LiveJournal began as a personal journaling application created by Brad Fitzpatrick in 1999 while he was still in high school.

He designed it initially to keep up with friends, but soon opened it up so others could also use the platform.

LiveJournal quickly became known for its strong community features, allowing users to “friend” each other and to form and participate in interest-based communities.

Unlike traditional blogging platforms, LiveJournal allowed for privacy controls on journal entries, letting users make posts public, friends-only, or private.

This created flexible opportunities for interaction and sharing that were not typical on other journaling or blogging websites at the time.

The unique “friends” page let users easily follow posts from people they knew or communities they joined, making the site feel personal and social.

Users could comment on each other’s posts, and the sense of community was deepened by a culture of interaction and support between members.

LiveJournal also allowed for customization, so users could personalize the appearance of their journals through various themes and layouts.

At its peak in early 2005, LiveJournal boasted more than 2.5 million active accounts and was a central platform for blogging and online discussion, especially in the English-speaking world.

Features like threaded comments and polls set it apart from other blogging options and encouraged unique discussions and group activity.

However, as new social media platforms emerged and grew, LiveJournal faced strong competition, notably from sites like Facebook and later Tumblr, which offered even more robust sharing and networking features.

Regulators and users increasingly viewed Facebook and similar platforms as synonymous with “the internet,” boosting their dominance.

The shift of user attention and time to these newer platforms, combined with evolving online habits, led to a decline in LiveJournal’s popularity over time.

Changes in ownership and shifting content moderation policies further affected trust and participation among the site’s core user base.

By the 2010s, most of the English-speaking internet had moved on from LiveJournal, though a dedicated minority, including public figures like George R. R. Martin, remained active.

LiveJournal’s legacy remains in pioneering many social and technical features that helped shape today’s online communities and blogging culture.

LiveJournal was created by Brad Fitzpatrick in 1999 as a personal journaling application during his time as a college student.

Fitzpatrick originally designed the tool for himself but soon opened it up, allowing others to join and use the platform.

LiveJournal quickly evolved into a website where users could write entries, share thoughts, and connect with friends in an interactive community.

Unlike other blogging sites, LiveJournal allowed users to create friend lists, join interest-based communities, and control privacy settings on a post-by-post basis.

The platform enabled not only public blogging but also selective sharing with friends or specific groups, fostering honest discussions and support networks.

LiveJournal had features such as threaded comments, user icons, and the ability to follow individual users or communities, which made conversation and discovery easier.

By the early 2000s, LiveJournal had fostered a strong sense of community, especially among young people, writers, and those interested in fandoms and subcultures.

At its peak in early 2005, LiveJournal boasted over 2.5 million active accounts, largely among English-speaking users but with growing Russian engagement.

The site became popular among bloggers who were looking for more interaction and feedback than traditional static blogs could offer.

The Russian user base expanded rapidly, and LiveJournal became a key platform for social and political discussion in Russia.

However, LiveJournal eventually faced challenges from the emergence of alternative platforms such as Facebook, Twitter, and Instagram, which offered simpler interfaces and more immediate ways to interact.

The shift in Internet culture towards quicker, shorter updates and microblogging led to a decline in long-form blogging and journaling.

Management changes and the sale of LiveJournal to Six Apart in 2005 and later to Russian company SUP Media in 2007 led to concerns among users about privacy, censorship, and the direction of the site.

Over time, many in the English-speaking community left the platform as conversations and audiences migrated to newer social media.

Despite its decline in global popularity, LiveJournal remains influential in certain regions and subcultures, especially in Russia, where it is still used for blogging and discussions.

The history of LiveJournal shows the importance of community features and user interaction in the early evolution of online blogging.

The web has dramatically transformed global communication and media consumption, effectively making the world a “one room.”
Technologies such as the fax and the rise of news agencies illustrate how innovations can change information delivery, a trend that continued with the advent of the internet.

Smartphones further accelerated this change, serving as incubators for media applications and enabling news notifications to reach users instantly.

Social media platforms, like LiveJournal, have allowed people to follow and engage with news and events as they happen, often focused on their immediate geographic surroundings.

LiveJournal was developed by Brad Fitzpatrick originally as a journaling application for his use before expanding it into a website others could use.

Distinct from many blogging platforms, LiveJournal allowed users to keep journals, join communities, and manage a friends list that controlled the sharing and visibility of posts.

The friendship and privacy management tools meant users could share posts with chosen groups, creating tightly-knit social circles and fostering a sense of community.

LiveJournal also enabled interaction through commenting, community posts, and interest-based groups, offering a richer social experience than traditional blogs.

At its peak in early 2005, LiveJournal boasted more than 2.5 million active accounts, making it a central hub for online communities and creative expression.

High-profile users, such as George R. R. Martin, continued using LiveJournal even as its popularity waned in the English-speaking world.

Over time, the novelty of digital communication and freedom of expression led to a proliferation of content creators and shifted interactions from paper to digital platforms.

Despite the benefits of wide audience reach and convenience, user feedback did not always equate to visible engagement, as many readers did not comment or “like” posts.

LiveJournal’s early innovations in social networking were eventually overshadowed by the arrival of newer, more dynamic social media platforms like Facebook, Twitter, and Instagram.

These newer platforms offered broader features, easier sharing mechanisms, quicker feedback, and mobile-friendly interfaces, leading to LiveJournal’s decline in popularity.

The shift in media and audience engagement habits contributed to LiveJournal being largely forgotten in the English-speaking world, though it persisted in some regions and among dedicated users.

LiveJournal started as a journaling application created by Brad Fitzpatrick for his own use while in high school, which he later transformed into a website that allowed others to use the service as well.

The site quickly grew in popularity because it enabled users to not only publish their thoughts online but also to interact with other users in new ways, such as by adding friends and reading their journal entries on a personalized "Friends page."

This social networking aspect, along with mechanisms for creating and joining communities, made LiveJournal distinct from other early blogging platforms that focused more exclusively on individual publishing.

LiveJournal also allowed users a range of privacy controls, so that posts could be fully public, restricted to Friends only, or visible to select groups, fostering a sense of intimacy and trust.

At its peak in early 2005, LiveJournal boasted over 2.5 million active accounts, with particularly strong communities among English-speaking youth, writers, and fans of various subcultures.

Its features facilitated a vibrant literary and creative exchange, as people published fiction, reported news, and shared thoughts—often motivated by peer recognition and community feedback.

Blogging on LiveJournal became a way to participate in a new era of online media, blending personal expression with interactive news sharing and the dissemination of information in a manner different than traditional magazines or newspapers.

However, changes in the media environment, the rise of faster, more visually-oriented social media like Facebook, Twitter, and later Tumblr, and the migration of user communities led to a steady decline in LiveJournal's visibility and influence in the English-speaking world after 2005.

Other factors contributing to its decline included shifting internet trends, controversies over censorship and privacy, and a 2007 sale to a Russian company, which distanced many American users.

Despite its reduced prominence, LiveJournal's impact persists in the way it pioneered key features of online social interaction, community-based content, and privacy controls on the internet.

LiveJournal began as a personal journaling application created by Brad Fitzpatrick in 1999 while he was still in high school.

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Unleashing the Power of “Josh_lo1” – A Comprehensive Guide

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The internet world is ripe with prospects for people and organisations in today’s fast-paced digital age. One such possibility that has become quite famous is known as “Josh_lo1.” The purpose of this essay is to help you better understand “Josh_lo1” and how you may use it to your advantage.

Over the last several years, the digital environment has changed dramatically, with social media platforms emerging as the most popular places to make connections and advertise products and services. In recent years, “Josh_lo1” has become one of the most influential social media channels worldwide.

 What is “Josh_lo1”?

A dynamic and interesting social media network, “Josh_lo1” lets users make and share short videos. “Josh_lo1” has become a haven for individual expression because to its welcoming community and large user base.

Why is “Josh_lo1” Important?

Express Yourself

The online community known as “Josh_lo1is a great place to showcase your skills in front of an international audience. If you’re a promising artist, a talented cook, or simply someone who likes entertaining people, “Josh_lo1” is your chance to show the world what you’ve got.

Business Opportunities

“Josh_lo1” provides a rare chance for companies to connect with a younger audience. With the correct kind of content and approach, “Josh_lo1” may be a very effective marketing tool for your business.

 Getting Started with “Josh_lo1”

Choosing the Right Platform

Before digging into “Josh_lo1it’s important to do some background research and get a feel for who you’re writing for. Having this information at your disposal will facilitate your choice of distribution medium.

 Setting Up Your Profile

The “Josh_lo1profile you created is your online persona. Create an interesting profile by including a photo, a compelling bio, and connections to your other social media pages.

Creating Engaging Content

Finding Your Niche

Figure out what makes you special, then use that information to distinguish yourself on “Josh_lo1This will make you more noticeable in the online world.

Crafting Captivating Content

Make sure your material is meaningful to your target demographic. Engage your audience using humour, originality, and story telling tactics.

Building a Follower Base

Interacting with Your Audience

React to criticism, make requests, and interact with your audience. The key to expanding your “Josh_lo1presence is creating a feeling of community among your users.

 Collaborating with Others

Working with others increases your chances of being noticed. Join forces with other “Josh_lo1authors whose work complements your own.

 Monetizing Your “Josh_lo1” Presence

Advertising and Sponsorships

When your number of followers increases, you will be able to capitalise on advertising and sponsorship deals.

Selling Your Products or Services

Use “Josh_lo1” to promote your company’s goods and services and increase sales.

Measuring Your Success

 Analytics and Insights

If you want to keep tabs on your stats and learn more about your audience, “Josh_lo1has supplied you with some useful tools.

Adjusting Your Strategy

Be flexible. Don’t be afraid to switch gears and attempt something new if you find that a given content type or strategy is underperforming.

Overcoming Challenges

Dealing with Competition

There is a lot of competition on “Josh_lo1.” Pay attention to what you do well, and keep the quality of your material high all the time.

Managing Trolls and Negative Feedback

There will be some negative comments as well. Cultivate a thick skin and learn to accept criticism with poise.

 The Future of “Josh_lo1”

“Josh_lo1” will develop with technological advances. Keep up with the newest features and trends on your platform of choice.

 Conclusion

Social media account “Josh_lo1” is a portal to new ideas, productive relationships, and professional achievement. “Josh_lolhas unlimited potential for development and participation, whether you’re a person seeking exposure for your skills or a company wishing to reach a wider audience.

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The Essentials of Insurance for w3techpanel.com: Protecting Your Digital Investment

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The demand for all-encompassing insurance policies goes well beyond the physical world in today’s lightning-fast digital ecosystem. There is now as much, if not more, risk to websites and online companies as there is to traditional ones. Coverage for websites like w3techpanel.com and others of its like is discussed in this article. We have your back every step of the way, from learning about the dangers to picking the appropriate insurance.

Understanding the Digital Landscape

W3TechPanel.com, like everything else online, is always developing. You, as a website owner or manager, need to be alert to the many dangers that lurk in cyberspace. Examples of such dangers include hacking attempts, data leaks, and even system outages.

The Rise of Cyber Threats

As society becomes increasingly reliant on electronic devices, so too have cyber dangers evolved. Sites like w3techpanel.com are frequent targets for hackers who steal data, disrupt services, or deface websites.

Data Breaches and Privacy Concerns

Serious difficulties, including as legal trouble and reputational harm, might arise from a data breach. Users’ financial and personal details must be kept secure at all times.

Types of Insurance Coverage

If you own an online company like w3techpanel.com, you should research the many forms of insurance coverage available to you in order to protect your digital assets.

Cyber Liability Insurance

This specific insurance protects against the financial losses that might result from cyberattacks and data breaches. It may help reduce the costs associated with legal action, sending out alerts, and protecting one’s good name.

Business Interruption Insurance

This insurance may reimburse w3techpanel.com for lost revenue and expenditures in the event of downtime caused by a cyber incident or technical breakdown.

E&O Insurance (Errors and Omissions)

If your services or advice causes financial harm to a customer, this insurance will shield you from legal action for professional negligence.

Tailoring Your Coverage

In order to properly insure w3techpanel.com, you must first determine what those demands and dangers are.

