Chinese female writers are a growing trend in the science fiction genre.

Spider Robinson is an example of an early science fiction author, known for his Hugo-winning story 'Melancholy Elephants' and the popular Callahan's stories.

Chinese female writers have made a significant impact on the science fiction genre, representing a notable trend in the genre's evolution.

Chinese female writers have made a significant impact in science fiction recently, representing a notable trend in the genre.

Nabil Farouk is an example of an Arab author associated with science fiction, as evident from his novel 'Shadow of the Earth'.

Chinese women authors are receiving recognition for their work in the science fiction genre, with their presence and contributions being noted at the World Science Fiction Conference.

A common setting in contemporary science fiction is one where characters are thrust into unfamiliar or unprepared situations, often with a sense of danger or uncertainty, inspired by classic science fiction authors.

Liu Cixin, a Chinese science fiction author, has won a Hugo Award and is leading the growth of global interest in Chinese sci-fi.

The author of color featured in the science fiction list is Nnedi Okorafor, with her work "Remote Control".

Liu Cixin is a notable Chinese science fiction author, known for his work on the three-body series.

Liu Cixin is credited with popularizing Chinese science fiction worldwide, especially with the success of his novel "The Three Bodies" and its sequels.

Nnedi Okorafor is a female author mentioned in the science fiction list, specifically for her work "Remote Control".

Liu Cixin is a Chinese science fiction author who has gained global recognition, particularly with his bestselling novel "Three Bodies", for which he won a major award in science fiction literature.

The most influential Chinese sci-fi work overseas is "The Three Body Problem" by Liu Cixin.

Chinese female writers are a growing trend in the science fiction genre.

Title:

Content: Science Fiction: Chinese Female Writers | Culture | DW | 21.10.2023
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Cultural warp and weft
Science fiction: the rise of Chinese women writers
While the space for feminist expression in China has shrunk further over the past decade, there ’ s good news from this week ’ s World Science Fiction Conference in Chengdu: Chinese female writers are thriving in the science fiction world, making them one of the most striking trends in the genre.
The rise of Chinese female writers in science fiction has become one of the most striking trends in the genre, according to participants at this week's World Science Fiction Conference in Chengdu.
The World Science Fiction Conference, the world ’ s oldest and most influential science fiction event, was held in China for the first time this year and attracted a large number of local fans, both male and female.
China remains a relatively socially conservative country, and under President Xi Jinping, the space for feminist expression has narrowed further over the past decade.
But author and editor Regina Kanyu Wang, who was nominated for two prestigious Hugo Awards at the World Science Fiction Conference this year, said the number of women writers in science fiction has soared in recent years.
She said more and more women are now realizing that "it's not just nerdy, nerdy science-fiction novels like Liu Cixin [author of the three-body series] that can be published, or can be considered science fiction." Liu Cixin is great, and we all like him.
But there's a lot more to it than Liu Cixin's style. "
The good news, says Wang, is that once women start to become writers, they don ’ t feel they ’ re being treated unequally.
The market and readers need a new perspective, she said.
The 81st World Science Fiction Conference will be held in Chengdu from October 18 to 22.
"Now, many Chinese female science fiction writers focus on issues that women face that men may not feel," Zhou Danxue, a literary scholar at XJCC Liverpool University, told AFP. "These writers can reflect unique female experiences in their own way."
Wang said that in the past two years, four anthologies of Chinese fantasy novels written only by female or non-binary authors have been published, which is a major breakthrough.
There wasn ’ t even an all-female science fiction writer ’ s portfolio before that.
Before the 1990s, there were very few female science fiction writers.
An article in the collection "The Way Spring Comes", which Wang Kanyu participated in compiling, pointed out that the Internet is a training base for women and queer talents.
Author Ni Xueting explained that the widespread use of the Internet “not only brought a new sense of community to people, but also … removed many barriers to writing based on industry and social stereotypes, especially for non-male writers. ”
Chen Qiufan, one of China ’ s leading science fiction writers, told AFP that the genre had traditionally not received special attention and was seen as “written and read by boys. ”
He said there was now a "wider and more diverse audience", estimating that his readers were split equally between men and women.
Chinese women writers begin to make their mark in science fiction
Monet, a 21-year-old woman who visited the science fiction convention on Friday, said she sometimes felt isolated among her own fan base.
“It ’ s hard to share my interests with people who don ’ t understand me.
They ask, "Why does a girl like science fiction?"
She is optimistic about these changes in attitude, pointing out that there are a lot of interested primary and secondary school students at the conference site.
“I think interest in Chinese science fiction has to be nurtured from an early age, ” she says.“ We didn ’ t have that opportunity when we were young … I really envy them, to be honest. ”
(AFP)
© 2023 Deutsche Welle Copyright Notice: All content in this article is protected by copyright law and may not be used without special permission from Deutsche Welle.
Any misconduct will lead to recovery and criminal prosecution.

What is considered a major breakthrough in science fiction publication?

Spider Robinson is an example of an early science fiction author, known for his Hugo-winning story 'Melancholy Elephants' and the popular Callahan's stories.

Title:

Content: Pixel Scroll 2/10/23 Jetpack Failing, Must Attempt To Pixel To A Safe Scrolling

(1) VINTAGE OR VINEGAR? At Young People Read Old SFF, James Davis Nicoll tasked the panel to read Melancholy Elephants by Spider Robinson. Click through to hear what they thought about it.

Young People Read Old Hugo Finalists focuses on Spider Robinson’s 1982 Hugo-winning “Melancholy Elephants”. Readers of my vintage might remember Robinson as the author of the once-popular Callahan’s stories (to which series “Melancholy Elephants” does not belong) as well as a prolific reviewer whose pieces appeared in Galaxy, Analog, and Destinies Magazine and no doubt elsewhere. “Melancholy Elephants” is a stand-alone focusing on the issue of perpetual copyright. It’s a subject still relevant today. I am curious what the Young People make of Robinson’s story….

