Here is a summarized set of nuggets regarding the history and unique aspects of LiveJournal for your debate research, as requested:

- **Origins & Founder**:
  LiveJournal was created in 1999 by Brad Fitzpatrick, initially as a personal journaling program to keep his friends updated while he was in high school.

He soon transformed it from a private journaling tool into a public blogging platform, allowing others to post and interact.

- **Community Features**:
  Unlike traditional blogging services, LiveJournal introduced several innovative features for social interaction.

These included “friends lists,” where users could follow each other's posts, and “communities,” which were shared blog spaces centered around common interests.

This fostered both individual expression and group discussion.

- **Unique to LiveJournal**:
  - **Privacy Controls**: Users could decide post-by-post who could view their content—public, friends-only, or custom groups—allowing for nuanced sharing rare on other platforms at the time.

- **Friend Network**: The “friends” system worked almost like a social network; you saw a personalized feed of content from friends and communities.

- **Threaded Comments**: LiveJournal featured threaded commenting, making long, organized discussions possible beneath blog posts—a feature later adopted by other social media sites.

- **User Customization**: Users could extensively personalize their journal’s appearance, a creative outlet that helped deepen user investment and fostered a distinctive aesthetic culture.

- **Open-Source Roots**: Much of LiveJournal’s code was open source, which encouraged a culture of community-driven technical innovation.

- **Cultural Impact**:
  At its peak in the early-to-mid 2000s, LiveJournal was especially popular among creative communities (writers, artists, fans) and was widely used in the English-speaking world and Russia.

It played a significant role in online fan culture (especially fan fiction, fandom discussions) years before Tumblr or Reddit.

- **Decline**:
  - The platform’s popularity began to decline after about 2005.

This was due to several factors, including the rise of newer social networks like Facebook, MySpace, and later Tumblr, which offered more modern interfaces, content discovery, and social graph features.

- Acquisition and Corporate Shifts: After being sold to Six Apart in 2005 and then to Russian company SUP Media in 2007, many English-speaking users felt neglected and alienated by changes in management and content policies.

New terms of service and privacy concerns (especially after servers were moved to Russia) accelerated the exodus.

- Changing Web Norms: Short-form, real-time updates popularized by Twitter and Facebook, along with mobile-based social networking, made blogging platforms like LiveJournal feel outdated.

- **Legacy**:
  LiveJournal’s influence persists, especially in how later platforms approached privacy controls, user networks, and community-driven content.

Some high-profile users (like author George R. R. Martin) have remained loyal, but for most of the English-speaking world, the platform faded into a niche by the 2010s.

This collection of facts offers a concise history and analysis of LiveJournal’s rise, unique features, and fall—helpful for your debates!

**Summary Nuggets (LiveJournal’s history, uniqueness, and decline):**

- **Origins and Creation:**
LiveJournal was started in 1999 by Brad Fitzpatrick, initially as a personal journaling program to help keep in touch with his high school friends as they went off to college.

He soon opened it up for others to use, transforming it from a solitary tool to a community-driven platform.

- **Key Innovations and Features:**
LiveJournal stood out from early blogging sites by blending traditional blogging with “social media” features before that term existed.

Its major differences included:
   - **Friends system:** Users could “friend” each other, allowing them to customize who could read different posts, and filter reading lists based on friend groups.

- **Communities:** Users could join and post in group journals about shared topics or interests, enhancing community interaction.

- **Privacy controls:** Unlike many early blogging tools, LiveJournal let users lock posts to friends or custom groups.

- **Comment threads:** LJ was known for nested commenting, enabling detailed conversation on posts.

- **User-generated code/customization:** Users could extensively personalize the look and functionality of their journals.

- **User “icons”:** Users had customizable userpics for self-expression, which was rare at the time.

- **Growth and Peak:**
By early 2005, LiveJournal had peaked with over 2.5 million active users, especially driven by subcultural communities, fandoms, and personal bloggers.

It became especially popular among writers, creatives, and fans of TV shows, books, or music, providing a unique blend of personal blogging and community discussion.

- **Why It Was Different:**
LiveJournal’s blend of individual expression and group interaction, combined with privacy controls, made it an online home for many niches and personal voices, unlike more public or less interactive platforms like Blogger or early WordPress.

- **Decline in Popularity:**
Several factors led to its decline:
   - **Rise of New Platforms:** MySpace, Facebook, Tumblr, Twitter, and later Instagram drew users away with sleeker designs, mobile compatibility, faster update cycles, and more intuitive sharing mechanisms.

- **Ownership Changes:** LiveJournal was sold to Six Apart in 2005, and by 2007, a Russian company (SUP Media) took over.

Changes in policy and management, especially a focus on the Russian market and controversial content moderation decisions, alienated many English-speaking users.

- **Technology and Design:** LJ’s aging codebase and lack of adaptation to mobile and modern social norms made it less appealing compared to rapidly-evolving competitors.

- **Cultural Shifts:** As internet culture moved toward rapid, public sharing and viral content, LJ’s emphasis on longer, semi-private posts seemed out of step.

- **Legacy:**
LiveJournal shaped online social community norms and foreshadowed social network functionality.

Some famous users (like George R. R. Martin) and many fans and writers still keep it alive, but its golden era as a central hub for English-language online conversation ended more than a decade ago.

**(Character count: ~2,390 with spaces)**

### LiveJournal: History, Uniqueness, and Decline – Key Points

**1.

Origin and Development**
- **Creator:** Brad Fitzpatrick started LiveJournal as a project for himself—a journaling application—before realizing its potential as a social platform for others.

- **Evolution:** Initially designed to keep in touch with friends, Fitzpatrick expanded LiveJournal into a website anyone could use, fostering a digital community around personal blogging.

What Made LiveJournal Unique**
- **Friendship and Interaction Features:** Unlike many early blogging sites, LiveJournal centered on building “friends lists.” This allowed users to easily read and comment on friends' entries, blend public and private journals, and filter who could see certain posts.

- **Community Building:** Users could create and join themed communities.

This enabled focused discussions—ranging from fanfiction to political debates—mirroring later social media groups.

- **Privacy Controls:** LiveJournal pioneered customizable privacy settings.

Posts could be public, private, or viewable only by chosen friends or groups.

- **Interactivity and Feedback:** The platform encouraged regular comments, discussions, and even collaborative writing, making it feel closer to a shared diary or forum than a traditional blog.

Peak Popularity**
- **Mid-2000s Zenith:** At its height around 2005, LiveJournal boasted over 2.5 million active users—a significant figure for that online era.

It was particularly influential in literary, fan, and alternative communities, offering spaces for open expression.

- **English-Speaking Community:** The platform was a hub for U.S., UK, and other English-speaking internet cultures before expanding heavily into Russia and Eastern Europe.

Why LiveJournal Stood Out From Other Blogging Platforms**
- **Personal Connections:** LiveJournal’s design emphasized relationships and trust, not just publication or audience reach.

- **Customization and Openness:** Users could extensively customize their pages, share multimedia, and even access raw code for further personalization.

- **Not Just a Blog:** LiveJournal blended aspects of diary-writing, forum discussions, and social networking well before Facebook or Twitter emerged.

Factors Leading to Decline**
- **Changing Trends:** As new social networks like Facebook, Twitter, and Tumblr arose with more modern interfaces and broader appeal, many users migrated for greater immediacy and newer styles of interaction.

- **Shift in Ownership:** LiveJournal was sold to Six Apart in 2005, then to a Russian company (SUP Media) in 2007.

The platform shifted attention to Russian-speaking users, alienating much of its original English base.

- **Technical Stagnation:** The interface and features lagged behind newer platforms, making LiveJournal seem dated.

- **Privacy and Trust Issues:** Later changes in policies, especially in Russia, raised censorship and privacy concerns, further driving users away.

Legacy**
- **Influence:** LiveJournal laid the groundwork for later social platforms by merging blogging and social networking.

- **Current Status:** Today, while it still operates, the majority of English-speaking activity has faded, with much of its active user base now in Russia and Eastern Europe.

**Summary Nugget:**
LiveJournal was transformative as one of the earliest online communities to merge personal blogging with rich social interactions.

Yet, it remains a significant step in the evolution from blogs to social networks.

Certainly!

Here is a summarized set of nuggets regarding the history and unique aspects of LiveJournal for your debate research, as requested:

- **Origins & Founder**:
  LiveJournal was created in 1999 by Brad Fitzpatrick, initially as a personal journaling program to keep his friends updated while he was in high school.

Title:

Content: LiveMe Celebrates 6th Anniversary

Popular live streaming platform LiveMe recently began its grand 6th anniversary celebration, launching multiple events that cost over one million US dollars, to mark LiveMe's devotion to its users.

Los Angeles, California, UNITED STATES

Singapore, Singapore, April 18, 2022 (GLOBE NEWSWIRE) -- Popular live streaming platform LiveMe recently began its grand 6th anniversary celebration, launching multiple events that cost over one million US dollars, to mark LiveMe's devotion to its users. Physical gifts such as LiveMe toy bears were also sent to users who have supported LiveMe for many years. As one of the most widely used live streaming platforms in the world, LiveMe will continue to create greater values for users.

Exclusive Celebration Events

Carnival themes are diverse, including basketball, April Fool's Day, anniversary spokesperson, talent show, influencer match, game night and so on.

The exclusive page of Memoirs of Your 6 Years with LiveMe impressed users the most. On the memoir page, users can review their journey with LiveMe, from joining time to their first live broadcast with data on the number of gifts they have received and an internal friendship map. The memoir page is shareable inside LiveMe communities and external social media platforms. LiveMe has received many messages from social media users, expressing their support and love for LiveMe and wishing LiveMe a happy birthday.

In addition, the Confession Wall, a new function released during the carnival, has also been popular among users because it further narrows the distance and establishes closer connections between users in a creative way. Users can leave messages to their preferred broadcasters on the Confession Wall. All messages are open to the public and will be kept for 24 hours. People check the Confession Wall, reading their own messages as well as other confession content.

Twists and Achievements

In April 2016, LiveMe was quietly launched. In just three months, LiveMe became the most popular social live streaming App among young Americans, and it reached top one in the US Social App Ranking. LiveMe then co-branded with various brands and influencers, and even became the star of VidCon, the most well-known influencer gathering party in the world, creating a series of highly sought-after theme shows and VIP parties.

However, in 2019, with the pursuit of being more independent and sustainable, LiveMe had a reconstruction of the whole company, and experienced an overwhelming operating pressure for a while. In 2020, the outbreak of Covid 19 pandemic set more fierce pressures on LiveMe internally and externally. LiveMe's employees are all over the world, and the raging epidemic made it difficult for them to continue their normal lives. And plenty of planned offline events could not be carried out due to continuous lockdown. LiveMe had to give more of its attention to taking care of its employees and keeping connected with the users.

Yuki He, founder and CEO of LiveMe, mentioned in many of her interviews that LiveMe has experienced twists and turns during the past 6 years, but LiveMe always persists in helping users to make new friends and express themselves as they have from day one. LiveMe constantly works to optimize their App, upgrade security and privacy protection, and to provide a better user experience. Especially during the pandemic period, LiveMe became a new channel for people to build relationships, make a living and grow as an influencer.

At present, LiveMe is developing rapidly and achieving new goals. The Samsung Galaxy Store also awarded LiveMe with the title of Best Entertainment App in 2021.

Warm Stories in Warm Community

Connecting the world and spreading happiness is the mission of LiveMe. In the past 6 years, under the call of this mission, LiveMe has been striving to create a social live streaming platform for users to meet new friends and have fun.

At the beginning of 2020, when the pandemic situation in the United States was severe, there was a single mother working as an Uber driver shedding tears during her live broadcast on LiveMe. She was emotionally grateful to LiveMe for giving her a source of income and being able to support her and her children during the pandemic. In September this year, a couple of lovers from the United States will get married. They met and fell in love via LiveMe, and finally became engaged.

There are countless warm stories in the LiveMe community.

The 6th anniversary carnival will last until April 30th. Users can participate in carnival events by downloading the LiveMe App, and win coins and bonuses.

Media contact

Company Name: Han Xiao

Company Name: LiveMe

Website: http://www.liveme.com

Email: hanxiao@joyme.sg

This is not investment advice. Please conduct your own research when investing in any project.

Disclaimer: There is no offer to sell, no solicitation of an offer to buy, and no recommendation of any security or any other product or service in this article. Moreover, nothing contained in this PR should be construed as a recommendation to buy, sell, or hold any investment or security, or to engage in any investment strategy or transaction. It is your responsibility to determine whether any investment, investment strategy, security, or related transaction is appropriate for you based on your investment objectives, financial circumstances, and risk tolerance. Consult your business advisor, attorney, or tax advisor regarding your specific business, legal, or tax situation. For more info, please contact brandnewsproject@gmail.com.

Attachment

He soon transformed it from a private journaling tool into a public blogging platform, allowing others to post and interact.

Title:

Content: Community Curious?

Share your email and we’ll send you our 6-part educational series, which kicks off with our groundbreaking framework for the “Life of a Community” that will help you look around the corner.

BONUS: We’ll also include thousands of dollars of bonuses and extras — absolutely free—including expert scripts and step-by-step guides!

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Your first free resources will be on its way to your inbox soon.

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Community
Finding Your Community's Home
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How to Do More With Your Substack Audience (5 Ideas)

Newsletters built your audience, but are you ready to bring your brand to the next level? Here’s how a modern community platform will do just that.

Many creators have found success by using a newsletter to build their audience. But if you’d like to take your brand even further, you’ll eventually need to look elsewhere.

Transitioning your audience of newsletter subscribers over to a community platform could be the switch you need to expand your business. Why? Because content alone is unsustainable, and it’s hard to build a community when your audience can’t talk to one another.

Creating a community space where your people can interact with your content and build relationships with each other through their shared interests will keep the conversation going long after your post goes live.

Ahead, we’re diving deep into why platforms like Substack were good in the past; why you should transition your newsletter’s audience to a community platform; and what you gain from utilizing these platforms..

If you want more support in building and monetizing your online community, come join OUR Mighty Community for free and meet other new and established community owners! We’d love to meet you. Join for free!

In this article…

Why do creators use Substack?

Many creators use Substack because it is a quick and easy way to build an audience of paying subscribers invested in your work.

When you use Substack, you can easily brand your newsletters by adding a header image and an about page to tell potential subscribers who you are. On top of that, Substack has made the process of subscribing to a newsletter and paying for content easy both for readers and content creators.

Where does Substack fall short?

Substack’s restrictions arise when you move beyond the initial setup for your newsletters on the platform.

While Substack is a great way to build an email list, accumulate subscribers, and share your work, it’s nearly impossible to build a community there. And that’s a huge missed opportunity: When you have an active and engaged community of people interested in your work, then they will A. sustain the conversations around your brand long after your latest post and B. propel growth for your digital business.

Unfortunately, Substack doesn’t have a great solution for this kind of community interaction. They do offer a “community” tab, but it simply links to the comments sections of individual articles, fragmenting your members’ conversations across posts.

So with a lackluster community system in place, creators aren’t left with many options to grow their business outside of paid advertising. The problem with advertising is that Substack has already stated they don’t plan on adding in-depth advertising tools, and on top of that, creating ads takes money out of your pocket. Ads can also be distracting and put some readers off.

This is where online community platforms come into play.

Now that we’ve explored why Substack has been used and why it’s stagnating for creators, how about we look at some of the reasons community platforms are so great?

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Why you should use an online community platform

Change can feel scary, and it might seem like transitioning your Substack audience to another platform isn’t worth the hassle. We’re here to tell you that while those feelings are natural, they just aren’t true.

Modern online community platforms are designed to allow you to continue creating your awesome content, while also providing your audience with more opportunities to interact.

We’re sure you already know how hard it can be to build true connections within your audience. And with Substack, you’re significantly limiting the modes of communication you have with your people.

But if you transition to a community platform, you open yourself up to more possibilities for connection—both between you and your members and between your members themselves. Plus, you also gain the potential to diversify elsewhere: the types of content you release, the ways your community interacts, your options for monetization, and more.

How to Do More With Your Substack Audience

1. Turn your audience into a community

One of the best things about transitioning from Substack over to a modern community platform is that you’ve already done the heavy lifting. Whether your newsletter has 10 or 1,000 subscribers, you’ve already completed the first major step: bringing people together around a shared interest or idea..

When you start building your community platform, your first step is communicating just that with your subscribers.  Let your audience know that you’re moving away from a simple newsletter in favor of something much more robust. You have their emails. All you have to do is let them know.

As we talked about earlier, Substack has a community tab for people to look at the comments of individual articles, but it doesn’t foster much camaraderie. Online community platforms are great because you can still post all the content you normally would, but it’s within a centralized private network that your members enter to access.

A dedicated community space allows your audience to actually get to know each other and transition from simply being fans to actual members of a community. And remember, a community is powerful because it enables your followers to come together around shared passions, interests, or goals.

When you create an environment that allows your members to communicate and network with each other, that creates what we call a network effect. Think about it like this: Each new person that joins your community brings their own unique perspective and skills to the table which adds more value to you, your brand, and your members. And as your members get added value from the connections they make with each other, they, in turn, get the incentive to keep coming back, extending their subscription year after year.

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2. Create more diverse content

When you use an online community platform to grow a community you’ll have more ways to give them content.

Substack is a newsletter service that mainly focuses on providing writers with an easy way to share their writing to those who enjoy it and get paid. But what if we told you that on a community platform you’d still get all of the features that make posting your writing easily, while also gaining new options to experiment with?

Here’s a list of features at your disposal:

  • Your community on Web, iOS, and Android apps.

  • Discussion board posts, polls, and Q&As.

  • Live and pre-recorded videos.

  • Virtual Events.

  • Paid subscriptions and Online courses.

  • Direct messaging and member profiles.

You’re no longer just a line item in their crowded email inbox. Instead, you’re a destination they’re excited to return to again and again.

When you’re transitioning from a platform like Substack, some of these features might not seem important to you. But having them available allows you an abundance of possibilities later on. Plus, if you were relying on Substack’s lackluster community features, then you really don’t know what your members might want once they actually have solid ways to communicate with you and each other.

3. Try paid memberships

There are multiple ways to monetize your content and audience when you switch to an online community platform.

The first and most familiar option for you will be paid subscriptions. On your Substack, you might already be monetizing by charging a fee to access certain articles or a monthly recurring subscription for access to your newsletter. That’s great! When you use a community platform you can continue utilizing subscriptions, but with more options.

When you choose an online community platform, you can charge for membership to the community or for individual parts of your community or content. For example, you could have a paid community subscription (billed monthly or annually) that gives your members access to all of your content. Or you could opt for a “freemium” structure, where the overall community is free, but other content—whether it’s groups or courses—is priced at a premium.

Basically, when you choose an online community platform, you’re supercharging what you could already do with your Substack subscriptions.

4. Build online courses

Offering online courses is another great way to monetize a community and re-use old content. Creating an online course is great because you’re helping people achieve a goal while also fostering real connections between members.

Even if your Substack audience mainly comes for your writing, there are still opportunities to create online courses. The easiest way to find out what they can be about is asking your members in your brand spankin’ new community space…maybe even through a poll or Q&A? Okay, we’ll relax, but what we’re getting at is that all of these features are connected.

When you have more ways to interact with your people, you’ll have more ideas on how to service them. And remember, you don’t need to reinvent the wheel when you make an online course. Your audience followed your Substack for a reason: you have a unique perspective that is changing the way people think about things. All you need to do is show them a simple skill or idea and guide them to results.

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5. Try live events

Last, but not lest, try some live events! They're a great way to get your audience more engaged, whether it's through a community happy hour or a group coaching session.

Conclusion

Don’t get us wrong, Substack is a great place to start growing your audience and make money while doing it. But as your audience grows, you’ll gain a lot more when you have clearer ways to interact with them, and when they can meet others who have the same interests.

Here at Mighty Networks, we’ve designed a community platform that does everything we’ve talked about today to help you achieve the results you’re getting on Substack — and so much more. Why settle for fewer features, less monetization, and fewer ways to interact?

When you build a Mighty Network, your content is accessible to your members no matter where they are, and your community can continue the conversation even after you’ve left. It’s time to upgrade your newsletter to something much more robust and expansive.

Ready to do more with your Substack audience?

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- **Community Features**:
  Unlike traditional blogging services, LiveJournal introduced several innovative features for social interaction.

These included “friends lists,” where users could follow each other's posts, and “communities,” which were shared blog spaces centered around common interests.

This fostered both individual expression and group discussion.

Title:

Content: The Rise of Fashion’s Tumblr Generation

The children of fashion Tumblr came to New York, as fashion strivers often do, from the less fashionable provinces: San José and Grand Rapids and Baltimore and Orange County and the Jersey Shore. Growing up far from the industry’s enclaves, they obsessed over Balenciaga ads and Vogue Italia scans online, following along with the zeal of outsiders, and found their like-minded zealots to befriend. A decade later, they all live in New York, and they remain friends. They socialize together and party together, and now, having made it from the digital outside to the industry inside, they work together too. “The first time I met all the dolls, it was made clear, this was a tight group of ride-or-dies,” says the artist Martine Gutierrez, who met her crew in the city following a Candy magazine shoot in 2016 and quickly fell in.