Conducting a Risk Assessment

Locate security holes and rank the threats that w3techpanel.com faces. Your insurance selections will be informed by this analysis.

Customizing Your Policy

Consult with a knowledgeable insurance agent to create a policy that fits your company’s specific needs. Avoid using a blanket solution.

Benefits of Insurance for w3techpanel.com

Purchasing insurance is a good business move that has several benefits beyond the obvious safety net it provides.

Peace of Mind

With your mind at ease from worrying about the security of w3techpanel.com, you can concentrate on expanding your business.

Legal Compliance

Having appropriate insurance is often a legal obligation, particularly when dealing with private user information.

Competitive Edge

Insuring w3techpanel.com against cyber hazards may increase credibility and bring in more customers.

Conclusion

Protecting w3techpanel.com is crucial in today’s ever changing online environment. The difference between surviving and collapsing in the face of a cyber attack might be as simple as finding the right insurance policy. Get the correct insurance to safeguard your digital assets, keep your data safe, and keep your online presence operating smoothly.

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Pennsylvania Election: A Deep Dive into the Keystone State’s Electoral Process

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In the realm of American politics, the state of Pennsylvania has often taken center stage during election seasons. Known as the “Keystone State” for its pivotal role in shaping the nation’s destiny, Pennsylvania’s electoral process is a topic of great interest and intrigue. This article aims to provide a comprehensive overview of Pennsylvania’s election system, exploring its history, key players, voting procedures, and the broader implications for the national political landscape.

The Keystone State’s Electoral Significance

A Historical Perspective

Pennsylvania’s electoral significance can be traced back to the founding of the United States. The state played a crucial role in the American Revolution and hosted the Constitutional Convention of 1787, where the U.S. Constitution was drafted and adopted. This historical legacy has cemented Pennsylvania’s reputation as a bellwether state, often reflecting the broader political trends in the nation.

Electoral College: Pennsylvania’s Weight in Presidential Elections

Pennsylvania’s electoral votes have consistently made it a battleground state in presidential elections. With a substantial 20 electoral votes, the state holds a significant stake in determining the outcome of presidential races. Candidates from both major political parties vigorously campaign in Pennsylvania, recognizing its role in the Electoral College.

Pennsylvania’s Electoral Process

Voter Registration and Eligibility

To participate in Pennsylvania’s elections, individuals must register to vote. The state has relatively inclusive voter registration policies, allowing citizens to register online, by mail, or in person. Eligibility requirements include U.S. citizenship, Pennsylvania residency, and being at least 18 years old.

Primary Elections

Pennsylvania conducts primary elections to choose party nominees for various offices. These primaries are held for both major political parties, and registered voters can participate in the primary of their chosen party. The winners of the primary elections move on to the general election.

General Elections

General elections in Pennsylvania are held on the first Tuesday in November of even-numbered years. Voters cast their ballots for a wide range of offices, including the President, Senators, Representatives, and state-level officials. Pennsylvania uses a paper ballot system for voting.

Key Players in Pennsylvania Elections

The Governor

The Governor of Pennsylvania plays a pivotal role in the state’s electoral process. They have the authority to call special elections, veto legislative redistricting plans, and influence the overall political climate in the state.

State Legislature

The Pennsylvania General Assembly consists of two chambers: the House of Representatives and the Senate. These bodies are responsible for passing election-related legislation, including redistricting plans.

County Election Officials

Election administration in Pennsylvania is decentralized, with county election officials overseeing the voting process at the local level. They are responsible for voter registration, polling place management, and vote counting.

Challenges and Controversies

Redistricting Battles

Pennsylvania has witnessed its fair share of redistricting controversies. The drawing of legislative and congressional district boundaries has sparked legal disputes and accusations of gerrymandering.

Voter ID Laws

The state has implemented voter ID laws that have been a subject of debate. Proponents argue that these laws prevent voter fraud, while critics claim they disenfranchise certain segments of the population.

The National Impact

Swing State Status

Pennsylvania’s swing state status makes it a critical battleground in presidential elections. Winning Pennsylvania often signals broader electoral success, making it a focal point for campaign strategies.

Demographic Changes

The state’s evolving demographics, with increasing urbanization and changing voter preferences, have the potential to reshape Pennsylvania’s political landscape and influence national politics.

Conclusion

In conclusion, Pennsylvania’s election system is a microcosm of American democracy, with a rich history, key players, and its fair share of challenges and controversies. The state’s role as a swing state and its significant electoral votes ensure that Pennsylvania will remain at the forefront of American politics for years to come.

FAQs

Q: How many electoral votes does Pennsylvania have?

Pennsylvania has 20 electoral votes.

Q: What is the significance of Pennsylvania in presidential elections?

Pennsylvania is a swing state with a history of reflecting national political trends, making it crucial in determining the outcome of presidential races.

Q: Who oversees the voter registration process in Pennsylvania?

County election officials are responsible for overseeing the voter registration process in Pennsylvania.

Q: What are some of the key challenges in Pennsylvania’s electoral system?

Redistricting battles and voter ID laws have been contentious issues in Pennsylvania’s electoral system.

Q: How often are general elections held in Pennsylvania?

General elections in Pennsylvania are held every even-numbered year on the first Tuesday in November.

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Fighter Jets: The Pinnacle of Aerial Dominance

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In the world of aviation, few machines evoke the same awe and admiration as fighter jet. These marvels of engineering represent the pinnacle of aerial dominance, combining speed, agility, and firepower in a way that few other man-made creations can match. In this article, we’ll take an in-depth look at fighter jets, exploring their history, technology, and their critical role in modern warfare.

The Evolution of Fighter Jets

Fighter jet have come a long way since their inception. In the early 20th century, the concept of aerial combat was in its infancy. Pilots would engage in dogfights using primitive biplanes. However, as technology advanced, so did the capabilities of fighter aircraft. Discussing the evolution of fighter jets will provide insight into the remarkable progress made in aviation.

World War I: The Birth of Aerial Combat

The first fighter planes emerged during World War I, with aircraft like the Sopwith Camel and Fokker Dr.I becoming iconic symbols of that era. These planes were characterized by their open cockpits and machine guns mounted in front.

World War II: The Golden Age of Fighters

World War II saw a rapid evolution in fighter technology. The introduction of the Messerschmitt Bf 109, Supermarine Spitfire, and P-51 Mustang marked a significant turning point in aerial warfare. These planes had enclosed cockpits and greater speed and firepower.

The Jet Age

The post-World War II era ushered in the jet age, with aircraft like the F-86 Sabre and MiG-15 setting new speed and altitude records. Discuss the impact of jet propulsion on fighter capabilities.

Cutting-Edge Technology

Modern fighter jets are technological marvels, packed with advanced systems and weaponry that give them an edge in any combat scenario. Highlight the key technologies that make modern fighter jets so formidable.

Stealth Technology

Discuss how stealth technology allows fighter jets to operate undetected by radar, giving them a crucial advantage in surprise attacks.

Avionics and Radar Systems

Explain how sophisticated avionics and radar systems enable pilots to track enemy aircraft, guide missiles, and make split-second decisions in combat.

Supersonic Speed

Delve into the importance of supersonic speed in fighter jets, allowing them to intercept and engage targets quickly.

Role in Modern Warfare

Fighter jets play a pivotal role in modern warfare, serving as both a deterrent and a defensive tool. Explore how they are used in various military operations and conflicts around the world.

Air Superiority

Explain how fighter jets establish air superiority by neutralizing enemy aircraft, allowing friendly forces to operate without the threat of aerial attacks.

Close Air Support

Discuss the vital role fighter jets play in providing close air support to ground troops, aiding them in battles and conflicts.

Interceptor Missions

Explore the concept of fighter jets as interceptors, ready to respond to potential threats or incursions into a nation’s airspace.

Conclusion

In conclusion, fighter jets have evolved from simple biplanes to cutting-edge technological wonders. They are not only symbols of a nation’s military might but also crucial tools for maintaining peace and security. As we look to the future, fighter jets will continue to push the boundaries of what is possible in aviation technology.

FAQs

Q: How fast can modern fighter jets fly?

Modern fighter jets can achieve speeds of over Mach 2, which is more than twice the speed of sound.

Q: What is the role of a fighter pilot in combat?

Fighter pilots are responsible for engaging and neutralizing enemy aircraft, protecting friendly forces, and ensuring air superiority.

Q: Are fighter jets equipped with ejection seats?

Yes, most fighter jets are equipped with ejection seats, allowing pilots to safely eject in emergencies.

Q: Can fighter jets carry nuclear weapons?

Some fighter jets are capable of carrying nuclear weapons, adding to their versatility in various military scenarios.

Q: How do fighter jets refuel during long missions?

Fighter jets can be refueled in mid-air by tanker aircraft, extending their operational range.

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He designed it initially to keep up with friends, but soon opened it up so others could also use the platform.

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November 21, 2022updated 18 Nov 2022 4:46pm

5 of the strangest Google products that spectacularly failed

What even is a Google Daydream?

By Kurt Robson

Google is known for releasing a lot of products but it’s also known for quickly shutting a lot of them down.

The company seems to run a “see what sticks approach” to what they release – leaving its customers and those in the tech industry understandably sceptical about the longevity of its new releases.

Google’s failures range from big and small to outright weird products. You’d be excused for never hearing of Google Lively, for example, the strange Second Life copycat which ended up being filled with sex and violence.

It only takes a simple Google search to find a website named Killed By Google: Google Graveyard, which currently lists 275 services, apps and hardware that have been closed down by Google.

The most recent mainstream culling was Stadia, the tech giant’s cloud gaming service. Google announced in September that it would be completely shutting down the service in January next year. Everyone who purchased Stadia controllers, games and hardware has been promised to be fully refunded.

Phil Harrison, Stadia vice president and GM, claimed the service didn’t gain “the traction with users that we expected.”

This blindsided Stadia’s fanbase as well as some developers that had been planning to release games on the service.

“We have a game coming to Stadia in November,” tweeted Mike Rose, founder of developer No More Robots, “who wants to guess that Google will refuse to pay us the money they owe us for it.”

Google currently has 271 products and services available for use, including its world-renowned search engine.

“I would say that when pushing the boundaries, in any field, it’s very easy to take something in the wrong direction,” Sam Welch, organic SEO executive at digital marketing agency, Embryo, told Verdict.

“I think the killing off of previous projects it’s a testament to how committed Google is to making sure they’re [not] heading into unknown territory.“

Join Verdict as we take a look at five of the strangest Google product failures so far.

Google Glass

Time span: 2012 to 2019

Google’s voice and motion-controlled augmented reality glasses were very much a product of its time. Back in 2012, the hype around sci-fi products was rife and people seemed genuinely excited at the prospect of this high-tech accessory. It was even voted by Time Magazine as the “Best Invention of the Year.”

The actual launch of the product was a very different story, however, with reviews flooding in claiming that the technology was “very buggy” and a “gimmick”.

Google was also criticised for the whopping $1,500 price tag – making it inaccessible to a large demographic of people. The ones who could buy it were labelled with the derogatory sobriquet “glassholes.”

Google Glass was only sold for a very limited time and lasted a few years before it was pulled from being sold commercially.

Although Google began testing new versions of Google Glass back in September, 2022, there is no denying that it was one of Google’s worst failures.

Google Daydream

Time span: 2016 – 2019

Google launched its Google Daydream VR project in 2016. Unlike other VR headsets, it was actually just a placeholder for a smartphone – to allow for an accessible virtual reality experience.

It was an upgrade from the company’s previous VR product made out of cardboard. Yes, they actually released a VR product made out of cardboard.

The Google Daydream was launched at $100, making it one of the most affordable ways to experience virtual reality at the time.

However, even with an affordable price tag, the Daydream couldn’t compete alongside other leading headsets like Oculus.

The Google Daydream was pulled from stores in 2019.

Google Lively

Lifespan: 2008

Google Lively was Google’s attempt at a virtual social video game similar to something like Second Life. Lively users were able to create avatars with pre-designed assets and socialise with other users online in virtual rooms.

Google Lively was launched back in July, 2008, long before Mark Zuckerberg voiced his aspirations to create a metaverse that would essentially do the same thing.

Unfortunately, the service never got out of its Beta stage and was closed by Google just a few months later.

