The live-action Little Mermaid remake was released in May 2023.

The live-action Little Mermaid remake, starring Halle Bailey, is scheduled to be released on May 26.

The release date of the live-action Little Mermaid remake is 2023.

The live-action Little Mermaid remake is scheduled to be released on May 26.

The live-action Little Mermaid remake is scheduled to be released on May 26, 2023.

"The live-action Pinocchio remake is expected to be released on September 8, 2022."

The live-action Pinocchio remake is expected to be released in the fall of 2022.

The live-action Pinocchio remake is scheduled to be released on Disney+ next month.

The live-action Pinocchio remake was released in 2022.

The live-action Pinocchio remake was released in 2022.

The public reaction to live action remakes is complex, with mixed reviews and criticism from fans who are unsure about the balance between staying true to the original and introducing new elements.

The public reaction to live action Disney remakes is mixed, with some people criticizing the changes made to the original stories and characters, while others appreciate the modern adaptations. The remakes have generated backlash for various reasons, including casting choices and changes to the original stories.

The public reaction to live action remakes of Disney classics is mixed, with some people, like former Disney designer David Hand, expressing strong negative feelings towards the remakes, viewing them as disrespectful to the originals.

The public reaction to live-action remakes is often one of scrutiny, with fans questioning the changes made to the original story and characters, and whether these changes are made to take modern standards into account.

The public reaction to live-action remakes of Disney classics is mixed, with some people, like the reviewer of Pinocchio (2022), being disappointed and considering the remakes to be inferior to the originals.

The original Moana film earned nearly $683 million at global box offices.

The original Moana film earned nearly US$683 million at global box offices.

The Disney live-action remakes mentioned in the document are Beauty and the Beast, Aladdin, Cinderella, and Cruella.

The Disney live-action remake mentioned in the document is 'Beauty and the Beast', specifically the 2017 remake.

"The Disney live-action remake mentioned in the document is Aladdin."

The live-action remake of Beauty and the Beast is mentioned in the document.

Peter Dinklage criticizes the live-action remake of Snow White for being progressive in casting but still telling a 'backwards story' about seven dwarfs living in a cave.

Peter Dinklage expresses concern about the original Snow White story, criticizing its depiction of people with dwarfism as 'backwards' and advocating for a more progressive and respectful representation.

The Little Mermaid remake has a 67% Rotten Tomatoes rating, indicating mostly positive reviews.

The Little Mermaid remake has a Rotten Tomatoes rating of 66%, indicating mixed reviews from critics.

"Disney's next animated movie Wish is scheduled to be released on November 23."

"Disney's next animated movie Wish is scheduled to be released on November 22."

"Disney's next animated movie, Wish, is scheduled to be released in November, coinciding with the studio's 100th anniversary."

The live-action remake of Disney's Hercules is being produced by the Russo brothers, with Guy Ritchie as the director.

The live-action remake of Disney's Hercules will be produced by Joe and Anthony Russo and directed by Guy Ritchie.

The live-action remake of Disney's Hercules is being produced by Joe Russo and Anthony Russo, who have a strong emotional connection to the original movie.

"Disney live-action remakes such as The Little Mermaid, Dumbo, Pinocchio, and Snow White have generated backlash due to various reasons, including casting choices and changes to the original stories and characters."

"The Little Mermaid live-action remake has generated backlash, specifically racist backlash, despite its positive impact on representation and box office earnings."

The Little Mermaid (2023) live-action remake generated backlash due to the casting of Halle Bailey as Ariel, sparking controversy and racist backlash, but Disney stood firm and challenged the status quo.

"Some Disney live-action remakes, such as the 2023 version of 'The Little Mermaid', have generated backlash due to poor storytelling and lack of character development."

The live-action remake of Pinocchio (2022) has received negative feedback, with one review calling it 'dreadful' and stating that it fails to live up to the original animated film.

The live-action remake of 'The Little Mermaid' (2023) sparked controversy over its storyline due to the casting of Halle Bailey as Ariel, which led to racist backlash.

The live-action remake of 'The Little Mermaid' has sparked controversy over its storyline due to Disney's pursuit of 'political correctness' and ignoring the story itself and the depth of the role.

The 2023 live-action remake of The Little Mermaid sparked controversy over its storyline, particularly with regards to the character of Eric and his worthiness of Ariel's love.

"The 2023 live-action remake of The Little Mermaid has made changes to the original story, potentially sparking controversy among fans."

The live-action remake of "The Little Mermaid" has sparked controversy due to a review that criticized the movie's lack of "kink" in its storyline, leading to online outrage.

Disney's financial profits in live-action remakes are driven by nostalgia, as the company has found success in reworking their classic animated films with live actors, and is currently developing multiple new remakes.

The live-action remake of Pinocchio preserves the original story's basic plot and character dynamics, while introducing some changes in visual effects and character interpretations.

The live-action remake of Pinocchio preserves the sinister spirit of Pleasure Island from the original, including the donkey transformation.

The live-action remake of Pinocchio preserves the spirit, tone, and theme of the original animation.

The live-action remake of Pinocchio preserves the traditional storyline of the original, but this is seen as a disappointment due to the lack of reinvention or reimagination.

The live-action remake of Pinocchio retains the original story's core elements, but its execution, especially the visual effects, was criticized.

The live-action remake of Pinocchio remains largely faithful to the original story, with minimal changes, which has been met with disappointment due to its lack of novelty and creativity.

The live-action remake of Pinocchio modernizes the original story while retaining its spirit, tone, and theme, catering to modern audiences who prefer to interpret the story themselves.

"The live-action Disney remake featuring Asian American representation is likely Mulan (2020), which is based on the ancient Chinese folklore of the legendary Mulan."

The live-action Disney remake featuring Asian American representation is Mulan (2020), which has an all-Asian cast.

The live-action Disney remake featuring Asian American representation is "Mulan" (2020).

The live-action Disney remake featuring Asian American representation is Mulan (2020).

"Disney's live-action remakes have received criticism for prioritizing 'political correctness' over story and character depth, resulting in a mixed audience reception."

"Recent Disney live-action remakes have been received poorly by audiences, with most remakes having a bad reputation, except for Aladdin. The remakes have been criticized for not focusing on key story elements and character development."

The recent live-action remake of Pinocchio has been poorly received by audiences due to its bad VFX, which has affected the overall believability of the film.

Recent Disney live-action remakes have been controversial among audiences due to significant changes made to fit modern 'political correctness', resulting in a loss of the original story's essence and poor box office performance.

The live-action remake of Pinocchio has been disappointing due to its lack of creativity and reliance on easy Disney references, suggesting that audiences may not be receptive to unoriginal adaptations of classic stories.

The 2022 Pinocchio remake was poorly received by critics, with one reviewer stating that it fails to live up to its animated predecessor and is a downgrade from the original.

The 2022 Pinocchio remake was poorly received due to its subpar visual effects, which were deemed 'atrocious' and failed to convincingly bring the characters to life.

The 2022 Pinocchio remake was poorly received due to its creepy and unnatural portrayal of the titular character and subpar CGI.

The 2022 Pinocchio remake received negative reviews, with one critic stating that it failed to live up to the original, although they praised Luke Evans' performance and the Pleasure Island sequence.

The 2022 Pinocchio remake was poorly received, with critics describing it as a charmless adaptation of the original story.

The live-action Pinocchio movie received negative reviews from critics, with one reviewer stating that it fails to live up to its animated predecessor and is a downgrade from the original.

The live-action Pinocchio movie was poorly received by critics due to its bad visual effects.

The live-action Pinocchio movie received negative reviews from critics, with criticisms focusing on its creepy atmosphere and unconvincing visual effects, particularly in the design and interaction of the CGI character of Pinocchio.

The live-action Pinocchio movie received mixed reviews from critics due to its threadbare story and unimpressive songs.

The live-action Pinocchio movie received mostly negative reviews from critics, with some exceptions, such as the performance of Luke Evans as the Coachman and the Pleasure Island sequence.

The live-action Little Mermaid remake was released in May 2023.

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How Disney's The Little Mermaid Live-Action Remake Is Changing the Narrative

Disney's live-action remake of The Little Mermaid has made a significant impact by surpassing the original's box office earnings, offering representation to young girls of color, and standing firm against racist backlash.

BNN Correspondents
New Update

In a world where representation matters more than ever, Disney's live-action remake of The Little Mermaid has set a new benchmark. The film, which grossed over $550 million in global ticket sales, has surpassed the original's box office earnings, making a significant financial and cultural impact. Beyond merely being entertaining, the film has become a beacon of hope for young girls of color, seeing themselves represented in a fantasy world for the first time.

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Reimagining Inclusion in Fantasy

The casting of Halle Bailey as Ariel sparked controversy even before filming began. Detractors used AI to alter her features to resemble a white woman, reflecting a narrow view of what a mermaid, or a princess, should look like. Despite the racist backlash, Disney stood firm, challenging the status quo and reimagining inclusion in fantasy. The film's success underscores the necessity of diversity in storytelling, proving that audiences are hungry for fresh perspectives and narratives that resonate with their own experiences.

Standing Firm Against Racism

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The release of the first teaser at D23 Expo was met with enthusiasm and anticipation. The beautiful shots of Halle Bailey's Ariel in the ocean, accompanied by the iconic Part of Your World, were a powerful assertion of Disney's commitment to diversity. The film, directed by Rob Marshall and released in May 2023, also features Jonah Hauer-King as Prince Eric, Melissa McCarthy as Ursula, Awkwafina as Scuttle, Jacob Tremblay as Flounder, Javier Bardem as King Triton, Daveed Diggs as Sebastian, and Noma Dumezweni in an undisclosed role. Each casting choice was a testament to the company's determination to stand against racist attacks and uphold the importance of representation.

Attending to Details for Authentic Representation

With its Reimagine Tomorrow initiative, Disney is leading the way in promoting diversity and inclusion across its productions. By paying meticulous attention to details, the company ensures authentic and inclusive representation both on-screen and off-screen. The success of The Little Mermaid underlines the significance of these efforts, and the film serves as a potent reminder that stories have the power to inspire change.

In conclusion, the journey of The Little Mermaid offers valuable lessons for leadership and the power of storytelling. It highlights the importance of standing firm against critics, especially in the face of racism. It also emphasizes the necessity to reimagine inclusion in fantasy and the significance of paying attention to details for authentic representation. These lessons are not just applicable to film-making, but are relevant in all fields where leaders have the opportunity to challenge hate and inspire change through their work.

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How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

The live-action Little Mermaid remake, starring Halle Bailey, is scheduled to be released on May 26.

Title:

Content: Disney’s Live-Action Lilo & Stitch Finally Finds Its Lilo

Disney's live-action remake of Lilo & Stitch has cast its Lilo: Maia Kealoha, a young actress from Hawaii.

By Angie Orellana Hernandez Mar 31, 2023 10:57 PMTags
Watch: Disney Announces Toy Story, Frozen & Zootopia Sequels

Say aloha to Disney's newest family member.

Maia Kealoha, a young actress from Hawaii, has landed the role of Lilo in Disney's live-action remake of the 2002 classic Lilo & Stitch, according to the Hollywood Reporter.

And Maia, who was recently crowned the 2023 Mini Miss Kona Coffee, already has an ohana standing behind her. "what a little CUTIE!!! she's the perfect lilo," one fan tweeted, while another added, "oh she's adorable i hope she has fun and gets so much love."

For true fans of the movie, nothing—and no detail—got left behind. "She looks just like the animated character. Perfect casting," one fan commented, with another reacted, "The perfect Lilo does exist, and she looks like this." (See a photo of Maia here.)

The casting comes more than nine months after Dean Fleischer Camp joined Lilo & Stitch as director, per THR.

Though not much is known about what direction the live-action Lilo & Stitch will take, the original movie followed the unlikely friendship between Lilo—an orphaned 6-year-old girl living with sister Nani—and Stitch, a mischievous alien who Lilo adopts as her dog.

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Magical Facts About Your Favorite Disney Films

According to THR, the movie will be released on Disney+.

