 15 metopes, 17 pedimental figures and 75 metres of the original frieze.

50 metres remain in Athens and other parts are in museums across Europe.

Comedian Stephen Fry called returning the artwork would be 'a classy act' from Britain's side (Image: Getty)

The sculptures have been a subject of debate ever since the were taken from Greece in 1802 (Image: Getty)

Mr Fry claimed a move such as returning the Elgin Marbles is what the country needs: "There would be a hand-shake ceremony and suddenly people would for once look at Britain and say that was a classy act.

"It would be a classy thing and Britain hasn't done a classy thing for some time."

Greek prime minister Kyriakos Mitsotakis, speaking to the FT ahead of a foreign policy trip to the UK last month, said: "If I were in the PM's shoes and I were thinking out of the box in terms of global Britannia, and the idea of Britain really playing a role in the post-Brexit world, [it] would be a fantastic coup for public diplomacy if they were to look at this from a different perspective."

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Kyriakos Mitsotakis advocates for 'reunification' of Elgin Marbles

Greek prime minister Kyriakos Mitsotakis has urged Boris Johnson to return the marbles to Athens (Image: Getty)

Then, during his visit to London, he urged Prime Minister Boris Johnson to return the priceless ancient sculptures to Greece, again presenting it as a chance for the UK to strengthen its Global Britain standing.

Mr Johnson has so far not shown signs he intends to return the Elgin Marbles.

Speaking to the Greek paper Ta Nea earlier this year, he claimed: "The UK government has a firm, longstanding position on the sculptures.

"They were legally acquired by Lord Elgin under the appropriate laws of the time and have been legally owned by the British Museum’s trustees since their acquisition."

This aligns with the view outlined on the British Museum’s website, which backs Lord Elgin's efforts to bring the marbles to the UK in the early 19th century: "His actions were thoroughly investigated by a parliamentary select committee in 1816 and found to be entirely legal, prior to the sculptures entering the collection of the British Museum by act of parliament."

In 1816, the British government purchased the marbles from Elgin after a parliamentary committee deemed his actions legal, and they have since been housed in the British Museum.

Greece has consistently argued for the return of the marbles, framing their removal as cultural theft and emphasizing their significance to Greek heritage and identity.

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Content: Opinion

Bring them home

At the end of August, it was reported that around 2,000 artefacts, including gold jewellery and gems, had been stolen from the British Museum over a long period of time.

Chairman of the trustees, George Osborne acknowledged that the museum’s reputation has suffered as a result of its mishandling of the thefts, which sparked outrage after it was revealed that most of the stolen antiquities may never be recovered due to the museum’s poor record keeping, raising questions about security and leadership.

For decades, the British Museum has argued that the Parthenon Marbles should not be returned to Greece since the country lacks a suitable location for their display.

The Acropolis Museum, on the other hand, has solidified its place among the world’s top ten best museums and is the go-to museum in Athens where one can readily understand why Greece is considered the cradle of Western civilization. So, why not return the Parthenon marbles to their rightful home, and how did they end up in the British Museum in the first place?

In the early 1800s, when British aristocrat Lord Elgin sailed home from Greece, he also shipped to England some of the greatest treasures of antiquity, which included a collection of Greek statues and carved frieze panels that once decorated the Parthenon in Athens.

The so-called Elgin Marbles were later sold to the British government with the approval of the Ottomans who ruled Greece at the time and became the most storied artefacts in the British Museum’s collection. They also became the subject of perhaps the world’s most notorious cultural dispute.

The British maintain that the marbles were legally acquired and they belong in a universal museum alongside other artefacts, excluding the 2,000 that were now reportedly stolen. The Greeks, on the other hand, view them as looted treasures that form the cornerstone of their national heritage.

For decades, the issue of the Parthenon Marbles has been on the agenda of the Unesco Intergovernmental Committee for Promoting the Return of Cultural Property (ICPRCP). In fact, it was Melina Mercouri, the Greek Minister of Culture at the time, who raised the matter of their return during the 1982 Unesco World Conference.

Although the forum ruled in favour of the cause, stating that restitution of works illegally removed from their countries of origin is a fundamental principle of people-to-people cultural relations, Mercouri’s British counterpart responded that the UK Government “could not intervene in the affairs of a private establishment like the British Museum.”