Lively never gained the traction Google hoped it would. The service maxed out at 10,000 active users.

Users complained about lackluster personalisation options and rough controls. There was also a lot unsavoury usage of the service, with users spouting sexual and violent content in the virtual rooms.

This meant that Google couldn’t safely integrate its advertising platform into the service.

In the end, the tech giant said it would be focusing its resources in other areas and closed the service for good.

Google+

Time span: 2011 – 2019

Google+ was the tech giant’s attempt at competing with the social media giants while Facebook and Twitter ruled the space. Google’s idea with Google+ was to give users an experience of interacting online the same way they did offline. This was through networking around categories called “Circles.”

Although there were promising numbers at launch, Google couldn’t compete with the big players and couldn’t retain a consistent user base.

Facebook and Twitter continued to reign supreme and despite attempting to innovate the service a number of times – Google+ was closed for good in 2019.

Google Wave

Lifespan: 2009 – 2012

You wouldn’t be blamed for having never heard of Google Wave. It’s arguably the strangest online service Google has ever launched. It’s best described as an abstract emailing platform – where users can join “waves” to share polls, statuses, images, videos, and more.

It lasted just three years and has been remembered for having one of the most confusing social media interfaces ever.

GlobalData is the parent company of Verdict and its sister publications.

LiveJournal quickly became known for its strong community features, allowing users to “friend” each other and to form and participate in interest-based communities.

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How to Do More With Your Substack Audience (5 Ideas)

Newsletters built your audience, but are you ready to bring your brand to the next level? Here’s how a modern community platform will do just that.

Many creators have found success by using a newsletter to build their audience. But if you’d like to take your brand even further, you’ll eventually need to look elsewhere.

Transitioning your audience of newsletter subscribers over to a community platform could be the switch you need to expand your business. Why? Because content alone is unsustainable, and it’s hard to build a community when your audience can’t talk to one another.

Creating a community space where your people can interact with your content and build relationships with each other through their shared interests will keep the conversation going long after your post goes live.

Ahead, we’re diving deep into why platforms like Substack were good in the past; why you should transition your newsletter’s audience to a community platform; and what you gain from utilizing these platforms..

If you want more support in building and monetizing your online community, come join OUR Mighty Community for free and meet other new and established community owners! We’d love to meet you. Join for free!

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Why do creators use Substack?

Many creators use Substack because it is a quick and easy way to build an audience of paying subscribers invested in your work.

When you use Substack, you can easily brand your newsletters by adding a header image and an about page to tell potential subscribers who you are. On top of that, Substack has made the process of subscribing to a newsletter and paying for content easy both for readers and content creators.

Where does Substack fall short?

Substack’s restrictions arise when you move beyond the initial setup for your newsletters on the platform.

While Substack is a great way to build an email list, accumulate subscribers, and share your work, it’s nearly impossible to build a community there. And that’s a huge missed opportunity: When you have an active and engaged community of people interested in your work, then they will A. sustain the conversations around your brand long after your latest post and B. propel growth for your digital business.

Unfortunately, Substack doesn’t have a great solution for this kind of community interaction. They do offer a “community” tab, but it simply links to the comments sections of individual articles, fragmenting your members’ conversations across posts.

So with a lackluster community system in place, creators aren’t left with many options to grow their business outside of paid advertising. The problem with advertising is that Substack has already stated they don’t plan on adding in-depth advertising tools, and on top of that, creating ads takes money out of your pocket. Ads can also be distracting and put some readers off.

This is where online community platforms come into play.

Now that we’ve explored why Substack has been used and why it’s stagnating for creators, how about we look at some of the reasons community platforms are so great?

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Why you should use an online community platform

Change can feel scary, and it might seem like transitioning your Substack audience to another platform isn’t worth the hassle. We’re here to tell you that while those feelings are natural, they just aren’t true.

Modern online community platforms are designed to allow you to continue creating your awesome content, while also providing your audience with more opportunities to interact.

We’re sure you already know how hard it can be to build true connections within your audience. And with Substack, you’re significantly limiting the modes of communication you have with your people.

But if you transition to a community platform, you open yourself up to more possibilities for connection—both between you and your members and between your members themselves. Plus, you also gain the potential to diversify elsewhere: the types of content you release, the ways your community interacts, your options for monetization, and more.

How to Do More With Your Substack Audience

1. Turn your audience into a community

One of the best things about transitioning from Substack over to a modern community platform is that you’ve already done the heavy lifting. Whether your newsletter has 10 or 1,000 subscribers, you’ve already completed the first major step: bringing people together around a shared interest or idea..

When you start building your community platform, your first step is communicating just that with your subscribers.  Let your audience know that you’re moving away from a simple newsletter in favor of something much more robust. You have their emails. All you have to do is let them know.

As we talked about earlier, Substack has a community tab for people to look at the comments of individual articles, but it doesn’t foster much camaraderie. Online community platforms are great because you can still post all the content you normally would, but it’s within a centralized private network that your members enter to access.

A dedicated community space allows your audience to actually get to know each other and transition from simply being fans to actual members of a community. And remember, a community is powerful because it enables your followers to come together around shared passions, interests, or goals.

When you create an environment that allows your members to communicate and network with each other, that creates what we call a network effect. Think about it like this: Each new person that joins your community brings their own unique perspective and skills to the table which adds more value to you, your brand, and your members. And as your members get added value from the connections they make with each other, they, in turn, get the incentive to keep coming back, extending their subscription year after year.

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2. Create more diverse content

When you use an online community platform to grow a community you’ll have more ways to give them content.

Substack is a newsletter service that mainly focuses on providing writers with an easy way to share their writing to those who enjoy it and get paid. But what if we told you that on a community platform you’d still get all of the features that make posting your writing easily, while also gaining new options to experiment with?

Here’s a list of features at your disposal:

  • Your community on Web, iOS, and Android apps.

  • Discussion board posts, polls, and Q&As.

  • Live and pre-recorded videos.

  • Virtual Events.

  • Paid subscriptions and Online courses.

  • Direct messaging and member profiles.

You’re no longer just a line item in their crowded email inbox. Instead, you’re a destination they’re excited to return to again and again.

When you’re transitioning from a platform like Substack, some of these features might not seem important to you. But having them available allows you an abundance of possibilities later on. Plus, if you were relying on Substack’s lackluster community features, then you really don’t know what your members might want once they actually have solid ways to communicate with you and each other.

3. Try paid memberships

There are multiple ways to monetize your content and audience when you switch to an online community platform.

The first and most familiar option for you will be paid subscriptions. On your Substack, you might already be monetizing by charging a fee to access certain articles or a monthly recurring subscription for access to your newsletter. That’s great! When you use a community platform you can continue utilizing subscriptions, but with more options.

When you choose an online community platform, you can charge for membership to the community or for individual parts of your community or content. For example, you could have a paid community subscription (billed monthly or annually) that gives your members access to all of your content. Or you could opt for a “freemium” structure, where the overall community is free, but other content—whether it’s groups or courses—is priced at a premium.

Basically, when you choose an online community platform, you’re supercharging what you could already do with your Substack subscriptions.

4. Build online courses

Offering online courses is another great way to monetize a community and re-use old content. Creating an online course is great because you’re helping people achieve a goal while also fostering real connections between members.

Even if your Substack audience mainly comes for your writing, there are still opportunities to create online courses. The easiest way to find out what they can be about is asking your members in your brand spankin’ new community space…maybe even through a poll or Q&A? Okay, we’ll relax, but what we’re getting at is that all of these features are connected.

When you have more ways to interact with your people, you’ll have more ideas on how to service them. And remember, you don’t need to reinvent the wheel when you make an online course. Your audience followed your Substack for a reason: you have a unique perspective that is changing the way people think about things. All you need to do is show them a simple skill or idea and guide them to results.

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5. Try live events

Last, but not lest, try some live events! They're a great way to get your audience more engaged, whether it's through a community happy hour or a group coaching session.

Conclusion

Don’t get us wrong, Substack is a great place to start growing your audience and make money while doing it. But as your audience grows, you’ll gain a lot more when you have clearer ways to interact with them, and when they can meet others who have the same interests.

Here at Mighty Networks, we’ve designed a community platform that does everything we’ve talked about today to help you achieve the results you’re getting on Substack — and so much more. Why settle for fewer features, less monetization, and fewer ways to interact?

When you build a Mighty Network, your content is accessible to your members no matter where they are, and your community can continue the conversation even after you’ve left. It’s time to upgrade your newsletter to something much more robust and expansive.

Ready to do more with your Substack audience?

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Unlike traditional blogging platforms, LiveJournal allowed for privacy controls on journal entries, letting users make posts public, friends-only, or private.

This created flexible opportunities for interaction and sharing that were not typical on other journaling or blogging websites at the time.

The unique “friends” page let users easily follow posts from people they knew or communities they joined, making the site feel personal and social.

Users could comment on each other’s posts, and the sense of community was deepened by a culture of interaction and support between members.

LiveJournal also allowed for customization, so users could personalize the appearance of their journals through various themes and layouts.

At its peak in early 2005, LiveJournal boasted more than 2.5 million active accounts and was a central platform for blogging and online discussion, especially in the English-speaking world.

Title:

Content: LiveMe Celebrates 6th Anniversary

Popular live streaming platform LiveMe recently began its grand 6th anniversary celebration, launching multiple events that cost over one million US dollars, to mark LiveMe's devotion to its users.

Los Angeles, California, UNITED STATES

Singapore, Singapore, April 18, 2022 (GLOBE NEWSWIRE) -- Popular live streaming platform LiveMe recently began its grand 6th anniversary celebration, launching multiple events that cost over one million US dollars, to mark LiveMe's devotion to its users. Physical gifts such as LiveMe toy bears were also sent to users who have supported LiveMe for many years. As one of the most widely used live streaming platforms in the world, LiveMe will continue to create greater values for users.

Exclusive Celebration Events

Carnival themes are diverse, including basketball, April Fool's Day, anniversary spokesperson, talent show, influencer match, game night and so on.

The exclusive page of Memoirs of Your 6 Years with LiveMe impressed users the most. On the memoir page, users can review their journey with LiveMe, from joining time to their first live broadcast with data on the number of gifts they have received and an internal friendship map. The memoir page is shareable inside LiveMe communities and external social media platforms. LiveMe has received many messages from social media users, expressing their support and love for LiveMe and wishing LiveMe a happy birthday.

In addition, the Confession Wall, a new function released during the carnival, has also been popular among users because it further narrows the distance and establishes closer connections between users in a creative way. Users can leave messages to their preferred broadcasters on the Confession Wall. All messages are open to the public and will be kept for 24 hours. People check the Confession Wall, reading their own messages as well as other confession content.

Twists and Achievements

In April 2016, LiveMe was quietly launched. In just three months, LiveMe became the most popular social live streaming App among young Americans, and it reached top one in the US Social App Ranking. LiveMe then co-branded with various brands and influencers, and even became the star of VidCon, the most well-known influencer gathering party in the world, creating a series of highly sought-after theme shows and VIP parties.

However, in 2019, with the pursuit of being more independent and sustainable, LiveMe had a reconstruction of the whole company, and experienced an overwhelming operating pressure for a while. In 2020, the outbreak of Covid 19 pandemic set more fierce pressures on LiveMe internally and externally. LiveMe's employees are all over the world, and the raging epidemic made it difficult for them to continue their normal lives. And plenty of planned offline events could not be carried out due to continuous lockdown. LiveMe had to give more of its attention to taking care of its employees and keeping connected with the users.

Yuki He, founder and CEO of LiveMe, mentioned in many of her interviews that LiveMe has experienced twists and turns during the past 6 years, but LiveMe always persists in helping users to make new friends and express themselves as they have from day one. LiveMe constantly works to optimize their App, upgrade security and privacy protection, and to provide a better user experience. Especially during the pandemic period, LiveMe became a new channel for people to build relationships, make a living and grow as an influencer.

At present, LiveMe is developing rapidly and achieving new goals. The Samsung Galaxy Store also awarded LiveMe with the title of Best Entertainment App in 2021.

Warm Stories in Warm Community

Connecting the world and spreading happiness is the mission of LiveMe. In the past 6 years, under the call of this mission, LiveMe has been striving to create a social live streaming platform for users to meet new friends and have fun.