And Lilo & Stitch isn't the only live-action project Disney fans can look forward to. After all, the remake of Disney's The Little Mermaid, starring Halle Bailey, will hit theaters May 26.

Shutterstock

"I've seen a rough cut, and I was just sobbing the whole time," Halle previously told E! News. "I am ready for everyone to finally see this film, for it to finally be out. We have worked on it for a long time, we've been talking about it for a long time, but now we're finally going to see it and I'm just grateful."

Looks like there'll be plenty of Disney magic to come.

For the latest breaking news updates, click here to download the E! News App

How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

The release date of the live-action Little Mermaid remake is 2023.

Title:

Content: The original "Little Mermaid" director can 't stand it! The real version of the irony: the zoo crab expression is even richer
Reporters Lau Wan-yan / Comprehensive Report
Disney has created countless moving animated films, accompanied by many people to grow up, such as "Snow White", "Sleeping Beauty", "Beauty and the Beast" and other classic films, in recent years, these classic animations have been remade as live-action versions, but Disney has been criticized for pursuing excessive "political correctness", while trying to convey specific ideas, ignoring the story itself. And the depth of the role, deeply criticized by the outside world.
The real version of "Little Mermaid" was criticized.
(Courtesy of Disney)
According to foreign media reports, the director of the "Little Mermaid" and "Aladdin" animation, John Musk, publicly pointed out that Disney should revise the line, focusing on the "entertainment" and "story attraction" of the work, "the concept" should be placed on the secondary, bluntly, "they should revise the line", and added that "it is not necessary to completely put the concept into, but until then, the most important thing is to create the audience. It's a role that captures the eyes of the audience."
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The director of the animated version of "Little Mermaid" believes that the live-action version should be more about the relationship between father and daughter.
(Courtesy of Disney)
John Musk emphasized that Disney ’ s classics were never born out of preconceived ideas, but rather immersed the audience in the world built by the story and the characters.
He believes that while it is not necessary to completely abandon the concept, before that, you should first create characters that the audience can feel and feel attracted to.
As for Disney ’ s frequent remakes of old animations into live-action versions, he believes that this is to make the audience like things, and then sell them again, and he obviously does not agree with this practice.
Disney ’ s remake of the classic animation, apart from Aladdin, has a mostly bad reputation. John Musk pointed to the 2023 live-action version of “The Little Mermaid ” and bluntly said:“ They don ’ t put much ink on the story of their father and daughter, that ’ s the core of the whole movie. ” The lions in the Lion King are much richer.
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The live-action Little Mermaid remake is scheduled to be released on May 26.

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The Little Mermaid live-action remake actually fixed the right character

The biggest story changes aren’t for Halle Bailey as Ariel

Whenever a new Disney live-action remake of an animated classic comes out, there’s always a hullabaloo about what, if anything, changed from the source material. Specifically, fans question whether the latest remake updates anything to take modern standards into account, or a creator boasts that it does — whether it’s giving LeFou an “exclusively gay moment” in 2017’s Beauty and the Beast or canning the Siamese cat song in 2019’s Lady and the Tramp.

For whatever reason, though, most of the filmmakers behind these projects seem determined to also “fix” the stories’ main heroines — usually losing what made them so appealing in the first place. The most nefarious case in point is Beauty and the Beast’s Belle, a character beloved by young bookworms everywhere. Making her a book-lover wasn’t enough for the 2017 remake, which also turned her into an inventor for some reason — and then did absolutely nothing with that plot point.

But in the case of the new Little Mermaid, director Rob Marshall and screenwriter David Magee actually picked the right character to update.

That isn’t Ariel, who for the most part keeps pretty much the same personality she had in the original, though she certainly gets more moments to flesh it out. Ariel is a beloved heroine, and Marshall and Magee understand what made her so appealing in the original animated Disney film. She’s curious, passionate, and idealistic, and the 1989 movie takes great care to highlight those things, while also embracing her faults, like her absent-mindedness and stubbornness. Halle Bailey’s stellar performance as Ariel in the live-action version bolsters all of those points. Even with some added moments, her Ariel is pretty much recognizable. She isn’t the one who needed to undergo a modern makeover, after all.

The character who really needed a change was Eric.

The original animated Eric is a hero of his era. He meets the minimum requirements to be a Disney Prince, in that he’s handsome and brave, and not much else. In the 1989 film, Ariel sees him on a ship, playing with his dog, and immediately falls in love with him. That’s pretty true to the original Hans Christian Andersen story — not to mention the Disney fairy-tale movies that came before — but in 2023, we need more evidence that this is a man worthy of Ariel’s time, and worthy of her giving up everything to try and be with him.

The 2023 live-action version of Eric, played by Jonah Hauer-King, isn’t just a hunk. He feels restless in his palace, and he wants to explore the world beyond his island nation, but he feels trapped by his mother’s rules. That’s a direct parallel to Ariel’s story, so it makes sense that she would relate to him. Her bargain with Ursula (Melissa McCarthy) is more about her desire to escape her father’s controlling rules about her being in love. (Ariel’s “Daddy, I love him!” line doesn’t make the cut in this version.) There’s a sense of comfort in knowing that there is at least one person on land who would understand her choice to leave the ocean. In Eric, she sees more of a kindred spirit than a soulmate.

The new Little Mermaid also gives Ariel and Eric more time to get to know each other. Instead of the dinner scene where Ariel bungles basic social interaction, now Ariel and Eric bond over Eric’s vast collection of trinkets he found on his adventures. As it turns out, they’re both total nerds when it comes to their interests, and they’re both just squirming to talk about what they love with someone. Ariel still can’t talk because of Ursula, but she’s still an active participant in the interaction, showing Eric a thing or two about his treasures from the sea, and eagerly poring over his maps. All their interactions are fueled by an awkward yet adorable attraction that just makes their romance all the more believable, and worth rooting for.

There are some superfluous changes to the live-action movie that don’t really add anything meaningful. For instance, Ariel’s sisters are rulers of their own seas, not Triton’s decorative choral singers, but they still don’t contribute much to the plot. Ursula has added motives, but that doesn’t come up beyond her introduction. Scuttle the seagull (voiced by Awkwafina) raps for a bit, because sure, why not? If you think too hard about some of the more consequential world-building changes in 2023’s The Little Mermaid, the movie begins to unravel.

But what makes The Little Mermaid isn’t whether the fish look good, or what exactly fuels Triton and Ursula’s feud. It all comes back to Ariel and her journey, which is fueled by the central romance between her and Eric. Just because Ariel falls in love doesn’t mean she’s not a strong and beloved protagonist, and just because Eric is a handsome and dashing prince doesn’t mean he lacks the substance behind that charming smile. By updating their romance, the 2023 Little Mermaid makes the love story more satisfying — and resonant for a new generation.

The Little Mermaid swims into theaters on May 26.

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How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

The live-action Little Mermaid remake is scheduled to be released on May 26, 2023.

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Following Aladdin, Guy Ritchie Has Scored Another Live-Action Disney Remake

After all the commercial success Disney live-action movies have racked up, it wasn’t a question of if there’d be a next one, it was when. And the House of Mouse has just lined up an exciting new remake from the director of 2019's Aladdin, Guy Ritchie. It looks like the filmmaker is on board to go the distance and helm the live-action Hercules

Back in 2020, it was announced that Disney was developing a live-action Hercules project, with Avengers: Endgame directors Joe and Anthony Russo attached. Per a Deadline report, the Russo brothers are set to produce the movie, and Guy Ritchie will take the reins on adapting the Greek mythological tale Disney originally tackled in 1997.

Disney is reportedly in the process of finalizing the script for the Hercules remake after Dave Callaham, writer behind Shang-Chi and the Legend of the Ten Rings, Wonder Woman 1984 and The Expendables, wrote the movie’s first draft. The rest of the details are thin on the upcoming Disney movie otherwise, but previously Joe Russo said he and Anthony have a “strong emotional connection” to the original movie and want to “build it out” beyond the vision of the animated classic.

Guy Ritchie initially become known for his contemporary comedic crime films like Snatch and Lock, Stock and Two Smoking Barrels, but he has also branched out to blockbuster action films like 2009’s Sherlock Holmes, 2015’s The Man From U.N.C.L.E. and Aladdin with Disney. His first live-action film with Disney was a massive success, nabbing over $1 billion in box office revenue. The movie received mixed reviews from critics, but moviegoers enjoyed the movie overall, with the movie receiving an A CinemaScore.

Disney's original Hercules was written by Ron Clements and John Musker, who had previously written The Little Mermaid and Aladdin for Disney. The animated musical included original music from Alan Menken, who wrote a lot of the music for Disney movies in the ‘90s. Hercules is, of course, a loose adaptation of Greek mythology featuring the son of Zeus, who becomes a hero on Earth.

1997's Hercules memorably featured musical muses, who narrate the story through song. Ahead of the live-action movie finding Guy Ritchie, a number of talents have placed their name in the running to be a muse including Jennifer Hudson, Amber Riley and Lizzo. Previously when word of the live-action Hercules remake first was announced, fans also got passionate about making sure Danny DeVito reprises the role of Phil

As the live-action Hercules finds momentum behind the scenes, there are a number of other Disney remakes coming our way before we see “Zero To Hero” in live action. Before the end of the year, Pinocchio and Peter Pan & Wendy are expected to join other Disney+ movies, and a live-action The Little Mermaid will hit theaters on May 26, 2023. We’ll keep you posted here on CinemaBlend as we learn more about these nostalgic Disney projects.

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How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

"The live-action Pinocchio remake is expected to be released on September 8, 2022."

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Back to the old: 9 Disney game remakes that are in development right now
As practice shows, nostalgia sells well.
At the moment, Disney is developing a lot of animated remakes, including with live actors.
This is not surprising given the success of the recent rework of their classic animated films.
It seems that Disney will continue to explore the genre and offer unique interpretations of favorite projects.
Peter Pan and Wendy
Release date: 2022
The remake of the new “Peter Pan ” was directed by David Lowry, who previously worked on the film adaptation of“ Pete and his dragon ” in 2016.
It is reported that the shooting of the project has already been completed, but the exact date has not yet been announced.
It is known that the basis of the film “Peter Pan and Wendy ” is the original story about a boy who did not want to become an adult, and the magical country of Neverland.
The exact date of the premiere of the project has not yet been announced, but is expected in the second half of 2022.
Pinocchio
Release date: September 8, 2022
The animated film “Pinocchio ” with live action was shot by Robert Zemeckis according to his own script in collaboration with Chris Weitz.
The Wooden Boy was originally voiced by Benjamin Evan Ainsworth.
Its creator, Gepetto, was played by Tom Hanks.
Also in the remake took part Cynthia Erivo, Luke Evans and others.
The premiere of the fantasy musical is scheduled for September 8, 2022.
Not only Disney: 8 amazing cartoons that are worthy of a game remake
Little Mermaid
Release date: May 26, 2023
About the rethinking of the “Little Mermaid ” rumors have been around for a long time, and after the announcement of the actress for the main role, dark-skinned Holly Bailey, fierce disputes began.
Nevertheless, the film adaptation decided to finish and announced the premiere date - May 26, 2023.
The plot will tell the original story of a mermaid who fell in love with an earthly prince and asked the witch for legs to please him.
The beloved underwater princess in the film adaptation was played by actor John Hauer-King.
Snow White and the Seven Dwarfs
Release date: 2023
The exact date of the premiere of the remake of "Snow White and the Seven Dwarfs" has not yet been announced.
The story is taken from the fairy tale of the Brothers Grimm, and adapted by screenwriter Greta Gerwig.
The project is directed by Mark Webb.
The role of the beauty of Snow White will be played by Rachel Zegler, and the evil witch will be embodied on the screen by the vander woman Gal Gadot.
The premiere is expected presumably in 2023.
Hercules
Release date: not announced
The director of the film adaptation of “Hercules ” will be the author of“ Gentlemen ” Guy Ritchie.
He will direct a full-length film with live actors based on the 1997 cartoon.
The script was adapted by the author of “Shan-Chi and the Legend of the Ten Rings ” Dave Callham.
The cast of the film about the adventures of Hercules on Olympus has not yet been officially announced.
It is reported that the musical accompaniment of the picture will work Alan Mencken, the author of the compositions “The Little Mermaid ”,“ Aladdin ” and other cartoons.
Bambi
Release date: not announced
The film "Bambi" about a deer who is forced to learn to live independently in the forest after the death of his mother, will be created using computer technology.
The story is taken from the eponymous film adaptation of 1942.
Previously, similar technologies were used in the remake of The Lion King by John Favreau.
Genève Robertson-Dworet and Lindsay Beer will be scripted, and the director will be announced later.
The date of the premiere is not yet known.
Hunchback
Release date: not announced
Work began on a reimagining of the cartoon "Hunchback of Notre Dame" in 1996.
The story, taken as the basis of the original and remake, was written by Victor Hugo in the novel “Notre Dame de Paris ”.
The remake will be playable, but the cast has not yet been announced.
Also, the director ’ s chair is not yet occupied, and David Henry Hwang is already working on the script.
The date of the premiere has not yet been announced.
The Sword in the Stone
Release date: December 13, 2024
The 1963 film adaptation based on the legends of King Arthur will also receive a new adaptation.
Directed by Juan Carlos Fresnadillo.
The start of production of the new “Sword in the Stone ” started back in 2018, but due to financial problems it had to be suspended.
It is reported that due to the small budget of the picture, the project will be released exclusively for the Disney + streaming service.
There is no information yet about the actors who will take part in the film adaptation.
The project will be released on December 13, 2024.
Robin Hood
Release date: not announced
"Robin Hood" will get a hybrid version with live actors for the Disney + platform.
In development is a remake of the animated classic of 1976 with director Carlos Lopez Estrada at the head.
CGI technologies will be used in the project.
About the casting, the potential release date and other details are not yet known.
The script will be written by Kari Granlund, who previously worked on the remake of Lady and the Tramps.
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Related video