(2) IT’S A RISKY BUSINESS. And at Tor.com, James Davis Nicoll picks out “Five SF Stories About Space Scouts and Cosmic Exploration”.

Of all the career paths offered to player characters in the venerable tabletop roleplaying game Traveller, few were as memorable as that of the scout. Stalwart explorers of empire’s hinterlands, scouts could expect a charmingly informal command structure, a good chance of a loaner starship on retirement, and, oh yes, the life expectancy of a newborn puppy in a crocodile-filled swamp. Classic Traveller was notorious for its character generation system: player characters could and often did expire during the process. Few careers offered the harrowing mortality rate of the scout class.

Traveller author Marc Miller drew inspiration from classic science fiction, whose authors delighted in dropping explorers into situations for which the explorers soon discovered they were insufficiently prepared. Here are five tales of the sort  that inspired Traveller….

(3) UNION AND HARPERCOLLINS ANNOUNCE AGREEMENT. Vox’s overview “What the hard-won HarperCollins union contract means for the future of books” actually does little to answer its own question. But it does supply this snapshot of how the strike ended.

…On January 26, HarperCollins management agreed to enter federal mediation with the union. Five days later, it announced that it would be laying off 5 percent of its workforce. A HarperCollins spokesperson attributed the layoffs to supply chain pressures and declining revenue, saying, “The timing had nothing to do with mediation.”

Because HarperCollins is the only union shop among the Big Five, the stakes here are high. It is pushed by necessity to set the labor standards for the rest of the industry: when it raises its wages, Penguin Random House raises its wages too. The hope among supporters both in and out of the union was that the new agreement would spark similar structural changes at the other Big Five houses, and maybe even inspire other houses to unionize.

Finally, at 8 pm on February 9, the union and HarperCollins together announced they had reached a tentative agreement. “The tentative agreement includes increases to minimum salaries across levels throughout the term of the agreement, as well as a one-time $1,500 lump sum bonus to be paid to bargaining unit employees following ratification,” said HarperCollins in a statement. Currently, there’s no word on whether the union also succeeded in bringing in new diversity initiatives or in getting a union security clause. The contract doesn’t become official until it’s ratified….

Publishers Weekly’s coverage put the agreement in perspective with HarperCollins’ recent business reverses: “Deal Reached in HarperCollins Strike as Publisher Has Another Bad Quarter”.

…News of the tentative agreement came shortly after HC parent company News Corp. released financial results for the quarter ended December 31, 2022. The company reported that earnings tumbled 52% at HC, falling to $51 million, from $107 million in the comparable quarter a year ago. Sales dropped 14%, to $531 million.

News Corp. attributed the revenue decline to slowing consumer demand for books, difficult comparisons to a strong frontlist performance a year ago, and “some logistical constraints at Amazon.” In the first quarter of the 2023 fiscal year, HC attributed the decline in sales and earnings largely to a steep drop in orders from Amazon, and in a conference call, News Corp. executives said the negative impact of Amazon on second quarter sales was less than in the first quarter. Sales were down in both print and digital formats.

In addition to lower sales, News attributed the plunge in profits primarily to “ongoing supply chain, inventory, and inflationary pressures on manufacturing, freight, and distribution costs.” A change in the product mix also depressed earnings, with the share of e-book sales falling in the second quarter as that of the the less-profitable print books rose.

With financial results also down in the first quarter, in the first six months of fiscal 2023, profits declined 53%, to $90 million, and sales fell 12%, to $1.02 billion.

Last month, HC began implementing a program to cut its North American workforce by 5% by the end of the fiscal year ending June 30. In a conference call announcing results, News Corp. CEO Robert Thomson said News is making a 5% workforce cut in all its businesses, which will result in the elimination of about 1,250 positions….

(4) KGB. Ellen Datlow shared her photos from the Fantastic Fiction at KGB reading series event on February 8 at Flickr. Jeff Ford and Marie Vibbert were the evening’s readers.

(5) SKY HIGH DINING. The Torrance (CA) Public Library hosts a Zoom presentation by Richard Foss, “Food in Space in Science Fiction and Reality”, on February 15 at 6:30 p.m. Pacific. Email [email protected] for the invitation link.

Early science fiction stories about space travel ignored the most basic need of any pioneer – what did they eat, and how? The science fiction authors did get around to addressing this question, their solutions were sometimes novel but impractical.

How do their fantasies match up with reality, and are authors getting it right now? Join Richard Foss, author, culinary expert and lecturer as we explore this fascinating subject.

Please email [email protected] for the invitation link to join this discussion on Zoom.

(6) START YOUR OWN INKLINGS. “Writers Need Writers: In the Footsteps of the Inklings” at Inspire Christian Writers.

… Writing is a solitary pursuit. Only the writer understands the intent. Hunched alone over our notepads and computers, we snaggle our words and graft them onto the page, prayerfully hopeful they will touch hearts. But we can’t know the true strength of our writing unless we are willing to share those words with another who will render kind and honest feedback. Our mothers don’t count. Neither does a stranger. One lacks honesty, the other an understanding of the writer’s heart.

Twelve members of the Inklings steadfastly met for almost twenty years. Weathering war and broken friendships, they left us with poetry, Christian essays, and stories that delight and instruct to this day. That’s what I want. I want their journey. How? Here’s some gleanings from Bandersnatch.

[Dr. Diana] Glyer believes it’s possible to have what the Inklings had. Start small but keep at it, she says. The Inklings began with just two, Tolkien and Lewis….

(7) MANTELL OBITUARY. The New York Times marks the passing of the co-creator of a spoken word record business: “Marianne Mantell, Who Helped Pave the Way for Audiobooks, Dies at 93”.