At the beginning of 2020, when the pandemic situation in the United States was severe, there was a single mother working as an Uber driver shedding tears during her live broadcast on LiveMe. She was emotionally grateful to LiveMe for giving her a source of income and being able to support her and her children during the pandemic. In September this year, a couple of lovers from the United States will get married. They met and fell in love via LiveMe, and finally became engaged.

There are countless warm stories in the LiveMe community.

The 6th anniversary carnival will last until April 30th. Users can participate in carnival events by downloading the LiveMe App, and win coins and bonuses.

Media contact

Company Name: Han Xiao

Company Name: LiveMe

Website: http://www.liveme.com

Email: hanxiao@joyme.sg

This is not investment advice. Please conduct your own research when investing in any project.

Disclaimer: There is no offer to sell, no solicitation of an offer to buy, and no recommendation of any security or any other product or service in this article. Moreover, nothing contained in this PR should be construed as a recommendation to buy, sell, or hold any investment or security, or to engage in any investment strategy or transaction. It is your responsibility to determine whether any investment, investment strategy, security, or related transaction is appropriate for you based on your investment objectives, financial circumstances, and risk tolerance. Consult your business advisor, attorney, or tax advisor regarding your specific business, legal, or tax situation. For more info, please contact brandnewsproject@gmail.com.

Attachment

Features like threaded comments and polls set it apart from other blogging options and encouraged unique discussions and group activity.

However, as new social media platforms emerged and grew, LiveJournal faced strong competition, notably from sites like Facebook and later Tumblr, which offered even more robust sharing and networking features.

Regulators and users increasingly viewed Facebook and similar platforms as synonymous with “the internet,” boosting their dominance.

Title:

Content: Regulators Seem to Think That Facebook Is the Internet

That’s a problem.

In 1997, SixDegrees.com was the first real attempt at social networking, creating a space where users could upload their information and list their friends. The site peaked at approximately 3.5 million users before it shut down in 1999.

Since then, a series of social networking business models have emerged, each time offering more advanced tools for user interaction. LiveJournal, a site for keeping up with school friends, combined blogging and social networking features inspired by the WELL; Friendster was a social network that allowed for increased interaction and control by users; Myspace had open membership and gave users the freedom to customize their pages. In 2005, it—and its 25 million user base—was sold to News Corp. But within three years, Myspace had been surpassed by Facebook, which launched in 2004 for college students and opened to everyone in 2006.

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As that history shows, in the early days of the internet, disruption was profound and constant: New companies emerged in music, video, e-commerce, publishing, and telephony on an almost yearly basis. The internet appeared to be a space where competition could thrive.

Not anymore.

Today, disruption happens in much smaller ways. The examples are getting fewer because economies of scale have concentrated innovation in the hands of a few players.

More often, disruption comes from regulation—for better or, often, for worse. Current regulation attempts focus on the actions and behavior of some actors—chiefly Facebook—while creating unintended consequences for the internet, particularly fragmentation, or the splintering of the global internet into one that more closely hews territorial borders.

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It’s understandable that both the public and regulators might think that regulating “the internet” means focusing on the biggest players. Much of it has to do with the fact that users are often exposed to various types of illegal behavior and content through some of the most popular services that exist on the internet. Fix misinformation, or extremism, or ideological silos, or security on Facebook, the thinking goes, and you’ve fixed it on the internet as a whole.

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But this is an unhelpful and misguided narrative. First, the internet is not a monolith, so treating it as if it is simply will not work. Second, many of the issues regulators are trying to address are not internet problems; they are societal. Terrorism, child abuse, and mis- and disinformation are not an offspring of the internet; they existed before the internet, and they will continue to exist after it as they are ingrained in human societies. Yet, they are treated as if they are exclusively internet problems. Third, and most importantly, regulators should stop thinking of the internet as Facebook and treating it as such. In the internet regulatory landscape, there is a mixed bag of different issues, and Facebook’s involvement in all of them, direct or indirect, adds to the current complexity. Content moderation, privacy, intermediary liability, competition, encryption—these are all broader issues related to the internet, not just Facebook. Yet, the pattern that has emerged is to treat them as Facebook issues. What this means is that, instead of focusing on trying to address them in ways appropriate for the entire internet ecosystem, they are addressed through the Facebook lens. This has been quite accurately characterized as the “Facebook Derangement Syndrome.”

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The global regulatory agenda is replete with such examples. In the United Kingdom, the Online Safety legislation wants to ban end-to-end encryption because of Facebook’s plan to introduce it as a default setting in its Messenger service. On the other side of the Commonwealth, Australia recently introduced a media bargaining code mainly targeting Facebook. Facebook famously “left” the country before renegotiating a new agreement. Similarly, in what seems to be a coordinated effort, Canada has vowed to work with Australia in an attempt to impose regulatory restrictions on Facebook.

And this trend is not limited to the Commonwealth.

India’s new intermediary guidelines aim at tightening a regulatory grip on Facebook and its partner company WhatsApp while Brazil’s fake news bill, which got approved by the Senate, is focusing on content moderation on Facebook and traceability on WhatsApp. In France, there have been conversations about the introduction of “new rules” for Facebook, while Germany’s Network Enforcement Law—NetzDG—was drafted with the primary focus of taming Facebook. Finally, in the United States, the Trump administration issued an unsuccessful executive order that aimed to regulate Facebook for bias.

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This approach of limiting regulation to Facebook is not entirely unusual. It reflects the principal-agent conundrum that, over the years, has allowed companies like Facebook to  propose policies and deploy tools that can have an impact on the way regulation gets to be enforced. The principal-agent problem is predominantly characterized by conflict of interest and moral hazards. Due to information asymmetries, the agent holds the bargaining power, and this creates a few unknowns: The principal is in no position to know the information the agent holds. Even when she does, she cannot be certain that the agent is acting to her best interest. So, the principal ends up focusing squarely on the agent, disregarding any peripheral issues that might be significant.

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The principal-agent problem may help explain why governments appear ready to introduce regulation targeting Facebook; however, it does not help explain why, in the process of doing so, the main loser is the internet and its users.

Over the past couple of years, Facebook has said, “We support regulation,” and “we want updated internet regulations to set clear guidelines for addressing today’s toughest challenges.” This statement would be significant if it did not come across as self-serving. At this stage, regulation is inescapable and Facebook knows it—as does the rest of big tech. In an effort to adapt to this new reality, companies often take advantage of their dominant position to drive regulatory processes, often at the expense of regulation itself.

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In this context, the question we should be asking is not whether regulation is appropriate, but what are the real implications of regulating in such a manner? There is already an argument that focusing on a few, big players has an impact on the health of innovation and the ability of newcomers to compete. And, then, there is the internet. The internet’s global reach is one of its main strengths. It is a feature, not a bug. Among other things, it allows the maintenance of supply chains all over the world; it allows people to communicate; it lowers costs; and it makes information sharing easier, all the while helping to address societal issues like poverty or climate change.

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To this end, the attempt to regulate based on one—or a handful—of companies can jeopardize this very important goal of the internet. It can create fragmentation, in the sense of not allowing data to flow across borders or networks to interconnect, and this can be very real and have a very big impact. It can impose limits on the way information and data gets to be shared and the way networks may interoperate. These are significant trade-offs, and they must be part of any regulation’s process.

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So where do we go from here?

For sure, the answer cannot be to stop regulating. We must accept, however, that the current approach often generates unintended consequences that only superficially affect those who must be regulated.

In this light, a possible way forward is to experiment with regulation. Experimental regulation is a relatively underused approach, yet it is flexible enough to accommodate dynamic markets, like the internet. Originally associated with the work of John Dewey, this idea is premised on the fact that, in policymaking, the way we approach theories and strategies of justice depends on “the experience of their pursuit; it is these changes that then allow us to consider how best to achieve our objectives.” The advantage of this thinking is that it considers unintended consequences as an opportunity to better define appropriate regulatory frameworks and how to achieve the desired goals.

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Internet regulation does not experiment enough, and when it does, it appears to have the wrong focus. In Australia, for instance, the effort to ensure robust journalism in an age of disinformation in social media platforms led to a “link tax” that undermines the architecture, history, and economics of the internet. This is partly due to the role big tech companies play in the regulatory process. One of the immediate things one can observe with internet regulation is the process some actors deploy: In the beginning, they operate in favor of sustaining existing policies and bureaucracies. The thinking is that longevity brings legitimacy, and as a result, the policy becomes its own cause. Once this strategy is embedded in process, these powerful forces move toward pushing their own regulatory agenda.

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It is for this reason that there is a certain appeal toward flexible regulatory systems that allow different units to experiment with different approaches and make room for assessments that separate the relevant from the nonrelevant and preexisting rules. Although experimentation neither offers a drastic approach nor aims to replace traditional routes of regulation, it can limit the risks of politicization, as politics become more context focused.

One of the first things we need is an internet impact assessment that looks at the different parts of the internet’s infrastructure and the effect that regulation may have. It is no longer just about regulating a few actors. It is about protecting the global infrastructure that we all depend on daily.

The internet has a Facebook problem, but the internet is not Facebook.

This article represents the views of the author and not those of his employer, the Internet Society. Facebook is an organization member of the Internet Society.

Future Tense is a partnership of Slate, New America, and Arizona State University that examines emerging technologies, public policy, and society.

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The shift of user attention and time to these newer platforms, combined with evolving online habits, led to a decline in LiveJournal’s popularity over time.

Changes in ownership and shifting content moderation policies further affected trust and participation among the site’s core user base.

By the 2010s, most of the English-speaking internet had moved on from LiveJournal, though a dedicated minority, including public figures like George R. R. Martin, remained active.

Title:

Content: 23 Years

Another September 13, and another year of Whatever in the (virtual, electronic) books. For the site, an unusual year, in that I was not the sole writer here — through most of it Athena wrote nearly as much as I did (more accurately, I had more posts, but more of my posts were cat pictures and sunsets, so she probably wrote more words). I think that change of tenor was a pretty good thing. Athena is back at school at the moment and we’ll figure out to what extent she’ll be involved here while she’s also doing classwork. Could be a little! Could be a lot! Could be none at all! We’ll see, and whatever it is, that’ll be fine, because she has a life outside this site.

Me? Slightly less so. We still have a plague going on, thank you very much dunderheads who won’t get vaccinated, so despite a couple of memorable forays out into the world, I’m still mostly at home. Whatever continues to be the place where I write out my longer thoughts on the world. In the last year, with the exception of the events between the election and Joe Biden’s inauguration, in which we were living in genuinely historical times, it feels to me I’ve steered away from commenting on politics as much as I normally do, partly because of burnout (who could be blamed for that, honestly) and partly because much of the politics of the moment boil down to “aspiring fascists having performative tantrums” and “literally everybody else,” and that’s not interesting to me to write about. Politics right now makes me cranky, basically, which is why I’ve been putting my political thoughts mostly on Twitter. There I’m cranky in 280 characters or less, and then can immediately follow up with a picture of a burrito or the dog de-sequeakifying some poor stuffed animal. I don’t not write about politics here (go back just a few posts, you’ll see), I just write about it less frequently than I have at other times. That may change in the next year, going into a mid-term election year as we are. We’ll see.

For all that I find Whatever to be a pleasant thing to do, and to have. The last year in particular it feels like it hummed along nicely, as Athena did her writing and posted Big Ideas, and I posted and tended to other things. I especially miss have someone else post up the Big Ideas; it’s not difficult but it takes time, and I’m still posting more of them than I have in years past because book tours and physical appearances are still thin on the ground thanks to the pandemic, and authors need all the help they can get. Perhaps I’ll get an intern (I probably won’t get an intern). Regardless, in the last year it was nice to have it here, doing its thing, often without me.

The funny thing about writing on the site for 23 years is that it seems like the “blogosphere” is coming back around again, it’s just that now we’re calling it “Substack” and “Medium” and “paid newsletters.” Nevertheless the dynamic is still the same: One writes in one’s own space, and people come around to read it (or have it delivered by feed or email). What is old is new again. While I have both Substack and Medium accounts, I am unlikely to turn Whatever into a paid newsletter. I feel it runs against the ethos of Whatever to turn it into a job replacement. I don’t need another job, and I don’t need your money (this way; please buy my books). But to the extent that this new flourishing of personal media begins to pull people away from the Facebook/Twitter/Instagram triopoly of attention, so much the better. I mean, use those sites! I use them too. But then go other places too. Of course I don’t need to tell you this, you’re already here. Tell other people, maybe.