The live-action Pinocchio remake is expected to be released in the fall of 2022.

Title:

Content: The premiere of the feature film based on the animated picture “Pinocchio ” from Disney is scheduled for the fall of 2022.
This is reported by the portal Screenrant.
Pinocchio
Quote from the film Pinocchio. 1940.
USA
The director of the game remake of the famous cartoon was the winner of the Oscar and Golden Globe awards Robert Zemeckis.
The film stars Tom Hanks, Cynthia Erivo and Luke Evans.
In the new version of "Pinocchio" the game of actors will be combined with computer animation.
The film will premiere on the Disney + streaming service.
The original Pinocchio movie came out in 1940.
This project became the second full-length animated film studio Walt Disney Productions.
The film won two Oscars.

How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

The live-action Pinocchio remake is scheduled to be released on Disney+ next month.

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The Disney film Nicolas Cage called a "masterpiece"

Nicolas Cage is a bonafide enigma firmly embedded in the history of Hollywood as a truly indecipherable presence. While Cage has delivered stellar performances under the direction of acclaimed directors such as Werner Herzog, he has also starred in some truly terrible movies like Outcast and Fire Birds.

In recent years, Cage has continued to confuse audiences worldwide with wildly differing projects. Last year, he produced a wonderful performance in the unconventional revenge drama Pig, which attracted attention from critics and audiences. Cage also earned praise for his work in the 2022 action comedy The Unbearable Weight of Massive Talent.

During a conversation with Rotten Tomatoes, Cage was asked to name some of his favourite films of all time. He cited the works of celebrated filmmakers like Stanley Kubrick and Francis Ford Coppola. Even though he was asked to name only five films as part of his selection, Cage ended up listing 13 entries.

While discussing some of his favourite live-action works, Cage also named the Disney animated film, which he considers to be the best example of the studio’s mastery over the artistic medium. “I think Pinocchio is Disney’s masterpiece, and I think that it’s such a perfectly put-together film,” Cage declared.

Here, Cage is referring to the 1940 classic from Disney, which revolutionised the world of animation forever. It was Disney’s second feature and created an unforgettable exploration of the mythology of Pinocchio – a puppet who is confronted by rigid definitions of humanity and his own artificial sentience.

While explaining the beauty of Pinocchio and why it had a lasting impact on the actor, Cage commented: “It has such a beautiful message in it, and so much thought went into it, and of course it’s beautifully drawn, and the colours are extraordinary, and I love Monstro, and the underwater sequences are quite something.”

Disney has been working on a live-action adaptation of Pinocchio for a while now. Directed by Robert Zemeckis, the project is supposed to premiere on Disney+ next month. In addition to Zemeckis’ production, Guillermo del Toro is also working on a surreal, animated version of the popular story.

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How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

The live-action Pinocchio remake was released in 2022.

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Content: Pinocchio (2022) review: more like Pinocchi-oh no

Pinocchio (2022) fails to live up to its animated predecessor in almost every way. Still at least Luke Evans is having fun, which is something...

Pinocchio (2022), like many of the live-action Disney movies, is a difficult movie to review. You have to balance the nostalgia you feel toward the original animated movie with the understanding that these new films aren’t really made for me. They’re made for a new generation, to get them hooked on Disney movies the same way we were growing up.

Still, I can honestly say that if the House of Mouse is trying to encourage younger people and kids to get into their family movies, they’d be better off showing them the original ’40s Pinocchio because the remake is dreadful, and I don’t use that word lightly. Everything about this film is a downgrade from the original.

The story’s basically the same, a carpenter named Gepetto (Tom Hanks) builds a wooden boy and wishes his marionette son would come to life. The Blue Fairy (Cynthia Erivo) half grants his wish and brings the puppet named Pinocchio (Benjamin Evan Ainsworth) to life but does not make him a “real boy”.

Instead, Pinocchio must prove himself worthy of becoming flesh and blood by being good and the fairy tasks Jimminy Cricket (Joseph Gordon Levitt) with serving as Pinocchio’s conscience. If you’re reading this, you know the rest of the story – Pinocchio gets caught up in a big adventure that culminates in him being eaten by a whale.

Right, let’s get to the big reason this film does not work. The VFX are atrocious. We’re talking Ally McBeal Dancing Baby levels of bad at times. While watching the film, I did not believe that Gepetto and Pinocchio were in the same room or touching, which is surprising considering this film was directed by Robert Zemeckis.

Zemeckis was the mastermind behind the comedy movie Who Framed Roger Rabbit, which made me believe Bob Hoskins and a cartoon rabbit were in the same room back in the ’80s. Unfortunately, Pinocchio has a touch of the Polar Express about it, with the characters’ eye lines failing to match up and dead-eyed CGI monsters staring off into space.

I’m sorry to say it as well, but Pinocchio is creepy. He’s a living puppet, essentially a family-friendly Chucky. The original kid’s movie managed to dodge the Uncanny Valley by being animated. Here the sheer unnaturalness of Pinocchio is laid bare by putting him next to live-action actors. Had they made Pinocchio an animatronic, they may have gotten away with it, but the fact he’s a VFX character only heightens his general weirdness.

Still, the cast is pretty stacked, so you’d imagine they’d do a good job, right? Well, they don’t do a bad job, but despite Disney expanding this adaptation, the story’s still pretty threadbare. As such, neither Hanks nor Levitt gets all that much to do, and they fail to leave any real impression. Erivo, however, is probably the worst treated of the main cast, with the Blue Fairy’s role cut down quite a lot leaving her with just one scene in the whole film.

As for the songs? Well, I’m sorry to raise the spectre of the original once again, but they’re not a patch on the ’40s Pinocchio’s tunes. The best Disney song in the film is probably ‘I’ve Got No Strings’, but it’s not even as good as the version Ulton sang in the MCU movie Age of Ultron.

If I had to say anything good about this, I liked Luke Evans as the nefarious Coachman and the Pleasure Island. While they took out the alcohol and smoking (unsurprisingly), the sequence maintains the sinister spirit of the original, and the donkey transformation is no less horrifying than the original.

Were I to be charitable, I might suggest if you’ve never seen the original, you might get something out of Pinocchio (2022), but for me, this is another live-action dud from the House of Mouse.

Pinocchio (2022) review

Pinocchio (2022) fails to live up to its magical predecessor.

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How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

The live-action Pinocchio remake was released in 2022.

How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

The public reaction to live action remakes is complex, with mixed reviews and criticism from fans who are unsure about the balance between staying true to the original and introducing new elements.

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Whether it’s implied or has been asked directly on social media, a question lingering around Netflix’s live-action adaptation of “Cowboy Bebop” has long been “why?”

The answer, as it often is for any major cultural output, is the chance to make big bucks. Anime is likely Japan’s strongest pop-culture export, and in the past decade it has enjoyed even further growth. Even though it experienced a dip last year owing to the pandemic, the forecast moving forward remains bright, especially outside of Japan. The Association of Japanese Animations recently announced that overseas sales surpassed the domestic market for the first time ever.

Netflix has invested heavily in anime during its existence, but the live-action “Cowboy Bebop” aimed to be something more. It’s an attempt by the streaming behemoth to take an existing intellectual property — in this case one of the most loved series to come out of Japan — and transform it into mainstream fare. Seeing as the current state of Western entertainment revolves around reboots and long-gestating sequels (at time of writing, the top movie in the United States is a “Ghostbusters” nostalgia trip), it’s a valid approach.

It’s tough to do right, though. Live-action remakes of anime series are common in Japan and are increasingly being tapped for content by overseas studios, though these come under a lot of scrutiny from fans. With good reason, as many adaptations end up being terrible. Notable flops include a live-action “Dragonball,” a remake of “Ghost in the Shell” featuring Scarlett Johansson, and Netflix’s own disastrous interpretation of “Death Note.” It’s possible to find a creative take on an established series — the Wachowskis’ 2008 film “Speed Racer” impressed audiences — but the misses far outnumber the hits.

Netflix’s “Cowboy Bebop” hasn’t garnered as much scorn as those flopped titles, but the reaction to it underlines the challenges that anime-to-live-action adaptations face. Reviews have been mixed at best if not leaning toward the negative, with many wondering what purpose this update serves when the original anime can be streamed on the very same service. Fans, meanwhile, have been critical of the uneasy balance between departing from the anime and being too reverent to the anime. In the process, they’ve shared some of the better commentaries of what seems off about it.

In some ways, that’s all Netflix needed. Reactions — good or bad — help the show gain attention, which has, according to the streaming service’s own self-reported rankings, allowed it to perform well in the U.S. at least. Simply taking up space in the fragmented media world of today might be enough of a win.

It’s possible that fans are content with the anime itself, though, and they don’t need to see it adapted. HBO’s “Game of Thrones” succeeded in getting those who weren’t into the fantasy books interested in the political aspects of the show. The Marvel movies bring in audiences that weren’t necessarily into comics. Instead of aiming to get anime fans on board with a franchise they already love, Netflix should concentrate on creating anime-inspired live-action franchises — and there’s no better place to see a successful example of this than “Squid Game,” this year’s breakout TV hit.

The South Korean series isn’t a direct adaptation of anything specific, but creator Hwang Dong-hyuk has said that the idea was inspired in part by Japanese anime and manga. That’s clear both in his narrative choices and the show’s striking visual style. Yet anime influences are just part of the show’s larger creative DNA — they enhance “Squid Game” but never get in the way of Hwang’s distinct perspective.

This is how anime — and, by and large, Japanese pop culture in general — travels in the world. “The Matrix,” “Black Swan” and “Inception” are just a few of the films that owe a debt to animated movies from Japan. Anime might not be able to command the sort of mainstream attention that Netflix wants, but it can connect with a very strong niche and influence future hits.

With the “Cowboy Bebop” origin story out of the way — and actor John Cho in particular doing a good job of bringing main character Spike Spiegel to life — perhaps a sequel could take the spirit of the anime and create an entirely new scenario for its characters. Spike in a film noir with cold-war machinations in play? Maybe that will please the masses.

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How did audiences react to the 2020 Mulan live-action remake?