They’ve come a long way since they were on Tumblr, the image-centric blogging platform, in the 2010s as fashion-obsessed teenagers. Fluent in technology, controlling their own means of image production, distribution, and promotion: the Factory girls without the need for a Warhol, the Halstonettes if they dispensed with Halston, the unholy love children of Cleveland (Pat, not Ohio) and Vreeland. They’ve internalized Polly Mellen rhapsodizing about “weightless, pom-pom, powder-puff” faux furs in Unzipped and Donatella Versace making marble-mouthed pronouncements in a Vogue video interview (“What are you reading right now?” “Magazines!”). They live to be behind the camera and in front of it.

Without fashion school — in some cases, without even finishing high school, much less college — they educated themselves in the chapter and verse of the industry, its history and its archives as well as its lingua franca. Their styles were cooked in Tumblr’s mix-and-match, endlessly referential crucible, and the most devoted could spend five or six hours a day on the platform, posting and commenting. “After midnight was the time to be on there,” says Devan Díaz, a writer who left Tennessee for New York at 18 and started her Tumblr in 2009. “If you stayed up really late, then you could catch the European crowd waking up.”

“If I didn’t have Tumblr, I never would have gotten into fashion,” says Marcus Cuffie, a stylist whose Tumblr, Dustulator (the name of a favorite Rick Owens collection), begun in 2011, became a touchstone for many fellow bloggers. “I wouldn’t have known how to access it.”

“I think we wanted to know why we liked the things we liked,” says Hari Nef, who moved to New York from Massachusetts to attend Columbia and joined Tumblr in the summer of 2011, just before she arrived. “We wanted to trace a line through the past to figure out where it came from. Together, we were able to kind of thread that needle and string it along. It was about information, and it was about discovery — discovery that you couldn’t achieve without community.” Reblogs and comments led to chats and calls, and gradually a circle coalesced.

All the research paid off. Nef interned at cool fashion places like VFiles, although now she’s better known as an actress; she spent this spring shooting the Barbie movie. (She deleted her Tumblr before her first film came out in 2018.) Cuffie now styles for Harper’s Bazaar, Dazed, and a grab bag of indie mags. Cruz Valdez, who became Cuffie’s partner and now collaborator, is a photographer who shoots for Marc Jacobs, Rihanna’s Savage x Fenty, and Eckhaus Latta. “These kids know things,” says Mel Ottenberg, the editor-in-chief of Interview, who hired one of them, Dara Allen, known professionally as Dara (Tumblr b. 2011), to be the magazine’s fashion director this February. “They must really study.”

For younger millennials and all of Gen Z, making friends online is just how you make friends. But eventually, this crew realized, you have to meet up in real life if you want to get anything done. Their Tumblr pals were their support system, and they flocked to the city in formation to live, work, and play together. “I always kind of wanted to come to New York, but I don’t think I would have,” says Allen. But goaded by fellow Californians Valdez and Iris Diane Palma, an artist, she bought a ticket with them (in tears) and moved to a flop in Bushwick. (Stevie Triano, another Tumblr friend, and Cuffie picked up the keys and met them there the day they arrived.) Valdez, who went to photo school, did her first shoots in their shared Brooklyn apartment with a seamless backdrop rigged up by a belt to their futon with Allen, who appeared in two Marc Jacobs shows before finally signing with a modeling agency, as her subject.

In New York, they met other Tumblrites, including Nef and Cuffie. “It really felt like we were all meant to find each other,” Nef told me. “The word manifesting was really popular at that time. And that’s what we felt like we were doing. Obsession alone wasn’t enough for me, nor was it enough for Dara or Cruz or Marcus or Devan or any of us. It simply would have been a waste for us to do anything else but use all of those hours that we spent looking and listening and writing and sharing and not trying to make something with them.”

They ended up friends with Ethan James Green, a model turned photographer, and the circle expanded. Green was a more casual Tumblr user whose runway career was cataloged on Tumblr — most exhaustively by Allen on her blog. His photography career was stalling until, inspired by his mentor David Armstrong, he began shooting black-and-white portraits of friends and friends-to-be, including every person pictured here, many of whom are featured in his first book, Young New York. “All these big fashion people that I’d been around for years all of a sudden were like, ‘Oh!’ — it turned something on,” Green says. “People started asking me to do my pictures. And because I was able to really create my world, I didn’t have to compromise.” These days, he shoots for Vogue and W, Louis Vuitton campaigns, and just closed his first solo show at Fotografiska.

Now they are members of fashion’s next generation, landing big jobs. Green often works with Allen. Allen often works with Valdez. Valdez often works with Cuffie, who is also her partner. Their friends assist on shoots or do the hair or build the sets. Their work adorns billboards over Soho for Calvin Klein; they’re booked by Bottega Veneta and Alexander McQueen. The line between work and life can be blurry. They don’t work exclusively together, but they understand each other better when they do. “We all see it for each other. Our Grindr profile would say, ‘Muse 4 Muse,’” Gutierrez says. “I bring friends into projects constantly, especially when there’s a budget.”

“There is a shared language for sure,” says Marcs Goldberg, an art director who designs sets for photo shoots. “It’s very much like a sibling relationship, where it can be very intense and extreme, but in the end, it’s exactly as it should be.”

They have come into their own individually and collectively, carving out space for themselves and their taste. Many of them have transitioned since their earliest meetings on Tumblr or embraced non-binary identities. “It’s opened up so many possibilities,” Valdez told me. “We all had such an instinct toward something,” Allen says. “I think I’ve realized that it really becomes easier just to go with your gut — and your friends.” This year, she worked with Green on an ad campaign for Walmart. “To think about someone in middle America seeing style from her perspective is really crazy,” Green says proudly.

To hear them tell it, their work now is not so different from their Tumblr ’fit pics. “I think it’s all just been about building and refining,” Valdez says. “When I think about my older work, it’s not like, it’s so drastically different in ways, it’s just more about how I’ve been able to articulate what I wanted to say and how to say it.” “This was me on Tumblr,” Allen cried as she struck a pose for the camera, swiveling her wrists outward and clamping her hands to her waist, a haute little teapot. Now their Tumblrs have mostly fallen away — although a few still post privately or occasionally — and the platform itself has faded from its former glory. The next generation is assembling itself elsewhere.

But if their medium has waned, the message hasn’t. What would they do on their last day on earth? Probably this, they said, sitting for this portrait. There is no “cheese” here. “Everybody say ‘cunt,’” Valdez said before the shutter snapped. “Cunt!” they all bellowed joyfully.Read more at:buy formal dresses online australia | short formal dresses australia

- **Unique to LiveJournal**:
  - **Privacy Controls**: Users could decide post-by-post who could view their content—public, friends-only, or custom groups—allowing for nuanced sharing rare on other platforms at the time.

- **Friend Network**: The “friends” system worked almost like a social network; you saw a personalized feed of content from friends and communities.

- **Threaded Comments**: LiveJournal featured threaded commenting, making long, organized discussions possible beneath blog posts—a feature later adopted by other social media sites.

- **User Customization**: Users could extensively personalize their journal’s appearance, a creative outlet that helped deepen user investment and fostered a distinctive aesthetic culture.

Why does one author believe LiveJournal is a superior platform?

- **Open-Source Roots**: Much of LiveJournal’s code was open source, which encouraged a culture of community-driven technical innovation.

- **Cultural Impact**:
  At its peak in the early-to-mid 2000s, LiveJournal was especially popular among creative communities (writers, artists, fans) and was widely used in the English-speaking world and Russia.

It played a significant role in online fan culture (especially fan fiction, fandom discussions) years before Tumblr or Reddit.

- **Decline**:
  - The platform’s popularity began to decline after about 2005.

Title:

Content:   1. Analysis
November 21, 2022updated 18 Nov 2022 4:46pm

5 of the strangest Google products that spectacularly failed

What even is a Google Daydream?

By Kurt Robson

Google is known for releasing a lot of products but it’s also known for quickly shutting a lot of them down.

The company seems to run a “see what sticks approach” to what they release – leaving its customers and those in the tech industry understandably sceptical about the longevity of its new releases.

Google’s failures range from big and small to outright weird products. You’d be excused for never hearing of Google Lively, for example, the strange Second Life copycat which ended up being filled with sex and violence.

It only takes a simple Google search to find a website named Killed By Google: Google Graveyard, which currently lists 275 services, apps and hardware that have been closed down by Google.

The most recent mainstream culling was Stadia, the tech giant’s cloud gaming service. Google announced in September that it would be completely shutting down the service in January next year. Everyone who purchased Stadia controllers, games and hardware has been promised to be fully refunded.

Phil Harrison, Stadia vice president and GM, claimed the service didn’t gain “the traction with users that we expected.”

This blindsided Stadia’s fanbase as well as some developers that had been planning to release games on the service.

“We have a game coming to Stadia in November,” tweeted Mike Rose, founder of developer No More Robots, “who wants to guess that Google will refuse to pay us the money they owe us for it.”

Google currently has 271 products and services available for use, including its world-renowned search engine.

“I would say that when pushing the boundaries, in any field, it’s very easy to take something in the wrong direction,” Sam Welch, organic SEO executive at digital marketing agency, Embryo, told Verdict.

“I think the killing off of previous projects it’s a testament to how committed Google is to making sure they’re [not] heading into unknown territory.“

Join Verdict as we take a look at five of the strangest Google product failures so far.

Google Glass

Time span: 2012 to 2019

Google’s voice and motion-controlled augmented reality glasses were very much a product of its time. Back in 2012, the hype around sci-fi products was rife and people seemed genuinely excited at the prospect of this high-tech accessory. It was even voted by Time Magazine as the “Best Invention of the Year.”

The actual launch of the product was a very different story, however, with reviews flooding in claiming that the technology was “very buggy” and a “gimmick”.

Google was also criticised for the whopping $1,500 price tag – making it inaccessible to a large demographic of people. The ones who could buy it were labelled with the derogatory sobriquet “glassholes.”

Google Glass was only sold for a very limited time and lasted a few years before it was pulled from being sold commercially.

Although Google began testing new versions of Google Glass back in September, 2022, there is no denying that it was one of Google’s worst failures.

Google Daydream

Time span: 2016 – 2019

Google launched its Google Daydream VR project in 2016. Unlike other VR headsets, it was actually just a placeholder for a smartphone – to allow for an accessible virtual reality experience.

It was an upgrade from the company’s previous VR product made out of cardboard. Yes, they actually released a VR product made out of cardboard.

The Google Daydream was launched at $100, making it one of the most affordable ways to experience virtual reality at the time.

However, even with an affordable price tag, the Daydream couldn’t compete alongside other leading headsets like Oculus.

The Google Daydream was pulled from stores in 2019.

Google Lively

Lifespan: 2008

Google Lively was Google’s attempt at a virtual social video game similar to something like Second Life. Lively users were able to create avatars with pre-designed assets and socialise with other users online in virtual rooms.

Google Lively was launched back in July, 2008, long before Mark Zuckerberg voiced his aspirations to create a metaverse that would essentially do the same thing.

Unfortunately, the service never got out of its Beta stage and was closed by Google just a few months later.

Lively never gained the traction Google hoped it would. The service maxed out at 10,000 active users.

Users complained about lackluster personalisation options and rough controls. There was also a lot unsavoury usage of the service, with users spouting sexual and violent content in the virtual rooms.

This meant that Google couldn’t safely integrate its advertising platform into the service.

In the end, the tech giant said it would be focusing its resources in other areas and closed the service for good.

Google+

Time span: 2011 – 2019

Google+ was the tech giant’s attempt at competing with the social media giants while Facebook and Twitter ruled the space. Google’s idea with Google+ was to give users an experience of interacting online the same way they did offline. This was through networking around categories called “Circles.”

Although there were promising numbers at launch, Google couldn’t compete with the big players and couldn’t retain a consistent user base.

Facebook and Twitter continued to reign supreme and despite attempting to innovate the service a number of times – Google+ was closed for good in 2019.

Google Wave

Lifespan: 2009 – 2012

You wouldn’t be blamed for having never heard of Google Wave. It’s arguably the strangest online service Google has ever launched. It’s best described as an abstract emailing platform – where users can join “waves” to share polls, statuses, images, videos, and more.

It lasted just three years and has been remembered for having one of the most confusing social media interfaces ever.

GlobalData is the parent company of Verdict and its sister publications.

This was due to several factors, including the rise of newer social networks like Facebook, MySpace, and later Tumblr, which offered more modern interfaces, content discovery, and social graph features.

- Acquisition and Corporate Shifts: After being sold to Six Apart in 2005 and then to Russian company SUP Media in 2007, many English-speaking users felt neglected and alienated by changes in management and content policies.

New terms of service and privacy concerns (especially after servers were moved to Russia) accelerated the exodus.

Title:

Content: Regulators Seem to Think That Facebook Is the Internet

That’s a problem.

In 1997, SixDegrees.com was the first real attempt at social networking, creating a space where users could upload their information and list their friends. The site peaked at approximately 3.5 million users before it shut down in 1999.

Since then, a series of social networking business models have emerged, each time offering more advanced tools for user interaction. LiveJournal, a site for keeping up with school friends, combined blogging and social networking features inspired by the WELL; Friendster was a social network that allowed for increased interaction and control by users; Myspace had open membership and gave users the freedom to customize their pages. In 2005, it—and its 25 million user base—was sold to News Corp. But within three years, Myspace had been surpassed by Facebook, which launched in 2004 for college students and opened to everyone in 2006.

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As that history shows, in the early days of the internet, disruption was profound and constant: New companies emerged in music, video, e-commerce, publishing, and telephony on an almost yearly basis. The internet appeared to be a space where competition could thrive.

Not anymore.

Today, disruption happens in much smaller ways. The examples are getting fewer because economies of scale have concentrated innovation in the hands of a few players.

More often, disruption comes from regulation—for better or, often, for worse. Current regulation attempts focus on the actions and behavior of some actors—chiefly Facebook—while creating unintended consequences for the internet, particularly fragmentation, or the splintering of the global internet into one that more closely hews territorial borders.

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It’s understandable that both the public and regulators might think that regulating “the internet” means focusing on the biggest players. Much of it has to do with the fact that users are often exposed to various types of illegal behavior and content through some of the most popular services that exist on the internet. Fix misinformation, or extremism, or ideological silos, or security on Facebook, the thinking goes, and you’ve fixed it on the internet as a whole.

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But this is an unhelpful and misguided narrative. First, the internet is not a monolith, so treating it as if it is simply will not work. Second, many of the issues regulators are trying to address are not internet problems; they are societal. Terrorism, child abuse, and mis- and disinformation are not an offspring of the internet; they existed before the internet, and they will continue to exist after it as they are ingrained in human societies. Yet, they are treated as if they are exclusively internet problems. Third, and most importantly, regulators should stop thinking of the internet as Facebook and treating it as such. In the internet regulatory landscape, there is a mixed bag of different issues, and Facebook’s involvement in all of them, direct or indirect, adds to the current complexity. Content moderation, privacy, intermediary liability, competition, encryption—these are all broader issues related to the internet, not just Facebook. Yet, the pattern that has emerged is to treat them as Facebook issues. What this means is that, instead of focusing on trying to address them in ways appropriate for the entire internet ecosystem, they are addressed through the Facebook lens. This has been quite accurately characterized as the “Facebook Derangement Syndrome.”

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The global regulatory agenda is replete with such examples. In the United Kingdom, the Online Safety legislation wants to ban end-to-end encryption because of Facebook’s plan to introduce it as a default setting in its Messenger service. On the other side of the Commonwealth, Australia recently introduced a media bargaining code mainly targeting Facebook. Facebook famously “left” the country before renegotiating a new agreement. Similarly, in what seems to be a coordinated effort, Canada has vowed to work with Australia in an attempt to impose regulatory restrictions on Facebook.

And this trend is not limited to the Commonwealth.

India’s new intermediary guidelines aim at tightening a regulatory grip on Facebook and its partner company WhatsApp while Brazil’s fake news bill, which got approved by the Senate, is focusing on content moderation on Facebook and traceability on WhatsApp. In France, there have been conversations about the introduction of “new rules” for Facebook, while Germany’s Network Enforcement Law—NetzDG—was drafted with the primary focus of taming Facebook. Finally, in the United States, the Trump administration issued an unsuccessful executive order that aimed to regulate Facebook for bias.

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This approach of limiting regulation to Facebook is not entirely unusual. It reflects the principal-agent conundrum that, over the years, has allowed companies like Facebook to  propose policies and deploy tools that can have an impact on the way regulation gets to be enforced. The principal-agent problem is predominantly characterized by conflict of interest and moral hazards. Due to information asymmetries, the agent holds the bargaining power, and this creates a few unknowns: The principal is in no position to know the information the agent holds. Even when she does, she cannot be certain that the agent is acting to her best interest. So, the principal ends up focusing squarely on the agent, disregarding any peripheral issues that might be significant.

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The principal-agent problem may help explain why governments appear ready to introduce regulation targeting Facebook; however, it does not help explain why, in the process of doing so, the main loser is the internet and its users.

Over the past couple of years, Facebook has said, “We support regulation,” and “we want updated internet regulations to set clear guidelines for addressing today’s toughest challenges.” This statement would be significant if it did not come across as self-serving. At this stage, regulation is inescapable and Facebook knows it—as does the rest of big tech. In an effort to adapt to this new reality, companies often take advantage of their dominant position to drive regulatory processes, often at the expense of regulation itself.

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In this context, the question we should be asking is not whether regulation is appropriate, but what are the real implications of regulating in such a manner? There is already an argument that focusing on a few, big players has an impact on the health of innovation and the ability of newcomers to compete. And, then, there is the internet. The internet’s global reach is one of its main strengths. It is a feature, not a bug. Among other things, it allows the maintenance of supply chains all over the world; it allows people to communicate; it lowers costs; and it makes information sharing easier, all the while helping to address societal issues like poverty or climate change.

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To this end, the attempt to regulate based on one—or a handful—of companies can jeopardize this very important goal of the internet. It can create fragmentation, in the sense of not allowing data to flow across borders or networks to interconnect, and this can be very real and have a very big impact. It can impose limits on the way information and data gets to be shared and the way networks may interoperate. These are significant trade-offs, and they must be part of any regulation’s process.

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So where do we go from here?

For sure, the answer cannot be to stop regulating. We must accept, however, that the current approach often generates unintended consequences that only superficially affect those who must be regulated.

In this light, a possible way forward is to experiment with regulation. Experimental regulation is a relatively underused approach, yet it is flexible enough to accommodate dynamic markets, like the internet. Originally associated with the work of John Dewey, this idea is premised on the fact that, in policymaking, the way we approach theories and strategies of justice depends on “the experience of their pursuit; it is these changes that then allow us to consider how best to achieve our objectives.” The advantage of this thinking is that it considers unintended consequences as an opportunity to better define appropriate regulatory frameworks and how to achieve the desired goals.

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Internet regulation does not experiment enough, and when it does, it appears to have the wrong focus. In Australia, for instance, the effort to ensure robust journalism in an age of disinformation in social media platforms led to a “link tax” that undermines the architecture, history, and economics of the internet. This is partly due to the role big tech companies play in the regulatory process. One of the immediate things one can observe with internet regulation is the process some actors deploy: In the beginning, they operate in favor of sustaining existing policies and bureaucracies. The thinking is that longevity brings legitimacy, and as a result, the policy becomes its own cause. Once this strategy is embedded in process, these powerful forces move toward pushing their own regulatory agenda.

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It is for this reason that there is a certain appeal toward flexible regulatory systems that allow different units to experiment with different approaches and make room for assessments that separate the relevant from the nonrelevant and preexisting rules. Although experimentation neither offers a drastic approach nor aims to replace traditional routes of regulation, it can limit the risks of politicization, as politics become more context focused.

One of the first things we need is an internet impact assessment that looks at the different parts of the internet’s infrastructure and the effect that regulation may have. It is no longer just about regulating a few actors. It is about protecting the global infrastructure that we all depend on daily.

The internet has a Facebook problem, but the internet is not Facebook.

This article represents the views of the author and not those of his employer, the Internet Society. Facebook is an organization member of the Internet Society.

Future Tense is a partnership of Slate, New America, and Arizona State University that examines emerging technologies, public policy, and society.

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- Changing Web Norms: Short-form, real-time updates popularized by Twitter and Facebook, along with mobile-based social networking, made blogging platforms like LiveJournal feel outdated.

- **Legacy**:
  LiveJournal’s influence persists, especially in how later platforms approached privacy controls, user networks, and community-driven content.

Some high-profile users (like author George R. R. Martin) have remained loyal, but for most of the English-speaking world, the platform faded into a niche by the 2010s.

This collection of facts offers a concise history and analysis of LiveJournal’s rise, unique features, and fall—helpful for your debates!

**Summary Nuggets (LiveJournal’s history, uniqueness, and decline):**

- **Origins and Creation:**
LiveJournal was started in 1999 by Brad Fitzpatrick, initially as a personal journaling program to help keep in touch with his high school friends as they went off to college.