Whatever will, of course, go on. At the moment there is no plan to stop, or to much change how this site works. I write what I want to write here; you get what you get when you come here. That’s been the deal for 23 years and it doesn’t seem likely to change anytime soon, unless I drop dead, which to be clear I have no intention of doing, but which might not be entirely up to me. I like doing what I do here, and there is no reason to stop or change. In a way it’s nice. Fashions come and go, online media empires rise and fall, trends wax and wane, and through it all Whatever is here, doing its thing in its corner. Come around when you like, it’ll be here. Which means I will be here. Welcome.

— JS

%d bloggers like this:

LiveJournal’s legacy remains in pioneering many social and technical features that helped shape today’s online communities and blogging culture.

LiveJournal was created by Brad Fitzpatrick in 1999 as a personal journaling application during his time as a college student.

Title:

Content: news _ header _ top _ 970 _ 100
news _ header _ bot _ 970 _ 100
“I feel like a Russian Tatar. ”
“Billiard.Tatar ” spoke with the anonymous author of Yandex.Zen channel“ This amazing Tatar! ”.
We found out what it is like to learn Tatar while being Russian, what amazing things there are in this language and what it takes to make it popular.
news _ top _ 970 _ 100
“I studied Tatar, eavesdropping neighbors and passengers of trams ”
Are you Russian or Tatar?
There is a theory that you are actually a Tatar who is hiding behind the mask of a Russian.
It ’ s funny that there ’ s a whole theory around it.
And she explains why a theoretical Tatar needs this?
What are his goals?
I am Russian.
A shaved bald, bearded man working as a programmer in a bank.
The rest of the details, as far as possible, in the publications.
They fully correspond to reality.
But if you are interested in “self-identification ”, I feel like a“ Tatarstan Russian ”.
My attitude to other people is not based on their nationality.
The first priority is the attitude of a person to other people, to their needs, goals, ideas.
The interest in a person ’ s language, how he thinks in that language and how the details of his thinking from that language change.
This is purely curious, it does not affect the attitude towards a person.
Your first post is dated January 21, 2020.
How did the idea for this blog come about?
How did you decide to do that?
- Yes, it is very simple: I saw that channels of various subjects began to appear on Yandex.Zen.
There Yandex threw all sorts of people as readers.
And the ideas resonated.
And I had the idea that during my whole life I had accumulated a lot of thoughts and observations on the topic of language.
I would like to hear how relevant these considerations are and for whom.
I used to have a diary in LiveJournal.
T-i), but there are all subscribers "their" and clearly will not be able to get a lot of feedback and reach someone for whom my thoughts would be both new and relevant.
At first, I just made notes on those topics that I had been worried about for a long time, but I could not find interlocutors to freely talk about this topic.
It was easy to decide.
It's kind of an anonymous club trying to survive some kind of problem.
You can honestly say what you think, hear feedback.
It would be much more difficult if I and the readers had to do it with the full disclosure of the biography.
- You write in your blog that you are Russian-speaking, but all your life you study Tatar.
Tell me, "all life" - is it how many years?
And why do you have such an interest in the Tatar language?
- About N minus 4 years.
N is my current age, and 4 is the age I remember.
I am from the 1980s.
On the topic of why there is such interest, I tried to write several articles at the very beginning of blogging, but self-digging and introspection continue to this day.
In short, it is, firstly, an approval for the study of Tatar in the family, as in principle to any knowledge that could be obtained “for free ”.
Secondly, the youth “punk ” protest against the norms according to which (here the Tatars and Russians have a consensus)“ the Russian Tatar does not need ” combined with the unwillingness to live a life “along the track ”.
Thirdly, the ability to influence the Tatar is stronger than the Russian or English, because the smaller the community.
T-i), the higher the specific value of each carrier and the more powerful the feeling of inner approval of their activities.
I must say that such an attitude to anything, to any knowledge is the key to a high quality of life in the modern world.
How did you learn Tatar?
Describe, in your opinion, the most effective method of teaching.
- Studied, eavesdropping neighbors and passengers of trams, remembering what was given at school.
That is, simply motivated, without fencing off or hiding, he passed through himself what the school and the environment gave him.
And I always regretted that I still have to make some mental effort for this.
For me, the most effective method of learning is when you are spoken to in a very early childhood and do not understand your answers until you say the right language.
This is the method by which any person learns to speak in principle.
Do you speak Tatar in your family?
– The family is a tensile concept, in the “big family ” there are those who speak, but their influence, we can say, is“ none ”.
In a small cell of society from two generations, where I am the elder, the main “talker ” in Tatar is me.
– Tell us a little about the most interesting findings in the Tatar language.
You have an article “What words are not in the Tatar language, so that the Tatars do without them? ”.
Conventionally 3-5 such interesting examples, which even the Tatars themselves do not know.
– In this article, it was rather about the fact that in some situations, Russian-speaking and Tatar-speaking have completely different logic of constructing sentences when explaining situations.
But such findings, unexpected for me, and the truth is, I try to share them as I understand:
1) A special ending to the noun, to indicate that these items will act as the currency to which the payment will be made: “-lata ” (dollarlata, bitkoinlata, arakylata tulibez).
2) “Without ” is not only“ we ”, but also “awl ”.
3) There are a lot of words for wheels in the Tatar language: two basic words for ordinary, and some forgotten words for water (and steamship), gear, grinding, mill wheels.
All the latter are ancient Indo-European, and from one root.
4) “Tirbalu ” and“ tibralu ” are two different words with something similar in meaning.
And “tonyk ”, if you believe the dictionaries, is both“ muddy ” and “transparent ”.
Commentators also did not come to an unambiguous conclusion, what is the main idea of   this word, common to both meanings.
5) Nitu is not a parasitic word that replaces a forgotten verb, but a special part of speech that is absent in Russian.
The so-called "locale."
And there are languages where the use of a similar word is quite a norm of literary speech.
Tatarsky chose me according to the place of birth and residence »
– The main feature of the Tatar language, which distinguishes it from others and attracts attention to it?
I cannot speak objectively.
I could not choose any other language for my interest, I am not Dmitry Petrov.
This Tatar chose me according to the place of birth and residence.
I like phonetics in combination with the Russian language, kneads my mouth immediately on the ability to speak without an accent in several more languages, but there is nothing unique here.
If we talk about what interesting “things ” it has, the distinctive features of the entire Turkic group, for example, is a coercive pledge that makes“ ardent ” “yarat ”.
And all the logic around it.
When people learn the language from the environment and when they learn in school, the verbs of different prepositions seem to be in themselves, just the same root.
Few people analyze their origins.
If we consider the example of “yarau ” and“ yaratu ”, then it turns out that “to love ” is“ to force / allow / allow, so that it works ”.
The very fact that one grammatical category can express both “allow ” and“ allow ”, and “force ”, and“ indirectly do ”, the same “coercive pledge ”, is a very interesting thing.
– Do you think that young people are interested in the Tatar language now?
– Time flies quickly, since 2017 (the year of exclusion of the Tatar language from the school curriculum), 5 years have passed, this is half the time of school.
I can't know.
In 2017, children from families where any knowledge from children was encouraged had an interest.
Now they are students.
In my field of view now the youth "kindergarten".
In general, there is not even a single answer to the question, a certain “silver bullet ”.
Everything breaks down into different age groups, and within the same age - into different interests, life attitudes.
From children at an age when it is natural for them to learn languages, including their first, it is probably not quite correct to expect interest in the usual understanding – as to a purposeful “let ’ s sit down and teach ”.
In their case, interest is a clarification of “what does this or that word mean? ”.
And this always occurs when they dive, face the Tatar.
This is where the Overton Window is important.
To ask about the meaning of a word, it is necessary that it be one for 5-7 understandable or something approximately in an understandable context.
Otherwise, everything is blocked together at once as incomprehensible and as a result is simply rejected.
So, before that, in the same way, these 5-7 understandable ones should have “come in ” in the same way.
This happens when the language environment is defective, and you make some special efforts to make the children know Tatar.
In a full language environment, everything happens on its own.
I can ’ t say with older kids.
I am afraid that interest cannot arise where a child, a teenager, a young man or a girl is completely segregated by conditions from the person present in their life at least with a plus sign, even with a minus sign of Tatar.
There is a feeling that Tatar remains only in those families where it is by inertia, and interest in it happens in families in which any knowledge is encouraged.
The environment itself, which is entirely aimed at convenient consumption, does not develop this interest.
How can you increase interest in language?
- Who's got it?
Among those who are already interested, who are taking some action themselves?
They do not need to raise interest, but to give the availability of materials.
How can those who have learned Tatar “as a foreign language ” and without a full-fledged language environment become like natives – those who speak it as their native language?
For example, what Tatar words from the dictionary in real speech are more likely to replace with Russian, give a little devalued vocabulary, some not quite correct grammatical expressions characteristic of a native speaker (English – native speaker), and then how can you try to impersonate him, so that you do not immediately notice your difference?
Yes, for many people from the conditionally average level of the language to “almost as in their native ” it is difficult to find motivation better than trying to bring yourself to the level of“ not to distinguish from those who are native ”, and this includes very different layers that an adult can sometimes not ask about.
We need materials that are not available anywhere on the network.
As a result, after courses and lessons, an adult will have to secretly eavesdrop on someone else ’ s Tatar speech for many years to come.
And among whom do we need to take action to “raise interest ”?
And sometimes just to create it?
Among those who do not think about it and Tatar has nothing to do with it. How?
Increase their at least passive interaction with the language.
Bright, attractive, consumption-oriented inscriptions with a buzzing slogan in Russian?
And next to it should be a slogan in Tatar.
Not literally translated, but also creatively composed.
Admiring the Russian version, the inquisitive mind will not be able to resist, will try to understand how the Tatar phrase is composed.
Put in a public place mixed Western and Tatar music of similar sound quality.
In general, to create a feeling that “I will live here without Tatar and will not lose anything ” is not entirely true.
“Something interesting that everyone talks about, except me, floats through. ”
In Tatar, something is happening, it is close, accessible for understanding with a little tension, and if you make these efforts, you will find hidden “Easter eggs ”.
Separately, interaction with people.
In general, I come to the conclusion that at least in children the motivation to memorize Tatar and use it in communication, for those who understand, comes from the expectation of other people that you will understand and speak.
The child is ready to adjust, his brain is actively looking for ways to be understood, to get approval from adults.
Therefore, perhaps there would be such a way: adults, for whom the Tatar native, could address unfamiliar children in Tatar, and switch to Russian only with a specific misunderstanding.
Even if you can see that these children communicate with each other or with their parents in Russian.
Do not waste 5-10 seconds of your time for the sake of the common good.
More or less understanding children will support the conversation, answering at least in Russian, but not asking the question itself, and not understanding will catch the message that to be able to answer in Tatar in such a situation is a variant of the norm.
But such an approach does not seem to work with adults.
They experience extreme frustration from the fact that the interlocutor does not appreciate them as they are, that it is too late for them to change, that it is a terrible sin to bring them out of their comfort zone.
But with children it is possible, it is generally accepted that it is useful to bring children out of the comfort zone by mental stress.
So we have to use this method.
milliard.tatar
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Content: Round: why scientists rap battles
Photo: stock.adobe.comstock.adobe.com
Modern rappers write texts only about money, fame and other attributes of “beautiful life ” – this is the stereotype.
But it's time to destroy it.
In a special project with the Russian Society "Knowledge" we tell how scientists use the HYIP format of the rap battle in the field of education and find a new audience among adolescents and students.
Diffused interest
For a long time it was believed that science is only for the elect.
To all those who are simply interested in the structure of our world, it is not available.
But time changes.
Yes, the process of mastering experimental formats in education is slow.
Teachers are hesitant to set aside time for them.
But the trend towards education, as well as the desire to return the interest of young people in science, can significantly accelerate it.
Let ’ s face it – there are days when new information does not stay in memory at all.
Students and students will understand us.
Work on homework does not argue, no matter how favorite the subject is.
In this case, many are captured by procrastination.
For example, spend time watching random videos on the Internet.
Rap battles: what is the point?
The Internet has played a big role in the popularization of such a format as a rap battle.
Many Russian rappers, popular today, found their listeners thanks to online “battles ” in the 2000s.
Year after year, there was growing interest in verbal fights and opponents who masterfully prove which of them is better.
Nevertheless, the attitude towards such competitions has been ambiguous.
Some people think rap battles are a waste of time.
Proponents of verbal contests are attracted by intertextual references used by the most talented and educated participants.
In Russia, rap battles found support from the very first persons of the state.
In 2009, the winner of the second season of the TV project “Battle for Respect: Start Today ” (MuzTV) Roma Zhigana was awarded by Vladimir Putin, who at that time held the post of Prime Minister.
So what do scientists do on rap battles?
Support for the format of rap battles found in the scientific community.
Such battles have a different side and audience.
Philologists, for example, analyze rapper texts as a phenomenon of street contemporary culture.
In science, a rap battle is an intellectual competition between scientists who are fighting for the title of the most witty speaker.
In the process of the duel, they manage to cover the most complex scientific issues in a simple and fascinating form.
When the round ends, the audience applauds their votes - this is how it is decided which of the participants will leave the "ring".
Such events in different parts of our country are held by the Russian Society “Knowledge ” in the special project“ The Scientist Speaks ”.
To become a member – online or in person – anyone can.
To do this, you only need an application that can be left on the organization ’ s website.
By the way, it is the participants of battles themselves who form the program of the event and the topic of speeches.
The advantages of verbal fights in modern form were also appreciated by some school teachers.
In their opinion, participation in a scientific rap battle helps teenagers learn to defend their position, expand their horizons and better assimilate complex material.
Also, this informal method of training trains soft skills of students: the ability to establish contact live, listen to the opponent, argue.
Rap in principle can be useful - decided the experts of the Russian Geographical Society.
They released a few rap lessons on geography.
Thus, youth subcultures that had not previously had access to the formal education system penetrated it.
This trend was also noticed and used by experts of the Russian Society "Knowledge", having come up with really boring ways of teaching for young people.
You can get acquainted with their regional projects to popularize science, as well as get gigabytes of useful free information on the website znanierussia.ru.