Marianne Mantell, who in her early 20s helped start the audiobook revolution by co-founding a record company [Caedmon] that turned recordings of countless literary giants, including Ernest Hemingway, James Joyce and Dylan Thomas, into mass-market entertainment, died on Jan. 22 at her home in Princeton, N.J. She was 93….

… In an era when American business was dominated by Fortune 500 companies, it was rare enough for two recent college graduates to create what was in essence a tech start-up aimed at disrupting two industries, book publishing and the record business. And in an era when those corporate giants were run largely by men in Brooks Brothers suits, it was even more unusual for two women to do so.

“Caedmon was the era’s only female-owned record company, and its remarkable success stood out in a male-dominated record industry,” Mr. Rubery said. “At the time, only around 5 percent of record industry employees were women, and those women were almost all in marketing and retail roles. The rise to the top by two female entrepreneurs represented a remarkable exception.”

As Ms. Mantell wrote in a 2004 remembrance for AudioFile magazine, “Although poets had been recorded before as vanity efforts, it was Barbara and I who realized that there was an audience of literate people and made a business out of it.”

… The labels had no interest, so Ms. Mantell and Ms. Holdridge scratched together $1,800 to start a label of their own, which they christened Caedmon after the seventh-century cowherd considered the first recognized English poet. The company’s slogan: A third dimension for the printed page.”

…“We were not just out to preserve celebrity voices (to the extent that a poet is a celebrity),” she wrote. “Our purpose was literary: to capture on tape as nearly as possible what the poet heard in his head as he wrote.”

(8) MEMORY LANE.

1974[Compiled by Cat Eldridge.]

I think I read Ursula K. Le Guin’s The Dispossessed in University when a classmate recommended it. I had a keen interest in politics, particularly those on the Left, so the politics of the novel interested me.

I think it works much better for its politics than it does for the strength of the character therein. The politics and the set-up of two planets was fascinating though I admit that it’s not a novel by her I’ve re-read, unlike her exemplary Earthsea series.

It won both a Hugo and a Nebula, and deserved them.

And with that, here’s the Beginning…

THERE was a wall. It did not look important. It was built of uncut rocks roughly mortared. An adult could look right over it, and even a child could climb it. Where it crossed the roadway, instead of having a gate it degenerated into mere geometry, a line, an idea of boundary. But the idea was real. It was important. For seven generations there had been nothing in the world more important than that wall.

Like all walls it was ambiguous, two-faced. What was inside it and what was outside it depended upon which side of it you were on.

Looked at from one side, the wall enclosed a barren sixty-acre field called the Port of Anarres. On the field there were a couple of large gantry cranes, a rocket pad, three warehouses, a truck garage, and a dormitory. The dormitory looked durable, grimy, and mournful; it had no gardens, no children; plainly nobody lived there or was even meant to stay there long. It was in fact a quarantine. The wall shut in not only the landing field but also the ships that came down out of space, and the men that came on the ships, and the worlds they came from, and the rest of the universe. It enclosed the universe, leaving Anarres outside, free.

Looked at from the other side, the wall enclosed Anarres: the whole planet was inside it, a great prison camp, cut off from other worlds and other men, in quarantine.

(9) TODAY’S BIRTHDAYS.

[Compiled by Cat Eldridge.]

  • Born February 10, 1904 Lurton Blassingame. Literary agent for Heinlein. He makes the birthday list because Grumbles from the Grave has more letters to Blassingame than to any other correspondent. And even some of Blassingames’s letters to Heinlein are included. (Died 1988.)
  • Born February 10, 1906 Lon Chaney Jr., 1906 – 1973. I certainly best remember him as  playing Larry Talbot in The Wolf Man but he has a lot of other roles as well: The Ghost of Frankenstein as The Monster (hey, correct billing!), The Mummy’s Tomb as The Mummy Kharis or Son of Dracula as Count Dracula, he played all the great monsters, often multiple times. (Died 1973.)
  • Born February 10, 1920 Robert Park Mills. He was the managing editor of Ellery Queen’s Mystery Magazine beginning in 1948 and The Magazine of Fantasy and Science Fiction the following year. He also edited Venture Science Fiction for several years. Under him, F&SF won an impressive three Hugo Awards for best magazine in 1959, 1960 and 1963. (Died 1986.)
  • Born February 10, 1929 Jerry Goldsmith. Composer whose music graces many a genre undertaking including, and this is not complete listing, AlienStar Trek: The Motion PicturePoltergeistPlanet of the ApesThe Man from U.N.C.L.E. series, Star Trek: VoyagerThe MummyThe Twilight Zone (need I say the original series?) and he even did the music for Damnation Alley! (Died 2004.)
  • Born February 10, 1953 John Shirley, 70. I not going to even attempt a complete précis of his career. I read and much enjoyed his first novel City Come A-Walkin and oddly enough his Grimm: The Icy Touch is damn good too in way many of those sharecropped novels aren’t. I see that to my surprise he wrote a episode of Deep Space Nine, “Visionary” and also wrote three episodes of the ‘12 Teenage Mutant Ninja Turtles. His latest novel which I’ve not read so do tell me about it is A Sorcerer of Atlantis.
  • Born February 10, 1967 Laura Dern, 56. I’m going to note she’s in David Lynch’s Blue Velvet as Sandy Williams which is not genre but which is one weird film. Jurassic Park where she is Dr. Ellie Sattler is her first SF film followed by Jurassic Park III and a name change to Dr. Ellie Degler.  Such are the things movie trivia is made of. Star Wars: The Last Jedi has her showing as Vice Admiral Amilyn Holdo.  I think her first genre appearance was on Shelley Duvall’s Nightmare Classic.
  • Born February 10, 1970 Robert Shearman, 53. He wrote the episode of Who called “Dalek” which was nominated for the Hugo for Best Dramatic Presentation, Short Form at L.A. Con IV. (There were three Who entries that year and “The Empty Child”/”The Doctor Dances” won.) His first book, a collection of short stories called Tiny Deaths was a World Fantasy Award winner. He’s written a lot of short fiction since then, collected helpfully into two collections, Remember Why You Fear Me: The Best Dark Fiction of Robert Shearman and They Do the Same Things Different There: The Best Weird Fantasy of Robert Shearman. Some, but by no means all, of his works are up at the usual suspects.
  • Born February 10, 1976 Keeley Hawes, 47. Ms Delphox/Madame Karabraxos in my favorite Twelfth Doctor story “Time Heist”.  She also played Zoe Reynolds in MI5 which is at least genre adjacent given where the story went. She has also provided the voice of Lara Croft in a series of Tomb Raider video games.