While efforts are underway to retrieve the stolen antiquities, the British Museum’s collections may never be recovered because the museum’s records only identify the collection as a whole and fail to list the individual pieces.

This is not the first time the museum’s image as a safe keeper of global treasures has been called into doubt. The poor condition of the British Museum’s western block has been recorded numerous times. Images of water leaking into the Parthenon gallery were broadcast on Greek television in 2018, resulting from a cracked glass ceiling pane. Although the glass was replaced with new fixings and no sculptures were destroyed, a leaking roof in 2021 resulted in water seeping through, once again, delaying the reopening of the Greek galleries following the pandemic.

The British Museum claimed that none of the statues had been damaged and the issue was addressed. However, for Greece, these events demonstrate that the British Museum is failing to care for the Parthenon Marbles, reinforcing the country’s legitimate claim that the sculptures be permanently returned to Athens.

Earlier this year, the British Museum moved closer to a landmark agreement with Athens that could result in the return of the marbles. Although existing legislation makes it illegal to give away treasures, Osborne is reportedly seeking to repatriate the Parthenon Marbles as part of a cultural exchange that would see other Greek antiques displayed at the British Museum. Over half of the British people support their repatriation to Greece.

Hundreds of statues from the Archaic and Classical periods can be found at the ultramodern Acropolis Museum. The top level is the museum’s showcase, which provides a visual link to the Acropolis and allows visitors to view both the monument and its sculptures. The majority of the Parthenon Marbles will be displayed there upon their anticipated return.

The Parthenon Sculptures were made in Greece by Greeks to honour the glory of Greece. They represent millions of people’s cultural identities. Greece is their true home. It is where they belong.

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The Acropolis Museum, opened in 2009, was specifically designed to house the marbles, countering earlier claims that Greece lacked a suitable facility for their display.

The British Museum defends its retention of the marbles, citing their legal acquisition under Ottoman law and their role in a universal museum that promotes global cultural understanding.

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Home > News > Parthenon marbles are to remain in the British Museum

Parthenon marbles are to remain in the British Museum

The museum might yet arrange for the sculptures to be loaned. But Sunak stated that there are no plans to change the statute, which specifies that the museum can only dispose of pieces in its collection under certain circumstances.

British Prime Minister Rishi Sunak has ruled out amending a regulation that prevents the British Museum from permanently returning the Parthenon marbles to Greece.

Sunak confirmed that they have no intention of altering the existing regulations, which limit the museum’s ability to sell or dispose of pieces in its collection except under specific circumstances.

Sunak is unlikely to break with the stances of his two predecessors, who were both against any kind of loan of the marbles to Greece.

“The UK has cared for the Elgin Marbles for generations. Our galleries and museums are funded by taxpayers because they are a huge asset to this country,” Sunak told reporters on his plane as he flew to the United States on monday

“We share their treasures with the world, and the world comes to the UK to see them. The collection of the British Museum is protected by law, and we have no plans to change it.”

Since its independence in 1832, Greece has repeatedly demanded the return of the statues known as the Elgin Marbles, which were stolen from the Parthenon temple in Athens by British ambassador Lord Elgin in the early nineteenth century, while Greece was under Ottoman domination.

George Osborne, a former finance minister and the chair of the British Museum, has been collaborating with Greece to develop a new agreement that would enable the Parthenon sculptures to be displayed in both Athens and London. The Parthenon Project, which has received support from politicians across various parties in the UK, announced on Sunday that a long-term cultural partnership agreement could potentially facilitate the return of the British Museum’s Parthenon collection to Greece.

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Efforts to resolve the dispute have included proposals for cultural exchanges, such as Greece offering to loan other artifacts in return for the marbles' repatriation.

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Greek prime minister tries to broker deal for return of Parthenon marbles

Kyriakos Mitsotakis offers to loan Greek treasures to British Museum if ‘stolen’ sculptures are returned to Acropolis

The Greek prime minister has demanded that the 2,500-year-old Parthenon marbles, which he accuses Britain of stealing, be returned to Greece, and even offered to loan some of his country’s treasures to the British Museum in an attempt to broker a deal.

Kyriakos Mitsotakis told the Daily Telegraph that the sculptures, also known as the Elgin marbles, belong in the Acropolis Museum in Athens.

However, Boris Johnson has previously ruled out returning them on the grounds that they were acquired legally.