LiveJournal quickly evolved into a website where users could write entries, share thoughts, and connect with friends in an interactive community.

Unlike other blogging sites, LiveJournal allowed users to create friend lists, join interest-based communities, and control privacy settings on a post-by-post basis.

The platform enabled not only public blogging but also selective sharing with friends or specific groups, fostering honest discussions and support networks.

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Content: The average monthly audience of YAPPY reached four million - RIA Novosti, 18.06.2022
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St. Petersburg International Economic Forum – 2022
The average monthly audience of YAPPY reached four million
© Photo: press service of YappyThe stand of the social network Yappy at the XXV St. Petersburg International Economic Forum
Stand of the social network Yappy at the XXV St. Petersburg International Economic Forum
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MOSCOW, June 18 - RIA Novosti.
The average monthly audience of the YAPPY video platform reached 4 million in June, and by the end of the year, monetization and chat rooms will appear in the application, representatives of the social network said at SPIEF-2022.
According to the press service of YAPPY, the social network deployed a special stand at the forum, where YAPPY ambassadors held daily public discussions with business representatives and partners about the strategic development of digital services and the blogosphere in Russia.
The number of downloads of the Yappy app in the first quarter increased 3.5 times
“Today, influencers have taken on one of the leading roles in the media space.
For many, they are a reliable and timely source of information and an example to follow.
There is one “but ”: just looking at successful guys in social networks is difficult.
I want to repeat this success.
And it can be done in Yappy – a social network for the exchange of experience and interaction of people from different spheres, ” said YAPPY Ambassador Alexander Zarubin in his speech.
Representatives of the network Anna Khilkevich and Anatoly Tsoi also took part in the special youth section "SPIEF Junior".
“To become one of the opinion leaders and monetize your creativity, you only need a gadget and a social network with modern functionality for creating and promoting content.
And the video platform for short videos YAPPY in this regard is one of the most promising products on the Russian market.
I think such applications can become the basis for the development of blogerocentric digital services in our country, ” Hilkevich said in a statement.
On the last day of the forum, the video platform presented a mobile content academy for working with YAPPY Truck influencers on the territory of the Sevkabel Port public space, which will visit five regions: St. Petersburg, Tver, Kazan, Nizhny Novgorod and Moscow.
For each city, YAPPY has prepared a special program with the participation of stars and professional bloggers.
The social network YAPPY (part of Gazprom-Media Holding) is available for download from November 29, 2021.
The platform is designed to watch and create short videos in the format of co-creation and became the first product in the holding to support such a format.
"Gazprom-Media" launched "Russian TikTok" Yappy
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Shamil Sadykov: “In the media space, the total victory of the Internet over everything else ”
Today is Russian Press Day.
On the eve of the holiday, General Director of Tatmedia JSC Shamil Sadykov in an interview with Tatar-Inform told what problems there are with the distribution of newspapers and magazines and how it is solved in Tatarstan.
He also shared what topics were the most sought after in 2023 and how audience preferences are changing.
Shamil Sadykov: “All the online projects that Tatmedia has shown a very big growth ”
Photo: © Sultan Iskhakov / Tatar-inform
“More than 20% of circulation is distributed in alternative ways ”
— Shamil Mukhametovich, Tatmedia JSC is the largest regional media holding in Russia.
Among the branches there are many printed publications that the republic managed to preserve.
Does interest in paper continue to decline?
In your opinion, what does this have to do with it?
— Every six months, the circulation of all publications — both private and Tatmedia, including — is reduced by an average of five percent.
These are both social and demographic reasons.
There is a reason for the active development of the Internet, so this cannot be avoided.
Circulations within this framework will continue to fall, unfortunately.
We can ’ t do anything about it, but we are actively finding parallel media development options.
— It is known that the problem with the “Russian Post ” is aggravated.
How do you solve problems with the delivery of periodicals in the areas?
Problems, systemic ones, really do exist.
But we can not sit and complain endlessly about the “Mail of Russia ”.
We can ’ t stop publishing newspapers and magazines.
Therefore, the main task is to look for new forms of their delivery.
We are now analyzing, trying to experiment.
We have a branch, for example, in the Menzelinsky district, which distributes almost half of its publications through rural shops.
Approximately 40 stores have newspaper stands, and it is more convenient for residents of settlements to come and buy printed materials.
People come to the store every few days.
The village shop is the center of the life of the village, there is everything - food, clothing, and household items necessary in life, and there the district editorial office places racks with newspapers.
After the fall of circulation, half of them were able to recover in this way.
In the branch in Mendeleevsk, young guys on bicycles deliver newspapers like Yandex Food.
In this way, a significant amount of newspapers are distributed.
In Kama Glade there is not a single copy by mail subscription, but there is a full-time postman who works in the editorial office and receives a salary.
Kamskie Polyany is a small village, and it is convenient there: there is a route, there is a list of people, the same postman first distributes a newspaper weekly, then every six months collects a subscription from readers.
They have a very lively, interesting newspaper, which has found its own distribution option absolutely without mail.
Every year, alternative subscription options are growing, more than 20% of our circulation is distributed in alternative ways.
“Our Moscow colleagues are very interested in vending machines ”
— What other alternative delivery channels are you developing?
— Online sale through marketplaces.
Two years ago, we registered on the sites Wildberries, Ozon, Yandex.Market.
This is a very promising segment.
Sales of magazines, newspapers and books grew by 60% last year.
Moreover, the products are distributed throughout the country - from Vladivostok to Kaliningrad.
- You have also experimented with vending machines - kiosks where you can buy newspapers and magazines yourself.
What about this project?
“We started it three years ago, and I must say that the experiment was successful.
Today, 20 vending machines in Kazan sell more magazines than all the other 90 print kiosks combined.
The efficiency of one vending machine is 6 times higher than in kiosks selling printed products.
— Is it planned to increase them in Kazan, Tatarstan, and maybe it ’ s time to go beyond Tatarstan?
— Recently, an event was held related to the online development of retail projects.
We played there, showed our experience with vending.
Our Moscow colleagues were very interested and invited us to the International Moscow Media Forum in February.
There we will also present our vending machines.
This experience in Russia is already being studied by everyone.
We also came up with a proposal to the authorities of cities and districts so that we could place these vendings in Naberezhnye Chelny, Nizhnekamsk, Almetyevsk.
We are ready to go to shopping centers, because vending machines are effective - they take up little space, sellers are not needed, rent less needs to be paid.
That is, by all parameters, vending machines are effective.
We proposed to the Republican Agency “Tatmedia ” to replicate this project throughout the republic.
Do you have any alternative print products?
for a younger audience.
We found that format.
It's a Poketbook.
Two years ago, the project of pocket books of the magazine “Kazan Utlary ” was launched.
The 23rd book was published this year.
These are absolutely new authors, interesting reading, close to people, understandable.
The circulation of this series is unprecedented, Poketbuki is the most circulation Tatar-language series of books.
At the moment, the total circulation is more than 60 thousand.
And the most interesting thing is that these books are sold primarily through marketplaces, 70% of these books are sold within three months.
“The audience of“ Tatmedia ” sites exceeded 100 million ”
— Shamil Mukhametovich, how did Internet projects develop last year?
The past year in the field of media is probably the total victory of the Internet over everything else.
All the online projects that Tatmedia JSC has, have shown a very large growth.
The total audience of Tatmedia websites exceeded 100 million unique visitors, which is 5% more than in the previous year.
"Tatar-inform" returned the title of the most quoted media in Tatarstan.
This is an indicator that the work in the editorial office is qualitatively organized, that our news is read and that our professional community values, trusts the agency and quotes.
The second very important direction for us is “Intertat ”.
The electronic edition is officially recognized as a record holder in Russia.
This is one of the biggest victories in terms of what we preserve and develop the native Tatar language.
On the Internet, almost 1.5 million people read news in the Tatar language.
The Certification Commission recognized Intertat as the most readable Tatar-language website in Russia.
Yeah, I think he's the most read in the world, too.
— And how do you assess such a project as “Billion Tatars ”?
— This is a very interesting, colossal important project, 4 thousand articles have been written that promote history, science, knowledge.
This is a very important, complex topic, because we have a lot of different institutions in Tatarstan – history, archeology, and language, a huge number of different scientific studies are being created.
The task of the journalists of Billion Tatars is to translate all these works into the human language in the first place, to bring them to people in the form of articles.
The authors process a huge world of knowledge in culturological, historical, philological directions.
This year, they summed up the results of the Billiard.Tatars contest, and we saw that in the Tatar world a huge number of projects and authors who create their blogs, public, conduct their research in parallel.
“Billiard.Tatars ”, as the newspaper“ Terjiman ”, at one time awakened the Tatars, self-awareness, began the search for their history, identity, personalities.
Lots of interesting articles come out.
I recommend everyone to get acquainted.
You need to love and know your story, it is very important for the harmonious development of any person.
“The audience has a lot of interest in video projects ”
— Tatmedia has a wide network of social networks, how did their audience grow?
It increased by 30% and reached 5 million people.
The most promising social network for media today is Telegram.
It forms the news agenda, it is the main tool for working with the audience of all media.
We are leaders in this direction.
We have over 70 channels.
180,000 people signed up.
— Video content is also popular among Internet users today.
What indicators have been achieved in this part?
— The audience of “Tatar-inform ” YouTube channels in 2023 increased by 200 thousand subscribers, almost twice.
This is a huge audience that we have accumulated in the format of video content.
On the topic of the special operation on the YouTube channel "Tatar-Inform" there is a heading "Heroes of the SVO", there are more than 80 million views.
This theme is about the heroes of SVO, patriotics.
We see that the audience has a great interest in video projects, it is growing, increasing.
This also applies to children ’ s videos.
We have a project “Salavatiki ” – this is a musical group that chants popular children ’ s songs, makes videos in karaoke format with subtitles.
They got almost 5 million views.
This is a very big result, considering that they are completely singing only in the Tatar language.
This is one of the cool projects for native speakers.
“The Salavatiki project is more of a children ’ s project.
Are you planning to create something similar for teenagers or young people?
“Salavatiki ” showed the audience ’ s interest in projects when music is a tool for promoting language and literature.
This edition of "Salavat Cooper" came out with the initiative.
The first line-up, which for a long time danced and sang, has grown.
And teenagers in high school are not interested in “Salavatikov ” to listen to, they require us to have some teenage group, in the format of Tatar-language pop, that is, a good quality song repertoire.
We are currently looking for this format.
I think that the magazines "Sabantuy" and "Yalkyn" will offer their options for musical projects.
We're waiting.
Teenagers love K-pop.
- Something similar is needed in this direction and in the Tatar language.
With the Tatar code, the main thing is that there is everything.
— What else does Tatmedia have for teenage and youth content, including for native speakers?
— In 2023, many interesting projects in the field of youth and teenage content development started.
With the support of the Commission under the Rais of the Republic of Tatarstan for the preservation and development of the Tatar language and languages of representatives of the peoples living in Tatarstan, and with the personal support of Marat Gotovich (Akhmetov, approx.
T-i) launched a school of bloggers "Shap" and a laboratory for young writers "Yana isem".
School of bloggers "Shap" is a project to train bloggers who work in different languages, including Russian, Tatar, Chuvash, Udmurt, Mari.
We traveled with the school throughout the republic, to schools, kindergartens and camps.
The project "Yana Issem" / "New name" on the basis of the magazine "Idel" is training in the literary school of future writers and poets.
The result was very good, more than 20 children were trained by eminent masters, writers, poets.
“The topic of the special operation touched a huge number of destinies, each of us ”
— What are the main topics raised in 2023?
“We see that the audience is very interested in the topic of the special operation, because it is a very acute topic.
It has affected a huge number of destinies, each of us.
There was a large number of live stories, wrote and told about the heroes of the SVO.
This is the most read topic on all sites, the most viewed on YouTube channels.
Our employees made more than 10 different business trips to the territory of the NWO, brought a huge amount of materials, photo and video reports.
For the audience, this is relevant, because around us people who participate in the special operation, they have many relatives.
This topic is exciting, important and, most importantly, very correct.
— Is Tatmedia involved in sending humanitarian aid?
How important is the work of correspondents for those who are behind the “ribbon ”?
- Definitely.
We send our printed materials to the front every week.
Through our postal service, everything is decorated, we send newspapers and magazines “Tatmedia ” weekly.
Second, our correspondents in all the media, each regional publication covers this topic.
Soldiers in the area of   the SVO have phones, of course, in their free time, servicemen are interested in what their native area lives, what news, how they cover the topic of SVO in district and city media.
Therefore, we see interest not only in the residents of the republic, but also in those people who are in the area of   the SVO.
« The task of a modern journalist is to constantly be in trend, learn and apply innovations »
— There are often announcements that publications need journalists.
Is there a problem with your staff?
- Yes, this is a very serious problem.
In addition to the decline in circulation and the decrease in the audience of printed publications, we are very concerned about the personnel issue.
First of all, few writing journalists with philological education, who competently know how to work with information and text.
In general, this is the main key problem of the near future - the deformation of the profession of journalist.
Modern children read little, they often do not form a certain syllable, literary speech.
For the most part, they are visuals with clip thinking.
Many who come to journalism want to engage in video direction, SMM.
Especially the problem with the Tatar language.
It is ten times more difficult to find specialists who can speak, read, write, and edit the Tatar language correctly.
And the question is not only in the news, if you take complex genres, such as essays, reportages, there are no people in the afternoon with fire.
— How is this problem solved?
— We have chosen several areas that are necessary in our understanding to work with novice journalists and to improve the skills of those who already work.
For our media school, we have developed a methodological system taking into account the work in social networks, the algorithms of search services.
Journalists learn to write texts with certain formulas for constructing sentences.
Weekly master classes are held, both online and offline, on-site training seminars are organized in the branches.
Also this year, we are launching a large-scale offline version, when all web editors will undergo live training in Kazan.
We have a classroom here.
The second area is working with students.
Editors of JSC “Tatmedia ” teach at the Higher School of Journalism and Media Communications of KFU, select Russian-speaking students, invite them to the editorial office.
“We want to revive a literary school. ”
— How is the search for authors writing in the Tatar language going?
— Our Tatar-language editors — Alsu Ismagilova, Ramis Latypov, Ilnaz Fazullin — and I myself have been teaching for the third year at the Tatar branch of the philological faculty of KFU.
We realized that it is almost impossible to teach a journalist without a good Tatar language to speak correctly and write beautifully, it is easier for a Tatar philologist to teach journalism.
The first and second stream is already working, there are also guys who practice on TNV and VGTRK.
We are aware that not only the number of readers of printed publications is decreasing, but, unfortunately, there are fewer and fewer authors.
But that's no reason to be upset.
If you search and train, you can find good options.
There are very talented guys who work perfectly with words and text.
— The experience of previous years is also interesting, when the school of mentoring was developed and the venerable luminaries in the verbal art grew up to replace new writers, essayists, poets...
- If we recall the Soviet period, our literary magazines - "Kazan Utlary" and "Idel" - have always been engaged in the education and training of the younger generation, raised future literary figures, who in turn sent their works, poems, stories to newspapers and magazines.
Writers and poets reviewed their works, taught them to write.
This school of learning naturally went in literary publications.
We want to revive it.
If the project of the next season receives support, then we will definitely give information through the media.
To date, we have been approached by about 10 young guys who would like to study with eminent literary masters, get their experience.
A great response from young people?
Given that this is a narrow, professional segment, interest is good.
What are the goals of the blogging school?
It is no secret that modern children do not watch TV, do not read newspapers, some even do not listen to the radio.
They are a generation of Internet users.
These are the visuals that watch a huge amount of videos.
The future is in the hands of bloggers.
We recently held a festival of bloggers, where Timur Suleymanov spoke.
He cited figures that for children, bloggers and live authors who work on the Internet, this is the number one source of information.
We must understand that in 5-6 years the picture of media space and media consumption will radically change.
It is necessary that the blogging sphere works with the right information and educational mood, broadcasts in different languages - in Tatar, Chuvash, Mari, Udmurt, and young people can receive adequate modern content.
“Journalists have a difficult professional time, when you need to fight for the attention of the reader ”
In this regard, the question is: how quickly do you need to master new formats now?
Everything has changed dramatically.
There was a time when I myself, as a student of the journalism department in the 90s, passed the test for typing, photo work, when we showed films and printed photos in special rooms.
It was time for total television.
After the 2010s, it was the time of the Internet.
Now the period is not only the Internet, people do not even use sites – now it is the time of social networks, when everyone mainly sits on the phone and perceives life through the phone.
Attract and attract the attention of the audience today is very difficult.
People live in the age of information noise, they have a huge amount of choice of content, and they try to get a large amount of information in a short period of time.
The average time to watch a video is tens of seconds, the average time to a web page is a few seconds.
Therefore, now journalists have a difficult professional time, when you need to really fight for the attention of the reader.
Today, a journalist needs to be at the same time a specialist in philology, know the algorithms of social networks, the algorithms of search services, be able to collect information, analyze, staff, create video cards, take beautiful pictures and be able to distribute it all on the Internet.
According to the latest data, 95% of people in Russia use the Internet, 80% of Russians have accounts in social networks.
Therefore, a journalist needs to acquire new knowledge more than once in his life, and every six months.
The task of a modern journalist is to constantly be in trend, learn and apply innovations.
This is a period of great transformation and change.
What content will be shot in the near future?
— In my opinion, in 2024 there will be a huge demand for video content, people are less willing to read, more and more want to watch videos, listen to speakers who explain something — this is the YouTube format, VKontakte video, Telegram video.
WhatsApp is actively developing as a media outlet.
Many people send information through groups or some kind of public.
In this direction, everything will continue to develop: progress cannot be stopped, it is useless to fight it, you just need to ride it.
— In the future, for the media, neural networks are a threat or help?
They don ’ t threaten us, they ’ re our helpers.
There is a complication of content, people no longer want to just read, they need visual, video graphics.
And in this regard, artificial intelligence will be a serious help for the editors, when they can create complex content, visualize complex information with the help of artificial intelligence.
It will be especially interesting in terms of visualization of future projects, when there are no photos and videos, and the picture can already be created.
The only thing is that journalists need to learn how to work with these services, be able to form tags, certain formats of requests for content, master programs.
Increasing personal digital literacy is the most important challenge for modern journalists.
Photo on the announcement: © Sultan Iskhakov / "Tatar-inform"
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At its peak in early 2005, LiveJournal boasted over 2.5 million active accounts, largely among English-speaking users but with growing Russian engagement.