(10) COMICS SECTION.

  • The Far Side is present at the Creation.
  • Edge City tries to figure out what all the remotes are for.
  • Sheldon predicts who will be AI art’s mortal enemy.
  • Sheldon also illustrates the limits of dog science.

(11) SHORT REVIEWS. Lisa Tuttle supplies “The best recent science fiction and fantasy – reviews roundup” for the Guardian. The four titles covered this time are Hopeland by Ian McDonald; Ten Planets by Yuri Herrera; Observer by Robert Lanza and Nancy Kress; and Emily Wilde’s Encyclopaedia of Faeries by Heather Fawcett.

(12) PLAYING GAMES. Them is reporting that “Hogwarts Legacy Features the Harry Potter Franchise’s First Trans Character”.

Now that the review embargo for Hogwarts Legacy is up, more details about the forthcoming Harry Potter role-playing game, set to release on Friday, are surfacing. One particularly noteworthy new fact? The inclusion of a transgender non-playable character (or NPC) named Sirona Ryan, whom players can find at the Three Broomsticks pub.

The news came courtesy of a gameplay clip shared by YouTuber Doctor Gramma, in which Sirona serves a pair of characters Butterbeer and remarks upon a recent, unspecified attack on Hogwarts. Although Sirona was not confirmed as trans in the clip itself, Entertainment Weekly and other outlets have since reported on in-game dialogue referencing her transition. Speaking about her former classmates, the barkeep reportedly says,  “Took them a second to realize I was actually a witch, not a wizard.”

Given Potter author J.K. Rowling’s well-documented transphobia, Sirona’s presence is unexpected, to say the least. Some in the video game world are even claiming the character was included in hopes of quelling a boycott from gamers who have chosen not to play the game based on Rowling’s dangerous anti-trans platform.

“An old acquaintance did some work on that Hogwarts game,” YouTuber Stephanie Sterling tweeted early Monday morning. “I’m told they added a token trans NPC to pivot the conversation away from JKR. They’re barely in it.”

“Did You Know Gaming” contributor and video game historian Liam Robertson backed up Sterling’s account, writing, “I was also told this. There was apparently some trans representation added after some of the initial controversy. I don’t know how it appears in the final product but one of the sources I talked to described it as ‘performative bullshit.’”…

(13) YOU’RE FIRED. While Elon Musk was making news for firing a Twitter engineer, his SpaceX was getting attention for test-firing an engine: “SpaceX Test Fires 31 Engines on the Most Powerful Rocket Ever” in the New York Times.

SpaceX moved one step closer to its future on Thursday with a successful ground test of the engines of the most powerful rocket ever built.

The company, founded by the entrepreneur Elon Musk, conducted what is known as a static fire of Super Heavy, a massive rocket booster. Super Heavy was made to send SpaceX’s next-generation Starship vehicle toward orbit before returning to Earth.

More than 110,000 people watched a livestream broadcast by NASASpaceFlight.com, an independent space media company that has cameras monitoring the Starship test site in Boca Chica, Texas. The video feed showed clouds of vapor enveloping the launch stand when propellants started flowing into the rocket, and rings of frost forming around the rocket as the tanks filled with ultracold propellants.

Then the clouds mostly vanished when the fueling was complete — for the brief test, the tanks were not filled to the brim.

At 4:14 p.m. Eastern time, on a video feed provided by SpaceX, the engines roared to life for a few seconds and shut down, kicking up that rose clouds above the rocket and prompting masses of birds to flee the area. An update on Twitter from SpaceX indicated the test was a success, lasting as long as intended. The booster and launch stand appeared to be in good shape afterward.

(14) APOLOGIES. JUPITER-SIZED ERROR. [Item by SF Concatenation’s Jonathan Cowie.] I have to correct a stupid error I made in yesterday’s piece about one of the most distant exo-planet detected and first space-based detection of an exo-planet using gravitational lensing. It was not the close to smallest theoretical-sized Jupiter — close to the host mass threshold below which Jupiters are not expected to form.  Instead, it was somewhat surprising to find a Jupiter-sized exoplanet around such a small star (a little over half the mass of the Sun).  It is thought that the planetary mass around small stars is smaller than the planetary mass around larger stars. So to have a Jupiter-sized planet orbiting such a small star is a little unusual and close to the theoretical limit.

The error came about because I only quickly scan/read the abstracts of papers of interest at a cybercafé and then blat an e-mail off to Mike, and I only subsequently read papers in detail when I get home.  Also, since we (SF2 Concatenation) lost our much missed physics and space science editor, I have taken over that coverage in addition to that of the bio- and geosciences about which I am more sure-footed.

See Specht, D. et al, (2023) “Kepler K2 Campaign 9: II. First space-based discovery of an exoplanet using microlensing”. Monthly Notices of the Royal Astronomical Society, stad212.

(15) VIDEO OF THE DAY. Honest Game Trailers gives its brutally frank opinion of “Fire Emblem Engage”.