Some positive reactions praising both changes and additions

The public reaction to live action Disney remakes is mixed, with some people criticizing the changes made to the original stories and characters, while others appreciate the modern adaptations. The remakes have generated backlash for various reasons, including casting choices and changes to the original stories.

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Content: Snow White director’s son calls Disney remake a “disgrace”

Disney

The original Snow White director’s son has slammed the upcoming Disney remake as “insulting” and a “disgrace.”

Disney has recently recreated several of its classic films into live-action adaptations. Past examples include The Little Mermaid, Dumbo, and Pinocchio. However, these recreations have generated backlash for various reasons.

For example, Halle Bailey’s role as Ariel wasn’t universally agreed upon. This is due to haters complaining that the princess should have been white like in the 1989 animated movie.

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Now, the upcoming remake of Disney’s Snow White starring Rachel Zegler has been under fire for its controversial portrayal of the seven dwarves among other reasons. Here’s what the son of the original Snow White director had to say about the film.

Son of Snow White director criticizes upcoming Disney remake

In an interview with The Telegraph, David Hand, who worked as a Disney designer in the 1990s, admitted his negative feelings toward the Snow White remake. Hand’s father, also named David, served as one of the directors of the 1937 film.

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“It’s a whole different concept and I just totally disagree with it, and I know my dad and Walt would also very much disagree with it,” 91-year-old Hand said. He continued by calling the movie a “disgrace” and discussed Disney’s “radical thoughts.”

“They’re making up new woke things and I’m just not into any of that. I find it quite frankly a bit insulting [what] they may have done with some of these classic films,” Hand remarked. “There’s no respect for what Disney did and what my dad did. … I think Walt and he would be turning in their graves.”

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The Snow White remake has finished filming and is scheduled to premiere on March 22, 2024. Other Disney live-action projects in the works include Lilo & Stitch, Moana, and Mufasa: The Lion King.

You can find out more about Zegler’s Snow White controversy here.

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The public reaction to live action remakes of Disney classics is mixed, with some people, like former Disney designer David Hand, expressing strong negative feelings towards the remakes, viewing them as disrespectful to the originals.

The public reaction to live-action remakes is often one of scrutiny, with fans questioning the changes made to the original story and characters, and whether these changes are made to take modern standards into account.

The public reaction to live-action remakes of Disney classics is mixed, with some people, like the reviewer of Pinocchio (2022), being disappointed and considering the remakes to be inferior to the originals.

What has been the general critical response to most Disney's live-action remakes?

The original Moana film earned nearly $683 million at global box offices.

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Dwayne Johnson says a live-action version of 'Moana' is in the works

LOS ANGELES : Walt Disney Co is developing a live-action version of its animated movie hit "Moana," star Dwayne Johnson announced at the company's annual shareholder meeting on Monday.

"Moana" is set in ancient Polynesia and tells the story of a teenage girl who sets sail on an epic journey to help save her tribe.

The animated version was released in 2016 and racked up nearly $683 million at global box offices.

"I’m deeply humbled and overcome with gratitude to bring the beautiful story of Moana to the live-action big screen," said Johnson, who voiced the role of the demigod Maui in the original film.

"This story is my culture, and this story is emblematic of our people’s grace and warrior strength," said Johnson, whose mother is Samoan.

The actor said the new movie was in the early stages of development. No release date was announced.

Source: Reuters

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What motivates Disney to keep producing live-action remakes despite mixed reviews?

The original Moana film earned nearly US$683 million at global box offices.

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Content: Dwayne Johnson says a live-action version of Moana is in the works

LOS ANGELES - Walt Disney Co is developing a live-action version of its animated movie hit Moana, star Dwayne Johnson announced at the company’s annual shareholder meeting on Monday.

Moana is set in ancient Polynesia and tells the story of a teenage girl who sets sail on an epic journey to help save her tribe.

The animated version was released in 2016 and racked up nearly US$683 million (S$906.96 million) at global box offices.

“I’m deeply humbled and overcome with gratitude to bring the beautiful story of Moana to the live-action big screen,” said Johnson, who voiced the role of the demigod Maui in the original film.

“This story is my culture, and this story is emblematic of our people’s grace and warrior strength,” said Johnson, whose mother is Samoan.

The actor said the new movie was in the early stages of development. No release date was announced. REUTERS

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What motivates Disney to keep producing live-action remakes despite mixed reviews?

The Disney live-action remakes mentioned in the document are Beauty and the Beast, Aladdin, Cinderella, and Cruella.

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Content: The dragons and Vikings are taking to the skies once again, this time in live-action.

Universal Pictures has begun casting for a How to Train Your Dragon live-action flick with Gerard Butler, Craig Ferguson and David Tennant in the frame to put flesh on their original voice roles.

The hero is Hiccup, a young Viking who lives in the mythical island village of Berk, surrounded by the mountainous crags where hostile dragons live.

READ MORE: Vivien Heilbron insisted nude scene was put into iconic Sunset Song production

Led by his father Stoick the Vast (Butler) and the dragon master Gobber the Belch (Ferguson), the villagers have been in combat with the dragons since time immemorial.

However, when Hiccup (voiced by Jay Baruchel) befriends a rare Night Fury dragon the Vikings discover that conflict is not always the best policy.

Tennant has voiced both second-in-command Spitelout and dragon trapper Ivar the Witless, along with other big stars such as America Ferrara (Hiccup's childhood friend and later his wife, Astrid Hofferson) Cate Blanchett (Hiccup's mother Valka Haddock).

Big money will be waved to get the cast back in the saddle, as the trilogy of films in the franchise grossed $1.6billion (£1.3bn) at the box office.

The studio is journeying on a path already trod by Disney, which has made making live-action adaptation of Beauty and the Beast and Aladdin, Cinderella and Cruella.

The franchise is based on the books by Cressida Cowell, who was inspired by spending her summers on Little Colonsay – a tiny island off the west coast of Mull.

She has described the Inner Hebrides – ruled by the Vikings for hundreds of years – as "one of the most beautiful places on Earth" and "the kind of place where you expect to see dragons overhead".

A fan of the richly-filmed animated dragon franchise, the Doc is intrigued to see how the live-action version will handle Butler's Stoick, beefed up by many a hearty Viking feast and Ferguson's Asterix-like sidekick, both thundering their lines in muscular "Och-aye-the-noo" Scottish accents.

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How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

The Disney live-action remake mentioned in the document is 'Beauty and the Beast', specifically the 2017 remake.

How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

"The Disney live-action remake mentioned in the document is Aladdin."

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Can't you watch it from your own family?
"Little Mermaid" director points to Disney's problems
Disney has been the first brand of American animation, bringing many beautiful memories to children around the world, including the early years of "Snow White", "101 loyal dogs", as well as described as the "Renaissance" period of "Beauty and the Beast", "Aladdin" and so on.
However, the recent Disney animation or live-action film, there is a big problem: each time in the casting and plot direction of the controversy, many people complain that too much "political correctness", or to put some ideas into the story arrangement, character layout and other basic details are put aside, turned into an alternative "educational film".
With such a big change, audiences can ’ t fail to feel that last year ’ s five most expensive movies, Disney Group accounted for four, even celebrating the centenary of their own animation as “Star Wish ”, both at the box office and in word of mouth have lost.
Recently, the director of "Little Mermaid", "Aladdin", "Hercules", "Treasure Island", "Ocean Strange" and other famous Disney animation director John Musk admitted at the seminar on animation and special effects, video games: "I think they should carry out a part of the course correction, put the concept of the secondary, the entertainment of the film, the story and whether the characters attract people should be more important." "
In John Musk ’ s eyes, the traditional Disney classic is not a concept that you want to put in, but rather an audience into the story and the characters and the world in the film, which he believes should still be the core of the current Disney film, “You don ’ t have to completely put aside the idea of putting in, but before that you have to create characters that the audience can empathize with and feel eye-catching. ”
"He said.
John ’ s past Disney animations also included “The Princess and the Frog, ” the first black princess to be the main character. Even so, he said the film was not built to promote an“ awakening culture, ” although he could understand the criticism.
As for the past few years, Disney has become more and more frequent remakes of old animations into live-action versions, he believes that the film companies are always looking at how to reduce the risk, and when they see that the audience likes something, they are thinking, is there a way to change the appearance and sell it to them again, or even do it better than the last time?
Just a few Disney classic animation remakes, audience word-of-mouth or film ratings are not as good as the original animation, based on their own history, John Musk did not take last year caused a lot of controversy of the live-action version of "Little Mermaid" to open: "They do not ink on the story of the father and daughter, that is the core of the whole movie, and that crab, you can see the real animal in the zoo, They all have a much richer expression than the ones in the movies, and so does the Lion King."
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The live-action remake of Beauty and the Beast is mentioned in the document.

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Content: Disney’s The Little Mermaid is looking to deliver one of the top Memorial Day weekend debuts ever, after grossing $38 million on Friday, including over $10 million from Thursday previews. The live-action remake of the classic animated film is expected to generate $104 million across the traditional three-day weekend, and around $125 million across the extended four-day holiday weekend, coming in ahead of expectations. This beats the $116.8 million that the House of Mouse’s live-action Aladdin remake grossed across the same frame in 2019.

If these estimates hold, The Little Mermaid’s Memorial Day bow will be among the top five of all time, behind Top Gun: Maverick ($160.5 million), Pirates of the Caribbean: At World’s End ($153 million) and Indiana Jones and the Kingdom of the Crystal Skull ($152 million). Directed by Rob Marshall and starring newcomer Halle Bailey in the titular role, The Little Mermaid was produced on a reported budget of $250 million, and is currently tracking to gross around $80 million from overseas markets by Sunday, which should put its global debut above $200 million.

Aladdin legged it to over $1 billion globally, as did the live-action remake of Beauty and the Beast, and considering the top-tier source material, The Little Mermaid has certainly set itself up for a similarly excellent lifetime haul with this debut. The reviews have been mostly positive, with the film currently sitting at a “fresh” 67% rating on review aggregator Rotten Tomatoes and earning an excellent A CinemaScore from opening day audiences. Collider’s own Ross Bonaime called it “one of the rare live-action remakes that manages to capture that Disney magic” in his review.

RELATED: Everything 2023's 'The Little Mermaid' Changes From the Original Disney Classic

Last week’s number one film, Fast X, is eyeing a hefty drop in its second weekend. The 10th installment in the long-running action franchise is continuing to display diminishing returns domestically, despite generating sustained interest in overseas markets. Fast X added $6.3 million on its second Friday, taking its running domestic total to $91 million. By Sunday, the film will pass the $100 million mark stateside, and by Monday, it is expected to hit around $113 million. Globally the film has made more than $500 million, but it still has a long way to go before it can compare with some of the franchise’s top-grossing movies, two of which — Furious 7 and The Fate of the Furious — have made more than $1 billion worldwide.

A Handful of New Releases Opened Low

Disney’s Guardians of the Galaxy Vol. 3 slipped to the third spot after four weekends in the top two. The superhero threequel added $5.4 million this Friday, and is expected to make around $20 million across the weekend. Guardians of the Galaxy 3 had a relatively soft $116 million opening in the first week of May, but it managed to deliver one of the top holds in Marvel Cinematic Universe history in its second weekend. The movie quietly stayed afloat over the next couple of weeks, and will pass $300 million domestically and $700 million worldwide by Sunday. Anything around or above Guardians of the Galaxy Vol. 2’s lifetime haul of $863 million should be considered a win, considering that the movie was marketed as the emotional closing chapter for a beloved trilogy.

The Super Mario Bros. Movie is expected to narrowly claim the fourth spot this weekend, despite being available on digital for a couple of weeks. The mega-hit animated movie added $1.6 million on Friday, and is expected to generate over $8 million across the four-day extended weekend. This should take its running domestic total to $560 million. The sole newcomer to debut in the top five this week is The Machine, starring Burt Kreischer and Mark Hamill. The action-comedy made $2.2 million on Friday, and is expected to gross around $7 million across the extended holiday weekend. Two other new releases — the Gerard Butler action vehicle Kandahar and the comedy film About My Father, starring Robert De Niro — are expected to debut outside the top five.