The site became popular among bloggers who were looking for more interaction and feedback than traditional static blogs could offer.

The Russian user base expanded rapidly, and LiveJournal became a key platform for social and political discussion in Russia.

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The innovative school “Letovo ” has launched a social network for training teachers from the regions of the Russian Federation
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An educational blogging platform for specialists working with children and adolescents in the field of education was launched by the innovative school “Letovo ”.
The social network will promote interdisciplinary dialogue and exchange of practices of working with children in different regions of the Russian Federation and countries of the world.
This is reported by the press service of the educational organization.
The platform "LetovoMetod" allows teachers to talk about their methodological developments, techniques, successful cases and provides a convenient search on topics of interest.
In addition, it should become a “bridge ” between professionals working with children in clubs, museums, creative houses.
The service allows you to announce discussions and events, create surveys and attach videos to them, as well as send individual requests for methodological assistance.
According to the director of the Letovo school, a member of the public council under the Ministry of Education of the Russian Federation Mikhail Mokrinsky, knowledge exchange is important for representatives of the professional community from different regions.
“It gives a chance to find optimal solutions for the most complex pedagogical cases and opens up wide opportunities for the professional development of teachers.
The platform allows both our teachers and other teachers to not only develop their pedagogical skills, exchange the latest methodological developments, but also test new ideas, ” said Mokrinsky.
According to the organizer of the platform “LetovoMetod ” Peter Safronov, the social network for teachers has already aroused interest among the participants of the professional community.
“In 2021 / 2022, we plan to attract more than 10 thousand users to the platform, as well as organize the launch of the English version, ” he said.
Any registered user can get acquainted with the posts of teachers, however, it is possible to post materials only after preliminary moderation.
Any member of the social network can establish correlations between the topic raised in the post of one author and the tool that was proposed by another expert.
That is, any member of the community has the opportunity, after reading the tape, to offer the person who wrote the material concerned a solution that is in another post.
“Letovo ” school is part of the system of social elevators in Russia.
The project allows gifted children from different regions of Russia to get access to world-class education regardless of the level of prosperity of their families.
The school is located in New Moscow on a land plot of 60 hectares and is an autonomous educational complex.
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After Russian users could no longer use foreign social networks, where did they post their blogs?

However, LiveJournal eventually faced challenges from the emergence of alternative platforms such as Facebook, Twitter, and Instagram, which offered simpler interfaces and more immediate ways to interact.

The shift in Internet culture towards quicker, shorter updates and microblogging led to a decline in long-form blogging and journaling.

Management changes and the sale of LiveJournal to Six Apart in 2005 and later to Russian company SUP Media in 2007 led to concerns among users about privacy, censorship, and the direction of the site.

Over time, many in the English-speaking community left the platform as conversations and audiences migrated to newer social media.

Despite its decline in global popularity, LiveJournal remains influential in certain regions and subcultures, especially in Russia, where it is still used for blogging and discussions.

After Russian users could no longer use foreign social networks, where did they post their blogs?

The history of LiveJournal shows the importance of community features and user interaction in the early evolution of online blogging.

The web has dramatically transformed global communication and media consumption, effectively making the world a “one room.”
Technologies such as the fax and the rise of news agencies illustrate how innovations can change information delivery, a trend that continued with the advent of the internet.