Mitsotakis said: “Our position is very clear. The marbles were stolen in the 19th century; they belong in the Acropolis Museum and we need to discuss this issue in earnest.

“I am sure that if there was a willingness on the part of the government to move we could find an arrangement with the British Museum in terms of us sending abroad cultural treasures on loan, which have never left the country.”

The marbles were removed from the Acropolis more than 200 years ago by Lord Elgin in circumstances that have spurred one of the world’s most famous cultural rows and have long been the subject of dispute.

Mitsotakis said he would raise the issue with Johnson when the two meet next week for talks that could shape future relations between the two countries.

“Refusing to discuss the topic seems to me, given the context of everything that has been happening in terms of the return of cultural treasures, to be rather an anachronistic approach,” he added.

“It would be a fantastic statement by what Boris calls Global Britain if they were to move on this and look at it through a completely different lens.”

But Johnson dismissed the appeal for their return to Greece earlier this year, telling the Greek newspaper Ta Nea: “I understand the strong feelings of the Greek people – and indeed prime minister Mitsotakis – on the issue.

“But the UK government has a firm, longstanding position on the sculptures, which is that they were legally acquired by Lord Elgin under the appropriate laws of the time and have been legally owned by the British Museum’s trustees since their acquisition.”

Greece has long called for the reunification of the sculptures, displayed in museums across Europe but mostly in London, and says it is integral to understanding the artworks in the context of the Acropolis.

Innovative solutions, such as long-term loans or rotating exhibitions, have been suggested to allow both nations to share the marbles while avoiding permanent ownership changes.

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Content: Waverly Hills owner supports statement released by Historical Society about agreement

A legal battle has been haunting the owners and managers of the Waverly Hills Sanatorium.
Published: Oct. 16, 2022 at 10:34 PM EDT|Updated: 23 hours ago

LOUISVILLE, Ky. (WAVE) - As of Monday, Oct. 17, Charlie Mattingly reached out to WAVE News saying he supports the statement released by the Waverly Hills Historical Society.

The following statement was released Saturday -

“The Waverly Hills Historical Society and Charlie Mattingly have reached an agreement to resolve all of their disputes. Ultimately, all parties share a love for the preservation of Waverly Hills Sanatorium, and they agree that a collaboration is the best course of action so that future generations will be able to enjoy and learn from its history, building, and grounds.

As we finalize the details of this new singular team, which we will announce over the next few weeks as we both complete the logistical details, we do want it to be known that the Mattingly Family will remain involved with the WHHS. The WHHS is creating a permanent Mattingly Family Board Seat to ensure its founder’s vision and legacy at Waverly Hills Sanatorium is continued indefinitely. The WHHS and the Mattingly Family look forward to working together in this new way, and they jointly invite the public to become involved with Waverly Hills Sanatorium, whether it be through volunteering, touring the facility, or donating to the preservation efforts.”

Mattingly told WAVE News he is looking forward to a resolution between the two parties as soon as possible.

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A legal battle has been haunting the owners and managers of the Waverly Hills Sanatorium. After more than a year of fighting in court, the argument over the ownership of the former hospital was believed to be coming to an end.

The two sides have been arguing in court for the past year over how the facility is being managed.

On Saturday, WAVE News reported the owners of the Sanatorium and the managers of the property, the Waverly Hills Historical Society, had come to an agreement.

That news came from a statement from the Historical Society.

After checking in with a group on the owner’s side of things, they apparently had a different point of view.

On Saturday, the “Save Waverly Hills” group had a fundraising event at the Sanatorium to raise money to help pay the owners, Charlie and Tina Mattingly’s legal fees.

The statement said the Historical Society and the Mattinglys reached an agreement to resolve all their disputes. The people in the “Save Waverly Hills” group said that was not entirely accurate.

“Nothing has been finalized,” Ernie Pack, the founder of the group said. “Nothing has been agreed to just yet. All they’ve done is agree to kind of drop...it’s like a cease-fire basically for negotiations.”

Pack is connected to the Mattingly family. He said the lawsuit has hurt the Sanatorium’s image and attendance.

He said fewer people are showing up to events because of their loyalty to the Mattinglys.

Pack thinks the Historical Society released the statement to make people believe the battle was over, as a way to boost attendance.

“That’s all that’s really been agreed to,” Pack said. “Is that we are going to talk about it. It has not been agreed that this is over, and their statement made it sound like everything is over.”