You can watch our interview with The Little Mermaid star Bailey here, and stay tuned to Collider for more box office updates over the weekend.

How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

Peter Dinklage criticizes the live-action remake of Snow White for being progressive in casting but still telling a 'backwards story' about seven dwarfs living in a cave.

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Content: Those live-action remakes continue as Disney is currently working on an updated version of Snow White. The classic 1961 animation is a favorite among Disney purists, but since it was announced, the company has been met with backlash. First, it was shared that Colombian-American actress Rachel Zegler would star as the famed porcelain-skinned Disney princess, causing some to bombard the West Side Story star with racist insults.

The Snow White and the Seven Dwarfs live-action remake is being criticized once again, but this time, it comes from Game of Thrones star Peter Dinklage who can't believe Disney even considered drudging up the storyline for a second go-round. The acclaimed actor has a common form of dwarfism called achondroplasia.

Alberto E. Rodriguez / Staff / Getty Images

"Literally no offense to anyone, but I was a little taken aback when they were very proud to cast a Latina actress as Snow White, but you're still telling the story of Snow White and the Seven Dwarfs," Dinklage said while on Marc Moron's WTF podcast. "Take a step back and look at what you're doing there. It makes no sense to me."

"You're progressive in one way, but then you're still making that f*cking backwards story about seven dwarfs living in a cave together, what the f*ck are you doing, man? Have I done nothing to advance the cause from my soapbox?" he added. "I guess I'm not loud enough. I don't know which studio that is, but they were so proud of it. All love and respect to the actress and all the people who thought they were doing the right thing. But I'm just like, what are you doing?"

It isn't much known about the development of this film, but Dinklage isn't totally opposed to it moving forward. "If you tell the story of Snow White with the most f*cked up, cool, or progressive spin on it? Let's do it. All in." Meanwhile, next up on Disney's schedule seems to be their live-action take on The Little Mermaid, starring Halle Bailey.

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Peter Dinklage expresses concern about the original Snow White story, criticizing its depiction of people with dwarfism as 'backwards' and advocating for a more progressive and respectful representation.

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Game of Thrones star Peter Dinklage slams Disney’s plan to release Snow White remake

Pip Christmass
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Don’t mess with Tyrion Lannister, okay?

Or with the actor who plays him, for that matter.

WATCH IN THE VIDEO ABOVE: Anticipation high for Game of Thrones prequel

Game of Thrones star Peter Dinklage hasn’t held back in his comments on an upcoming Disney live-action remake of Snow White.

The new film, to be directed by Mark Webb, will feature West Side Story star Rachel Zegler in the lead role, with Gal Gadot as the Evil Queen.

But Peter, speaking on the WTF podcast this week, slammed the idea of a remake of this particular fairytale, saying it featured a “f***ing backward” depiction of dwarfs.

“There’s a lot of hypocrisy going on,” he said.

‘Makes no sense’

“Literally no offense to anyone, but I was a little taken aback when they were very proud to cast a Latina actress as Snow White.

“But you’re still telling the story of ‘Snow White and the Seven Dwarfs.’

“Take a step back and look at what you’re doing there.

“It makes no sense to me.

“You’re progressive in one way but then you’re still making that f***ing backwards story about seven dwarfs living in a cave together, what the f*** are you doing, man?”

He went on to say that perhaps he hadn’t been “loud enough” in his advocacy for a respectful depiction of people with dwarfism.

“Have I done nothing to advance the cause from my soap box?” he said.

“I don’t know which studio that is but they were so proud of it.

“All love and respect to the actress and all the people who thought they were doing the right thing.

“But I’m just like, what are you doing?”

No specific information has been released on how the characters will appear or be depicted in the new version.

But in Disney’s version of the tale, each dwarf is assigned a singular characteristic - Bashful, Dopey, Grumpy, Happy, Sleepy, Doc and Sneezy.

Peter said he would be happy to see a version with a “cool or progressive” spin on it.

But he reiterated that to retell the traditional story in live-action form “made no sense.”

Disney’s live-action Snow White is set to begin production this year.

The studio has not announced a release date.

Peter Dinklage is set to star in the new film Cyrano, in Australian cinemas from February 24.

The Little Mermaid remake has a 67% Rotten Tomatoes rating, indicating mostly positive reviews.

The Little Mermaid remake has a Rotten Tomatoes rating of 66%, indicating mixed reviews from critics.

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‘The Little Mermaid’ swims to No. 1 at box office with $38 million opening day

Disney's live-action remake of the classic animated musical hit over 4,000 theaters nationwide Memorial Day weekend.
/ Source: Variety

Disney’s live-action “The Little Mermaid” is making quite the splash at the domestic box office this weekend, with an opening day total of $38 million.

The fantasy, which is opening in 4,320 theaters, is expected to gross between $120 million and $130 million over the four-day Memorial Day weekend.

The musical remake, starring Halle Bailey as the mermaid princess Ariel, took in $10.3 million in previews on Thursday, ranking as the seventh-highest haul for a movie rated G or PG. That puts the film on track to gross well over $100 million over the holiday weekend. With a $250 million production budget, “The Little Mermaid” must bait box office success in order to make a reasonable return.

Fast X,” the tenth installment in the “Fast and Furious” franchise, debuted last weekend to a cool $67 million Stateside. This weekend, it’s estimated to bring in about $28 million over the four-day holiday weekend, which clearly puts in second place after “The Little Mermaid.”

“Fast X” is expected to cross the $500 million mark at the global box office this weekend, making it the third-highest grosser of the year globally.

“The Little Mermaid” is directed by Rob Marshall and also stars Melissa McCarthy as Ursula, Jonah Hauer-King as Prince Eric, Javier Bardem as King Triton, Daveed Diggs as Sebastian the crab, Jacob Tremblay as Flounder the fish and Awkwafina as Scuttle the seabird. It’s received mixed reviews, currently holding a 66% on Rotten Tomatoes. Variety‘s Peter Debruge, however, raved in his review that “Halle Bailey is all the reason that any audience should need to justify Disney revisiting this classic.”

"Disney's next animated movie Wish is scheduled to be released on November 23."

Title:

Content: The golden age of Disney animation is over

Disney animations keep bombing at the box office, but Universal’s Super Mario and Sony’s Spider-Verse are flying. Can the Mouse fight back?

In November 2012, just before the studio’s 90th anniversary, Disney released a six-and-a-half-minute animation which hinted that revolution was in the air. Directed by John Kahrs, a veteran of Pixar’s explosively creative early years, it was titled Paperman, and had its head in the past in many respects: it was black and white, had no spoken dialogue, and was set in Frank Capra-era 1940s New York.

What made it radical was its look. Using a new piece of software called Meander, Kahrs and his artists had managed to fuse rich three-dimensional computer graphics with the tactility and vigour of old-fashioned hand-drawn art.
“There was this notion of, we’re the only studio in the world that has this breadth of talent,” Paperman’s producer Kristina Reed told the technology magazine Wired at the time. “Is there something we can do by actually matching them together? Is there some new place we can go visually that no studio has gone before?”

The industry held its breath. Here was arguably the biggest technological and stylistic leap forward in the medium since 1995, when Toy Story brought digital animation to cinemas in the first place. Once this extraordinary new style found its way into a major feature-length film, animation would be changed for good.

Sure enough, six years later, it was – but Disney wasn’t the studio to do it. In 2018, Sony Pictures Animation released Spider-Man: Into the Spider-Verse, an all-ages superhero adventure in a similar hybrid style that combined the best qualities of traditional and digital techniques. The result was a film that looked like a comic book come to life: scribbled swooshes and squiggles flew seamlessly through detailed CG environments, while characters’ emotions were, as in times of old, literally written across their faces in thoughtful, human-etched lines.

Simple touches like animating characters “on twos” again – that is, doubling up their frames so that every second of footage is made of 12 separate drawings rather than 24 – restored a pleasing vintage crunchiness to their movement that had been lost in the new fluidity of the CG age. The difference now is that the backgrounds can be fluid and the characters crunchy, or vice versa, changing as the mood and action requires. It’s the sort of stuff that works on an audience subliminally – but makes them feel as if they’re watching something both technologically extraordinary and lovingly hand-made.

What was now inescapably the “Spider-Verse style” was instantly copied by other studios: Paramount is using it in this summer’s Teenage Mutant Ninja Turtles: Mutant Mayhem, while Dreamworks deployed it in both The Bad Guys and Puss in Boots: The Last Wish. Sony would redeploy the technique twice more itself, first in The Mitchells vs the Machines and then in this month’s Spider-Man: Across the Spider-Verse, pushed to dizzying new extremes.

If the first Spider-Verse film was a living comic, the second more closely resembles a riot in an art gallery: expressionistic splatters of ink and paint, torn paper collages and Renaissance-style draughtsmanship all jostling to get in front of the audience’s eyes. It’s avant-garde in the straightforwardly translated sense, yet plainly profitable too, having taken £16 million in the UK, and $405 million worldwide, in just two weeks.

How have Disney and Pixar responded? Until recently, by carrying on doing exactly what they had been doing pre-Paperman. Rumour was that 2016’s Moana might embrace this new style – then when it didn’t, all eyes turned to a Jack and the Beanstalk adaptation called Gigantic… which was then promptly cancelled. Instead, they stuck to the new house style established in 2010’s Tangled, which was beautifully suited to some projects (notably Encanto and Raya and the Last Dragon) but less so others, such as last year’s Strange World, a science-fiction toxic masculinity parable which already feels barely remembered.

On the purely commercial front, meanwhile, Disney found itself hopelessly outgunned by the upstarts at Illumination, whose latest Minions sequel outgrossed Strange World almost 13 times over, and whose feature-length Super Mario Bros advertisem– sorry, adaptation, recently overtook Frozen in the all-time box office stakes. At the same time, sister studio Pixar seemed to be undergoing an existential crisis. Lightyear, their uninspired 2022 Toy Story spin-off, seemed to openly loathe its widely beloved main character – but that was the film that made it to cinemas, while mould-breaking masterpieces like Soul and Turning Red were funnelled onto Disney+ as glorified subscriber perks.

Their latest original creation, a romantic adventure between a flame and a water drop called Elemental, is opening in cinemas in three weeks, though its reception at Cannes last month was relatively muted. Barely a week after Elemental’s premiere, the studio awoke to news of swingeing cuts, with Lightyear’s director Angus MacLane among the 75 employees to be shuffled out.

Amid these crises, how fared the Disney legacy? Well, the studio still retained the services of old-school masters like Eric Goldberg, who had served as lead animator on Robin Williams’s Genie in Aladdin. But this vault of genius was only heaved open now and then, and for relatively niche work: Goldberg’s own most high-profile recent gig was on Moana, animating Maui’s tattoos. From a position of seemingly unassailable advantage – they had the talent, the heritage, the vision – Disney had lost the initiative.

As their 100th anniversary approaches, however, they’re in the process of clawing it back. This week in London, Disney Animation’s chief creative officer Jennifer Lee showed critics and journalists 20 minutes from Wish, an original fairy tale musical whose release this November will coincide with the studio’s centenary celebrations. It’s about a village girl called Asha, voiced by West Side Story’s Ariana DeBose, who befriends a wish-granting star that tumbles to Earth: soon enough, woodland creatures are performing comic patter numbers, and a wicked monarch’s plans are exposed. After Strange World, it feels like a back-to-the-drawing-board moment, and happily the drawing board is where much of Wish has been created.
Here, at long last, is Paperman’s spiritual successor: a film which recaptures the spirit of Disney’s classic midcentury work in a way that apparently meshes seamlessly with the form’s most cutting-edge processes.

In place of the poppy exuberance of the Spider-Verse films, Wish returns to the hand-painted folkloric spirit of Disney’s own first 50 years: it’s just that now, the towers, forests and courtyards described by those brushstrokes exist as virtual three-dimensional spaces, populated by characters rendered with computer technology, but who move and emote with the swish and snap of traditional cartoons. Lee named the studio’s 1959 masterpiece Sleeping Beauty as one of their main inspirations on Wish, and compared background and character sketches with those from the 1930s production of Snow White and the Seven Dwarfs. After the Disney+ related disruptions, she was also keen to stress that the film would open exclusively in cinemas, with no quick appearance on digital channels. “It’ll be a long run with a full commitment to theatres,” she stressed. “Yay theatres.”