…Discover yet another fantasy Kingdom on the brink of inevitable War as you take control of a protagonist so anime that they are actually a dragon, an amnesiac, and also a God who looks like a deviantART character where you took two cheesy anime protagonists and smashed them together in a hydraulic press…

[Thanks to John King Tarpinian, Chris Barkley, Andrew Porter, Ellen Datlow, SF Concatenation’s Jonathan Cowie, Dann, Michael Toman, Cat Eldridge, and Mike Kennedy  for some of these stories. Title credit belongs to File 770 contributing editor of the day by Andrew (not Werdna).]

Chinese female writers have made a significant impact on the science fiction genre, representing a notable trend in the genre's evolution.

What is considered a major breakthrough in science fiction publication?

Chinese female writers have made a significant impact in science fiction recently, representing a notable trend in the genre.

What is considered a major breakthrough in science fiction publication?

Nabil Farouk is an example of an Arab author associated with science fiction, as evident from his novel 'Shadow of the Earth'.

Title:

Content: Chairman of the Board of Directors and Editors
I'm sorry.
Mohamad Elbaz
Chairman of the Board of Directors and Editors
I'm sorry.
Mohamad Elbaz
If you are a fan of suspense and excitement...
Here are six novels classified as "science fiction."
Science fiction is one of the literary genres in which the fictional story is based on speculative scientific discoveries, environmental changes, the exploration of space and life on other planets, and the author is creative in creating a fictional world or a universe of a new nature using literary techniques or scientific or philosophical theories.
In the next report, the Constitution reviews six science-fiction novels that you can read if you ’ re a fan of.
Shadow of the Earth
In the late Nabil Farouk ’ s novel Shadow of the Earth, published by Dawn Publishing and Distribution in 2020, engineer Ezzat Saber lives a unique experience that reflects a frightening technological breakthrough, as we often hear the phrase “maybe this happens in a parallel world ” without anyone thinking that it could actually happen with that world.
The experience of walking in a world that parallels the earth with a different reality where there is a leader and his giants seeking to change the course of the present and the future.
The question is, if we had a real experience of seeing that parallel world, would we find it as we expected?
Do we have real implications in other worlds?
Are we in a parallel world different from our current reality?
Do the good guys stay here, the good guys stay there?
And criminals are criminals?
That's what we'll find out.
In the rat aisle.
The late Dr. Ahmed Khaled Tawfik wrote about a nightmare world in which the meaning of darkness is mixed with the meanings of ignorance, oppression and confusion. In the Rat Corridor, published by Al-Karma Publishing and Distribution in 2016, presents an exciting dystopian novel about a world where light is no longer a natural human right. Ze.
Maybe salvation is possible, maybe it is false hope.
The Lost World
The Lost World is a science fiction novel by British author Arthur Conan Doyle, published by Hoder & Stockton in 1912, and translated by Hassan El Sayed Ibrahim in an Arabic edition of Al Rawath Publishing and Distribution in 2022, in connection with an expedition to a plateau in the Amazon basin of South America where prehistoric animals are still alive.
It was originally serialized in Strand magazine and painted by New Zealand-born artist Harry Runtree during April-November 1912.
The character of Professor Challenger is introduced in this novel, and the novel also describes a war between the Aborigines and an evil tribe of ape-like creatures.
A land without shadow.
The writer Mohammed Abdul Aal al-Khatib in his novel "Land Without Shadow", issued by the Dawn Publishing House, observes the debris of a huge planet approaching the Earth, a frightening scene experienced by the entire world, the end is closer than anyone imagines!
The great surprise is that the nature of the danger itself is very different from everyone ’ s expectations.
In this novel: a frightening experience experienced by the inhabitants of the earth one after another after the shadows of humans disappeared and man became trapped in his mind, as the protagonist of this tale embarks on an extraordinary adventure in order to get out of this crisis.
But his success depended on flimsy theories.
The empty bowl.
The Empty Bowl by Bassem El Khachen, published by N Publishing and Distribution in 2022, is a science fiction novel.
From the novel ’ s atmosphere, we read: A ship of lost generations returns after its disappearance for more than six centuries with news that is not promising at all.
We are not alone in the universe and apparently our existence is undesirable!
Can humans survive in the face of the universe?
The curiosity of one man may save mankind.

Chinese women authors are receiving recognition for their work in the science fiction genre, with their presence and contributions being noted at the World Science Fiction Conference.

What is considered a major breakthrough in science fiction publication?

A common setting in contemporary science fiction is one where characters are thrust into unfamiliar or unprepared situations, often with a sense of danger or uncertainty, inspired by classic science fiction authors.

Liu Cixin, a Chinese science fiction author, has won a Hugo Award and is leading the growth of global interest in Chinese sci-fi.

Title:

Content: Home>>

Growing global interest in Chinese sci-fi: reports

(Xinhua) 10:03, April 30, 2024

BEIJING, April 29 (Xinhua) -- Chinese science fiction, led by titles of Hugo Award winner Liu Cixin, has seen growing global interest and media exposure in recent years, according to two newly released reports.

The global search trend and media reports about Chinese sci-fi works had been on a steady rise between 2018 and 2023, according to a report on the overseas footprint of Chinese sci-fi.

The report, compiled by the China Science Fiction Research Center and the Academy of Contemporary China and World Studies, was released at the eighth China Science Fiction Convention, which concluded on Monday.

"The Three Body Problem" by Liu Cixin has led Chinese sci-fi novels in terms of overseas influence, while films adapted from Liu's "The Wandering Earth" are the top influencer in the movie category, the report said.

"Big IPs (like Liu's works) can become a trailblazer. They have piqued interest in Chinese sci-fi and prompted the translation of other Chinese works into various languages," said Ji Shaoting, a member of the science fiction committee of the China Writers Association.

She noted that a similar trend has emerged in Japan, with numerous Chinese science fiction titles being published in Japanese, fueled by the immense popularity of "The Three Body Problem."