Title:

Content: news _ header _ top _ 970 _ 100
news _ header _ bot _ 970 _ 100
news _ top _ 970 _ 100
Shamil Sadykov: “In the media space, the total victory of the Internet over everything else ”
Today is Russian Press Day.
On the eve of the holiday, General Director of Tatmedia JSC Shamil Sadykov in an interview with Tatar-Inform told what problems there are with the distribution of newspapers and magazines and how it is solved in Tatarstan.
He also shared what topics were the most sought after in 2023 and how audience preferences are changing.
Shamil Sadykov: “All the online projects that Tatmedia has shown a very big growth ”
Photo: © Sultan Iskhakov / Tatar-inform
“More than 20% of circulation is distributed in alternative ways ”
— Shamil Mukhametovich, Tatmedia JSC is the largest regional media holding in Russia.
Among the branches there are many printed publications that the republic managed to preserve.
Does interest in paper continue to decline?
In your opinion, what does this have to do with it?
— Every six months, the circulation of all publications — both private and Tatmedia, including — is reduced by an average of five percent.
These are both social and demographic reasons.
There is a reason for the active development of the Internet, so this cannot be avoided.
Circulations within this framework will continue to fall, unfortunately.
We can ’ t do anything about it, but we are actively finding parallel media development options.
— It is known that the problem with the “Russian Post ” is aggravated.
How do you solve problems with the delivery of periodicals in the areas?
Problems, systemic ones, really do exist.
But we can not sit and complain endlessly about the “Mail of Russia ”.
We can ’ t stop publishing newspapers and magazines.
Therefore, the main task is to look for new forms of their delivery.
We are now analyzing, trying to experiment.
We have a branch, for example, in the Menzelinsky district, which distributes almost half of its publications through rural shops.
Approximately 40 stores have newspaper stands, and it is more convenient for residents of settlements to come and buy printed materials.
People come to the store every few days.
The village shop is the center of the life of the village, there is everything - food, clothing, and household items necessary in life, and there the district editorial office places racks with newspapers.
After the fall of circulation, half of them were able to recover in this way.
In the branch in Mendeleevsk, young guys on bicycles deliver newspapers like Yandex Food.
In this way, a significant amount of newspapers are distributed.
In Kama Glade there is not a single copy by mail subscription, but there is a full-time postman who works in the editorial office and receives a salary.
Kamskie Polyany is a small village, and it is convenient there: there is a route, there is a list of people, the same postman first distributes a newspaper weekly, then every six months collects a subscription from readers.
They have a very lively, interesting newspaper, which has found its own distribution option absolutely without mail.
Every year, alternative subscription options are growing, more than 20% of our circulation is distributed in alternative ways.
“Our Moscow colleagues are very interested in vending machines ”
— What other alternative delivery channels are you developing?
— Online sale through marketplaces.
Two years ago, we registered on the sites Wildberries, Ozon, Yandex.Market.
This is a very promising segment.
Sales of magazines, newspapers and books grew by 60% last year.
Moreover, the products are distributed throughout the country - from Vladivostok to Kaliningrad.
- You have also experimented with vending machines - kiosks where you can buy newspapers and magazines yourself.
What about this project?
“We started it three years ago, and I must say that the experiment was successful.
Today, 20 vending machines in Kazan sell more magazines than all the other 90 print kiosks combined.
The efficiency of one vending machine is 6 times higher than in kiosks selling printed products.
— Is it planned to increase them in Kazan, Tatarstan, and maybe it ’ s time to go beyond Tatarstan?
— Recently, an event was held related to the online development of retail projects.
We played there, showed our experience with vending.
Our Moscow colleagues were very interested and invited us to the International Moscow Media Forum in February.
There we will also present our vending machines.
This experience in Russia is already being studied by everyone.
We also came up with a proposal to the authorities of cities and districts so that we could place these vendings in Naberezhnye Chelny, Nizhnekamsk, Almetyevsk.
We are ready to go to shopping centers, because vending machines are effective - they take up little space, sellers are not needed, rent less needs to be paid.
That is, by all parameters, vending machines are effective.
We proposed to the Republican Agency “Tatmedia ” to replicate this project throughout the republic.
Do you have any alternative print products?
for a younger audience.
We found that format.
It's a Poketbook.
Two years ago, the project of pocket books of the magazine “Kazan Utlary ” was launched.
The 23rd book was published this year.
These are absolutely new authors, interesting reading, close to people, understandable.
The circulation of this series is unprecedented, Poketbuki is the most circulation Tatar-language series of books.
At the moment, the total circulation is more than 60 thousand.
And the most interesting thing is that these books are sold primarily through marketplaces, 70% of these books are sold within three months.
“The audience of“ Tatmedia ” sites exceeded 100 million ”
— Shamil Mukhametovich, how did Internet projects develop last year?
The past year in the field of media is probably the total victory of the Internet over everything else.
All the online projects that Tatmedia JSC has, have shown a very large growth.
The total audience of Tatmedia websites exceeded 100 million unique visitors, which is 5% more than in the previous year.
"Tatar-inform" returned the title of the most quoted media in Tatarstan.
This is an indicator that the work in the editorial office is qualitatively organized, that our news is read and that our professional community values, trusts the agency and quotes.
The second very important direction for us is “Intertat ”.
The electronic edition is officially recognized as a record holder in Russia.
This is one of the biggest victories in terms of what we preserve and develop the native Tatar language.
On the Internet, almost 1.5 million people read news in the Tatar language.
The Certification Commission recognized Intertat as the most readable Tatar-language website in Russia.
Yeah, I think he's the most read in the world, too.
— And how do you assess such a project as “Billion Tatars ”?
— This is a very interesting, colossal important project, 4 thousand articles have been written that promote history, science, knowledge.
This is a very important, complex topic, because we have a lot of different institutions in Tatarstan – history, archeology, and language, a huge number of different scientific studies are being created.
The task of the journalists of Billion Tatars is to translate all these works into the human language in the first place, to bring them to people in the form of articles.
The authors process a huge world of knowledge in culturological, historical, philological directions.
This year, they summed up the results of the Billiard.Tatars contest, and we saw that in the Tatar world a huge number of projects and authors who create their blogs, public, conduct their research in parallel.
“Billiard.Tatars ”, as the newspaper“ Terjiman ”, at one time awakened the Tatars, self-awareness, began the search for their history, identity, personalities.
Lots of interesting articles come out.
I recommend everyone to get acquainted.
You need to love and know your story, it is very important for the harmonious development of any person.
“The audience has a lot of interest in video projects ”
— Tatmedia has a wide network of social networks, how did their audience grow?
It increased by 30% and reached 5 million people.
The most promising social network for media today is Telegram.
It forms the news agenda, it is the main tool for working with the audience of all media.
We are leaders in this direction.
We have over 70 channels.
180,000 people signed up.
— Video content is also popular among Internet users today.
What indicators have been achieved in this part?
— The audience of “Tatar-inform ” YouTube channels in 2023 increased by 200 thousand subscribers, almost twice.
This is a huge audience that we have accumulated in the format of video content.
On the topic of the special operation on the YouTube channel "Tatar-Inform" there is a heading "Heroes of the SVO", there are more than 80 million views.
This theme is about the heroes of SVO, patriotics.
We see that the audience has a great interest in video projects, it is growing, increasing.
This also applies to children ’ s videos.
We have a project “Salavatiki ” – this is a musical group that chants popular children ’ s songs, makes videos in karaoke format with subtitles.
They got almost 5 million views.
This is a very big result, considering that they are completely singing only in the Tatar language.
This is one of the cool projects for native speakers.
“The Salavatiki project is more of a children ’ s project.
Are you planning to create something similar for teenagers or young people?
“Salavatiki ” showed the audience ’ s interest in projects when music is a tool for promoting language and literature.
This edition of "Salavat Cooper" came out with the initiative.
The first line-up, which for a long time danced and sang, has grown.
And teenagers in high school are not interested in “Salavatikov ” to listen to, they require us to have some teenage group, in the format of Tatar-language pop, that is, a good quality song repertoire.
We are currently looking for this format.
I think that the magazines "Sabantuy" and "Yalkyn" will offer their options for musical projects.
We're waiting.
Teenagers love K-pop.
- Something similar is needed in this direction and in the Tatar language.
With the Tatar code, the main thing is that there is everything.
— What else does Tatmedia have for teenage and youth content, including for native speakers?
— In 2023, many interesting projects in the field of youth and teenage content development started.
With the support of the Commission under the Rais of the Republic of Tatarstan for the preservation and development of the Tatar language and languages of representatives of the peoples living in Tatarstan, and with the personal support of Marat Gotovich (Akhmetov, approx.
T-i) launched a school of bloggers "Shap" and a laboratory for young writers "Yana isem".
School of bloggers "Shap" is a project to train bloggers who work in different languages, including Russian, Tatar, Chuvash, Udmurt, Mari.
We traveled with the school throughout the republic, to schools, kindergartens and camps.
The project "Yana Issem" / "New name" on the basis of the magazine "Idel" is training in the literary school of future writers and poets.
The result was very good, more than 20 children were trained by eminent masters, writers, poets.
“The topic of the special operation touched a huge number of destinies, each of us ”
— What are the main topics raised in 2023?
“We see that the audience is very interested in the topic of the special operation, because it is a very acute topic.
It has affected a huge number of destinies, each of us.
There was a large number of live stories, wrote and told about the heroes of the SVO.
This is the most read topic on all sites, the most viewed on YouTube channels.
Our employees made more than 10 different business trips to the territory of the NWO, brought a huge amount of materials, photo and video reports.
For the audience, this is relevant, because around us people who participate in the special operation, they have many relatives.
This topic is exciting, important and, most importantly, very correct.
— Is Tatmedia involved in sending humanitarian aid?
How important is the work of correspondents for those who are behind the “ribbon ”?
- Definitely.
We send our printed materials to the front every week.
Through our postal service, everything is decorated, we send newspapers and magazines “Tatmedia ” weekly.
Second, our correspondents in all the media, each regional publication covers this topic.
Soldiers in the area of   the SVO have phones, of course, in their free time, servicemen are interested in what their native area lives, what news, how they cover the topic of SVO in district and city media.
Therefore, we see interest not only in the residents of the republic, but also in those people who are in the area of   the SVO.
« The task of a modern journalist is to constantly be in trend, learn and apply innovations »
— There are often announcements that publications need journalists.
Is there a problem with your staff?
- Yes, this is a very serious problem.
In addition to the decline in circulation and the decrease in the audience of printed publications, we are very concerned about the personnel issue.
First of all, few writing journalists with philological education, who competently know how to work with information and text.
In general, this is the main key problem of the near future - the deformation of the profession of journalist.
Modern children read little, they often do not form a certain syllable, literary speech.
For the most part, they are visuals with clip thinking.
Many who come to journalism want to engage in video direction, SMM.
Especially the problem with the Tatar language.
It is ten times more difficult to find specialists who can speak, read, write, and edit the Tatar language correctly.
And the question is not only in the news, if you take complex genres, such as essays, reportages, there are no people in the afternoon with fire.
— How is this problem solved?
— We have chosen several areas that are necessary in our understanding to work with novice journalists and to improve the skills of those who already work.
For our media school, we have developed a methodological system taking into account the work in social networks, the algorithms of search services.
Journalists learn to write texts with certain formulas for constructing sentences.
Weekly master classes are held, both online and offline, on-site training seminars are organized in the branches.
Also this year, we are launching a large-scale offline version, when all web editors will undergo live training in Kazan.
We have a classroom here.
The second area is working with students.
Editors of JSC “Tatmedia ” teach at the Higher School of Journalism and Media Communications of KFU, select Russian-speaking students, invite them to the editorial office.
“We want to revive a literary school. ”
— How is the search for authors writing in the Tatar language going?
— Our Tatar-language editors — Alsu Ismagilova, Ramis Latypov, Ilnaz Fazullin — and I myself have been teaching for the third year at the Tatar branch of the philological faculty of KFU.
We realized that it is almost impossible to teach a journalist without a good Tatar language to speak correctly and write beautifully, it is easier for a Tatar philologist to teach journalism.
The first and second stream is already working, there are also guys who practice on TNV and VGTRK.
We are aware that not only the number of readers of printed publications is decreasing, but, unfortunately, there are fewer and fewer authors.
But that's no reason to be upset.
If you search and train, you can find good options.
There are very talented guys who work perfectly with words and text.
— The experience of previous years is also interesting, when the school of mentoring was developed and the venerable luminaries in the verbal art grew up to replace new writers, essayists, poets...
- If we recall the Soviet period, our literary magazines - "Kazan Utlary" and "Idel" - have always been engaged in the education and training of the younger generation, raised future literary figures, who in turn sent their works, poems, stories to newspapers and magazines.
Writers and poets reviewed their works, taught them to write.
This school of learning naturally went in literary publications.
We want to revive it.
If the project of the next season receives support, then we will definitely give information through the media.
To date, we have been approached by about 10 young guys who would like to study with eminent literary masters, get their experience.
A great response from young people?
Given that this is a narrow, professional segment, interest is good.
What are the goals of the blogging school?
It is no secret that modern children do not watch TV, do not read newspapers, some even do not listen to the radio.
They are a generation of Internet users.
These are the visuals that watch a huge amount of videos.
The future is in the hands of bloggers.
We recently held a festival of bloggers, where Timur Suleymanov spoke.
He cited figures that for children, bloggers and live authors who work on the Internet, this is the number one source of information.
We must understand that in 5-6 years the picture of media space and media consumption will radically change.
It is necessary that the blogging sphere works with the right information and educational mood, broadcasts in different languages - in Tatar, Chuvash, Mari, Udmurt, and young people can receive adequate modern content.
“Journalists have a difficult professional time, when you need to fight for the attention of the reader ”
In this regard, the question is: how quickly do you need to master new formats now?
Everything has changed dramatically.
There was a time when I myself, as a student of the journalism department in the 90s, passed the test for typing, photo work, when we showed films and printed photos in special rooms.
It was time for total television.
After the 2010s, it was the time of the Internet.
Now the period is not only the Internet, people do not even use sites – now it is the time of social networks, when everyone mainly sits on the phone and perceives life through the phone.
Attract and attract the attention of the audience today is very difficult.
People live in the age of information noise, they have a huge amount of choice of content, and they try to get a large amount of information in a short period of time.
The average time to watch a video is tens of seconds, the average time to a web page is a few seconds.
Therefore, now journalists have a difficult professional time, when you need to really fight for the attention of the reader.
Today, a journalist needs to be at the same time a specialist in philology, know the algorithms of social networks, the algorithms of search services, be able to collect information, analyze, staff, create video cards, take beautiful pictures and be able to distribute it all on the Internet.
According to the latest data, 95% of people in Russia use the Internet, 80% of Russians have accounts in social networks.
Therefore, a journalist needs to acquire new knowledge more than once in his life, and every six months.
The task of a modern journalist is to constantly be in trend, learn and apply innovations.
This is a period of great transformation and change.
What content will be shot in the near future?
— In my opinion, in 2024 there will be a huge demand for video content, people are less willing to read, more and more want to watch videos, listen to speakers who explain something — this is the YouTube format, VKontakte video, Telegram video.
WhatsApp is actively developing as a media outlet.
Many people send information through groups or some kind of public.
In this direction, everything will continue to develop: progress cannot be stopped, it is useless to fight it, you just need to ride it.
— In the future, for the media, neural networks are a threat or help?
They don ’ t threaten us, they ’ re our helpers.
There is a complication of content, people no longer want to just read, they need visual, video graphics.
And in this regard, artificial intelligence will be a serious help for the editors, when they can create complex content, visualize complex information with the help of artificial intelligence.
It will be especially interesting in terms of visualization of future projects, when there are no photos and videos, and the picture can already be created.
The only thing is that journalists need to learn how to work with these services, be able to form tags, certain formats of requests for content, master programs.
Increasing personal digital literacy is the most important challenge for modern journalists.
Photo on the announcement: © Sultan Iskhakov / "Tatar-inform"
autoscroll _ news _ right _ 240 _ 400 _ 1
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news _ bot _ 970 _ 100

He soon opened it up for others to use, transforming it from a solitary tool to a community-driven platform.

- **Key Innovations and Features:**
LiveJournal stood out from early blogging sites by blending traditional blogging with “social media” features before that term existed.

Its major differences included:
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Title:

Content: 17: 37, 17 December 2023
9 min.
E-school is one step closer to cyberpunk!
How the educational process works in 2023
We all often hear the statement that Russian online services are the best (well, at least one of them) in the modern world.
The use of online banking, public services, Mos.ru and other services has long become an integral part of our lives.
However, these well-known pillars of the Russian information environment is not limited.
Today we will talk about how things are in the field of Russian e-education.
If you remember what is upsetting, demotivators and do not play Roblox, then most likely electronic diaries and online tests as a school homework have passed you by.
With all this informatization, the life of modern schoolchildren has clearly become more complicated.
Now you can ’ t just pull out a sheet with grades or skip so that parents do not instantly know about it through an online alert.
It's a tough setup!
But, firstly, as always, no one asked schoolchildren, we actually have a government strategy in the field of digital transformation of education.
Secondly, the younger generation does not know how it is otherwise, with paper magazines and the use of computers in the curriculum only once a week in computer science classes (oh, this work with Excel!)
Conventionally, this whole topic with the informatization of education is divided into two categories:
• Simplification of organizational moments, less paperwork and automation.
• simplification of the learning process: tasks, tests, preparatory courses.
A little bit of the history of school digitalization in Russia
If it concerns something of state importance (and education is exactly that), then domestic developments are needed.
Or do you want to entrust the training of your children to NATO instructors?
Just do not confuse it all with the platforms of various courses, we are talking about the school, and not about continuous education and eternal learning of English.
Gradually, when at the end of the zero and tenth the Internet began to enter our lives more and more densely, the number of conversations about its implementation in all possible spheres also increased.
This is not the case with the educational segment.
Remember what the official websites of your schools looked like? (you can ’ t look at the website of my school without tears).
The administration of educational institutions was not just to join in all this high-tech movement (as a rule, people who are more than far from modern gadgets work in schools), but it was in those days that global projects began their development, and, we must admit, they developed well.
And changed the wallpaper on the desktop every lesson
Although the transfer to the online took many teachers by surprise, in the time of the pandemic, the platforms that will be discussed today, appeared long before that.
In 2020, the problems were with the lessons.
Many existing services are aimed at organization and support work.
Dnevnik.ru
The first thing that comes to mind is, of course, Diary.
Really old people on this topic.
Development began in 2007.
The founding fathers were Alexander Zubkov and Gavriil Levi.
Already in 2009, after all the tests, they began to actively introduce into schools, and then venture investments arrived (here is another example of a successful Russian startup).
We were able to become a kind of "ecosystem" of an electronic educational environment with functionality for both teachers and students.
In the beginning, not every school was connected to Dnevnika.ru, and parents were able to easily get around the finger (in those bearded days, not all of them were “confident PC users ” and preferred to control the educational process of their children the old-fashioned way).
Later, the situation changed and not in favor of students.
Generations have been updated, and adults have already begun to understand everything themselves without this “son, go turn on the computer and take me a photo on my website. ”
Not everyone has been the victim of soulless progress!
Since 2014, all schools were obliged to use the Diary, and then the service was connected with Public Services.
They call themselves: “a partner of the state in the market of informatization of the educational sector of Russia since 2009 ”.
During all this time, the project has managed to receive many awards and awards, including being recognized as the best in the field of educational technologies at the international competition Edtech x Europe in 2016.
To date, Dnevnik.ru from a risky domestic young IT project has become the hegemon of the electronic educational sector, not without support from above, khm...
The functionality of the site is as follows:
• assessments, schedule, homework
• secure communication
• e-learning
• enrollment in educational organizations
• statistics and reports
• other support services and applications.
Mom, the internet isn't working today!
Elskul
What will happen if the Ministry of Land and Property Relations of Bashkortostan and Uralsib Bank are combined?
If suddenly you have ever wondered this question, then here is the answer for you - you will get an electronic platform "Elskul".
They came together and created a joint project.
Everything is arranged as follows: the student receives a card (and free of charge and at the place of study) and with its help comes and goes from school, and can also pay in school canteens.
Oh, what about fifth graders saving their lunches for donations to the Brawl Stars?
The question remains open, because except for the school, these cards are not accepted anywhere else.
When I haven ’ t eaten cake in a month
Parents and children have their own private offices.
An adult can check at what time the child left and went to school, replenish the balance of the card for nutrition, check the grades in the diary and read the news.
Children can also follow their grades, watch the schedule, and communicate with classmates and teachers (yeah, in the era of messengers, a very necessary function!)
If you are not afraid that the big brother parent is watching you, then the concept of the portal is interesting, and most importantly, the service is regional (and we love to collect successful and useful projects not from the capital).
Of course, there are no joints anywhere.
Schoolchildren complain that the site is constantly hanging and slowing down, and from my own experience I can say that this was and remains a problem.
Ideas, as always, on a level, as opposed to lame execution.
Scarier than the lags of school sites only their design
Uchi.ru
Online educational platform.
It is not so much about reporting and evaluation, but about gaining knowledge.
This site is generally my favorite, simply because against the background of everything else, it looks more decent and modern than the rest (with design in the country, we are also tense).
The creators are graduates from MIPT - Ivan Kolomoets and Evgeny Milyutin.
Founded in 2012, and almost immediately became residents of Skolkovo.
In 2014, we launched the project itself and went further: an increase in the number of students and teachers who actively use the platform, prizes and awards, cooperation with institutions.
On the platform there are training courses in all subjects from grades 1 to 11 in accordance with all federal standards.
Also present and preparation for exams: OGE, USE, VPR and extracurricular classes on the type of online circles.
Everything is designed so that it is intuitive and the child can study independently.
Access for teachers and their students in school is free of charge.
If you are a parent who wants to pay extra for your child ’ s courses, then the price tag is already at the rate.
Fun fact: Uchi.ru during the quarantine not only helped with the organization of distance learning, but also developed courses to improve digital literacy for teachers.
From a business point of view, things have gone well.
In fact, Uchi.ru is now not just some platform with lessons and tests, but a huge educational network, which includes the school of online tutors "Uchi.Dom", the educational portal "Uchi.Otami", a network of offline circles and the portal YaKlass.
It also entered the South Asian market.
Moscow Privileges
Residents of the capital and here could not be different.
It is you, provincial teachers and schoolchildren, who use all-Russian or their regional platforms, and Moscow should be beautiful not only with parks and new tiles, but also in the digital segment.
In short, a portal was created for Moscow schools – MES (Moscow Electronic School).
The stated main goals and objectives of the project are as clear as possible - children to help learn, teachers to help teach, and parents to help control.
It's nothing new, high-tech educational environment and so on.
But the performance is already different in quality and variety.
In 2016, the City Department of Science and Education and the Department of Information Technology developed the MES and tested it in 6 schools.
You can guess that the tests were successful, since since September 2017 all the schools of the city have already been connected, and in November the grants arrived.
The following year, they simplified the registration, made it through mos.ru and rolled out the application (but so far only for children and parents).
Since 2020, the functionality has been expanding exponentially, so you can auto-check tests, integrate with the healthcare platform (to check all releases, even here now poor schoolchildren are pinned down, no more “highly artistic ” references), a portfolio of students, and finally an application for teachers.
Now MASH includes:
• Electronic diary
• Electronic Journal
• MES Library
• Moskvonok (this is just about food and visiting)
• Portfolio
Teachers can engage not only in organizational activities, such as filling out a journal and keeping records, but also arrange remote lessons, upload their educational content, communicate with parents.
The bonus is the "Digital Tutor" for schoolchildren from low-income families from 6th to 8th grade.
MES goes beyond the scope of the online project, and all sorts of high-tech things were added there: a single Wi-Fi network – STUDY.MOS, the program “Every teacher has a laptop ”, as well as monoblocks and interactive panels in classrooms.
The same school you dreamed of sitting in the classroom on chairs with splinters.
What is the main thing?
Yes, just all in one place and super automated and modern.
We can say that such services are an ideal example of school digitalization.
Such a city-wide system without global divisions, you get everything at once at a decent level of technology, which corresponds to 2023.
There you can even set up push notifications in the event of a student ’ s absenteeism!
Nowhere without neural networks
Remember, in the beginning we talked about the government ’ s strategy in the field of digital transformation of education?
If anything, it still works.
Only in 2023, the tasks are no longer as in 2007, platforms and so not a few, we move on in the spirit of new trends.
What are we hearing?
Artificial intelligence!
So, it is necessary to think how to tame it, not only schoolchildren will pass essays with its help.
There are plans to introduce AI to test homework and design educational programs.
Although, probably, teachers would prefer to be unloaded from filling out the documentation in the first place.
So far, everything is being discussed, but the plans are to standardize and provide for all schools.
And you're all afraid!
We remind you that Yandex has entered literally every sphere.
They have their own educational resources such as “Yandex textbooks ” and“ Yandex USE ”.
They also boasted about creating their own AI.
The combination of these two was inevitable.
Create something like a tutor who will help you prepare for the exam.
Not to decide the tests for you, but to build a program, mark weaknesses and train.
Outline
Given all modern trends, it would be unfair to say that with the advent of domestic electronic educational services, the life of schoolchildren has deteriorated so much and has become completely controlled.
Do not forget that the students themselves have changed, in many ways it is more convenient for them to monitor their activities through websites and applications.
Their world has almost all gone online, so what's worse about school?
They can look at their grades themselves, and not approach the class leader with a request to write everything out on a piece of paper and calculate the average score at the end of the quarter.
Do not learn homework from classmates if you forgot to write down (although sometimes this was a great reason to start a dialogue).
After the illness, you do not need to run after teachers with requests to give an additional task or rewrite the test, everything will already be posted on the site.
Teachers do not lag behind and also change.
At the very beginning of the appearance of diaries, not everyone accepted it with delight, someone from scratch at a respectable age had to master all these Satan machines and other computer colliders, and someone just constantly pestered school informatics when filling out an electronic journal.
Now all these services have become an indispensable part of the educational process.
Let ’ s be fair, informatization of the educational environment is one of the strengths of Russian technologies.
First, the very case when they began to move long before sanctions, pandemics and other “delights of life ”.
Time for pumping and introduction has passed a lot, many things managed to become the norm, so neither teachers nor parents enter into stupor.
Secondly, global projects are supported by the government, including financially, although with regional and private cases everything is somewhat more complicated.
All the best for children, as they say, only fix bugs somewhere and all schools sites decently cut down at last!
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Title:

Content: Round: why scientists rap battles
Photo: stock.adobe.comstock.adobe.com
Modern rappers write texts only about money, fame and other attributes of “beautiful life ” – this is the stereotype.
But it's time to destroy it.
In a special project with the Russian Society "Knowledge" we tell how scientists use the HYIP format of the rap battle in the field of education and find a new audience among adolescents and students.
Diffused interest
For a long time it was believed that science is only for the elect.
To all those who are simply interested in the structure of our world, it is not available.
But time changes.
Yes, the process of mastering experimental formats in education is slow.
Teachers are hesitant to set aside time for them.
But the trend towards education, as well as the desire to return the interest of young people in science, can significantly accelerate it.
Let ’ s face it – there are days when new information does not stay in memory at all.
Students and students will understand us.
Work on homework does not argue, no matter how favorite the subject is.
In this case, many are captured by procrastination.
For example, spend time watching random videos on the Internet.
Rap battles: what is the point?
The Internet has played a big role in the popularization of such a format as a rap battle.
Many Russian rappers, popular today, found their listeners thanks to online “battles ” in the 2000s.
Year after year, there was growing interest in verbal fights and opponents who masterfully prove which of them is better.
Nevertheless, the attitude towards such competitions has been ambiguous.
Some people think rap battles are a waste of time.
Proponents of verbal contests are attracted by intertextual references used by the most talented and educated participants.
In Russia, rap battles found support from the very first persons of the state.
In 2009, the winner of the second season of the TV project “Battle for Respect: Start Today ” (MuzTV) Roma Zhigana was awarded by Vladimir Putin, who at that time held the post of Prime Minister.
So what do scientists do on rap battles?
Support for the format of rap battles found in the scientific community.
Such battles have a different side and audience.
Philologists, for example, analyze rapper texts as a phenomenon of street contemporary culture.
In science, a rap battle is an intellectual competition between scientists who are fighting for the title of the most witty speaker.
In the process of the duel, they manage to cover the most complex scientific issues in a simple and fascinating form.
When the round ends, the audience applauds their votes - this is how it is decided which of the participants will leave the "ring".
Such events in different parts of our country are held by the Russian Society “Knowledge ” in the special project“ The Scientist Speaks ”.
To become a member – online or in person – anyone can.
To do this, you only need an application that can be left on the organization ’ s website.
By the way, it is the participants of battles themselves who form the program of the event and the topic of speeches.
The advantages of verbal fights in modern form were also appreciated by some school teachers.
In their opinion, participation in a scientific rap battle helps teenagers learn to defend their position, expand their horizons and better assimilate complex material.
Also, this informal method of training trains soft skills of students: the ability to establish contact live, listen to the opponent, argue.
Rap in principle can be useful - decided the experts of the Russian Geographical Society.
They released a few rap lessons on geography.
Thus, youth subcultures that had not previously had access to the formal education system penetrated it.
This trend was also noticed and used by experts of the Russian Society "Knowledge", having come up with really boring ways of teaching for young people.
You can get acquainted with their regional projects to popularize science, as well as get gigabytes of useful free information on the website znanierussia.ru.

- **Privacy controls:** Unlike many early blogging tools, LiveJournal let users lock posts to friends or custom groups.

Title:

Content: Round: why scientists rap battles
Photo: stock.adobe.comstock.adobe.com
Modern rappers write texts only about money, fame and other attributes of “beautiful life ” – this is the stereotype.
But it's time to destroy it.
In a special project with the Russian Society "Knowledge" we tell how scientists use the HYIP format of the rap battle in the field of education and find a new audience among adolescents and students.
Diffused interest
For a long time it was believed that science is only for the elect.
To all those who are simply interested in the structure of our world, it is not available.
But time changes.
Yes, the process of mastering experimental formats in education is slow.
Teachers are hesitant to set aside time for them.
But the trend towards education, as well as the desire to return the interest of young people in science, can significantly accelerate it.
Let ’ s face it – there are days when new information does not stay in memory at all.
Students and students will understand us.
Work on homework does not argue, no matter how favorite the subject is.
In this case, many are captured by procrastination.
For example, spend time watching random videos on the Internet.
Rap battles: what is the point?
The Internet has played a big role in the popularization of such a format as a rap battle.
Many Russian rappers, popular today, found their listeners thanks to online “battles ” in the 2000s.
Year after year, there was growing interest in verbal fights and opponents who masterfully prove which of them is better.
Nevertheless, the attitude towards such competitions has been ambiguous.
Some people think rap battles are a waste of time.
Proponents of verbal contests are attracted by intertextual references used by the most talented and educated participants.
In Russia, rap battles found support from the very first persons of the state.
In 2009, the winner of the second season of the TV project “Battle for Respect: Start Today ” (MuzTV) Roma Zhigana was awarded by Vladimir Putin, who at that time held the post of Prime Minister.
So what do scientists do on rap battles?
Support for the format of rap battles found in the scientific community.
Such battles have a different side and audience.
Philologists, for example, analyze rapper texts as a phenomenon of street contemporary culture.
In science, a rap battle is an intellectual competition between scientists who are fighting for the title of the most witty speaker.
In the process of the duel, they manage to cover the most complex scientific issues in a simple and fascinating form.
When the round ends, the audience applauds their votes - this is how it is decided which of the participants will leave the "ring".
Such events in different parts of our country are held by the Russian Society “Knowledge ” in the special project“ The Scientist Speaks ”.
To become a member – online or in person – anyone can.
To do this, you only need an application that can be left on the organization ’ s website.
By the way, it is the participants of battles themselves who form the program of the event and the topic of speeches.
The advantages of verbal fights in modern form were also appreciated by some school teachers.
In their opinion, participation in a scientific rap battle helps teenagers learn to defend their position, expand their horizons and better assimilate complex material.
Also, this informal method of training trains soft skills of students: the ability to establish contact live, listen to the opponent, argue.
Rap in principle can be useful - decided the experts of the Russian Geographical Society.
They released a few rap lessons on geography.
Thus, youth subcultures that had not previously had access to the formal education system penetrated it.
This trend was also noticed and used by experts of the Russian Society "Knowledge", having come up with really boring ways of teaching for young people.
You can get acquainted with their regional projects to popularize science, as well as get gigabytes of useful free information on the website znanierussia.ru.

- **Comment threads:** LJ was known for nested commenting, enabling detailed conversation on posts.

- **User-generated code/customization:** Users could extensively personalize the look and functionality of their journals.

- **User “icons”:** Users had customizable userpics for self-expression, which was rare at the time.

Title:

Content: Advertisement
Russian web series in 2022: what is it and who needs it?
In the summer, the Realist Web Series Weekend film festival took place in Yaroslavl.
Based on the program of the fourth festival of web series, we decided to reflect: how does this format differ from ordinary series and why release it?
The fourth annual web festival of series in Russia Realist began with the statement that the festival “Realist ” in the previous format will no longer be.
As announced by the creator of the show Anton Kalinkin, Realist will instead become a platform for all audiovisual formats lasting up to 24 minutes: “screenshots, even movie studios, web series, Internet series. ”
Web series are still in the conversation, but the festival program raises the question: what is it in 2022?
Ten years ago, the answer to this question was much easier.
Web series originated in the mid-1990s.
And while the format ’ s name primarily referred to their distribution model in the “new Wild West ” called the Internet, it came primarily from the fact that web series did not meet the norms of television production of the era.
Short commercials with amateur vibe and penny budgets markedly different from professional television shows.
The phenomenon really took off only in the next decade with the emergence of video distribution platforms: Friendster, MySpace, and eventually YouTube.
Web series of the 2000s, as a rule, were occupied by two categories of people.
First, young artists, filmmakers and comedians, who finally have an accessible platform for demonstrating talent.
Secondly, the honored professionals who were given the opportunity to work with ideas that were unrealizable on television at that time.
For example, in 2008, the once-geek god Joss Whedon made a web series, Doctor Terrible ’ s Music Blog, that met all the criteria of the format: a small budget, modest production, short episodes of 13 minutes and distribution on the network.
However, there is a special category that combines the first two.
The team of New York filmmakers Waverly Films professionally engaged in commercials (among their clients – MTV, McDonald ’ s and Heinz) and video clips (LCD Soundsystem, Fatboy Slim, Death Cab for Cutie).
In parallel, they posted videos on their channel waverlyflams - shot for three kopecks videos built on crazy concepts and visual gags.
There they made the web series Dinosaur: a repulsed sci-fi saga that begins with a dinosaur chasing a man.
The main character is played by the director of the web series - John Watts, the future director of "Spider-Man" with Tom Holland.
Despite the virtually no budget, Watts already showed confident skills in building action scenes.
A frame from the series “Social networks ”
With a little delay, the web series reached Russia.
Most loudly in the early 2010s were the saga about the drug addict Pavlik and the Sochi “Directly Kakha ”.
And if the first, together with the meme of its own production “Valera, Your Time Has Come ”, was lost in memory, like tears in the rain, then the web series of comedians Artem Karakozyan and Artem Kalaijyan was reborn first in the box-office successful film of Viktor Shamirov, and then in the series for streaming Start.
This is not the first time that large platforms have taken to recycle web series.
The sitcom Abby Jacobson and Ilana Glaser “City Brod ” appeared from the eponymous web series.
“White Crow ” on HBO is actually the autoreboot of Issa Rey ’ s web series“ The Adventures of a Clumsy Black Girl. ”
Oldy, do you remember the videos about the annoying orange?
So he had his own show on Cartoon Network (it lasted for two whole seasons).
Beginning in the 2010s, the line between television and web series began to blur.
With the advent of streaming, large budgets and serious productions flowed into the Internet.
Against the background of this large budget abundance, traditional (if you can talk about any tradition at all) web series have practically disappeared from the discussion.
And how to distinguish them?
Web series are shot with the expectation of screens of laptops and phones, just like Netflix series.
In addition, due to the interconnection of media conglomerates, many projects come out immediately on channels and in streaming.
“Dragon House ”, which simultaneously started on the cable channel HBO and streaming HBO Max, is it a television or a web series?
Americans have solved the problem of definitions in favor of their own convenience: both television series and streaming they call television.
Problems of self-determination did not escape and Russian web series.
The transformation of “Realist ” seems necessary against the background of the competition of the last festival.
A significant part of the presented projects seem to meet the long-standing criteria of web series.
However, even so in the competition got the projects of streaming, which in other conditions no one would call a web series: technophobic anthology of “Social networks ” and production comedy about filmmakers“ Mokumentari ” for Premier, the continuation of the series with Gleb Kalyuzhny “New ” at the Start (the new season was rebranded and is now called“ New ”).
A shot from the series “New ”
Other projects submitted also did not always meet the criteria.
The winner of the festival, the series “Friendzone ”, in its first episode, filmed by brothers Nikita and Fedor Kravchuk, is quite pulling on a full-fledged streaming series: both 20-minute timing, and amazing for such young people professional dexterity.
Not surprisingly, the authors were immediately approached by representatives of several platforms.
Even during the festival, "Friendzone" was available on YouTube, but now it disappeared from there - we are waiting for the series in some form on one of the streaming, where it belongs.
The festival competition did not avoid experiments, but they were held under the aegis of not young authors, but a platform that is desperately trying to occupy a niche.
“VKontakte ” presented two vertical series: the romcom“ Everything is difficult ” and the thrash comedy “Zombie grandfather ”.
The vertical does not mean the structure of the plot of the series, but the position of the frame, familiar to users of the Tiktok or the VKontakte service VK Clips.
Remember those annoying tickles where you need to go to the author ’ s page to continue the video?
Now they are trying to make a separate format.
However, the most interesting program of the competition was when it paid attention not to dubious innovations, but to young talents.
The documentary “Funny Lone Taurus ” by Anastasia Zavadskaya and Vlad Bakhanovich turned out to be slightly damp, but even in this form it is incredibly charming.
In the pilot, the protagonist, a 33-year-old guy of uncertain pursuits, goes in search of all the people who wrote in response to his letter published in Cool magazine.
No less cute came the “Dog ” directed by Andrei Fenochka and screenwriter Lisa Simbirskaya: a very beautiful tragicomedy about a rough translator from Aramaic, who suddenly has the same dog from the name under the door; a new friend must help a man overcome his unsociability.
A shot from the series “Mokumentari ”
The authors of "Law and Disorder" Velimir Rusakov and Vladimir Bolgov - with him they won at Realist-2019 - returned to the festival with "Especially Large": a short, but strong tie, where Tarantino dialogues and social drama coexist.
Stylized for the action movies of the 90s, the series “Tile ” by Alexei Ionov and Andrei Gubenko about the super cool police officer and his faithful sidekick operator gave the necessary splash of visual energy against the background of the relative talking room of the rest of the contestants.
And “Four ” directed by Irina Dorosh and screenwriter Yanina Kostitsyna is a laconic and confidently made horror with Igor Ivanov from the recent“ Off-season ” in the title role.
All these projects show that web series have taken a place for young Russian filmmakers near the short meter – another concise and relatively economical format for demonstrating their talents and practicing the most daring ideas.
And although in the era of overabundance of content, modern web series around the world have almost no opportunity to repeat the success of, say, “Lizzie Bennett Diaries ” – the film adaptation of“ Pride and Prejudice ” in the vlog format (3.4 million views in the first episode) – thanks to their free availability, they still have some audience.
The life of a short meter begins and ends at festivals.
Web series, in turn, are easier to find viewers, and filmmakers get more feedback - an indispensable thing for a young author.
Both in their lives and in the history of the network, web series play a transitional role.
That is why this small element is indispensable in the big picture of the media – even if for the ordinary viewer it remains almost unnoticed.
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Why does one author believe LiveJournal is a superior platform?

- **Growth and Peak:**
By early 2005, LiveJournal had peaked with over 2.5 million active users, especially driven by subcultural communities, fandoms, and personal bloggers.

Title:

Content: The average monthly audience of YAPPY reached four million - RIA Novosti, 18.06.2022
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St. Petersburg International Economic Forum – 2022
The average monthly audience of YAPPY reached four million
© Photo: press service of YappyThe stand of the social network Yappy at the XXV St. Petersburg International Economic Forum
Stand of the social network Yappy at the XXV St. Petersburg International Economic Forum
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MOSCOW, June 18 - RIA Novosti.
The average monthly audience of the YAPPY video platform reached 4 million in June, and by the end of the year, monetization and chat rooms will appear in the application, representatives of the social network said at SPIEF-2022.
According to the press service of YAPPY, the social network deployed a special stand at the forum, where YAPPY ambassadors held daily public discussions with business representatives and partners about the strategic development of digital services and the blogosphere in Russia.
The number of downloads of the Yappy app in the first quarter increased 3.5 times
“Today, influencers have taken on one of the leading roles in the media space.
For many, they are a reliable and timely source of information and an example to follow.
There is one “but ”: just looking at successful guys in social networks is difficult.
I want to repeat this success.
And it can be done in Yappy – a social network for the exchange of experience and interaction of people from different spheres, ” said YAPPY Ambassador Alexander Zarubin in his speech.
Representatives of the network Anna Khilkevich and Anatoly Tsoi also took part in the special youth section "SPIEF Junior".
“To become one of the opinion leaders and monetize your creativity, you only need a gadget and a social network with modern functionality for creating and promoting content.
And the video platform for short videos YAPPY in this regard is one of the most promising products on the Russian market.
I think such applications can become the basis for the development of blogerocentric digital services in our country, ” Hilkevich said in a statement.
On the last day of the forum, the video platform presented a mobile content academy for working with YAPPY Truck influencers on the territory of the Sevkabel Port public space, which will visit five regions: St. Petersburg, Tver, Kazan, Nizhny Novgorod and Moscow.
For each city, YAPPY has prepared a special program with the participation of stars and professional bloggers.
The social network YAPPY (part of Gazprom-Media Holding) is available for download from November 29, 2021.
The platform is designed to watch and create short videos in the format of co-creation and became the first product in the holding to support such a format.
"Gazprom-Media" launched "Russian TikTok" Yappy
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It became especially popular among writers, creatives, and fans of TV shows, books, or music, providing a unique blend of personal blogging and community discussion.

- **Why It Was Different:**
LiveJournal’s blend of individual expression and group interaction, combined with privacy controls, made it an online home for many niches and personal voices, unlike more public or less interactive platforms like Blogger or early WordPress.