Why did it take so long for Disney to get here? Lee described a recent culture of caution at the studio – which, it would be fair to assume, probably wasn’t so much of a factor at Sony Animation, which hasn’t even been making films for 20 years yet, and had no real legacy of its own to fret about, beyond the popular Hotel Transylvania and Cloudy With a Chance of Meatballs series. (And, ahem, The Emoji Movie.)

“I say this with so much respect, but what it took to make Spider-Verse is a completely different technology than it took us to do this,” Lee explained. “There was always a desire at Disney to only do this look when it could really represent the art style that we care about. We had the technology, to an extent, five or six years ago. But then we realised we had a scene on the water, and simply finding a way to apply this look to water alone took many more months of research and development.”

While the early footage is ravishing – and the songs madly infectious – only time will tell if Disney’s efforts have paid off. But if they have, the animated Oscar fight next year could prove an Ali vs Frazier-level match. In the red corner, Spider-Man; in the blue corner, Princess Asha: place your bets while the ink’s still wet.

Elemental is in cinemas from July 7; Wish is in cinemas November 23

"Disney's next animated movie Wish is scheduled to be released on November 22."

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Content: How Disney Brought Back Robin Williams' Genie for 2023's Once Upon a Studio (Exclusive)

By Russ Milheim Posted:

Two key producers from Disney Animation revealed how they brought the late Robin Williams’ Genie back for the company’s newest short, Once Upon a Studio.

In 2023, Disney is celebrating its 100th anniversary. To do that, the studio is dipping into its extensive history to create a new short that pulls from over 85 of the company’s previous feature-length films and shorts.

This new project is called Once Upon a Studio, and it will see 543 Disney Animation characters come to life in a whole new way. Not only that, but it will even feature crossovers that fans have only ever dreamed of.

Have you ever wanted to see Moana and Flounder share a moment together, or Tinker Bell with Mickey Mouse?

Many things became possible when Disney set its eyes on making this impressive new short a reality, which also served as the opportunity to bring together scores of classic characters.

Bringing Back the Genie

Brad Simonsen and Yvett Merino, the producers for Disney Animation’s newest short, Once Upon a Studio, spoke exclusively to The Direct about the new project and revealed how they worked to bring Robin Williams’ Genie back for a brief moment.

Robin Williams debuted as the voice of the legendary Genie in 1992's Aladdin but refused to return for 1994's Aladdin 2 due to a merchandising-related fallout. The disagreement was later settled and the comedy icon returned as the Genie for the 1996 direct-to-video threequel, Aladdin and the King of Thieves.

Simonsen shared that “[they] knew from the beginning” that Williams’ iconic Genie needed to partake in the fun, so the team “reached out almost immediately to [the late actor’s] estate:”

“... We knew from the beginning that the Genie needed to be in this movie, right? So we reached out almost immediately to [Robin William's] estate. And we started sharing with them what we were up to. And then what we did is we actually looked at outtakes. Dan Abraham, our director, looked at outtakes from the recorded sessions and then chose those lines.”

He continued, noting that they quickly “went back to the family” to “[make] sure that [they] were on the journey together:”

“And then we went back to the family and the estate and shared, 'Hey, this is the specificity. [Disney animator] Eric Goldberg is going to be part of this.' So it was really a collaboration with them. And us making sure that we were on the journey together.”

As for the short itself, Merino added how the “first cut was about 12 minutes long” and figuring the final version out quickly became “a balancing act:”

“I think [the] first cut [with Directors Dan Abraham and Trent Correy] was about 12 minutes long. It was like, we can't make a 12-minute short in this amount of time. So we had to really make sure, be careful, that every interaction that we have was timed specifically to that interaction. It became as like, 'Oh, we're spending a little bit more time on this, and it takes away from this.' So, it became like a balancing act of doing that.”

But with such an ambitious short, Merino confirmed that Once Upon a Studio unsurprisingly posed “a lot of unique challenges,” namely in marrying multiple styles of animation while also taking place in a live-action setting:

“There were a lot of unique challenges in this one. I think bringing in the various styles of hand-drawn and CG into our studio and making it feel like they actually are walking in our studio and walking the halls and making them blend seamlessly.”

The producer continued, pointing out the shot with “Moana and Flounder,” an interaction that was “difficult to make them look like they’re living in the same world:”

“There's the shot… the Moana shot because that's in the trailer; like the Moana and Flounder shot, right. And when you're interacting, you're not only having them in the same scene, which is difficult to make them look like they're living in the same world, but they're actually interacting, holding, and touching. And so it's really a credit to the incredible talent of artists and technicians and production people that we have here in the studio to make sure it all works together.”

Simonsen jumped in to explain how they worked closely with production designer Ryan Long, the directors, and animator Eric Goldberg “to make sure that everything was working:”

“I was just gonna say, Ryan Lang, our production designer, we worked really, you know, closely, Dan and Trent worked really closely with him and Eric Goldberg to really do these tests. So we'd take, like, a single frame, and he'd paint over, and we'd really work with the artists to make sure that everything was working together. So each shot had kind of that love.”

One key element of many Disney animated projects is the musical elements. While there is a moment towards the end of the short, fans shouldn’t expect these many characters to be consistently singing tunes as they glide through the halls of the Roy E. Disney Animation Building.

But were more songs ever considered? Simonsen shared that maintaining the balance between all these character moments and musical numbers “would be very hard to do:”

“What we realized was with every second you're with a character, you're taking away time from another character when you're trying to get as many in as possible. So it would be very hard to do musical numbers and still keep that pace that we have.”

Merino expressed how Once Upon a Studio “was a fun one to screen [internally]” because many of the notes would center around adding new characters or moments into the story:

“This one… was a fun one to screen [internally] because the notes were more about like, 'Oh, well, remember this character? Oh, try to get this character.' And there were some good story notes about making sure that we keep a drive alive within the short. It was really fun because we have so many great directors and writers in our studio who have such a history here. They were like, 'Oh, you can put this character in there. Oh, what about this?' So it was a lot of fun. Yeah.”

Brad Simonsen added how they “did a survey to the entire studio” that encouraged people to pitch their ideas to the team:

“Yeah... And we even did a survey actually, after the original pitch, we did a survey to the entire studio and said, 'Hey, if you have ideas, please, please pitch them.' And one of those ideas that came out of that was the moment near the end of the short as they're all gathering. Where Oswald actually tips his hat to Mickey, and Mickey says, 'After you.' That was literally--someone suggested that as one of our team members, yeah.”

The conversation then pivoted to two of Disney Animation’s biggest franchises and their future.

The first topic at hand was Encanto, a film that quickly became a fan favorite after it debuted in 2021. The Direct asked the producers what audiences should expect from the franchise going forward, to which Yvett Merino confirmed that the team is “[continuing] to kind of look at different ways that [they] can keep the world alive:”

“I think we will continue to work on what that actually means. But we are so blown away by the reaction and how 'Encanto' kind of connected with so many people. We continue to kind of look at different ways that we can keep the world alive. I know they teased a little bit of Destination D23 about something 'Encanto' coming, possibly to one of the parks. And we love that…”

The producer continued, admitting she “[doesn’t] have anything official to say” but she’s excited to see the franchise “expand across the company:”

“… There's different—we're working closely with our friends in publishing and consumer products to make sure—there's always different ideas and needs and wants for, for it to stay alive out there. But I don't have anything official to say, but I love the 'Encanto' world and can't wait to see it expand across the company.”

The Direct then asked about the studio's upcoming animated sequel Zootopia 2 to see if the producers could share any fun teases.

Brad Simonsen was able to say he “know[s] that this next one’s going to take it to another level” compared to the original:

“We're all super excited about it. And it's a world that, you know, I was part of the first movie, and it was one of the most amazing experiences in my life, to be honest. And I know that this next one's going to take it to another level and be, as you know, as good or better than the first. So we're super excited about that project.”

More Disney Crossovers to Come?

Once Upon a Studio is definitely different than Disney Animation’s usual shorts, but fans are undoubtedly going to fall in love with it. Seeing all of these classic characters interact in previously inconceivable ways scratches an itch many never realized they had.

Maybe if the short really catches on, Disney Animation could commission a larger project that would allow Disney’s large library of characters to interact in similarly unique ways. Hopefully, fans won’t have to wait another hundred years before some more crossovers like this happen again.

The next step in celebrating Disney’s 100th anniversary will be the release of Wish, the company’s next animated movie, which will be released on November 22. The film follows Asha, a young girl who wishes for a star, only to get a much more direct and magical response than she ever would have thought.

Once Upon a Studio will make its Disney+ debut on Monday, October 16.

"Disney's next animated movie, Wish, is scheduled to be released in November, coinciding with the studio's 100th anniversary."

The live-action remake of Disney's Hercules is being produced by the Russo brothers, with Guy Ritchie as the director.

How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

The live-action remake of Disney's Hercules will be produced by Joe and Anthony Russo and directed by Guy Ritchie.

Title:

Content: Guy Ritchie will direct Disney's 'Hercules' remake.

The 'Aladdin' director is set to go behind the camera for the live-action remake of the 1997 animated movie, according to The Hollywood Reporter.

Dave Callaham - who wrote Marvel’s 'Shang-Chi and the Legend of the Ten Rings' - has already written a first draft of the script and , penned a first draft of the script. The studio is currently in the process of searching for writers for the project.

'Avengers: Endgame' directors Joe and Anthony Russo will produce the film through their AGBO company.

Meanwhile, it was previously claimed that Disney is working on an 'Aladdin' sequel.

The studio was said to be working with writers John Gatins and Andrea Gerloff for the upcoming blockbuster after the huge success of the live action remake of the animated classic.

The film was in early development in 2020 after Disney spent six months figuring out what direction they wanted to take with the follow-up.

Dan Lin and Jonathan Eirich - who produced the original - were tipped to return under their Rideback banner, with Ryan Halprin as executive producer.

LATEST NEWS

How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

The live-action remake of Disney's Hercules is being produced by Joe Russo and Anthony Russo, who have a strong emotional connection to the original movie.

How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

"Disney live-action remakes such as The Little Mermaid, Dumbo, Pinocchio, and Snow White have generated backlash due to various reasons, including casting choices and changes to the original stories and characters."

What controversy did Disney's The Little Mermaid spark globally?

Debate over both Ariel's casting and racial representation.

What has been the general critical response to most Disney's live-action remakes?

"The Little Mermaid live-action remake has generated backlash, specifically racist backlash, despite its positive impact on representation and box office earnings."

What controversy did Disney's The Little Mermaid spark globally?

Debate over both Ariel's casting and racial representation.

What motivates Disney to keep producing live-action remakes despite mixed reviews?

The Little Mermaid (2023) live-action remake generated backlash due to the casting of Halle Bailey as Ariel, sparking controversy and racist backlash, but Disney stood firm and challenged the status quo.

What controversy did Disney's The Little Mermaid spark globally?

Debate over both Ariel's casting and racial representation.

"Some Disney live-action remakes, such as the 2023 version of 'The Little Mermaid', have generated backlash due to poor storytelling and lack of character development."

According to John Musker, what should Disney prioritize in its remakes?

What approach makes Disney's classics successful according to John Musker?

Immersing audiences in story-driven worlds rather than pushing preconceived ideas.

What has been the general critical response to most Disney's live-action remakes?

The live-action remake of Pinocchio (2022) has received negative feedback, with one review calling it 'dreadful' and stating that it fails to live up to the original animated film.

What has been the general critical response to most Disney's live-action remakes?

The live-action remake of 'The Little Mermaid' (2023) sparked controversy over its storyline due to the casting of Halle Bailey as Ariel, which led to racist backlash.

What aspect of Disney's strategy has been questioned due to the mixed reception of The Little Mermaid?