Another report on the global impact of "The Three Body Problem" intellectual properties indicates that elements drawn from Chinese history and culture are particularly embraced by international fans of Chinese science fiction, surpassing other aspects such as human emotions and advanced technology.

Nearly 80 percent of overseas interviewees have expressed a wish to understand China after watching the Chinese TV adaptation of "The Three Body Problem," according to the report jointly released by China Science Fiction Research Center and Tencent Horizon.

"Many sinologists I met in Europe are excited about 'The Three Body Problem.' They told me that the work has sparked an enthusiasm for studying the Chinese language," said Wu Yan, a renowned researcher on Chinese sci-fi.

(Web editor: Zhang Kaiwei, Liang Jun)

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The author of color featured in the science fiction list is Nnedi Okorafor, with her work "Remote Control".

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Content: Swords & Spaceships

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Lyndsie Manusos

Senior Contributor

Lyndsie Manusos’s fiction has appeared in PANK, SmokeLong Quarterly, and other publications. She holds an MFA from the School of the Art Institute of Chicago and has worked in web production and content management. When she’s not nesting among her books and rough drafts, she’s chasing the baby while the dog watches in confused amusement. She lives with her family in a suburb of Indianapolis.

Prophet by Sin Blaché and Helen Macdonald, published by Grove Atlantic

The must-read queer sci-fi thriller of the summer! In a world just one perilous step from our own, an unlikely pair sets out on the most dangerous and otherwordly mission of their lives. When a diner suddenly appears in a remote field, Adam and Rao are confronted with the most devastating weapon they have ever seen: Prophet. No one knows who created it, or why, but this spooky substance is bringing happy memories to life, then stifling people with their own joy. Despite their troubled past, the two are drawn closer than ever to defend what they hold most dear.

As I said in my 2022 science fiction subgenre primer, the genre of science fiction is expanding. Like our universe, it is expanding quickly, redefined with every story, be it short or long-form. And beneath the large umbrella of science fiction, subgenres are added and redefined. All in all, there are endless ways to tell a science fiction story (don’t let any old guard tell you different).

And then — subgenres aside — there is genre-bending science fiction. There is science fiction that centers horror and science fiction that is fabulist and weird. There’s science fantasy, as well as science fiction romance. There’s science fiction that is nearly unclassifiable, a mixture of so many things, or even all the things. I’ve mentioned in my Book Riot oeuvre that genre-bending of any shape or size is my kind of work. When writers are bold and brave in their genre weaving, that’s when the hairs on the back of my neck stand to attention. That’s when I rub my hands together and think, “oh, this is going to be good.”

Genre-bending science fiction doesn’t have to be confined to the novel form, either. Short fiction science fiction is in a golden age right now. Check out the latest finalists and winners for the Nebula, Hugo, and Locus awards, and I promise you will find mindblowing, genre-bending, exceptional work.

Below I will showcase eight tremendous genre-bending science fiction tales, ranging from short stories to novels, and everything in between. I believe I’ve mentioned at least one in a previous post from last year, but you’ll notice the genre coverage is different. Ergo, these stories are genre-bending.

In any case, I hope you’ll enjoy these stories as much as I do.

Genre-Bending Science Fiction: Novels & Novellas

Remote Control by Nnedi Okorafor

Fatima had a past before she became known as Sankofa. Before those around her called her the adopted daughter of the Angel of Death. With a mere glance, an entire town could fall. But before that, the world was different.

So much of what Okorafor writes is genre-bending science fiction (the Binti trilogy!). This novella begins in an almost fantasy-horror like fashion: Sankofa walking, leaving fear and horror in her wake. But as the story unfolds, it becomes this all-encompassing tale of African futurism, how the world shapes us, and then how we might reshape the world.

Hexwood by Diana Wynne Jones

One of the things I love about including this book is seeing this title on Goodreads and reading all the genres it’s described as. Hint: it’s like all the genres. Fantasy, science fiction, time travel, magic, dragons, robots, portals, you name it, Hexwood probably has it. And clearly, none of this should surprise you coming from the legendary Diana Wynne Jones.

The tale follows Ann Stavely as she watches people disappear through the farm’s gate. She meets a sorcerer, and time begins to move differently in the woods nearby. Little does she know that far beyond Earth, Controller Borasus receives word that an ancient machine has been awakened.

I mean, clearly, genre-bending at its finest.

Escape Velocity by Victor Manibo

I love how Victor Manibo is always able to craft the perfect mystery within his brilliant science fiction worlds. Manibo is a master at showing Earth just around corner, especially if we keep on our current trajectory. Picture a world of hyper-capitalism, a luxury liner — Space Habitat Altaire —and a ruthless world of amassing “points” in order for the chance to start a new life on Mars.

Now, add a decadent mystery of whodunit with a sprinkle of who’s willing to do anything to get what they want: Ava wants to find out who murdered her brother; Laz wants to win Ava’s heart; Sloane wants to collect secrets as his family’s wealth declines; Henry will do whatever it takes to get to Mars.

And all this is set during a class reunion on a luxury space liner, with twists and turns you won’t see coming. Get your science fiction Knives Out fix with this one.

Borne by Jeff VanderMeer

I still think about this book. I still think about Borne and that giant bear, Mord. This book is solidly science fiction, but it’s also just fucking weird. That’s honestly the best way to describe it, too, which is why I love it so much. It’s post-apocalyptic, and it manages to be both epic and extremely intimate.

Rachel is trying to survive in a world that wants to kill her at every turn. Then she finds Borne, an amorphous creature, in the fur of a Godzilla-sized bear named Mord. Rachel cannot bring herself, nor allow her lover Wick, to destroy Borne. Borne reminds her of better times and better places, and an attachment grows between them. This book is personal as well as out of this world. It’s weird fiction at its finest. It’s science fiction at its most profound.