This all started in January 2021 when the Historical Society claimed the Mattinglys damaged the property and sold off assets without consent, among other things.

That said, Pack is encouraged by the progress. Progress that can literally be seen by a gap in a fence that used to keep people like him out of certain parts of the property.

“Well as you can see, we’ve got one section of it gone,” Pack said. “When you were here recently, the fence was all the way across the parking lot. We got one section gone, we’re looking forward to getting rid of the rest of it.”

Pack said the Mattinglys have been through enough, and the current board seems willing to work toward a resolution.

“I think both parties have the same goal in mind in the end,” Pack said. “It’s just a matter that we have two different perspectives of how to get there. We’re hoping that this works out for the best for Tina and Charlie. That’s who we’re fighting for here.”

WAVE News reached out to the Historical Society when the statement came out, and was told they can’t talk yet. But they did say both sides will sit down together soon.

A response to the claim that their statement was premature was asked, but there has not been a comment.

The controversy underscores broader ethical questions in archaeology, emphasizing the need to respect the cultural heritage of source nations and consider the historical context of artifact acquisition.

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Content:
Send Them Home

The Elgin Marbles, actually the Parthenon Marbles, have been Greek for over two thousand years and still are in every way except location. They were taken, realistically stolen, by Lord Elgin in the early 1800s and most people believe should be returned but that is actually illegal under British Museum Act 1963 and offers to ‘lend’ them are insulting.

One of the most obvious concerns that many museums have is that they would be emptied of items that were acquired, a weasel word for stolen, during times when the attitudes were different. Different attitudes do not condone theft.

Let’s return the thefts of the past to their rightful owners and put the past attitudes in the rubbish bin of time.

Dennis Fitzgerald,
Melbourne, Australia

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Aspiring archaeologists can draw lessons from this debate, recognizing the importance of balancing scientific inquiry with cultural sensitivity and international cooperation.

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Italy returns Parthenon fragment to Greece amid UK row over marbles

Loan deal could renew pressure on Britain to repatriate ancient Parthenon marbles to Athens

Italy is returning a fragment belonging to the Parthenon’s eastern frieze to Greece in a breakthrough deal that could renew pressure on Britain to repatriate the 2,500-year-old Parthenon marbles removed by Lord Elgin in the early 19th century.

The marble fragment, which depicts the foot of a goddess, either Peitho or Artemis, peeking out from beneath an elaborate tunic, is currently held at the Antonino Salinas Regional Archaeological Museum in Palermo, Sicily. It was originally bought by the University of Palermo from the widow of Robert Fagan, the British consul for Sicily and Malta, after his death in 1816.

The artefact is being returned on a four-year loan as part of a cultural exchange agreement between Sicily and Greece, with the intention for the loan period to be extended by a further four years. However, the move back to Greece could eventually become permanent.

In return, the Acropolis Museum in Athens will loan the Palermo museum a 5th-century BC headless statue of the goddess Athena, as well as an 8th-century BC amphora.

The deal, which includes an exchange of cultural initiatives between the two museums, comes after several years of negotiations between Sicilian and Greek authorities.

“Sending back to the context of its origins a small, but significant, fragment belonging to the Parthenon has a very strong symbolic value,” said Sicily’s councillor for culture, Alberto Samonà. “It is also a response to the international debate [about the Parthenon artefacts]. But I don’t want to get into that debate. For us, this is a gesture of friendship – Greece and Sicily are two areas of the Mediterranean that share a common story.”

The fragment was loaned to Greece in 2002 and in 2008. Samonà said the latest transfer could become permanent, but that it would be up to the Italian culture ministry to take the measures needed to make that happen.

It is not known how Fagan, an amateur archaeologist, acquired the fragment, although one theory suggests it might have been given to him by Elgin, the British aristocrat who excavated the bulk of the ancient Parthenon marbles between 1801 and 1804 before selling them to the British Museum in 1816, where the artefacts are currently on display.

Greece has long fought for the marbles to be repatriated from the UK. In November, the Greek prime minister, Kyriakos Mitsotakis, demanded that Britain return the marbles to Greece, while at the same time offering to loan some Greek historical treasures to the British Museum. In response, Downing Street said returning the marbles was a matter for the British Museum. The UK prime minister, Boris Johnson, had previously said the marbles would remain in Britain, arguing that they were legally acquired.