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Content: To the joy of CIPSO?
On self-Ukrainization through the Russian culture of cancellation - 16.09.2023 Ukraine.ru
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Culture
To the joy of CIPSO?
On self-Ukrainization through the Russian culture of abolition
© RIA Novosti.
Alexey Filippov / Go to photobankCharity performance "Mowgli Generation" at the Chekhov Moscow Art Theatre
Read in
A year ago, people and organizations that managed to climb the crest of the patriotic wave with the collection of humanitarian aid, donations to the front and information confrontation with the enemies of Russia, were faced with a difficult choice.
But the attention of readers to the events from the front began to fall - the demarcation line stabilized, the density of events decreased, and the SVO became routine.
As a result, resonant topics for materials became much less than at the very beginning of the special operation, when the events raged like boiling water in the boiler.
Ivan Lizan: who onPolitical economist, head of the analytical bureau of the SONAR-2050 project
Once a similar dilemma arose among the leaders of public opinion (LOMs) in the people ’ s republics of Donbass, when a more or less stable truce was established on the front between Ukraine and the LPR and the DPR.
However, then the republican segment of the Internet was small, the practice of subscriptions and donations did not have time to come into vogue, and the topic of Novorossiya was of little interest to the Russian layman - the politicization of the masses reached a qualitatively new level only with the beginning of the SVO.
But time, as you know, is identical to money, especially for bloggers who since the beginning of SVO live in conditions where the main sources are money from their readers, coming in the form of subscriptions or donations, as well as advertising revenues, the size of which directly depends on the audience of the channel and its activity.
But as activity began to fall (and with it decreased the volume of collected donations, and advertising revenues), the income of bloggers began to subside.
They faced a dilemma: to stimulate the audience or to accept a further decline in revenues.
SVO by that time gave rise to a large number of bloggers - LOMs, whose main source of income is the maintenance of their own information resource.
These people, unlike ordinary journalists, researchers or amateur authors, were held hostage to their own audience and greed.
They chose a way to stimulate the audience.
And since the real spectacles became less, they had to invent.
2-million Readovka — an audience that only Nezygar had before the SVO — fights migrants and unpatriotic artists, and also covers heroic local stories from the front.
Homegrown military experts are handing out tips to the Ministry of Defense to combat air and sea drones, and have been drawing arrows on maps with offensives of the parties for more than a year.
Voenkors from the front periodically sin by publishing posts about the loss of settlements, releasing advertising posts after such messages.
Politicians and social activists began to fight with artists and idols of youth.
Not the smartest because of his youth Danya Milokhin, who sang the Ukrainian anthem on the air of one of the streams, became a patriot of Ukraine.
The actor Kozlovsky, who left for the United States, became the enemy of Russia.
As a result, it turned out that Milokhin performed first the Russian, and then the Ukrainian hymns, but the recording of his stream prudently cut off, Kozlovsky went to his child in the break between the performances of the St. Petersburg Maly Drama Theater.
As a result, two defendants have already managed to justify: there is a recording of a stream with Milokhin, Kozlovsky won the court against a public figure who accused him of fleeing to the United States and calling for protests in Russia.
But themes with artists-traitors lived their lives.
On Milokhin, Ekaterina Mizulina is PR, and the crusade against Kozlovsky is led by social activist Vitaly Borodin.
And — it would seem — what does this media struggle have to do with reality?
The problem is that it directly affects her.
As soon as Milokhin returned to Russia, Mizulina expelled him from it, and the series with Kozlovsky do not receive a rental certificate.
At the same time, the case includes the Ukrainian CIPSO, which is happy to sow chaos and discord, and then on the drones that fell in the Crimea find the inscription “Thank you Ani Lorak ”, although she has nothing to do with the attacks.
Cries of betrayal and lack of patriotism in Telegram are always louder than the dry reports of the classical media about the won trial against the next Internet prosecutor.
Plus, such stories are the self-Ukrainization of Russian society as borrowing the practice of endless search for internal enemies and deepening schisms that has become the norm in Ukraine.
In fact, the domestic turbo patriots, through their struggle with insufficiently patriotic artists and citizens, gave rise to a Russian culture of abolition, as senseless and merciless as the American one.
Farewell, "Vernissage" relokantov and traitors!
From Russia - with hatred, and to Russia - never!
The songs performed by Laima Vaikule will no longer be played on the radio in Russia, and her performances on Russian television are cut from all programs.
However, should the artist meet the criteria of patriotism blogger from Telegram? Hardly.
First, this blogger can be, as the main educator of the Runet Dmitry Puchkov likes to say, a juvenile moron, and this state, as you know, is not about age, but about the state of mind.
Secondly, he may be a recent political emigrant from Ukraine, who has not overcome the neophyte complex, forcing him to be more patriotic than President Putin and Foreign Minister Lavrov combined, although no one asks him to do so.
Third, who gave the individual LOM the right to establish the criteria of patriotism?
In general, Kozlovsky is not obliged to comply with our ideas of patriotism, Ani Lorak is not obliged to help the Armed Forces of the Russian Federation.
Such behavior, of course, is socially encouraged, but its absence is not a crime - their exhaustive list is set out in the Criminal Code of the Russian Federation and can not be arbitrarily expanded.
And it is not necessary to have illusions that the LOMs of Telegam are practicing in a culture of cancellation for reasons of conscience - there are only a few of them there.
In the vast majority of cases, the activities of turbo patriots are aimed at increasing attention to themselves and their projects from the audience, which allows you to keep advertising revenues and the flow of donations at an acceptable level.
As for artists, it is necessary to understand that they are a specific people – their inertia of thinking is stronger than that of a politicized minority, but it is already reaching them.
Pavel Derevyanko, supported in 2021 the protests of Alexei Navalny, recently arrived in the DPR, and Roma Beast gave a concert in the NWO zone.
Whether they are sincere or not, it doesn ’ t matter.
It is important that they do not violate the norms of the Criminal Code, and their work does not have an anti-state orientation.
They do not have to be more patriotic than the late Yevgeny Prigozhin.
Checking the facts, observing the norms of the current legislation, and simply following the biblical norm "Do not judge, and you will not be judged" should become the norm of our life.
The same obligation applies to politicians and public figures, although they pretend that this does not concern them.
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- **Decline in Popularity:**
Several factors led to its decline:
   - **Rise of New Platforms:** MySpace, Facebook, Tumblr, Twitter, and later Instagram drew users away with sleeker designs, mobile compatibility, faster update cycles, and more intuitive sharing mechanisms.

- **Ownership Changes:** LiveJournal was sold to Six Apart in 2005, and by 2007, a Russian company (SUP Media) took over.

Changes in policy and management, especially a focus on the Russian market and controversial content moderation decisions, alienated many English-speaking users.

- **Technology and Design:** LJ’s aging codebase and lack of adaptation to mobile and modern social norms made it less appealing compared to rapidly-evolving competitors.

- **Cultural Shifts:** As internet culture moved toward rapid, public sharing and viral content, LJ’s emphasis on longer, semi-private posts seemed out of step.

- **Legacy:**
LiveJournal shaped online social community norms and foreshadowed social network functionality.

Some famous users (like George R. R. Martin) and many fans and writers still keep it alive, but its golden era as a central hub for English-language online conversation ended more than a decade ago.

**(Character count: ~2,390 with spaces)**

After Russian users could no longer use foreign social networks, where did they post their blogs?

How is a writer on LiveJournal ostensibly rated reliable?

What are the disadvantages of LiveJournal according to one Russian blogger?

What does one user believe LiveJournal to be in Russia?

What happened with foreign social networks after the start of the Russian military operation in Ukraine?

Why does one author believe LiveJournal is a superior platform?

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### LiveJournal: History, Uniqueness, and Decline – Key Points

**1.

Title:

Content: Tuesday 12 July 2022
Prayer times
News Highlights
Today 's Issue
Today 's Issue
A culture
Literary creativity between paper and digital writing
Literary creativity between paper and digital writing
July 12, 2022 00: 14
Fatima Atfa (Abu Dhabi)
After thousands of years of writing on clay, walls, paper, and paper, the digital language has opened up the world to anyone who wants to see what comes to mind written in front of him, decorated with his name and displayed for reading and discussion, admiration or neglect.
On the issue of literary creativity in particular, the disadvantages of electronic writing may seem more than paper, because paper publishing is usually evaluated in terms of depth, content, skill of expression and language integrity.
Those who write on websites may not meet these conditions, as they may write what they want, without a supervisor or a publishing censor, and therefore may not give the evaluation of others from the surfers of his words any interest or consideration.
Quality of content
In this context, the writer Mohammed Shoaib al-Hammadi says: The paper book has a glow and excitement and a kind of interdependence between the writer and the book, because the creative process enters into several stages, including the initial writing by hand, and then turns into a draft, for review, correction and revision, and then into a manuscript that the writer often participates in.
With critics or friends to give their opinion and take advice, and then go to publishing houses, which in turn work on the direction and design before printing.
Al-Hammadi added: Despite all that journey, and its hardship, effort and time, but it is fun, and in the end it heralds a new creative birth for the writer who worked and rewrote the writing several times, and so the book maintains the quality of meaning and building at the same time.
Some may think that digital writing shortens the distance, spreads faster, and is accessible to everyone.
They may, to some extent, have a right to what they go for, but I see that she misses the real pleasure of the journey I mentioned.
On the other hand, digital writing, while easier and faster to spread, may lack refinement and the strength of the literary and linguistic structure.
We do not deny the virtue of the Internet in publishing literature, but I prefer the paper book, and it is okay to use technology to turn the paper book into an audiobook or electronic book, but the paper book remains an indispensable treasure.
Culture of the writer
On the subject of literary creativity between paper and digital means, the academy says.
Fatima Al-Maamari: Writing is writing, whether it is written on paper or written through electronic platforms, but the difference is reflected in the quality of literary creativity and is a fruit of the skills and culture of the writer himself.
Writing in cyberspace may affect the level of expression, because it is available to everyone, which may enable those wishing to use this medium to publish their experiences and immature writings, but this does not necessarily mean that there are no books of literature with weak culture in the light of increasing commercial publishing.
According to dr.
Al-Maamari pointed out that the central issue in creative writing, from her point of view, is not limited to the location of her presentation, but what the writer needs from guidance, criticism and training in order to be able to master valuable and influential creative content.
Writing for the Future
The novelist Anne Safi has her own experience in this field, saying that written creativity is the fruit of human civilizations.
When the inscriptions began with symbols and drawings on stone, bone and trees, and then the papyri, it was from the human wound recorded in accordance with the data of his time.
Later, with the ability to write in ink on paper, we find that the tools of the era brought us new concepts to present the creative achievement through books, newspapers and magazines.
In the current era and its electronic tools, in the era of the digital revolution, which comes as an advanced stage of the era of the image with different means, this has contributed to the dissemination of what is related to the worlds of creativity easily and easily.
This does not detract from the value of paper writing at all, and perhaps it is all that digital spaces are a new field of writing, and the recipient may be anyone, from anywhere, at any time, present or future.
Al-Safi confirms that she is interested in the project of writing for the future with the data of the era and tools and the new issues, and has confidence to employ these tools, and the writer must find their applications what is interesting and purposeful as well.
Referring to her experience and project in writing for the future, she said: There are age groups, which are the largest segment in our region, aware of the data of the era and its impact and follow them eagerly, especially as these experiences open doors to creators in general, and in particular to the generations of today and tomorrow.
All rights reserved to Al Ittihad Newspaper 2022 ©

After Russian users could no longer use foreign social networks, where did they post their blogs?

Origin and Development**
- **Creator:** Brad Fitzpatrick started LiveJournal as a project for himself—a journaling application—before realizing its potential as a social platform for others.

Title:

Content: Experts warn of the "dangers" of social media celebrities for young people and teenagers
2020-05-31T08: 17: 25 + 00: 00
Social experts warned of the dangers caused by influencers and celebrities in social media sites, and the possibility of negative repercussions on adolescents and young people.
According to Sky News Arabia, the idealized image of their lives by influencers, which is characterized by opulence and richness, distorts the awareness of young people and adolescents and drives them to seek ways to achieve rapid fame and wealth.
Social influencer, a profession that has emerged in recent years thanks to social media, which has opened the doors of fame to ordinary people distinguished by showing their private lives, which are characterized by luxury and luxury, you see influencers in private planes or yachts or wander while traveling in luxury cars wearing expensive clothes.
This idealized image that influencers paint of themselves is used as a way to market products.
The quick fame and wealth achieved by influencers have lured many young people, according to experts, to either enter the field or seek a quick profit without much effort.
Far from distorting the awareness of young people, studies indicate that many videos of extravagance and boasting, generate in the hearts of viewers resentment for not being able to keep up with what they see, and their sense of bad luck, which completely turns their thinking to how to imitate them, and reach this level regardless of the method.
In this context, the content maker, Sarah Al-Khasawneh, during her intervention on the program "Al-Sabah" on "Sky News Arabia", explained that 80% of what content makers provide on social networking sites about their lives is realistic, and the remaining percentage may include some exaggerations.
Individuals who achieve fame on social media seek to produce content that attracts the attention of the audience.
The effects of what content makers do on the audience are significant, and can vary between negative and positive effects.
Interaction with this type of content varies according to the different individuals themselves, with some content intended to give viewers the opportunity to experience certain aspects of luxury or explore luxury cars.
The 80% of successful content creators are those who seek to be closer to the follower and who publish a real life.
Producing quality content requires a lot of effort and time, as well as thinking carefully about developing engaging and useful content.
Monitoring feedback on content posted on social media is an essential step for content producers to understand audience engagement with submitted material and receive valuable feedback that can be harnessed to improve future work.
Lifestyle content creators on social media are a small category, due to the growing awareness of followers who carefully select the material that best suits their interests.
Human development consultant and life skills coach Lana Qaati stresses that individuals are generally unable to ignore the effects of celebrity content on their accounts.
It turns out that young people and adolescents may be the most vulnerable to these effects, adding: "Changes in brain programming occur once you convince yourself not to be influenced by the content of social media celebrities, such as images of ideal life or travel and other things related to daily life.
In the long run, this approach can have a negative impact on the psychological state of individuals. ”
“What is being shared on social media can change the habits of communities and have a tangible impact on children and adolescents as they gradually begin to adapt to a new lifestyle. ”
Content creators are creative people who produce new and interesting content.
As content becomes more popular and audiences interact with their industry, they are more likely to earn a lucrative income and consider what they do a well-paid profession.
Banning a celebrity ’ s social media account is not an effective solution, given the availability of other platforms through which the account can be followed.
The government and parents need to take action to monitor content that teens follow.
Stricter rules could be imposed on social media platforms to ensure that content that is inappropriate for certain age groups is not displayed, rather than just blocked.
Shafaq Live
Shafaq Live
Radio

- **Evolution:** Initially designed to keep in touch with friends, Fitzpatrick expanded LiveJournal into a website anyone could use, fostering a digital community around personal blogging.

Title:

Content: Hassan al-Amin: My goal is to communicate information and does not take my mind the number of « likes »
Tripoli - Al Wasat Gate: Abdel Salam Al Fiqhi Friday 17 June 2022, 12: 02 pm
Information technology has imposed its own impact on the taste of the recipient, and accordingly shapes his cognitive behavior based on its content and the technology used to address it, according to the age group and its interests.
In accordance with this rapid succession of modernity and its manifestations, social networks represented another wing of communication portals that began as a window for acquaintance so that the recipients of information have a free space to express ideas and write in their general cultural dimension. We have seen many personal and public pages expressing the views of their owners, but they participate in the search for information and dissemination for benefit. Talk and talk about what ’ s being published.
Throughout its five years, the Libyan shed represented an important Facebook model, which managed to attract a large number of readers, because it is based on the investment of most of the tracks of literary journalism « news, follow-up, dialogue, etc. », and presented in the form of daily meals without much complexity, to learn more about this trip was the meeting with its founder and general supervisor of media and journalist Hassan Al-Amin.
How do you assess the five-year experience?
When I started the project, I didn ’ t have a “project ” in mind.
I just wanted to open an account to share my reading with friends.
The penthouse grew up and received the satisfaction, acceptance and support of friends and followers.
Today we celebrate her fifth year, and I am satisfied with her career and performance.
However, the process of evaluation and development is an ongoing one.
• Facebook has its pros and cons, to what extent has the negative impact on the level of quality of performance?
Facebook is technically, technically and administratively different from websites.
Facebook is a space outside the control of the blogger and publisher and this is often confusing and may even lead to the closure of the page.
Also, publishing on Facebook has its limitations in terms of artistic output, and this also does not often give you the opportunity to control and diversify the output of the material in the way you want.
Some readers hope to turn it into paper.
Do you have a vision in particular?
Yeah, that's not just an option.
We started to prepare for it.
And this is very important.
The Facebook page may disappear at any time for a number of reasons.
And the archive and everything I've done over the years is lost with it.
• Experimentally, you have a relative judgment about the nature of topics that appeal to the reader ’ s mood, and does this help to shape the future of editorial policy?
The mood of the reader - everywhere and at time - is influenced by many factors.
The taste is diverse.
It is difficult to make absolute judgments here.
Each type of creative has its own fans and followers.
The penthouse is followed by various readers.
In general, the preference is not necessarily for the creative type but for the content itself, whatever its type.
How do you evaluate the language of numbers in terms of quantity and interaction?
The numbers do not necessarily reflect the actual size of the follow-up.
There are large numbers who are not in your friends list or followers, but they enter your wall and look at your posts..
It is therefore difficult to determine the true extent of the follow-up.
On the other hand, I don ’ t really care about numbers and I don ’ t think about the number of likes and comments.
My goal is to deliver information.
And if some of them come and get it, that ’ s satisfying.
However, I would say that the penthouse has a very high and distinguished follow-up.
• You receive a lot of materials and it puts pressure on individual work, and may affect the quality of performance?
Oh, that's right...
As I said before, I have been working on the penthouse ever since I started out on my own.
I didn ’ t even bring in the “Libya of the Future ” team.
And this, especially after the penthouse has become a high follow-up, is not a correct situation..
He really needs a team.
But I still insist on going alone because the shed is “me ” and I want it to remain mine and bear my fingerprints.
It is important to say here that I am very grateful to many who contact me either to alert me to a particular post or to send a post or to draw my attention to an error..
And it happens all the time.
Thanks to them all.
Have you ever thought about stopping, and why?
Many times...
I remember that in moments of frustration, I reached out to the poet Ramez al-Nuwaysari and told him: "I have a pension.
I think about locking the shed or handing it over to others, ” the thought of stopping usually comes to me when I ’ m under a lot of pressure.
I, along with the shed, oversee the Libya of the Future website, and it is a daily job.
I also continue my human rights activism through the Platform Coalition for Human Rights.
In the end, we would not have continued without the support and encouragement of friends and followers.
We will do our best to keep the penthouse growing, developing and delivering everything that is important, useful and enjoyable.
• Have you received offers from institutions or individuals for support and development, or adoption of this project.
And how did you look at those suggestions?
It happened to people and institutions.
And that's certainly heartening.
But the independence of the shed is important to us.
We will not accept any conditional support that would limit our independence.
• Stopping syndrome is still relevant to any cultural project.
“Do you have any idea how to overcome this problem? ”
Oh, yeah, yeah
Especially when we ’ re talking about Facebook.
As I mentioned earlier, Facebook platforms can sometimes be shut down even with “malicious ” messaging.
It ’ s always stopped, and for a number of reasons.
Some of these reasons may sometimes be beyond your control and you can ’ t do anything about them.
But it is important that we trust ourselves and persevere and strive to continue.
• Having a large percentage of interaction eliminates the negative perception in the absence of the reader, it is not about not wanting to read?
I think the reader is there.
But this reader doesn ’ t necessarily like or comment, and I know many who follow our posts regularly but don ’ t.
We know that originally it was "read" and not "comment," and this is what we are interested in.
From the weekly issue of the Middle East newspaper.
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More from the middle gate.

What Made LiveJournal Unique**
- **Friendship and Interaction Features:** Unlike many early blogging sites, LiveJournal centered on building “friends lists.” This allowed users to easily read and comment on friends' entries, blend public and private journals, and filter who could see certain posts.

- **Community Building:** Users could create and join themed communities.

Title:

Content: Experts warn of the "dangers" of social media celebrities for young people and teenagers
2020-05-31T08: 17: 25 + 00: 00
Social experts warned of the dangers caused by influencers and celebrities in social media sites, and the possibility of negative repercussions on adolescents and young people.
According to Sky News Arabia, the idealized image of their lives by influencers, which is characterized by opulence and richness, distorts the awareness of young people and adolescents and drives them to seek ways to achieve rapid fame and wealth.
Social influencer, a profession that has emerged in recent years thanks to social media, which has opened the doors of fame to ordinary people distinguished by showing their private lives, which are characterized by luxury and luxury, you see influencers in private planes or yachts or wander while traveling in luxury cars wearing expensive clothes.
This idealized image that influencers paint of themselves is used as a way to market products.
The quick fame and wealth achieved by influencers have lured many young people, according to experts, to either enter the field or seek a quick profit without much effort.
Far from distorting the awareness of young people, studies indicate that many videos of extravagance and boasting, generate in the hearts of viewers resentment for not being able to keep up with what they see, and their sense of bad luck, which completely turns their thinking to how to imitate them, and reach this level regardless of the method.
In this context, the content maker, Sarah Al-Khasawneh, during her intervention on the program "Al-Sabah" on "Sky News Arabia", explained that 80% of what content makers provide on social networking sites about their lives is realistic, and the remaining percentage may include some exaggerations.
Individuals who achieve fame on social media seek to produce content that attracts the attention of the audience.
The effects of what content makers do on the audience are significant, and can vary between negative and positive effects.
Interaction with this type of content varies according to the different individuals themselves, with some content intended to give viewers the opportunity to experience certain aspects of luxury or explore luxury cars.
The 80% of successful content creators are those who seek to be closer to the follower and who publish a real life.
Producing quality content requires a lot of effort and time, as well as thinking carefully about developing engaging and useful content.
Monitoring feedback on content posted on social media is an essential step for content producers to understand audience engagement with submitted material and receive valuable feedback that can be harnessed to improve future work.
Lifestyle content creators on social media are a small category, due to the growing awareness of followers who carefully select the material that best suits their interests.
Human development consultant and life skills coach Lana Qaati stresses that individuals are generally unable to ignore the effects of celebrity content on their accounts.
It turns out that young people and adolescents may be the most vulnerable to these effects, adding: "Changes in brain programming occur once you convince yourself not to be influenced by the content of social media celebrities, such as images of ideal life or travel and other things related to daily life.
In the long run, this approach can have a negative impact on the psychological state of individuals. ”
“What is being shared on social media can change the habits of communities and have a tangible impact on children and adolescents as they gradually begin to adapt to a new lifestyle. ”
Content creators are creative people who produce new and interesting content.
As content becomes more popular and audiences interact with their industry, they are more likely to earn a lucrative income and consider what they do a well-paid profession.
Banning a celebrity ’ s social media account is not an effective solution, given the availability of other platforms through which the account can be followed.
The government and parents need to take action to monitor content that teens follow.
Stricter rules could be imposed on social media platforms to ensure that content that is inappropriate for certain age groups is not displayed, rather than just blocked.
Shafaq Live
Shafaq Live
Radio

This enabled focused discussions—ranging from fanfiction to political debates—mirroring later social media groups.