What controversy did Disney's The Little Mermaid spark globally?

Debate over both Ariel's casting and racial representation.

The live-action remake of 'The Little Mermaid' has sparked controversy over its storyline due to Disney's pursuit of 'political correctness' and ignoring the story itself and the depth of the role.

According to John Musker, what should Disney prioritize in its remakes?

What approach makes Disney's classics successful according to John Musker?

Immersing audiences in story-driven worlds rather than pushing preconceived ideas.

The 2023 live-action remake of The Little Mermaid sparked controversy over its storyline, particularly with regards to the character of Eric and his worthiness of Ariel's love.

"The 2023 live-action remake of The Little Mermaid has made changes to the original story, potentially sparking controversy among fans."

How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

The live-action remake of "The Little Mermaid" has sparked controversy due to a review that criticized the movie's lack of "kink" in its storyline, leading to online outrage.

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Content: © Disney
Halle Bailey plays the lead character, Ariel, in 'The Little Mermaid.'
The New York Times has stirred online outrage by faulting Disney's new live-action remake of 'The Little Mermaid', a children's movie, for not including any "kink" in the storyline.

Times film critic Wesley Morris began his review by saying the movie had "noble intentions," dutifully checking various diversity boxes to gain approval. However, he added that Disney erred by trying too hard to avoid offending audiences: "Joy, fun, mystery risk, flavor, kink - they're missing."

Controversy over the review bubbled up earlier this week, when the newspaper posted a Twitter message promoting the piece. It came amid a wave of conservative boycotts against major corporations over alleged sexualization of children and promotion of transgender ideology.

US retailer Target, for instance, has lost more than $13 billion in market value over the past two weeks amid public pushback over a "Pride Month" campaign that featured merchandise for babies and other children.

"The New York Times complaining about the lack of 'kink' in 'The Little Mermaid' pretty much sums up where we're at," said Darryl Cooper, host of the MartyrMade podcast. He added, "Their contempt for traditional values transformed into a seething hatred for ordinary people."

Fox News contributor Tomi Lahren argued on Tuesday that by promoting the sexualization of children, leftists had galvanized conservatives who normally lack the "intestinal fortitude" to fight for their causes. "They have found the hill that conservatives and decent folks are willing to die on, and that is protecting children. And we will do it every single time. Ask Target, ask Bud Light, ask Kohl's."

Comment: Disney should have gotten the boycott treatment a long time ago

"We will protect children. We will keep them from being exploited. We will do it every time. Do not mess with us. We are done playing with this."

Morris, the film critic, said that although black singer Halle Bailey was cast to play the lead role of Ariel, 'The Little Mermaid' took few chances that might anger "the haters." He added, "That allergy to creative risk produces hazards anyway."

The reviewer also critiqued the movie's allegedly racial undertones, such as a scene in which the character Vanessa, played by a white actress, steals Ariel's voice and woos her love interest, Eric, with a song. "There's a whole American history of theft and music to overthink, too," Morris said.

Morris has won two Pulitzer Prizes for his work, including a 2021 group of essays that explored "the intersection of race and pop culture," according to his New York Times bio.

Disney's financial profits in live-action remakes are driven by nostalgia, as the company has found success in reworking their classic animated films with live actors, and is currently developing multiple new remakes.

How has Disney leveraged nostalgia in recent years?

By turning classic animations into live-action films with major stars

The live-action remake of Pinocchio preserves the original story's basic plot and character dynamics, while introducing some changes in visual effects and character interpretations.

The live-action remake of Pinocchio preserves the sinister spirit of Pleasure Island from the original, including the donkey transformation.

The live-action remake of Pinocchio preserves the spirit, tone, and theme of the original animation.

Title:

Content: A live-action version of Disney ’ s classic animated “Puppet Story ” is released today with the latest official trailer and main visual poster, directed by Oscar-winning director Robert Zemeckis, featuring Tom Hanks, puppet“ Pinocchio ” Benjamin Einsworth, and cricket “Gimini ” Joseph Gordon. Lévy and Cynthia Alivo, the" Blue Fairy "and other superlatives, recreate the classic and create epic poetry for the audience.
"When I knew that Robert Simmons had been invited to make a live-action version of the film, I told him that if he could bear to work with me, let me play the old carpenter Gabbitt!" and said that Robert Simmons would never choose and shoot the film. Instead of compromising on what others have already done, Tom Hanks likes to challenge his limits and be creative in his work, so he believes that even if he shoots a live-action film, the classic animation will still be a classic, but the live-action film will leave its brilliant and immortal footprint in modern cinema.
When asked about the most difficult thing about playing the old carpenter Gabbitt, Tom Hanks admitted: “When watching the animated film, most people think that Puppet Story is just about a father ’ s desperate adventure to save his beloved son, but it is actually the process of fighting his biggest fear. ” The struggle, the helplessness and uncertainty of confronting the dark side of the world, and the determination and courage to defeat fear are definitely worthy of the audience's expectation.
In addition, Robert Simmons, who won the Academy Award for Best Director for Forrest Gump, created the classic science fiction film Back to the Future, and the famous disaster film Rebirth, was asked about the biggest difference between the original animation and the live-action film, saying that the live-action film retains the spirit, tone, and theme of the animation of Puppet Story, but modernizes the story and is no longer true. "Modern audiences are getting richer in the experience of watching movies, and they don't want to be told what to do and what to think, but they want to have space to think and interpret while watching movies."
The filming of the live-action version of "Pinocchio" was also the fourth time that Robert Simmons collaborated with Tom Hanks. Robert Simmons praised Tom Hanks as an omnipotent actor, but also brought unexpected breakthroughs and sparks to the role, and praised Cynthia Ariffer, Joseph Gordon Levy, and Pinocchio Benjamin Evans. Voss is also a very good actor, perfect interpretation of the role in his heart should have.
A live-action version of Disney ’ s classic “Puppet Story ” will be available on Disney + on September 8.
# Stranger Things # Puppet # Tom Hanks # Live Movie # X

The live-action remake of Pinocchio preserves the traditional storyline of the original, but this is seen as a disappointment due to the lack of reinvention or reimagination.

Title:

Content: 'Pinocchio' movie review: A wooden adaptation

If you thought the recent Marvel content hasn’t quite hit storytelling finesse in the way that the studio did for many years, wait till you see its parent company, Disney’s latest film, Pinocchio.

Published: 18th September 2022 05:00 AM  |   Last Updated: 17th September 2022 01:26 PM   |  A+A-

Express News Service

If you thought the recent Marvel content hasn’t quite hit storytelling finesse in the way that the studio did for many years, wait till you see its parent company, Disney’s latest film, Pinocchio. The studio giant has taken one of its iconic properties and somehow sucked out all charm from it, despite roping in one of the best actors of this century.

The story of Robert Zemeckis’s latest iteration of this classic sticks to the old, familiar story with few changes—and that’s perhaps the biggest disappointment of all. Adaptations offer avenues for reinvention and reimagination, and yet, Zemeckis passes on the opportunity. Sadly, the makers are content with playing things safe in a bid to replicate the charms of the 1940 original animated musical fantasy of the same name.

Problems range from lackadaisical pacing to a lack of novelty. There are plenty of Disney references in this film, but unlike clever nods from former films, Pinocchio opts for the easy way by attributing each wooden cuckoo clock adorning the house of Geppetto (Tom Hanks), to a Disney film theme. So, you see references to Toy Story, Donald Duck, Dumbo, Lion King… you name it.

The film follows in the long list of Disney’s recent tryst with live-action adaptations of previous hit animated films, including Aladdin (2019), The Lion King (2019), Lady and the Tramp (2019) and Mulan (2020). None of them succeeded in working the old Disney magic, and yet, Pinocchio hits new lows by being as soulless and wooden as the toy at the heart of it all.

The only positive, perhaps, is the voice-acting by Joseph Gordon-Levitt as the wisecracking anthropomorphic Jiminy Cricket. As the film’s narrator, Jiminy delivers some funny lines that keep you invested, including calling ‘hell’, “H, E, and double hockey sticks!” Also, the film, despite having a mix of real-life and animated characters, feels impressively realistic, thanks to some admirable VFX work, which comes as no surprise, given that the film is made by the director of Who Framed Roger Rabbit. Speaking of Zemeckis, rather curiously, his collaborations with Hanks have either been cult classics like Forrest Gump and Cast Away or middling films like Finch and The Polar Express. Pinocchio, unfortunately, is another addition to the latter.

Fans of this classic may have some hope though, given that Guillermo del Toro’s stop-motion animated Pinocchio is set for release later this year. But as for Disney’s Pinocchio, we must declare it as deadwood or risk our noses growing.

Pinocchio
Director:
Robert Zemeckis
Genre: Animation
Platform: Disney+ Hotstar
Language: English

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The live-action remake of Pinocchio retains the original story's core elements, but its execution, especially the visual effects, was criticized.

The live-action remake of Pinocchio remains largely faithful to the original story, with minimal changes, which has been met with disappointment due to its lack of novelty and creativity.

The live-action remake of Pinocchio modernizes the original story while retaining its spirit, tone, and theme, catering to modern audiences who prefer to interpret the story themselves.

How does Disney's live-action Pinocchio modernize the story according to Robert Zemeckis?

What approach makes Disney's classics successful according to John Musker?

Immersing audiences in story-driven worlds rather than pushing preconceived ideas.

"The live-action Disney remake featuring Asian American representation is likely Mulan (2020), which is based on the ancient Chinese folklore of the legendary Mulan."

Title:

Content: Celebrate AANHPI Heritage Month With These Disney Classics

in Disney, Entertainment

Credit: Disney/Pixar

May is AANHPI Heritage Month. For those unfamiliar, Asian American Native Hawaiian and Pacific Islander Heritage Month is the time of year when we reflect on and celebrate the community’s impact on our nation’s history. The official observation of this community came in small steps. It was 1977 when the U.S. Congress declared the first ten days of May to commemorate the history and contributions of Asian American communities here in the United States. The following year, President Jimmy Carter declared it would be an annual celebration, and in the early 1990s, it became a full month. As the years passed, Native Hawaiian and Pacific Islanders were added to the observance.

The nationalities and countries included in the AANHPI community have a broad global span. Asian American represent the original peoples of the Far East, Southeast Asia, or the Indian subcontinent. This includes China, the Philippines, India, Korea, Vietnam, and Japan. Native Hawaiian or Pacific Islanders include anyone having origins in any of the original peoples of Hawaii, Guam, Samoa, or other Pacific Islands. Altogether, there are over 75 countries that are honored during AANHPI Heritage Month.

Related: Ke Huy Quan Gives Touching Speech at White House Screening of ‘American Born Chinese’

This is the perfect time of the year to gather up the family and watch some inspiring stories with AANHPI representation. If you’re looking for some great movies that fall under that category, Disney actually has an abundance of them. From stories inspired by Chinese legends to ones centered around the waves of Hawaii, there are so many adventures to explore. Now let’s hop onto Disney+ and explore all the films highlighting the culture and people we are honoring this month.

It’s time for an Asian American Native Hawaiian and Pacific Islander Disney movie marathon.

The History of AANHPI Representation in Film

Before we get started, it’s important to revisit the history of Asian American, Native Hawaiian, and Pacific Islanders in film. For many years in Hollywood, these communities had very little representation in cinema. And whenever characters from these backgrounds would appear in movies, it was usually a stereotypical role or overly offensive. And we can’t forget to mention that in the early years of cinema, many Asian characters were portrayed by white American actors. One of the most notorious “whitewash” casting cases was when Mickey Rooney played a Japanese man in the 1961 classic Breakfast At Tiffany’s.

Disney was also a culprit of inappropriate representation of the Asian community in the early days when they featured several stereotypical cats in not one but two of their animated classics. Don’t worry; these will not be included in our movie marathon.