Genre-Bending Science Fiction: Short Form

This list includes short fiction, though that ranges in word count. Below you’ll find tales that are short stories or novelettes.

Foxfire, Foxfire” by Yoon Ha Lee from Beneath Ceaseless Skies

Let me begin by saying that the publication of this story is in a highly respected (and one of my personal favorites) genre magazine called Beneath Ceaseless Skies. Its mission: to publish the very best in “literary adventure fantasy.” And yet, this story also has beautifully crafted science fiction elements.

This novelette follows Baekdo, a magical, shapeshifting fox who is able to speak to gods. Baekdo is set on becoming human, which requires him to kill — and devour the liver of — 100 humans. Baekdo has no qualms about coming to his 100th kill, but things don’t go as planned. Baekdo’s 100th victim is the pilot of a Cataphract, a giant battle mech. Baekdo swears on the tiger-sages that he will keep his oath with the pilot, Jong, and finish her mission. It’s an intimate, magical tale while also being epic in scope. Truly, a genre-bending masterpiece.

The Gondoliers” by Karen Russell from Orange World and Other Stories

Karen Russell is a masterful genre-bending writer. I fell in love with Russell’s work over ten years ago, with her first collection St. Lucy’s Home for Girls Raised by Wolves. Like Kelly Link, Russell was vital in redefining, for me at least, what fiction, especially literary fiction, can do. “The Gondoliers” is a wonderful example of this.

It follows Janelle Picarro, a.k.a Blister, in a post-apocalyptic world where parts of Florida have fully submerged underwater and is now called New Florida. Blister is a gondolier, ferrying people across the waters. Blister and her sisters use echolocation to communicate and steer. There is a little bit of everything in this story, and you won’t be the same when you reach the end.

Memories of Memories Lost” by Mahmud El Sayed from khōréō

khōréō is one of my favorite speculative fiction magazines. “In Memories of Memories Lost,” El Sayed crafts a devastatingly personal short story of memory, loss, and sacrifice.

After aliens take over Earth, humans must pay a “memory tax” to their cosmic invaders. The story follows Ahmed, who chooses, for his tax, to give a large family memory in the form of a heirloom. In doing so, he can assure the comfort of his father, who suffers from dementia. It’s a story of complex relationships and love. It’s a story that begs hard questions of ourselves, our souls, and our loved ones: What if we could give traumatic memories away? Would we regret the loss?

The Dizzy Room” by Kristina Ten from Nightmare Magazine

Look, I know I’ve mentioned this story before, and it’s because the story is that good. Published in the renowned horror magazine Nightmare, this story is about a video game, but it’s also a horror story about memory and language. There are images and a multitude of sensory details that will haunt me forever.

This is science fiction horror at its best, with a mounting dread that will have you tempted to lean back while also leaning forward, closer to the page, admittedly desperate to hear the sounds of the game itself beckoning you. I am not at all surprised that this story is a finalist for the 2023 Shirley Jackson Awards.

Find Genre-Bending Stories Everywhere

Every genre has trailblazers, writers who take a genre and build upon it, question and criticize it, and remold it into something new. These are the writers I seek out again and again to dissect and study these genres, rediscovering them and also falling in love with them all over again. They are out there now, and their stories are waiting.

If you’re interested in more genre-bending work, check out these other Book Riot gems:

Liu Cixin is a notable Chinese science fiction author, known for his work on the three-body series.

Liu Cixin is credited with popularizing Chinese science fiction worldwide, especially with the success of his novel "The Three Bodies" and its sequels.