Title:

Content: Electronic Donkey
28-08-2022
Electronic Donkey
1
When a farmer ’ s donkey burns and does not want to walk behind him to the mill, he extends a bouquet of hashish to him and follows him. Whenever he burns, he gives him a bite of the bouquet and follows him until the donkey reaches the mill and is still hungry: this is how the mind of social media addicts works on electronic excitement, as they feel more emptiness and hunger after each bite. It is more than the precious and the abnormal or the liar more than the right, because the size of the emptiness and boredom of the individual is determined by the time he is on the platforms of communication, except those who manage the platforms and collect their money from their consumers, such as the supermarket: you enter to take the object you want and get out of it loaded with things you did not want …
2.
The irony is that the global communication platforms have become the identity of consumers more than their national card (identity), after the presence of people virtual more than real, and the personal page is what paints the image of the individual colorful in front of the rest of the consumers, a virtual representation may appear dog seven, cow butterfly, fish eagle, fish, turtle rabbit and worm hermit, until the world is like a fake forest may punish you If you show the truth about their beings and remove their masks for violating privacy!
After the writers and actors were the ones presenting the play on the stage, the audience wrote and represented it, where the majority of women imitate the artists and present their image as a mixture between the Virgin Mary and Marilyn Monroe in their morning and evening publications, while men present themselves as poets, sages and artists. A judge, a reformer, a psychotherapist, a broadcaster, a coward, a bully, a religious, a seductive star, a poet, a healer of cosmic energy, with a lot of beggars, swindlers and harassers of course, until the specialties were copied and the people listened to the most popular and not the most familiar with the subject.
The second paradox is that the official institutions have become hostage to trends and the obsession of the public, where they try to appease him with mostly failed movements, despite the army of specialists they use, the fake pages they launch, and the money they use to buy the most influential pages, even now the ministries are establishing their pages and address their citizens on the means of communication on the terms of the owners of multinational platforms.
The third paradox is that the international media is using fragmented or composite videos and the comments of the virtual audience on the event and focusing on those that suit the policy of their funders at the expense of the truth!
3.
The best book I ’ ve ever read about the future we live in today was Zbigeno Brzezinski ’ s Between Two Ages: American Strategy in the Technotronic Age (1969), translated into Arabic in Beirut in 1982, which heralded the formation of a new American-led world order. At the end of the last century, its impact reaches us after a quarter of a century, because our modernity and secularism are always late, and we are going to the place that other nations have surpassed, because of the mobile loads of our culture that are located deep in the heads of our citizens and hinder our progress.
Paper media began to decline in favor of electronic media at the beginning of the third millennium, and we notice the leakage of our paper readers to websites, where they can get the news at the moment of occurrence, and can express their opinion about it...
During the first five years, a few Syrian sites were established, including my site (camel), and our proliferation necessitated the establishment of an information security branch, and its role was negative towards those who did not obey their directives, as well as the role of the Ministry of Information was negative and not keeping pace with development, up to the beginning of the Syrian war, where these sites were divided between supporters and opponents of state policy. Slowly, it disappears as its funding was dependent on advertising, and its audience began to shrink after the second year of the war, as our readers moved to Facebook and Twitter and turned into journalists and analysts!
Since there is no value to writing without readers, writers and journalists have been forced to catch up with their audience to add all nations, but under other conditions, it may be democratic and contribute to enriching the dialogue, but it has lost prestige and reduced the courage of writers to say what does not agree with the desire of the audience, which has implicated some of them in the vice of social hypocrisy and not dare to put forward revolutionary ideas that are incompatible with the culture of society!
When the goal of admiration of the recipient does not enlighten him weakens the presence of the truth and the movement of renewal slows down and shrinks the space of knowledge in a consumer society inclined to easy, fast and free food at the expense of feeding the book, which needs long time and deep thinking, and the electronic consumer knows something about everything but is not competent in anything!
4
Everyone is addicted to something, but there are people who are more addictive than others and most of the social media audience is.
Some psychological studies talk about the manifestations of electronic addiction, the first of which is (FOMO), that is, the person who fears to miss something, follows events and people around the clock and does not miss the opportunity to attend and virtual participation in them to appear as the actor, solidarity or rejection and bully. He may bully others not because of their mistake, but because they are more exposed and famous than them.
Studies add that hours of social media attendance are associated with a person ’ s level of social isolation, depression, jealousy, and poor self-esteem.
Of course, the Arab autocratic regimes, which marginalized the individual for centuries, are the first cause of exaggerated ego inflation on the media, where rejection of internal policies makes the individual feel important regardless of the correctness or error of these policies (I oppose, so I exist). But it has not been able to improve his morals and his life, because it is institutions, not e-cafes, on which powerful countries are built.
5.
It is undeniable that social media has constituted a new shift in human civilization, but in the Arab countries, which use the means of progress to promote backwardness, it has contributed to the development of jealousy, envy, lust, cheating, hypocrisy, betrayal, rebellion, extremism, terrorism, fluidity, abnormality and poor communication with the family. This is therefore unemployment and poor productivity of society, strengthening the band and spiritual alienation and poor self-confidence and a lot of bad things in exchange for a few good things such as the display of intelligence and giving, and there is no cure for it so far, where the advice of preachers seems old and funny, and the presence of writers, researchers and thinkers weak, because the human soul tends to ease and relaxation and freedom from moral restrictions. We have already seen some of its applications in the events of the (Arab Spring), where its electronic coordination committed all the above evils under the slogan "war is a trick" relative to the hadith attributed to the Holy Prophet, although the apostles should not deceive or lie or even fight as long as the sender is not a liar or deceiver as the divine logic assumes, and thus the owners of social networking shops have lost consumers whatever their race or their religion or political orientation.
Returning to Brzezinski ’ s theory of e-ethics, I mention a story of young people that I read in Superman magazine in the 1970s, where he wrote it, printed it, and published it for us by the Egyptian brothers, in addition to the magazines “Mickey ” and“ The Bat ” American …
The story follows Superman ’ s journey to Krypton, where he was born, after a recording leaked in which the cutest of Superman ’ s father says to his mother: “We ’ re about to commit our best crime, Lara! ”
This prompted Superman to travel in space to find out the truth, as he carries an earthly concept of morality and commandments.
When Superman intervened to protect a Kryptonian citizen from a gang that caused a fight and saved the victim by smashing a glass window, the police came and interrogated him. After he recounted the incident and confessed to smashing the front of the shop and repelling the bad guys, he was sentenced to prison for telling the truth and not lying, in addition to the charge of obstructing the work of criminals. You say, "Lie, steal, kill"?
Indeed, American cartoons were based on the same vision in which Brzezinski spoke of our time, where the prostitute is a star, the coward is a hero, the pimp is an example, the thief is an investor and the homosexuals are the exception...
All of this confirms a new pattern of ethics, customs and cultures with their leaders, prophets and traders as the planet recovers towards its initial blindness.
On the margin: The beautiful woman said to her husband the writer: You want to give me the idea of   a post that breaks the world!
He looked at her calmly and said, “Write, I will kill my husband this evening. ”
She did not lie news and published on her page what her husband, the writer who wanted his virtual death to stop writing in a country that does not read as much as you browse and entertain.
Of course, the wife ’ s announcement on Facebook impressed thousands of commentators, including some of the author ’ s owners who put “I love him ” and even one of Meridiya commented“ I support him! ”
Nabil Saleh

- **Privacy Controls:** LiveJournal pioneered customizable privacy settings.

Title:

Content: Will technology turn our media page?
T + T - normal size
According to the media consultant dr.
A paradox that many people don ’ t pay attention to is that whenever new technology is introduced, the media evolves and not the other way around.
He gave the example of a fax when it was invented by the rise of news agencies (in the absence of the Internet).
When Gutenberg invented the printing press in Germany around 1440, a new dawn broke in the printing world, and with it humans were later able to publish paper newspapers that were the nucleus of our modern media.
When the radio appeared, radio stations proliferated, and with the introduction of the silver screen (television) to our homes, the media flew towards vast horizons of media richness, culture and visual entertainment.
In short, what we enjoyed on paper was seen on the screen.
I agree with dr.
Speaking yesterday at an Arab Media Summit in Dubai, Yasser said the same thing happened when the Internet was invented, as it contributed to the prosperity of online journalism that some veterans of traditional journalism fought or underestimated.
However, electronic journalism has withstood regional awards and is no less good than paper.
Thanks to the Internet, news details and updates were available around the clock, which was not available on paper.
With the advent of smartphones, there has been an incubator for media applications, news notifications have reached our pockets, and social media has found a way to follow us in the news and events as they occur.
The X stands for “What ’ s going on around you? ”
It is a question at the heart of journalistic work.
People want to know the event when it happens.
Not only that, but X has a feature in which we can limit ourselves to news or hashtags that occur in our geographic surroundings only (such as our neighborhood or the city where we work).
For the first time in history, ordinary people have experienced the pleasure of being a journalist, which we experienced as journalists in our beginnings.
When satellite broadcasting technologies developed, television channels found a window of opportunity to reach remote areas that had not been reached by local transmission.
This is all about the viewers ’ choices.
Behind this was undoubtedly the invention of satellites, which was the backbone of the transmission of news and events from around the world in record time and made it easy to transmit news from the battlefield and the event.
When scientists surprised us with the development of virtual reality (VR) technology, the media could enter a new era of live interaction, where the audience can immerse themselves in the event in 3D, adding a new dimension to the media and entertainment experience.
When video on demand (VOD) technologies, such as Netflix, YouTube, Shahid, and Kuwait TV 51, emerged, viewers could choose what they liked to watch, without committing to a time limit, as has been the case for decades.
A joke that some wished to pause television at bedtime became a reality, as one could complete one ’ s media and entertainment programs at any time later.
With the advent of live-streaming technologies, such as Instagram Live, Facebook and others, people were able to broadcast live to a large global audience, real-time interaction was possible.
We no longer need permission from the Ministry of Information to broadcast video in sports stadiums and public squares.
With the advent of blogging platforms such as Blogger and WordPress, individuals can also express their opinions and “citizen journalism ” has emerged.
3D has developed films, television production and electronic games.
Even artificial intelligence, which has been warned by specialists to destroy many media professions, has become a fountain of knowledge, wording and vocabulary that enhances the performance of the media.
Even the drones, who expected that they would enrich the Cameraman, became a small intensive course that would give him amazing skills in covering the event from higher angles that could not be reached by man alone in moments.
Even the automation of journalism, such as the use of robots to edit pieces of news, has actually accelerated news writing and improved the efficiency of the newsroom.
Technology will never cease to amaze us, and those who treat it like a hanger will not succeed in developing our media, let alone retaining what remains of their creativity.
Email

Posts could be public, private, or viewable only by chosen friends or groups.

- **Interactivity and Feedback:** The platform encouraged regular comments, discussions, and even collaborative writing, making it feel closer to a shared diary or forum than a traditional blog.

Title:

Content: Experts warn of the "dangers" of social media celebrities for young people and teenagers
2020-05-31T08: 17: 25 + 00: 00
Social experts warned of the dangers caused by influencers and celebrities in social media sites, and the possibility of negative repercussions on adolescents and young people.
According to Sky News Arabia, the idealized image of their lives by influencers, which is characterized by opulence and richness, distorts the awareness of young people and adolescents and drives them to seek ways to achieve rapid fame and wealth.
Social influencer, a profession that has emerged in recent years thanks to social media, which has opened the doors of fame to ordinary people distinguished by showing their private lives, which are characterized by luxury and luxury, you see influencers in private planes or yachts or wander while traveling in luxury cars wearing expensive clothes.
This idealized image that influencers paint of themselves is used as a way to market products.
The quick fame and wealth achieved by influencers have lured many young people, according to experts, to either enter the field or seek a quick profit without much effort.
Far from distorting the awareness of young people, studies indicate that many videos of extravagance and boasting, generate in the hearts of viewers resentment for not being able to keep up with what they see, and their sense of bad luck, which completely turns their thinking to how to imitate them, and reach this level regardless of the method.
In this context, the content maker, Sarah Al-Khasawneh, during her intervention on the program "Al-Sabah" on "Sky News Arabia", explained that 80% of what content makers provide on social networking sites about their lives is realistic, and the remaining percentage may include some exaggerations.
Individuals who achieve fame on social media seek to produce content that attracts the attention of the audience.
The effects of what content makers do on the audience are significant, and can vary between negative and positive effects.
Interaction with this type of content varies according to the different individuals themselves, with some content intended to give viewers the opportunity to experience certain aspects of luxury or explore luxury cars.
The 80% of successful content creators are those who seek to be closer to the follower and who publish a real life.
Producing quality content requires a lot of effort and time, as well as thinking carefully about developing engaging and useful content.
Monitoring feedback on content posted on social media is an essential step for content producers to understand audience engagement with submitted material and receive valuable feedback that can be harnessed to improve future work.
Lifestyle content creators on social media are a small category, due to the growing awareness of followers who carefully select the material that best suits their interests.
Human development consultant and life skills coach Lana Qaati stresses that individuals are generally unable to ignore the effects of celebrity content on their accounts.
It turns out that young people and adolescents may be the most vulnerable to these effects, adding: "Changes in brain programming occur once you convince yourself not to be influenced by the content of social media celebrities, such as images of ideal life or travel and other things related to daily life.
In the long run, this approach can have a negative impact on the psychological state of individuals. ”
“What is being shared on social media can change the habits of communities and have a tangible impact on children and adolescents as they gradually begin to adapt to a new lifestyle. ”
Content creators are creative people who produce new and interesting content.
As content becomes more popular and audiences interact with their industry, they are more likely to earn a lucrative income and consider what they do a well-paid profession.
Banning a celebrity ’ s social media account is not an effective solution, given the availability of other platforms through which the account can be followed.
The government and parents need to take action to monitor content that teens follow.
Stricter rules could be imposed on social media platforms to ensure that content that is inappropriate for certain age groups is not displayed, rather than just blocked.
Shafaq Live
Shafaq Live
Radio

How is a writer on LiveJournal ostensibly rated reliable?

Title:

Content: 30 years to start.
That ’ s how the web has turned around the world!
| Politics and Economics | In-depth analysis with a broader perspective than DW | DW | 30.04.2023
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30 years to start.
That ’ s how the web has turned around the world!
Tired of the difficulty of communicating with researchers at CERN in Geneva and with others around the world, a young researcher came up with the idea of   creating a spider network to communicate, marking the birth of a revolution in the world of the Internet.
Since that day the world has changed and it has become a “one room ”.
Thanks to the World Wide Web (WWW) technology, the world has been connected.
1989 was a year of changes and transformations, and one of those transformations was in the mind of Tim Berners-Lee.
The physicist, who worked at the world ’ s most famous research center, at CERN in Geneva, was disturbed by the well-known chaos of information exchange between different institutes and many working teams and projects.
As a solution, he had the idea of developing a digital information network through which scientists could communicate and exchange information.
The scientist, who was 34 at the time, wrote the concept briefly.
His boss at the center wrote the following comment about his idea: "Vague but exciting."
Nothing happened at first, but Berners-Lee kept thinking, and the various parts of the World Wide Web began to take shape: Internet links known as URLs, HTML to describe and program web pages, HTTP protocol, and finally there should be a recipe for a web browser.
Thirty years ago, CERN researchers launched the World Wide Web (www) on April 30, 1993, and the Internet began to spread dramatically, and web technology has changed little since then.
An encyclopedia covered with dust.
Today you have to explain to your thirteen-year-old daughter that even at that age we did not know the Internet or smartphones.
Instead of shopping downtown, ordering online is now just simple steps.
Brockhaus ’ books are on dusty shelves, and instead Wikipedia, which is open to everyone, is the starting point for anyone wanting to quickly “read ” information about the French Revolution of 1789 or even the invention of the Internet.
Anyone looking for an apartment is no longer browsing the daily newspapers, but they find a lot of ads on the web pages.
But sometimes confusion, or at least the flow of information, is a negative for digital networks.
In principle, all people can advertise and publish their opinions, ideas, products, goods and visions on the Internet - this is the origin and idea of   its function.
Tim Berners-Lee at CERN
Although search engines like Google or DuckDuckGo rank and “filter ” endless fields of information, behind large digital organizations like Google, Apple, Facebook, Amazon, and Microsoft, there are global companies that primarily pursue their profit interests.
Tim Berners-Lee could have patented his World Wide Web technology, but he deliberately chose not to.
The pursuit of profit finally stood in the way of his ideal of the free exchange of information without profit.
Reaching the Next Stage: Artificial Intelligence
Today the next level has just emerged within the internet, namely artificial intelligence (AI).
After 30 years of the internet, does ChatGPT represent the future of the internet?
“As a language model based on artificial intelligence, I can ’ t say with certainty that ChatGPT is the future of the internet, as the future of the internet depends on many factors and is constantly changing.
However, there are some characteristics of ChatGPT and similar AI models that have the potential to influence and transform the Internet, ” said ChatGPT ’ s AI ’ s answer for itself when asked by the DW editor.
However, it is important to note that AI models also bring with them ethical challenges, such as privacy, transparency and accountability.
ChatGPT can write texts that seem coherent in terms of content, but the sources remain unknown.
Unlike Tim Berners--30 years ago, his first website had a rather technical and challenging title: http: / / info.cern.ch / hypertext / WWW / TheProject.html.
Sir Tim Bernes-Lee
The paper encyclopedias disappeared and Wikipedia appeared.
WorldWideWeb (W3) is "a large-scale information access initiative aimed at providing universal access to a global number of documents, multiple texts can be found linked to each other, texts that contain links to other texts."
Hence the data network that the world today cannot do without.
If you have any questions or curiosity about the beginning of the Internet, you can visit the first publicly available website in the world and there is still information about the people involved in the project.
There you ’ ll find Tim Berners-Lee, who has since been knighted, the 34-year-old researcher had a phone number: 3755 at CERN, and an email: timbl @ info.cern.ch.
Our Jobs and Artificial Intelligence
It is likely that Sir Tim Berners-Lee will not be contacted today there, he became a professor at the Massachusetts Institute of Technology (MIT) and has held a chair at the University of Oxford since 2016.
To date, he chairs the World Wide Web Consortium (W3C), which he founded, a committee to standardize technologies on the World Wide Web.
All this information can be searched on the Internet with a few clicks on the smartphone.
Misha Erhardt / fr / fr / fr

Peak Popularity**
- **Mid-2000s Zenith:** At its height around 2005, LiveJournal boasted over 2.5 million active users—a significant figure for that online era.

Title:

Content: An exceptional opportunity for content creators to turn their passion to profit with Hakuna
(Dubai): The live streaming market is evolving and growing at a rapid pace, creating entirely new opportunities for professional content makers.
According to forecasts and statistics from Grand View Research, the industry is set to be worth $223.98 billion by 2028, giving users the possibility of generating additional revenue.
An article published by SmallBizTrends suggests that an average live stream can generate $3,000 to $5,000 for a live stream for about 40 hours.
Hakuna is an example of a live streaming platform, where a live social streaming service, Hakuna Live, facilitates communication between hosts and multiple guests in real time.
Users can also take advantage of the platform to monetize stars easily through the app by doing what they like.
This platform offers distinct advantages, especially for Arabic-speaking hosts and audiences.
Collaborate with other broadcasters
One of the many advantages of Hakuna Live is the use of WebRTC (HyperRTC) technology. With this feature, up to 1 to 3 guests can host a live show within a single live broadcast session without any delay or delay, allowing content creators to host collaborative shows to expand their reach and audience.
# Company Data
- Done.
Turn Your Talent into Money
Hakuna Live offers a convenient solution for a cash collection process, which is usually complex and difficult, enabling content makers to keep a record of earned stars in a digital wallet, also known as a “star wallet. ”
Hosts can earn money through Hakuna by paying a minimum of 14,000 stars through Payoneer ’ s feature.
They can also easily get a live broadcast report to evaluate the broadcast session, allowing them to identify the best components of broadcast performance to improve upcoming sessions and increase profit opportunities.
The host may pay more than $3,600 per month if the host collects at least one million stars via a solo broadcast via Hakuna.
In addition, top hosts also have the opportunity to receive recognition from Hakuna, which may offer them additional stars, personalised benefits, promotions and special prizes depending on their performance and circumstances.
Target your local audience
The most important feature of Hakuna Live is that it is an unsaturated and popular platform for local audiences, which means it offers a great opportunity for newcomers to build a relevant audience in real time unlike other platforms such as TikTok.
The app attracts many Arabic-speaking users in the MENA region and more specifically in the GCC, and this will enable users to build their community from an audience with interests.
Provide an interactive search experience
Fun interactive experiences are the key to winning platforms, as Hakuna certified users can conduct multi-genre broadcasts, including rap encounters, group therapy sessions, corporate meetings, and video game broadcasts.
Hosts are also provided with digital tools, including quizzes, games, polls, and chat, among others, to retain, maintain, and grow audience interest.
The platform also takes advantage of artificial intelligence technology to allow hosts to broadcast using an augmented reality avatar, opening the way for a more spectacular and enjoyable experience.
Hakuna Live also comes loaded with an advanced feature pack, which in turn allows the public to participate in live discussions with the host.
The feature enables users to build relationships and create a community of like-minded individuals across live interactions.
Discover your audience
Current platforms, including TikTok, are targeting a younger age demographic, making it difficult for specialized content providers to highlight their content.
Thankfully, Hakuna Live is used by a wide range of people, with diverse demographics including people of all ages ranging from 20 to 40 years old.
Hakuna Live is mostly used by Arabic speakers and individuals looking towards finding opportunities for entertainment or socialization.
However, the app is available in more than 20 languages, which will allow content makers to discover the right audience for their message.
Benefit from a globally recognized platform
Hakuna expands full streaming solutions for content providers, featuring AI-powered tools and a wide range of entertainment features.
The platform ’ s popularity among its user base underscores its ability to create money-making opportunities, as it is ranked as the first or second app in many app stores around the world.
Hakuna can be found on the App Store, Google Playstore and Huawei Gallery.
- Done.
For press enquiries:
Ammar Adra
+ 971 52 9564041

It was particularly influential in literary, fan, and alternative communities, offering spaces for open expression.