It wasn’t just movie theaters that lacked representation but also television. Historically, very few programs and series center around an Asian American, Native Hawaiian, or Pacific Islander family. Shows like Margaret Cho’s All-American Girl in the mid-90s were revolutionary as they focused on a different type of culture that America hadn’t highlighted before. Unfortunately, shows like that didn’t last on the air long. It wasn’t until much later when series like The Mindy Project and Fresh Off the Boat gained mainstream success.

Eventually, but not soon enough, there was a shift in Hollywood. In the past decade, more films have honored the accurate representation of Asian culture. Movies like Crazy Rich Asians (2018) and Everything Everywhere All At Once (2022) have brought in major box office success and critically acclaimed reviews, with the latter earning the Best Picture Oscar this year.

We have seen a spike in stories that center around characters from the AANHPI community on both the big screen and television, and this is only the beginning. As we dive into the Disney movies that showcase and honor AANHPI heritage, we can also look forward to a new wave of stories coming in the future.

The Best Disney Movies to Watch During AANHPI Heritage Month

Let’s kick this list off with the 1998 animated film Mulan, which centers around Disney’s first Asian female protagonist.

Mulan (1998), like many Disney films, is inspired by a preexisting fairytale. This specific story is based on ancient Chinese folklore. There have been many versions of the legendary Mulan, which tells the tale of a daughter who disguises herself as a man to take her father’s place in the conscription for the Chinese army.

Before production began, the team behind this animated classic went to China for several weeks, where the architecture and culture inspired artists. Although the cast of Mulan was not entirely comprised of Chinese voice actors, it was the first animated feature from the studio to star an Asian actress and actor for the lead roles. Filipina singer and actress Lea Salonga returned to Disney to record the singing voice for Mulan, just as she did for Jasmine in Aladdin (1992).

Disney had to make tough decisions when adapting this legend, as they wanted the story to appeal to an American audience. While some choices are considered questionable today, Mulan (1998) remains one of the best Disney movies to follow the Renaissance era.

The live-action Mulan (2020) was the studio’s second attempt at adapting the legend, and even though some critics gave it positive reviews, many fans felt the remake was unnecessary. But we’re adding it to the list as it’s just as important as the original, with the cast being comprised of all Asian stars.

Moving onto the next iconic AANHPI story, an absolute fan favorite, Lilo & Stitch (2002).

If “Hawaiian Roller Coaster Ride” doesn’t instantly play in your head when you see a photo of Lilo and her alien dog Stitch, then maybe you should watch this one first.  Lilo & Stitch (2002) came out at a time when Disney needed a hit, and boy, did this movie deliver. The movie was loved for its return to Disney’s classic animation style (this one used less CGI than previous Disney films) and for its accurate Hawaiian representation. It was basically a love letter to the islands of Hawaii, from the names and locations to the beautiful music.

Like Mulan (1998), Disney sent their animators to Hawaii to study the culture before production began. The animators took in the landscapes, dancing, and people, all so they could give the film an authentic Hawaiian feel.  The soundtrack also heavily featured music from Elvis Presley, who famously loved the island and filmed several of his movies there.

Lilo & Stitch (2002) holds a special place in the hearts of many Native Hawaiians as it was the first Disney film to depict the culture accurately, or at least without messing it up in the way Disney has done with other cultures in the past. For better or for worse, there is currently a live-action adaptation in the works for this beloved movie.

Moving on to our next AANHPI adventure with one of Disney’s more recent smash hits, Moana (2016).

Related: “Who Wants This?”: Fans Criticize Plans for ‘Moana’ Land at Disney World

Although Moana’s home of Motunui is one of pure fiction, the culture is inspired by the real heritage and history of Polynesian islands such as Hawaii, Samoa, Tonga, and Tahiti. If you think Disney sent their animation team out on another journey around the world to gather inspiration, you’re absolutely correct. Once again, the Walt Disney animators traveled to different Pacific islands and learned the culture that influenced the film.

These aspects are what make Moana (2016) so unique. And, of course, the fantastic music. Not only was this the first time Disney collaborated with Lin-Manuel Miranda for an animated film, but the soundtrack also featured contemporary music artists from the Pacific islands, such as Opetaia Foa’i.

The film stars are also of Hawaiian and Pacific Islander descent, with Auliʻi Cravalho being a native of the islands. Dwayne Johnson is a proud Samoan, making him the perfect choice for the voice of Maui.

Just like Lilo & Stitch (2002), this modern-day classic also has a live-action adaptation in the works.

For the next movie on our AANHPI Movie Marathon, we’re heading to Canada. Even though Canada isn’t one of the AANHPI countries, it is the home of the Red Panda from Pixar’s Turning Red (2022).

Domee Shi’s Turning Red (2022) is a melting pot of culture. The writer-director added many elements from her own life, cultivating a mixture of Canadian, Chinese, and early 2000s references. The film does a great job of showing the generation gaps between older Asian parents and their children. Turning Red (2022) hits several significant milestones for the studio, as it’s also the first Pixar film solely directed by a woman.

The main character, Meilin, finds herself turning into a Red Panda throughout the film. While her Red Panda symbolizes “growing up,” in Chinese culture, the red panda is a sign of good luck. The art style was also unique for the film compared to other Pixar movies. Shi has mentioned several popular Japanese Anime being the inspiration for the film, such as Sailor Moon, Ranma 1/2, and Inuyasha.

Moving right along, we will head over to the fictional island of Kumandra as we explore Raya and The Last Dragon (2021).

Southeast Asian cultures inspire Raya and The Last Dragon (2021). The countries of Southeast Asia include the Philippines, Singapore, Thailand, and Vietnam. The film centers around the importance of unity and, you guessed it, dragons. Dragons are sacred creatures in Asia, as they consider them sources of power and bringers of rain. Fans were thrilled to see a new Disney animated feature centered around Asian culture, specifically from Southeast Asia.

Critics and audiences alike praised the film, as it gained positive reviews across the board. Unfortunately, not many people went to see it in theaters since it arrived on the big screen just weeks after the COVID pandemic was coming to an end. Many moviegoers were still staying home at the time of its release, and eventually, the film was overshadowed by Encanto (2021). The film did, however, earn an Oscar nomination for Best Animated Feature. If you haven’t seen this one yet, it’s definitely worth a watch.

It’s time to bring this movie marathon into the Marvel Universe. Next stop, Shang-Chi and the Legend of the Ten Rings (2021)

Representation of all cultures is important; it sparks inspiration in many young children. When we see someone like us as a superhero, we believe we can be superheroes too. That’s precisely what  Shang-Chi and the Legend of the Ten Rings (2021) did for Asian American culture. Seeing the first Asian protagonist in a Marvel film was a massive deal. The cast featured very talented actors such as Simu Liu, Michelle Yeoh, and Awkwafina (who also voiced Sisu in Raya and The Last Dragon). The movie perfectly balanced action, humor, and Asian culture.

The future of Shan-Chi is still up in the air, and we haven’t seen the character in the Marvel Universe since his debut. However, the actor Simu Liu loves to Tweet, and the star often drops updates on the character. We suspect we can see his return during one of the new Avenger films in a few years and even a full-on sequel to the 2021 film.

Honorable Mentions

While Shang-Chi and the Legend of the Ten Rings (2021) was the first time Disney created a live-action superhero film centered around an Asian protagonist, Big Hero 6 (2014) was a good starting point. This movie was also based on a Marvel comic, but one many fans weren’t aware of. It was a blend of Eastern and Western cultures. Disney kept the Japanese-inspired theme in the film, with the lead being half-Japanese. This would be the first Asian-influenced storyline from the studio since Mulan (1998).  The film also came out during a time when Disney was on a roll, and it went on to win an Oscar for Best Animated Feature.

This one is a classic for those who grew up watching the Disney Channel in the 90s. It was one of the only Disney Channel Original Movies to take place in Hawaii and introduced a new generation to Hawaii slang. While this movie didn’t feature a predominate Hawaiian cast, it did star Brandon Baker, who is of Filipino descent, and the legendary Japanese actor Cary-Hiroyuki Tagawa. This classic DCOM came out in 1999, in the early years of straight-to-television Disney movies, but it was the first to feature a lead character who wasn’t white.

Happy AANHPI Heritage Month.

Well, there you have it, folks, the ultimate AANHPI Disney movie marathon. And these were just some of the best Asian American, Native Hawaiian, and Pacific Islander representation that Disney has to offer. There are still many more not covered on this list, such as the latest Disney+ film Chang Can Dunk (2023) and the upcoming series American Born Chinese.

Whether you watch or check out all of these movies or just one, it’s important to remember the positive impact that representation has in film. Disney hasn’t always been the best at it, the same goes for Hollywood in general, but as we continue to see the shift take place on the big screen, we will get more stories based on AANHPI culture. And that’s something to look forward to.

Did we miss any other big AANHPI Disney movies on this list? Let us know in the comments.

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The live-action Disney remake featuring Asian American representation is Mulan (2020), which has an all-Asian cast.

The live-action Disney remake featuring Asian American representation is "Mulan" (2020).

The live-action Disney remake featuring Asian American representation is Mulan (2020).

"Disney's live-action remakes have received criticism for prioritizing 'political correctness' over story and character depth, resulting in a mixed audience reception."

What approach makes Disney's classics successful according to John Musker?

Immersing audiences in story-driven worlds rather than pushing preconceived ideas.

What controversy arose from Disney's casting and updates in The Adventures of Pinocchio?

What has been the general critical response to most Disney's live-action remakes?

"Recent Disney live-action remakes have been received poorly by audiences, with most remakes having a bad reputation, except for Aladdin. The remakes have been criticized for not focusing on key story elements and character development."

What approach makes Disney's classics successful according to John Musker?

Immersing audiences in story-driven worlds rather than pushing preconceived ideas.

What has been the general critical response to most Disney's live-action remakes?

The recent live-action remake of Pinocchio has been poorly received by audiences due to its bad VFX, which has affected the overall believability of the film.

Recent Disney live-action remakes have been controversial among audiences due to significant changes made to fit modern 'political correctness', resulting in a loss of the original story's essence and poor box office performance.

What controversy arose from Disney's casting and updates in The Adventures of Pinocchio?

What has been the general critical response to most Disney's live-action remakes?

The live-action remake of Pinocchio has been disappointing due to its lack of creativity and reliance on easy Disney references, suggesting that audiences may not be receptive to unoriginal adaptations of classic stories.

What approach makes Disney's classics successful according to John Musker?

Immersing audiences in story-driven worlds rather than pushing preconceived ideas.

What does Disney's reliance on sequels and spin-offs instead of new IP suggest about its creativity?

A stalling of the company's creative engine.

What has been the general critical response to most Disney's live-action remakes?

The 2022 Pinocchio remake was poorly received by critics, with one reviewer stating that it fails to live up to its animated predecessor and is a downgrade from the original.

The 2022 Pinocchio remake was poorly received due to its subpar visual effects, which were deemed 'atrocious' and failed to convincingly bring the characters to life.

The 2022 Pinocchio remake was poorly received due to its creepy and unnatural portrayal of the titular character and subpar CGI.

What has been the general critical response to most Disney's live-action remakes?

The 2022 Pinocchio remake received negative reviews, with one critic stating that it failed to live up to the original, although they praised Luke Evans' performance and the Pleasure Island sequence.

The 2022 Pinocchio remake was poorly received, with critics describing it as a charmless adaptation of the original story.

What has been the general critical response to most Disney's live-action remakes?

The live-action Pinocchio movie received negative reviews from critics, with one reviewer stating that it fails to live up to its animated predecessor and is a downgrade from the original.

What has been the general critical response to most Disney's live-action remakes?

The live-action Pinocchio movie was poorly received by critics due to its bad visual effects.

The live-action Pinocchio movie received negative reviews from critics, with criticisms focusing on its creepy atmosphere and unconvincing visual effects, particularly in the design and interaction of the CGI character of Pinocchio.

What has been the general critical response to most Disney's live-action remakes?

The live-action Pinocchio movie received mixed reviews from critics due to its threadbare story and unimpressive songs.

The live-action Pinocchio movie received mostly negative reviews from critics, with some exceptions, such as the performance of Luke Evans as the Coachman and the Pleasure Island sequence.