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Hong Kong '90s Jade Singer Lai Shih dies of cancer aged 58
Silicon Valley celebrity Hsieh Kai-ting also met the noble woman Nana fundraising scared to jump on the car.
Science fiction "Three Bodies" adapted into a new drama on the Internet to impact the Chinese scale
Created by Chinese writers, the “Three Bodies ” was adapted by Western producers as a series performed by a number of foreign actors, which not only greatly reduced the Chinese elements, but also opened with scenes of the Cultural Revolution fighting dead.
Like the story of the alien invasion of Earth, it is also impacting the “beliefs ” of many Chinese and the“ yardstick ” of the Beijing authorities.
“Three Bodies ” is a bestselling novel by renowned Chinese science fiction writer Liu Cixin, who has won one of the world ’ s most influential awards in science fiction literature. In China,“ Three Bodies ” has been considered “difficult to adapt ” for its puzzling time jumps, philosophical dilemmas and intensive exploration of scientific theory.
Today, the “Three Bodies ” are on the international screen through Netflix, a rare breakthrough in foreign media observation, in contrast to the suppression of science fiction in Chinese history.
★ A rare breakthrough under Beijing ’ s repression
Produced by Game of Thrones producers, Netflix ’ s new series “3 Body Problem ” is based on China ’ s best-selling science-fiction novel of the same name, according to the BBC. The novel is still popular in China despite China ’ s ongoing censorship of the genre.
The story structure of the “Three Bodies ” is roughly the same: one day in 1967, Ye Wenjie, an astrophysics student in Beijing, witnessed her father being beaten to death by the Red Guards during the Cultural Revolution.
She joined a military project in Inner Mongolia to avoid being punished by a series of sit-ins, but on the condition that she never leave the base.
At this cold outpost, under a huge parabolic antenna, Ye Wenjie lost all confidence in humanity.
She devoted her life to research and made scientific breakthroughs, broadcasting high-power radio signals into outer space.
This action will have serious consequences, and it all stems from that disastrous day in Beijing.
In addition to the trans-cosmic plot, the Three Bodies also involve secret scientific projects; an alien species in the solar system beyond the stars; and a strange video game depicting the rise and fall of great civilizations over the millennia.
“The Three Bodies ” is the first of a trilogy of“ Past Events on Earth ” written by Beijing-born Liu Cixin. A Chinese adaptation of the film was shelved in 2017.
But now it ’ s on the international screen via Netflix, the belated return of Game of Thrones creators David Benioff and DB Weiss.
Early reviews were divided over whether they could be successfully adapted.
What ’ s more, the original novel has been an incredible success. It was first serialized in China ’ s Science Fiction World magazine in 2006 and translated to Western readers by Liu Yukun in 2014.
Its fans include former US President Barack Obama and "Game of Thrones" author George RR Martin.
He is the author of the Qur ’ an.
Liu Cixin won the most prestigious Hugo Award for Best Novel in 2015, and the book and its two sequels have sold nearly 9 million copies worldwide.
Today, Liu Cixin is credited with bringing Chinese science fiction to the world.
This is an incredible feat considering China ’ s historical suppression of science fiction.
The English translation begins with the words: “In more than 40 days, in Beijing alone, more than 1,700 victims were beaten to death at a protest meeting ” and“ many others have chosen an easier path to avoid this madness. ”
Set in 1967, the novel kills as many as 2 million people in the Cultural Revolution over the next decade as the student-led radical Red Guards gradually turned violent in support of the Communist policies of then-Communist leader Mao Zedong.
Many of the victims committed suicide to “end their suffering. ”
The report believes that, in the modern episode of the “Three Bodies, ” the unexplained suicides that have occurred in the scientific community hint at this fact.
But what ’ s more striking than how this real history shapes events in Liu ’ s work is how the Mao regime shaped the course of science fiction in the real world.
It was dormant in the 1960s.
Liu Cixin was born in 1963, three years before the Cultural Revolution.
Li Hua, a professor of Chinese at Montana State University, said that in that era, scientists, writers and other intellectuals were branded “counter-revolutionaries ” and sent to labor camps for“ ideological transformation, ” with few literary works published, “Chinese science fiction remained dormant from the early 1860s to 1967, ” and it was especially difficult to survive the turbulent political situation, with many common themes being taboo, such as Mao ’ s. Marxist-Leninism makes no provision for the existence of aliens in the universe.
But as the “three bodies ” postscript reveals, after witnessing China ’ s first artificial satellite painting the sky in April 1970, six-year-old Liu Cixin will still be moved by“ unspeakable curiosity and longing. ”
A few years later, he found a box of books under his father ’ s bed, including Jules Verne ’ s “Journey to the Heart of the Earth. ” Liu found that he had a determination, like the character in his book, Ye Wenjie, that would ultimately have a profound impact.
Mao Zedong died in 1976, and Ye Wenjie described that year in “The Three Bodies ” as“ the horrors experienced during the Cultural Revolution gradually subsided ”. After Deng Xiaoping came to power in 1977, science fiction flourished for a short time. Deng Xiaoping said that “science and technology are the first productive force. ” Creation.
Fearing a greater spread of Western ideas to China, the CCP launched a campaign in 1983 to “clean up mental pollution. ”
Li said: “It aims to eradicate the Western-inspired trend of ‘ bourgeois liberalization ’.
The Propaganda Department singled out specific literary genres to attack and suppress, including sci-fi works of ghost stories, violence, sex, anti-scientific assumptions, and veiled criticisms of socialism, and classified them as “spiritual pollution. ”
Leading writers such as Ye Yonglie, who wrote stories about space travel when China launched its first satellite into orbit, were condemned, and Science Literary magazine was forced to publish non-fiction works, and in the process renamed the more unobtrusive “Strange Tales. ”
Li said that after a few months, Deng Xiaoping ended the event, but "many science fiction writers, disappointed and emotionally hurt, left the field."
Even if science fiction is revived again, political sensitivities are holding back its development.
Liu Cixin ’ s first full-length novel, China 2185, in 1989, describes cyberpunk fantasies about Mao ’ s resurrection in virtual reality.
This suggests that sci-fi narratives “were prevented from appearing in print due to sensitive sociopolitical topics, but were later published online, ” Li said, but many such works would soon be removed.
Most writers are self-censoring.
With its rapid economic growth in the 1990s, China is now a modern and prosperous country, and science fiction has flourished in China. In the 1990s, with films such as Jurassic Park and The Hacking Empire, Western works by Hugo Award winners Philip K Dick and Arthur C Clarke hit bookshelves.
By the turn of the century, “Science Fiction World ” had reached 400,000 copies, the largest of its kind. In 2019, another film,“ Wandering Earth ”, directed by Liu Cixin, became a hit in China, marking a watershed moment for Chinese science fiction films.
Li Hua believes that the change during this period is that the Chinese government's censorship system is relatively strict on social and political issues, but relatively lax on technical issues, so most writers will self-censor their works and avoid mentioning sensitive topics.
But the report believes that sociopolitical criticism is not impossible for Chinese writers.
Liu Yukun, a translator, said at the Reddit “Geek ” conference in 2015 that“ criticism of the Cultural Revolution is not a forbidden topic in China. ”
Liu Tsz Hin became the first Asian to win a Hugo Award, but his book nonetheless exposes the sensitive nature of his ideas. After all, chapters with a Cultural Revolution background were moved to the middle part of the original Chinese version for fear that government censors might find them too politicized, which is the beginning of the English version of the “Three Body ”.
Netflix ’ s new series “Three Bodies ” starts in the same way as the English version of the book, and they don ’ t worry about censorship.
But the new series is based on Liu Cixin ’ s original novel, and unlike the original novel, they will face the critical judgment of the audience.
Space in Montana
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Nnedi Okorafor is a female author mentioned in the science fiction list, specifically for her work "Remote Control".

What is considered a major breakthrough in science fiction publication?

Liu Cixin is a Chinese science fiction author who has gained global recognition, particularly with his bestselling novel "Three Bodies", for which he won a major award in science fiction literature.

The most influential Chinese sci-fi work overseas is "The Three Body Problem" by Liu Cixin.