What does one user believe LiveJournal to be in Russia?

- **English-Speaking Community:** The platform was a hub for U.S., UK, and other English-speaking internet cultures before expanding heavily into Russia and Eastern Europe.

Why LiveJournal Stood Out From Other Blogging Platforms**
- **Personal Connections:** LiveJournal’s design emphasized relationships and trust, not just publication or audience reach.

- **Customization and Openness:** Users could extensively customize their pages, share multimedia, and even access raw code for further personalization.

Why does one author believe LiveJournal is a superior platform?

- **Not Just a Blog:** LiveJournal blended aspects of diary-writing, forum discussions, and social networking well before Facebook or Twitter emerged.

Factors Leading to Decline**
- **Changing Trends:** As new social networks like Facebook, Twitter, and Tumblr arose with more modern interfaces and broader appeal, many users migrated for greater immediacy and newer styles of interaction.

Title:

Content: Experts warn of the "dangers" of social media celebrities for young people and teenagers
2020-05-31T08: 17: 25 + 00: 00
Social experts warned of the dangers caused by influencers and celebrities in social media sites, and the possibility of negative repercussions on adolescents and young people.
According to Sky News Arabia, the idealized image of their lives by influencers, which is characterized by opulence and richness, distorts the awareness of young people and adolescents and drives them to seek ways to achieve rapid fame and wealth.
Social influencer, a profession that has emerged in recent years thanks to social media, which has opened the doors of fame to ordinary people distinguished by showing their private lives, which are characterized by luxury and luxury, you see influencers in private planes or yachts or wander while traveling in luxury cars wearing expensive clothes.
This idealized image that influencers paint of themselves is used as a way to market products.
The quick fame and wealth achieved by influencers have lured many young people, according to experts, to either enter the field or seek a quick profit without much effort.
Far from distorting the awareness of young people, studies indicate that many videos of extravagance and boasting, generate in the hearts of viewers resentment for not being able to keep up with what they see, and their sense of bad luck, which completely turns their thinking to how to imitate them, and reach this level regardless of the method.
In this context, the content maker, Sarah Al-Khasawneh, during her intervention on the program "Al-Sabah" on "Sky News Arabia", explained that 80% of what content makers provide on social networking sites about their lives is realistic, and the remaining percentage may include some exaggerations.
Individuals who achieve fame on social media seek to produce content that attracts the attention of the audience.
The effects of what content makers do on the audience are significant, and can vary between negative and positive effects.
Interaction with this type of content varies according to the different individuals themselves, with some content intended to give viewers the opportunity to experience certain aspects of luxury or explore luxury cars.
The 80% of successful content creators are those who seek to be closer to the follower and who publish a real life.
Producing quality content requires a lot of effort and time, as well as thinking carefully about developing engaging and useful content.
Monitoring feedback on content posted on social media is an essential step for content producers to understand audience engagement with submitted material and receive valuable feedback that can be harnessed to improve future work.
Lifestyle content creators on social media are a small category, due to the growing awareness of followers who carefully select the material that best suits their interests.
Human development consultant and life skills coach Lana Qaati stresses that individuals are generally unable to ignore the effects of celebrity content on their accounts.
It turns out that young people and adolescents may be the most vulnerable to these effects, adding: "Changes in brain programming occur once you convince yourself not to be influenced by the content of social media celebrities, such as images of ideal life or travel and other things related to daily life.
In the long run, this approach can have a negative impact on the psychological state of individuals. ”
“What is being shared on social media can change the habits of communities and have a tangible impact on children and adolescents as they gradually begin to adapt to a new lifestyle. ”
Content creators are creative people who produce new and interesting content.
As content becomes more popular and audiences interact with their industry, they are more likely to earn a lucrative income and consider what they do a well-paid profession.
Banning a celebrity ’ s social media account is not an effective solution, given the availability of other platforms through which the account can be followed.
The government and parents need to take action to monitor content that teens follow.
Stricter rules could be imposed on social media platforms to ensure that content that is inappropriate for certain age groups is not displayed, rather than just blocked.
Shafaq Live
Shafaq Live
Radio

- **Shift in Ownership:** LiveJournal was sold to Six Apart in 2005, then to a Russian company (SUP Media) in 2007.

The platform shifted attention to Russian-speaking users, alienating much of its original English base.

- **Technical Stagnation:** The interface and features lagged behind newer platforms, making LiveJournal seem dated.

- **Privacy and Trust Issues:** Later changes in policies, especially in Russia, raised censorship and privacy concerns, further driving users away.

Legacy**
- **Influence:** LiveJournal laid the groundwork for later social platforms by merging blogging and social networking.

Title:

Content: Experts warn of the "dangers" of social media celebrities for young people and teenagers
2020-05-31T08: 17: 25 + 00: 00
Social experts warned of the dangers caused by influencers and celebrities in social media sites, and the possibility of negative repercussions on adolescents and young people.
According to Sky News Arabia, the idealized image of their lives by influencers, which is characterized by opulence and richness, distorts the awareness of young people and adolescents and drives them to seek ways to achieve rapid fame and wealth.
Social influencer, a profession that has emerged in recent years thanks to social media, which has opened the doors of fame to ordinary people distinguished by showing their private lives, which are characterized by luxury and luxury, you see influencers in private planes or yachts or wander while traveling in luxury cars wearing expensive clothes.
This idealized image that influencers paint of themselves is used as a way to market products.
The quick fame and wealth achieved by influencers have lured many young people, according to experts, to either enter the field or seek a quick profit without much effort.
Far from distorting the awareness of young people, studies indicate that many videos of extravagance and boasting, generate in the hearts of viewers resentment for not being able to keep up with what they see, and their sense of bad luck, which completely turns their thinking to how to imitate them, and reach this level regardless of the method.
In this context, the content maker, Sarah Al-Khasawneh, during her intervention on the program "Al-Sabah" on "Sky News Arabia", explained that 80% of what content makers provide on social networking sites about their lives is realistic, and the remaining percentage may include some exaggerations.
Individuals who achieve fame on social media seek to produce content that attracts the attention of the audience.
The effects of what content makers do on the audience are significant, and can vary between negative and positive effects.
Interaction with this type of content varies according to the different individuals themselves, with some content intended to give viewers the opportunity to experience certain aspects of luxury or explore luxury cars.
The 80% of successful content creators are those who seek to be closer to the follower and who publish a real life.
Producing quality content requires a lot of effort and time, as well as thinking carefully about developing engaging and useful content.
Monitoring feedback on content posted on social media is an essential step for content producers to understand audience engagement with submitted material and receive valuable feedback that can be harnessed to improve future work.
Lifestyle content creators on social media are a small category, due to the growing awareness of followers who carefully select the material that best suits their interests.
Human development consultant and life skills coach Lana Qaati stresses that individuals are generally unable to ignore the effects of celebrity content on their accounts.
It turns out that young people and adolescents may be the most vulnerable to these effects, adding: "Changes in brain programming occur once you convince yourself not to be influenced by the content of social media celebrities, such as images of ideal life or travel and other things related to daily life.
In the long run, this approach can have a negative impact on the psychological state of individuals. ”
“What is being shared on social media can change the habits of communities and have a tangible impact on children and adolescents as they gradually begin to adapt to a new lifestyle. ”
Content creators are creative people who produce new and interesting content.
As content becomes more popular and audiences interact with their industry, they are more likely to earn a lucrative income and consider what they do a well-paid profession.
Banning a celebrity ’ s social media account is not an effective solution, given the availability of other platforms through which the account can be followed.
The government and parents need to take action to monitor content that teens follow.
Stricter rules could be imposed on social media platforms to ensure that content that is inappropriate for certain age groups is not displayed, rather than just blocked.
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- **Current Status:** Today, while it still operates, the majority of English-speaking activity has faded, with much of its active user base now in Russia and Eastern Europe.

After Russian users could no longer use foreign social networks, where did they post their blogs?

**Summary Nugget:**
LiveJournal was transformative as one of the earliest online communities to merge personal blogging with rich social interactions.

Title:

Content: Experts warn of the "dangers" of social media celebrities for young people and teenagers
2020-05-31T08: 17: 25 + 00: 00
Social experts warned of the dangers caused by influencers and celebrities in social media sites, and the possibility of negative repercussions on adolescents and young people.
According to Sky News Arabia, the idealized image of their lives by influencers, which is characterized by opulence and richness, distorts the awareness of young people and adolescents and drives them to seek ways to achieve rapid fame and wealth.
Social influencer, a profession that has emerged in recent years thanks to social media, which has opened the doors of fame to ordinary people distinguished by showing their private lives, which are characterized by luxury and luxury, you see influencers in private planes or yachts or wander while traveling in luxury cars wearing expensive clothes.
This idealized image that influencers paint of themselves is used as a way to market products.
The quick fame and wealth achieved by influencers have lured many young people, according to experts, to either enter the field or seek a quick profit without much effort.
Far from distorting the awareness of young people, studies indicate that many videos of extravagance and boasting, generate in the hearts of viewers resentment for not being able to keep up with what they see, and their sense of bad luck, which completely turns their thinking to how to imitate them, and reach this level regardless of the method.
In this context, the content maker, Sarah Al-Khasawneh, during her intervention on the program "Al-Sabah" on "Sky News Arabia", explained that 80% of what content makers provide on social networking sites about their lives is realistic, and the remaining percentage may include some exaggerations.
Individuals who achieve fame on social media seek to produce content that attracts the attention of the audience.
The effects of what content makers do on the audience are significant, and can vary between negative and positive effects.
Interaction with this type of content varies according to the different individuals themselves, with some content intended to give viewers the opportunity to experience certain aspects of luxury or explore luxury cars.
The 80% of successful content creators are those who seek to be closer to the follower and who publish a real life.
Producing quality content requires a lot of effort and time, as well as thinking carefully about developing engaging and useful content.
Monitoring feedback on content posted on social media is an essential step for content producers to understand audience engagement with submitted material and receive valuable feedback that can be harnessed to improve future work.
Lifestyle content creators on social media are a small category, due to the growing awareness of followers who carefully select the material that best suits their interests.
Human development consultant and life skills coach Lana Qaati stresses that individuals are generally unable to ignore the effects of celebrity content on their accounts.
It turns out that young people and adolescents may be the most vulnerable to these effects, adding: "Changes in brain programming occur once you convince yourself not to be influenced by the content of social media celebrities, such as images of ideal life or travel and other things related to daily life.
In the long run, this approach can have a negative impact on the psychological state of individuals. ”
“What is being shared on social media can change the habits of communities and have a tangible impact on children and adolescents as they gradually begin to adapt to a new lifestyle. ”
Content creators are creative people who produce new and interesting content.
As content becomes more popular and audiences interact with their industry, they are more likely to earn a lucrative income and consider what they do a well-paid profession.
Banning a celebrity ’ s social media account is not an effective solution, given the availability of other platforms through which the account can be followed.
The government and parents need to take action to monitor content that teens follow.
Stricter rules could be imposed on social media platforms to ensure that content that is inappropriate for certain age groups is not displayed, rather than just blocked.
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Yet, it remains a significant step in the evolution from blogs to social networks.

Title:

Content: Experts warn of the "dangers" of social media celebrities for young people and teenagers
2020-05-31T08: 17: 25 + 00: 00
Social experts warned of the dangers caused by influencers and celebrities in social media sites, and the possibility of negative repercussions on adolescents and young people.
According to Sky News Arabia, the idealized image of their lives by influencers, which is characterized by opulence and richness, distorts the awareness of young people and adolescents and drives them to seek ways to achieve rapid fame and wealth.
Social influencer, a profession that has emerged in recent years thanks to social media, which has opened the doors of fame to ordinary people distinguished by showing their private lives, which are characterized by luxury and luxury, you see influencers in private planes or yachts or wander while traveling in luxury cars wearing expensive clothes.
This idealized image that influencers paint of themselves is used as a way to market products.
The quick fame and wealth achieved by influencers have lured many young people, according to experts, to either enter the field or seek a quick profit without much effort.
Far from distorting the awareness of young people, studies indicate that many videos of extravagance and boasting, generate in the hearts of viewers resentment for not being able to keep up with what they see, and their sense of bad luck, which completely turns their thinking to how to imitate them, and reach this level regardless of the method.
In this context, the content maker, Sarah Al-Khasawneh, during her intervention on the program "Al-Sabah" on "Sky News Arabia", explained that 80% of what content makers provide on social networking sites about their lives is realistic, and the remaining percentage may include some exaggerations.
Individuals who achieve fame on social media seek to produce content that attracts the attention of the audience.
The effects of what content makers do on the audience are significant, and can vary between negative and positive effects.
Interaction with this type of content varies according to the different individuals themselves, with some content intended to give viewers the opportunity to experience certain aspects of luxury or explore luxury cars.
The 80% of successful content creators are those who seek to be closer to the follower and who publish a real life.
Producing quality content requires a lot of effort and time, as well as thinking carefully about developing engaging and useful content.
Monitoring feedback on content posted on social media is an essential step for content producers to understand audience engagement with submitted material and receive valuable feedback that can be harnessed to improve future work.
Lifestyle content creators on social media are a small category, due to the growing awareness of followers who carefully select the material that best suits their interests.
Human development consultant and life skills coach Lana Qaati stresses that individuals are generally unable to ignore the effects of celebrity content on their accounts.
It turns out that young people and adolescents may be the most vulnerable to these effects, adding: "Changes in brain programming occur once you convince yourself not to be influenced by the content of social media celebrities, such as images of ideal life or travel and other things related to daily life.
In the long run, this approach can have a negative impact on the psychological state of individuals. ”
“What is being shared on social media can change the habits of communities and have a tangible impact on children and adolescents as they gradually begin to adapt to a new lifestyle. ”
Content creators are creative people who produce new and interesting content.
As content becomes more popular and audiences interact with their industry, they are more likely to earn a lucrative income and consider what they do a well-paid profession.
Banning a celebrity ’ s social media account is not an effective solution, given the availability of other platforms through which the account can be followed.
The government and parents need to take action to monitor content that teens follow.
Stricter rules could be imposed on social media platforms to ensure that content that is inappropriate for certain age groups is not displayed, rather than just blocked.
Shafaq Live
Shafaq Live
Radio

Certainly!

Title:

Content: Supplement
Good place.
Travel
Subjects, Typography, Nailings, "Rebellion" Bibliography Hiding in the Art Library
[Ming Pao News] A small blog (zine) may be distributed for free at a market, or sent to a community exhibition event, or sold in a corner of a small shop.
Blogs move around the community. These pieces of creation are difficult to track and record, and even the creators themselves may not have a backup.
In the Art Library of Hollywood Road Asian Art Archive, Central, in addition to collecting Asian contemporary art materials and documents, you can also find blogs from different places and cultures, as if you can enter the minds of creative writers and have a private conversation.
The first thing I think of is a magazine (magazine).
Blogs are big and small, thick and thin, some are submitted to people like magazines, and some are full of creative words, but this zine is different from the other zine, what is the difference between the two, "then is the point of zine"?
Simple photocopies can also be published.
“What is zine? Let ’ s take a look at it! ” Sam Zhou, a collection assistant at Asia Art Archive (AAA), pushed three short cabinets, all of them zine.
Unlike books neatly arranged on shelves and showing people with their backs, zine is much more “rebellious. ”
Some are as small as the palm of the hand, some are only a page, and some are a big fold, even the corners of the book can not be aligned, each has its own personality, and it is difficult to use traditional methods on the shelf.
The library simply puts them in drawers, covers them with plastic covers, one by one, and needs to be opened and looked at one by one, as if searching for a treasure.
Zine is mostly independent publishing, content, typography, printing, nail, all by the producer (zine maker) talk.
Subjects, ideas, and forms of production are full of experimental flavor, and a small idea can be developed into interesting works.
For example, a zine with sacrificial objects as the theme, using gold and silver clothing paper to make a book cover, tied up a piece of paper such as cameras, neckerchiefs, cars of color paper, with the reader to burn the whole zine; there is also a pocket diary, take a photo of a person eating, recording the loneliness of those lives.
Creative topics and forms are novel and non-mainstream, allowing readers to have a private conversation with the creator.
“Creators make zines, usually when they ’ re uncertain, if they ’ re emotional or if something doesn ’ t work out, they choose this medium, ” says Sam. Zine also focuses on the dissemination of ideas, and sometimes can be published simply by photocopying.“ These zines usually don ’ t want to be owned by just one reader, but they want to spread the article. ”
“We ’ ve always had a collection of small blogs, because it ’ s quite special and there are very few places to collect them, most in the UK and less in Asia.
As an institution that collects and manages documents related to Asian contemporary art, the small blog actually existed in AAA for a long time, but it was scattered throughout the museum until it became one of the museum ’ s collections a few years ago.
In just a few years, the collection has rapidly increased from nearly 100 at the beginning to about 700 at present.
The collection inspires creativity and extends zine culture
Why make zine an independent collection?
“Zine is made by momentum-driven, and when something happens, zine will appear, and it will disappear quickly, but by archiving them, you can record these activities. ” Sam believes that zine can also understand the thoughts of contemporary bloggers, and record some of the voices that have not been recorded by the art community.
In addition, the zine collection can throw bricks to attract jade and encourage people to do zine.
She said that from time to time, people come to understand how zine is made, there are reporters, artists, middle school students, college students, etc., "Many people want to make zine, but there is no way to start, here can introduce them to different forms of zine, stimulate their small universe, so the development of this collection can make the zine culture continue."
Singapore Poetry Taiwan Life
The collection of zine depends entirely on fate. Sometimes the creator brings it up to ask if the museum is interested, sometimes Sam meets it when he is shopping for an art book exhibition, and sometimes he relies on colleagues from abroad to help collect it.
“Zine is very independent, not the mainstream printing, we also rely on a local contact to help us collect. ” AAA ’ s collection of small journals is mostly from Hong Kong, the mainland, Singapore, Indonesia, India, Japan, the United States and so on.
She shared what she noticed about zines in different places, but stressed that it may be "biased" because the zine in the museum's collection depends on the orientation of the collector.
“Indonesian zine has a lot of typos, as if they were proud to write typos.
"She turned out a zine in Singapore with the theme of washing dishes, and a zine in Taiwan made with an Instagram live page." Singapore's zine has a lot of poetry, a lot of daily photography, and Taiwan zine is also very focused on documenting the details of daily life. "
What about Hong Kong? Most of the subjects are related to society. She believes that the production is more and more exquisite, and there are fewer and fewer zine copies of the content.
"Perhaps people gradually feel that zine has a form, and will let different people contact in book exhibitions, exhibitions, and schools, so they feel that the printing and production forms are more exquisite." ●
Asian Art Archive
Address: 11 / F, Hollywood Commercial Centre, 233 Hollywood Road, Sheung Wan
Enquiry: 2844 1112
Text: Chang Shu-mei
Art: Hsieh Wai-ho
Editor: Liang Xiaoling
Facebook @ Ming Pao Supplement
Email: feature @ mingpao.com
Related Words: Culture Local Places to Visit YACO One Boxing Bookstore Asian Art Archive
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Title:

Content: A page by page comic is a youthful memory for many people, but since 2014, Taiwan has set off a whirlwind that is completely different from the past.
How do you create new business opportunities?
How do local creators get their heads around here?
If you happen to come to Beitou Park on a hot summer day, you will find the quiet night sky reflecting the colorful light, which is the scene of the first “Beitou Witch Magic Festival ” held in 2022.
However, the legend of witches in Peitou town has been more than 100 years old, so why is it now a topic of "making festivals"? This must start with a series of popular Internet "strips" that began in 2019.
“I hope this IP can grow bigger and have more types of adaptations, so sometimes it will be very happy to see people discussing my work on the Internet, and there is a feeling of slowly entering popular culture, ” said Jian Zi, the comic creator of Beitou Witch, with a laugh.
What is a comic book? It is a long strip type comic book that fits the mobile phone interface. The reader can read it smoothly from top to bottom with a swipe of his finger. It is very different from the traditional comic book format, which has a multi-grid and zigzag reading line.
Chui Chun-jung, general manager of LINE WEBTOON Taiwan, said that when the platform first entered Taiwan in 2014, many creators were unfamiliar with strip comics and refused to cooperate. “After a while, many legendary works were presented in the form of strip comics, and readers preferred strip comics. Now 80% of them have become full-time slow comics. ”
Change in reading habits 〉 Long strip creation, skip page manga restrictions
Most of the popular imagination of comics is in the form of a single line of paper or serialized weekly magazines, but with the popularity of personal computers, the media of comics has gradually shifted from paper pages to LCD screens, and in recent years has further shifted to smartphones.
The change in content also changes the appearance of the carrier, from a grid of pages, to a downward row of bars.
"There are a lot of advantages to strip comics because they are drawn in a straight line, and if the picture that jumps down is long, it can be pulled down all the time, and it can also be paired with some video effects," says Hung Yuan-chien, creator of "The House Man Playing Basketball."
The horror comic book Black Box is serialized in the form of short stories, and the protagonist of each story is not fixed.
The author, Pony Liao, points out that the arrangement of strip comics and short stories gives him room to play. "I will use the advantages of strip comics to lengthen some frames properly, because strip comics are very suitable for long pictures, and there are no restrictions on reading, so I can show some more shocking pictures."
Comics Economic Circle Quality Change: Two Platforms Compete to Raise New Readers
Not only has the content changed, but the comic book economy has also undergone a qualitative change.
In the past, readers would buy paper comics from publishers or rent them from rental shops.
But since the comic book Internet, readers no longer have to pay for the content, search for the type of comic you like, there are countless content you can pick, almost crushing the existing comic book economy.
According to statistics from the Ministry of Finance, the number of comic book rental shops in Taiwan was estimated to be as high as 4,000 in 2000, but only 490 remained in 2019, and the economic model entered consolidation, and a new type of online strip comics platform emerged.
The web bar manga platform was born in the form of an app, and even if some of the content is charged, it still attracts a large number of users to download, the key reason is "successful interface optimization" and "original bar manga content".
In July 2014, LINE WEBTOON launched in Taiwan, with 5.5 million downloads, and Taiwan ’ s original comic strip as its characteristic. There are about 140 local works. In 2018, it began to adopt a partial fee model.
In addition to the fixed fee, creators can also share profits with the platform for both "Early Look" and "Comic Coupon".
KAKAO WEBTOON, which just landed in Taiwan in June last year and focuses on sophisticated user interfaces, is now ranked second with 600,000 downloads. “Our next fine-tuning of the business model will be how to make users read more works with zero burden, ” said Wu Mingxiu, CEO of Kakao Entertainment Taiwan.
Expansion of business model 〉 Development of IP, placement of advertising, video
In recent years, the platform has expanded its business model and expanded its economic scale, including placement of advertisements, cross-industry cooperation, film and television, and internationalization.
LINE WEBTOON marketing director Wang Chia-chi pointed out, "We have a lot of cooperation in the industry, including mobile games, Korean tourism agencies, 3C products, etc. This also applies to our readers, mainly over the age of 25, which is a relatively young but consumer group."
She said that LINE WEBTOON has also cooperated with different brands in the past, such as shrimp skin shopping, momo shopping network, Netflix, iQiyi, LINE TV and other partners.
In June of this year, LINE WEBTOON also cooperated with the beverage company Wanbo to authorize the "Soft Cell Master" comic characters to do in-depth cooperation, not only IP printed in the beverage cup, "there are also two stores for the space device, this is the first time we have successfully authorized IP to do foreign business cooperation outside of Korea," Wang Jiaqi said.
The classic example of this is walking with God.
His original work is a Korean comic book, and then made a film to enter the international market. After the release of “Walking with God ” in Taiwan in 2017, it boosted the popularity of the original comic book in Taiwan, which increased the exposure of LINE WEBTOON in Taiwan, and promoted the trend of strip comics.
This successful model is now copied to Taiwan original works.
For example, the two works of "The House Guy Playing Basketball" and "The Black Box" are expected to work with film and television companies to remake the series in the past two years, while "The Witch of Beitou" is actively negotiating with the partner companies to negotiate the licensing of IP products.
In terms of overseas business opportunities, Cui points out that Taiwanese works have great potential, not only in the domestic market, but also in overseas markets.
Incubation of local cartoonists to participate in the platform profit sharing, stable income
In addition to attracting more readers to join, in addition to the continuous efforts of various online comics platforms, the marketing and profit-sharing model also allows creators to get more benefits, driving the positive development of the economy.
Before becoming a full-time creator, Hung Yuan-chien ran a graphic design studio, but his life on both sides often left him breathless.
"Black Box" author Liao Hanyi, who sold clothes, worked as a nightclub publicist, and worked in a design company, but he never forgot his dream of being a cartoonist.
He admitted that if there was no comic platform at the beginning, he might not become a cartoonist, "because I only found out after the series that I can draw cartoons."
When a grid of small frames is placed on the mobile phone, strip comics free from the rigid physical restrictions of the past, not only with a new reading experience to challenge the reader's understanding of comics, but also has long been out of the past only for the niche market positioning.
As Hong Yuan-jian said, "The rule of manhood is to make a lot of contact with people who want to contact."
In this era of free content and charging for services, Stripe has successfully targeted the needs of users, transforming comics from dusty childhood memories to the most “trendy ” digital experience of the time.
Author ： Gao Xiaoqi
(This article is excerpted from the September issue of Vision Magazine No. 435.)
# Comics # Creators # Readers # Content

Title:

Content: Digital Marketing 101 | The Little Red Book New Phenomenon and Marketing Trends You Must Know
Author: Marketing Department
Published: Updated:
Little Red Book is a lifestyle platform for young people in China in recent years. Its user base is mainly women aged 18-35, and it records and shares life through pictures and short videos.
The development of Little Red Book has also contributed to the rapid growth of its Hong Kong users.
According to internal data from Little Red Book, daily active users in Hong Kong increased by 50% year-on-year, reaching 1.13 million users by April 2023.
Among them, not only the mainlanders living in Hong Kong, many local celebrities, KOLs, and content creators are also gradually joining the Little Red Book.
Naturally, the increase in local content in Hong Kong has also attracted more local Hong Kong people to the platform.
Little Red Book Hong Kong Users Surge Drives New Marketing Phenomenon
The rapid development of Little Red Book in Hong Kong has brought many new phenomena.
In terms of travel, since the switch was re-opened in February, a large number of mainland tourists have come to Hong Kong, especially the younger generation who use Little Red Books to develop ways of playing different from traditional landmarks.
For example, you will check in at the old Yau Ma Tei Police Station, eat McDonald ’ s at McDonald ’ s Road, take photos imitating Li Ka-shing ’ s posture, etc., and check out hidden shops such as exhibitions, buildings, streets, etc., and authentic places such as restaurants, dessert shops, and fashion shops.
In terms of retail, the “Hong Kong Handwriting ” recommendation in the Little Red Book has made many products popular, which is also known as“ pop money ” in the mainland. Sales of snacks, Wellcome snacks, convenience store oolong tea and other products have increased significantly.
The influence of Little Red Book on users quickly drove many Hong Kong users to explore this platform, and found that Little Red Book can provide a lot of fresh, comprehensive and detailed sharing.
Consumers disrupt traditional roles to drive brand marketing and innovation
At present, Little Red Book is continuing to develop at a high speed in Hong Kong, pushing the consumer market into a new trend.
If Hong Kong brands want to make a name for themselves on the Little Red Book, they must first understand the game and the new trends.
When it comes to marketing strategies, the relationship between brands and consumers is changing.
In the past, in the traditional social media, most of the brand to lead, create a consumer scene to introduce products, in order to guide consumers to make consumer decisions.
Now, consumers are becoming trendsetters and creators, and Little Red Book is providing a platform for consumers to formally present and express their real needs.
Network picture
Successful overseas brands such as the British high-end mother and baby product brand jELLYCAT, originally an ordinary plush doll, precisely because the young people attach importance to companionship and healing and other emotional values, so many customers on the Internet took the initiative to share the second creation of spoof dolls on the Little Red Book, so that the brand quickly rose in popularity, creating an entertainment, emotional expression of the consumer scene.
jELLYCAT Little Red Book Post
Then, the brand used these entertainment and emotional scene insights to quickly launch a survey called “jELLYCAT ” on the Little Red Book, adding daily items to jELLYCAT ’ s iconic eyes and smiling faces, and encouraging customers to participate in the product design process, understand consumers ’ emotional needs and co-create products, which greatly improved brand recognition and intimacy.
Little Red Book becomes the new generation of travel book KOL / KOC grass planting effect is remarkable
According to the KPMG report, 60.8% of Chinese consumers conduct online surveys before spending, compared to 20% of U.S. consumers.
This feature of consumption is particularly evident on the Little Red Book platform.
Unlike Instagram, the user-generated content (UGC) nature of Little Red Book is its unique feature.
The KOL and KOC in the Little Red Book have become important factors in influencing consumption decisions.
In fact, compared to KOL, Little Red Book users prefer KOC ’ s real sharing.
Vegetarian notes account for 70% of the platform UGC, mostly Raiders, teaching content as the main, such a fast, simple and straightforward text can allow users to quickly obtain a large amount of relevant information in a short period of time, making Little Red Book a new generation of "search engine".
The data of the "May 1 Travel Trend Report" released by Little Red Book United shows that 82.4% of users will go online to survey the destination eating, drinking and playing strategy before travel, and more than half of the travel destinations of 55% of users in the past year are from Little Red Book "planting grass". 42% of users want to learn more after three exposures of travel products.
For example, before I recently planned my family's European trip, I also entered key words such as summer vacation travel strategy, European travel, parent-child activities and other key words in the Little Red Book for data collection.
Other categories of brands have also been transformed from 0 to 1 by Little Red Book KOL and KOC.
This is why more and more travel retail brands are hoping to increase brand awareness on the Little Red Book and enhance the interest of potential users in the product.
Ocean Park KOC Post Screenshot
In order to meet the May Day Golden Week, Hong Kong Ocean Park will use big data analysis to compare the popularity, interaction and activity level of KOC, assess its influence in the market and audience coverage, select the appropriate KOC for cooperative marketing, convey the happy moments in Ocean Park on the Little Red Book platform, and produce a strategy for Ocean Park card / photo sharing to enhance the interest of users. The volume of books has been greatly increased in a short period of time.
With this highly interactive content, the relationship between brands and consumers moves towards a two-way interaction model.
The Little Red Book has brought new opportunities and injected new vitality into the Hong Kong consumer market.
However, brands also need to evaluate their marketing goals and audiences to judge whether Little Red Book is suitable for their business.
Brands need to be realistic and relevant according to their image and KOC to ensure that the message they express is consistent with the brand ’ s values.
To sum up, the new phenomena and trends of Little Red Book are worthy of in-depth study by Hong Kong brands to discover the right marketing strategies and propositions.
Author: Charlene Ree, Founder and CEO of EternityX
Charlene Ree is the founder and CEO of EternityX, a company that uses a patented artificial intelligence marketing platform to capture digital marketing trends for brands in the fragmented and complex Chinese consumer market, so as to effectively and accurately reach mainland consumers.
Since its establishment in 2018, EternityX has grown rapidly. Now operating in 8 cities around the world, it has curated thousands of marketing projects for more than 500 brand customers, successfully improving the project performance of customers by at least 30% to 100%, and achieving high customer reviews and return rates.
As the founder and CEO of EternityX, Charlene is determined to lead the company as a bridge between the Mainland and the world.
By understanding the real needs of consumers, EternityX helps brands reach their target audience and deliver brand value to consumers to drive business growth. With 20 years of digital advertising experience, Charlene effectively integrates and deploys resources, enhances core competitiveness, and leads the team to promote the steady growth of the company ’ s business.
As the leader of the company, Charlene attaches great importance to teamwork and positive thinking, and works together to create a harmonious and happy working environment.
Entrepreneur Charlene is passionate about the digital marketing industry, using his deep knowledge and planning capabilities to lead the company ’ s continued expansion into digital advertising.
Prior to 2009, Charlene was the co-founder of Httpool Asia, one of the leading cross-media digital advertising providers in Hong Kong. Prior to that, Charlene worked for a number of international digital media advertising companies in Hong Kong and New York, including Yahoo, IPG and SunLion.
Born in Taiwan, Charlene now lives in Hong Kong and is the mother of three children.
This article is a submission, and the article is purely the opinion of the author, and does not represent the position of Hong Kong 01.
This article is reproduced under the license of IAB Hong Kong, the size of the title and the introduction, edited by Hong Kong 01.

Title:

Content: News of Hong Kong
Home > News > Why the level of news is declining
With the rapid development of the Internet, self-media has become the most important channel for people to obtain information.
Many influencers with a large number of fans have sprung up in the spring, and it has become common to use their influence to earn rewards or advertising revenue.
But media and self-media are two different concepts.
Traditional media, such as newspapers and television, still adhere to the true spirit.
Journalists can not collect money to report the news, is the first class of journalism professor common sense.
In contrast, in order to survive, the media must use exaggerated facts, incite emotions and other means to attract users' attention, in order to gain praise and reward.
In the past, many people thought that the emergence of self-media highlighted the right to freedom of the press, but the original freedom of the press was seriously abused in the era of self-media.
In recent years, a large number of Hong Kong people have emigrated overseas, and some former anchors and famous mouths have nothing to do, and they have become influencers on the Internet.
Some journalists have set up online media to continue to monitor the Hong Kong government.
Unfortunately, with the passage of time, the difference between these online media and self-media has become smaller and smaller.
The reason is that traditional media rely on advertising revenue to make profits, but it is strictly separated from editors; but overseas Hong Kong people online media have no advertising revenue, and can only rely on traffic or users to play as much as the self-media.
Over time, they inevitably favor the yellow silk community, tend to report the news they want to see, and even report on some news snippet in order to get more clicks and shares.
These practices are basically contrary to the conduct of the media.
Unsurprisingly, the 2024 Global Press Freedom Index released last week by Reporters Without Borders continues to rank Hong Kong in the “bad ” category. On the same day, the Wall Street Journal, which has long used Hong Kong as its Asian headquarters, coincidentally announced it was moving to Singapore.
These two news reports have reinforced the conviction of some Hong Kong people that the news environment in Hong Kong is getting worse and worse.
It is true that the reporting space of the media industry in Hong Kong has indeed been restricted to a certain extent after the implementation of the National Security Law in the Hong Kong Region, but it must be said that the reason for the great retrogression in Hong Kong's journalistic standards in recent years is that Hong Kong's online media, which are free of wind and waves outside Hong Kong, should bear greater responsibility.
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Title:

Content: News of Hong Kong
Home > News > Why the level of news is declining
With the rapid development of the Internet, self-media has become the most important channel for people to obtain information.
Many influencers with a large number of fans have sprung up in the spring, and it has become common to use their influence to earn rewards or advertising revenue.
But media and self-media are two different concepts.
Traditional media, such as newspapers and television, still adhere to the true spirit.
Journalists can not collect money to report the news, is the first class of journalism professor common sense.
In contrast, in order to survive, the media must use exaggerated facts, incite emotions and other means to attract users' attention, in order to gain praise and reward.
In the past, many people thought that the emergence of self-media highlighted the right to freedom of the press, but the original freedom of the press was seriously abused in the era of self-media.
In recent years, a large number of Hong Kong people have emigrated overseas, and some former anchors and famous mouths have nothing to do, and they have become influencers on the Internet.
Some journalists have set up online media to continue to monitor the Hong Kong government.
Unfortunately, with the passage of time, the difference between these online media and self-media has become smaller and smaller.
The reason is that traditional media rely on advertising revenue to make profits, but it is strictly separated from editors; but overseas Hong Kong people online media have no advertising revenue, and can only rely on traffic or users to play as much as the self-media.
Over time, they inevitably favor the yellow silk community, tend to report the news they want to see, and even report on some news snippet in order to get more clicks and shares.
These practices are basically contrary to the conduct of the media.
Unsurprisingly, the 2024 Global Press Freedom Index released last week by Reporters Without Borders continues to rank Hong Kong in the “bad ” category. On the same day, the Wall Street Journal, which has long used Hong Kong as its Asian headquarters, coincidentally announced it was moving to Singapore.
These two news reports have reinforced the conviction of some Hong Kong people that the news environment in Hong Kong is getting worse and worse.
It is true that the reporting space of the media industry in Hong Kong has indeed been restricted to a certain extent after the implementation of the National Security Law in the Hong Kong Region, but it must be said that the reason for the great retrogression in Hong Kong's journalistic standards in recent years is that Hong Kong's online media, which are free of wind and waves outside Hong Kong, should bear greater responsibility.
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Title:

Content: News of Hong Kong
Home > News > Why the level of news is declining
With the rapid development of the Internet, self-media has become the most important channel for people to obtain information.
Many influencers with a large number of fans have sprung up in the spring, and it has become common to use their influence to earn rewards or advertising revenue.
But media and self-media are two different concepts.
Traditional media, such as newspapers and television, still adhere to the true spirit.
Journalists can not collect money to report the news, is the first class of journalism professor common sense.
In contrast, in order to survive, the media must use exaggerated facts, incite emotions and other means to attract users' attention, in order to gain praise and reward.
In the past, many people thought that the emergence of self-media highlighted the right to freedom of the press, but the original freedom of the press was seriously abused in the era of self-media.
In recent years, a large number of Hong Kong people have emigrated overseas, and some former anchors and famous mouths have nothing to do, and they have become influencers on the Internet.
Some journalists have set up online media to continue to monitor the Hong Kong government.
Unfortunately, with the passage of time, the difference between these online media and self-media has become smaller and smaller.
The reason is that traditional media rely on advertising revenue to make profits, but it is strictly separated from editors; but overseas Hong Kong people online media have no advertising revenue, and can only rely on traffic or users to play as much as the self-media.
Over time, they inevitably favor the yellow silk community, tend to report the news they want to see, and even report on some news snippet in order to get more clicks and shares.
These practices are basically contrary to the conduct of the media.
Unsurprisingly, the 2024 Global Press Freedom Index released last week by Reporters Without Borders continues to rank Hong Kong in the “bad ” category. On the same day, the Wall Street Journal, which has long used Hong Kong as its Asian headquarters, coincidentally announced it was moving to Singapore.
These two news reports have reinforced the conviction of some Hong Kong people that the news environment in Hong Kong is getting worse and worse.
It is true that the reporting space of the media industry in Hong Kong has indeed been restricted to a certain extent after the implementation of the National Security Law in the Hong Kong Region, but it must be said that the reason for the great retrogression in Hong Kong's journalistic standards in recent years is that Hong Kong's online media, which are free of wind and waves outside Hong Kong, should bear greater responsibility.
Please download on.cc for iPhone / iPad / Android /
Everyone is a reporter.
Explosive method:
Explosive Hotline:
(852) 3600 3600
Faxed:
(852) 3600 8800
SMS:
(852) 6500 6500

Title:

Content: News of Hong Kong
Home > News > Why the level of news is declining
With the rapid development of the Internet, self-media has become the most important channel for people to obtain information.
Many influencers with a large number of fans have sprung up in the spring, and it has become common to use their influence to earn rewards or advertising revenue.
But media and self-media are two different concepts.
Traditional media, such as newspapers and television, still adhere to the true spirit.
Journalists can not collect money to report the news, is the first class of journalism professor common sense.
In contrast, in order to survive, the media must use exaggerated facts, incite emotions and other means to attract users' attention, in order to gain praise and reward.
In the past, many people thought that the emergence of self-media highlighted the right to freedom of the press, but the original freedom of the press was seriously abused in the era of self-media.
In recent years, a large number of Hong Kong people have emigrated overseas, and some former anchors and famous mouths have nothing to do, and they have become influencers on the Internet.
Some journalists have set up online media to continue to monitor the Hong Kong government.
Unfortunately, with the passage of time, the difference between these online media and self-media has become smaller and smaller.
The reason is that traditional media rely on advertising revenue to make profits, but it is strictly separated from editors; but overseas Hong Kong people online media have no advertising revenue, and can only rely on traffic or users to play as much as the self-media.
Over time, they inevitably favor the yellow silk community, tend to report the news they want to see, and even report on some news snippet in order to get more clicks and shares.
These practices are basically contrary to the conduct of the media.
Unsurprisingly, the 2024 Global Press Freedom Index released last week by Reporters Without Borders continues to rank Hong Kong in the “bad ” category. On the same day, the Wall Street Journal, which has long used Hong Kong as its Asian headquarters, coincidentally announced it was moving to Singapore.
These two news reports have reinforced the conviction of some Hong Kong people that the news environment in Hong Kong is getting worse and worse.
It is true that the reporting space of the media industry in Hong Kong has indeed been restricted to a certain extent after the implementation of the National Security Law in the Hong Kong Region, but it must be said that the reason for the great retrogression in Hong Kong's journalistic standards in recent years is that Hong Kong's online media, which are free of wind and waves outside Hong Kong, should bear greater responsibility.
Please download on.cc for iPhone / iPad / Android /
Everyone is a reporter.
Explosive method:
Explosive Hotline:
(852) 3600 3600
Faxed:
(852) 3600 8800
SMS:
(852) 6500 6500