Title:

Content: 30 years to start.
That ’ s how the web has turned around the world!
| Politics and Economics | In-depth analysis with a broader perspective than DW | DW | 30.04.2023
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30 years to start.
That ’ s how the web has turned around the world!
Tired of the difficulty of communicating with researchers at CERN in Geneva and with others around the world, a young researcher came up with the idea of   creating a spider network to communicate, marking the birth of a revolution in the world of the Internet.
Since that day the world has changed and it has become a “one room ”.
Thanks to the World Wide Web (WWW) technology, the world has been connected.
1989 was a year of changes and transformations, and one of those transformations was in the mind of Tim Berners-Lee.
The physicist, who worked at the world ’ s most famous research center, at CERN in Geneva, was disturbed by the well-known chaos of information exchange between different institutes and many working teams and projects.
As a solution, he had the idea of developing a digital information network through which scientists could communicate and exchange information.
The scientist, who was 34 at the time, wrote the concept briefly.
His boss at the center wrote the following comment about his idea: "Vague but exciting."
Nothing happened at first, but Berners-Lee kept thinking, and the various parts of the World Wide Web began to take shape: Internet links known as URLs, HTML to describe and program web pages, HTTP protocol, and finally there should be a recipe for a web browser.
Thirty years ago, CERN researchers launched the World Wide Web (www) on April 30, 1993, and the Internet began to spread dramatically, and web technology has changed little since then.
An encyclopedia covered with dust.
Today you have to explain to your thirteen-year-old daughter that even at that age we did not know the Internet or smartphones.
Instead of shopping downtown, ordering online is now just simple steps.
Brockhaus ’ books are on dusty shelves, and instead Wikipedia, which is open to everyone, is the starting point for anyone wanting to quickly “read ” information about the French Revolution of 1789 or even the invention of the Internet.
Anyone looking for an apartment is no longer browsing the daily newspapers, but they find a lot of ads on the web pages.
But sometimes confusion, or at least the flow of information, is a negative for digital networks.
In principle, all people can advertise and publish their opinions, ideas, products, goods and visions on the Internet - this is the origin and idea of   its function.
Tim Berners-Lee at CERN
Although search engines like Google or DuckDuckGo rank and “filter ” endless fields of information, behind large digital organizations like Google, Apple, Facebook, Amazon, and Microsoft, there are global companies that primarily pursue their profit interests.
Tim Berners-Lee could have patented his World Wide Web technology, but he deliberately chose not to.
The pursuit of profit finally stood in the way of his ideal of the free exchange of information without profit.
Reaching the Next Stage: Artificial Intelligence
Today the next level has just emerged within the internet, namely artificial intelligence (AI).
After 30 years of the internet, does ChatGPT represent the future of the internet?
“As a language model based on artificial intelligence, I can ’ t say with certainty that ChatGPT is the future of the internet, as the future of the internet depends on many factors and is constantly changing.
However, there are some characteristics of ChatGPT and similar AI models that have the potential to influence and transform the Internet, ” said ChatGPT ’ s AI ’ s answer for itself when asked by the DW editor.
However, it is important to note that AI models also bring with them ethical challenges, such as privacy, transparency and accountability.
ChatGPT can write texts that seem coherent in terms of content, but the sources remain unknown.
Unlike Tim Berners--30 years ago, his first website had a rather technical and challenging title: http: / / info.cern.ch / hypertext / WWW / TheProject.html.
Sir Tim Bernes-Lee
The paper encyclopedias disappeared and Wikipedia appeared.
WorldWideWeb (W3) is "a large-scale information access initiative aimed at providing universal access to a global number of documents, multiple texts can be found linked to each other, texts that contain links to other texts."
Hence the data network that the world today cannot do without.
If you have any questions or curiosity about the beginning of the Internet, you can visit the first publicly available website in the world and there is still information about the people involved in the project.
There you ’ ll find Tim Berners-Lee, who has since been knighted, the 34-year-old researcher had a phone number: 3755 at CERN, and an email: timbl @ info.cern.ch.
Our Jobs and Artificial Intelligence
It is likely that Sir Tim Berners-Lee will not be contacted today there, he became a professor at the Massachusetts Institute of Technology (MIT) and has held a chair at the University of Oxford since 2016.
To date, he chairs the World Wide Web Consortium (W3C), which he founded, a committee to standardize technologies on the World Wide Web.
All this information can be searched on the Internet with a few clicks on the smartphone.
Misha Erhardt / fr / fr / fr

Smartphones further accelerated this change, serving as incubators for media applications and enabling news notifications to reach users instantly.

Title:

Content: Will technology turn our media page?
T + T - normal size
According to the media consultant dr.
A paradox that many people don ’ t pay attention to is that whenever new technology is introduced, the media evolves and not the other way around.
He gave the example of a fax when it was invented by the rise of news agencies (in the absence of the Internet).
When Gutenberg invented the printing press in Germany around 1440, a new dawn broke in the printing world, and with it humans were later able to publish paper newspapers that were the nucleus of our modern media.
When the radio appeared, radio stations proliferated, and with the introduction of the silver screen (television) to our homes, the media flew towards vast horizons of media richness, culture and visual entertainment.
In short, what we enjoyed on paper was seen on the screen.
I agree with dr.
Speaking yesterday at an Arab Media Summit in Dubai, Yasser said the same thing happened when the Internet was invented, as it contributed to the prosperity of online journalism that some veterans of traditional journalism fought or underestimated.
However, electronic journalism has withstood regional awards and is no less good than paper.
Thanks to the Internet, news details and updates were available around the clock, which was not available on paper.
With the advent of smartphones, there has been an incubator for media applications, news notifications have reached our pockets, and social media has found a way to follow us in the news and events as they occur.
The X stands for “What ’ s going on around you? ”
It is a question at the heart of journalistic work.
People want to know the event when it happens.
Not only that, but X has a feature in which we can limit ourselves to news or hashtags that occur in our geographic surroundings only (such as our neighborhood or the city where we work).
For the first time in history, ordinary people have experienced the pleasure of being a journalist, which we experienced as journalists in our beginnings.
When satellite broadcasting technologies developed, television channels found a window of opportunity to reach remote areas that had not been reached by local transmission.
This is all about the viewers ’ choices.
Behind this was undoubtedly the invention of satellites, which was the backbone of the transmission of news and events from around the world in record time and made it easy to transmit news from the battlefield and the event.
When scientists surprised us with the development of virtual reality (VR) technology, the media could enter a new era of live interaction, where the audience can immerse themselves in the event in 3D, adding a new dimension to the media and entertainment experience.
When video on demand (VOD) technologies, such as Netflix, YouTube, Shahid, and Kuwait TV 51, emerged, viewers could choose what they liked to watch, without committing to a time limit, as has been the case for decades.
A joke that some wished to pause television at bedtime became a reality, as one could complete one ’ s media and entertainment programs at any time later.
With the advent of live-streaming technologies, such as Instagram Live, Facebook and others, people were able to broadcast live to a large global audience, real-time interaction was possible.
We no longer need permission from the Ministry of Information to broadcast video in sports stadiums and public squares.
With the advent of blogging platforms such as Blogger and WordPress, individuals can also express their opinions and “citizen journalism ” has emerged.
3D has developed films, television production and electronic games.
Even artificial intelligence, which has been warned by specialists to destroy many media professions, has become a fountain of knowledge, wording and vocabulary that enhances the performance of the media.
Even the drones, who expected that they would enrich the Cameraman, became a small intensive course that would give him amazing skills in covering the event from higher angles that could not be reached by man alone in moments.
Even the automation of journalism, such as the use of robots to edit pieces of news, has actually accelerated news writing and improved the efficiency of the newsroom.
Technology will never cease to amaze us, and those who treat it like a hanger will not succeed in developing our media, let alone retaining what remains of their creativity.
Email

Social media platforms, like LiveJournal, have allowed people to follow and engage with news and events as they happen, often focused on their immediate geographic surroundings.

LiveJournal was developed by Brad Fitzpatrick originally as a journaling application for his use before expanding it into a website others could use.

Title:

Content: An exceptional opportunity for content creators to turn their passion to profit with Hakuna
(Dubai): The live streaming market is evolving and growing at a rapid pace, creating entirely new opportunities for professional content makers.
According to forecasts and statistics from Grand View Research, the industry is set to be worth $223.98 billion by 2028, giving users the possibility of generating additional revenue.
An article published by SmallBizTrends suggests that an average live stream can generate $3,000 to $5,000 for a live stream for about 40 hours.
Hakuna is an example of a live streaming platform, where a live social streaming service, Hakuna Live, facilitates communication between hosts and multiple guests in real time.
Users can also take advantage of the platform to monetize stars easily through the app by doing what they like.
This platform offers distinct advantages, especially for Arabic-speaking hosts and audiences.
Collaborate with other broadcasters
One of the many advantages of Hakuna Live is the use of WebRTC (HyperRTC) technology. With this feature, up to 1 to 3 guests can host a live show within a single live broadcast session without any delay or delay, allowing content creators to host collaborative shows to expand their reach and audience.
# Company Data
- Done.
Turn Your Talent into Money
Hakuna Live offers a convenient solution for a cash collection process, which is usually complex and difficult, enabling content makers to keep a record of earned stars in a digital wallet, also known as a “star wallet. ”
Hosts can earn money through Hakuna by paying a minimum of 14,000 stars through Payoneer ’ s feature.
They can also easily get a live broadcast report to evaluate the broadcast session, allowing them to identify the best components of broadcast performance to improve upcoming sessions and increase profit opportunities.
The host may pay more than $3,600 per month if the host collects at least one million stars via a solo broadcast via Hakuna.
In addition, top hosts also have the opportunity to receive recognition from Hakuna, which may offer them additional stars, personalised benefits, promotions and special prizes depending on their performance and circumstances.
Target your local audience
The most important feature of Hakuna Live is that it is an unsaturated and popular platform for local audiences, which means it offers a great opportunity for newcomers to build a relevant audience in real time unlike other platforms such as TikTok.
The app attracts many Arabic-speaking users in the MENA region and more specifically in the GCC, and this will enable users to build their community from an audience with interests.
Provide an interactive search experience
Fun interactive experiences are the key to winning platforms, as Hakuna certified users can conduct multi-genre broadcasts, including rap encounters, group therapy sessions, corporate meetings, and video game broadcasts.
Hosts are also provided with digital tools, including quizzes, games, polls, and chat, among others, to retain, maintain, and grow audience interest.
The platform also takes advantage of artificial intelligence technology to allow hosts to broadcast using an augmented reality avatar, opening the way for a more spectacular and enjoyable experience.
Hakuna Live also comes loaded with an advanced feature pack, which in turn allows the public to participate in live discussions with the host.
The feature enables users to build relationships and create a community of like-minded individuals across live interactions.
Discover your audience
Current platforms, including TikTok, are targeting a younger age demographic, making it difficult for specialized content providers to highlight their content.
Thankfully, Hakuna Live is used by a wide range of people, with diverse demographics including people of all ages ranging from 20 to 40 years old.
Hakuna Live is mostly used by Arabic speakers and individuals looking towards finding opportunities for entertainment or socialization.
However, the app is available in more than 20 languages, which will allow content makers to discover the right audience for their message.
Benefit from a globally recognized platform
Hakuna expands full streaming solutions for content providers, featuring AI-powered tools and a wide range of entertainment features.
The platform ’ s popularity among its user base underscores its ability to create money-making opportunities, as it is ranked as the first or second app in many app stores around the world.
Hakuna can be found on the App Store, Google Playstore and Huawei Gallery.
- Done.
For press enquiries:
Ammar Adra
+ 971 52 9564041

Distinct from many blogging platforms, LiveJournal allowed users to keep journals, join communities, and manage a friends list that controlled the sharing and visibility of posts.

Title:

Content: Hassan al-Amin: My goal is to communicate information and does not take my mind the number of « likes »
Tripoli - Al Wasat Gate: Abdel Salam Al Fiqhi Friday 17 June 2022, 12: 02 pm
Information technology has imposed its own impact on the taste of the recipient, and accordingly shapes his cognitive behavior based on its content and the technology used to address it, according to the age group and its interests.
In accordance with this rapid succession of modernity and its manifestations, social networks represented another wing of communication portals that began as a window for acquaintance so that the recipients of information have a free space to express ideas and write in their general cultural dimension. We have seen many personal and public pages expressing the views of their owners, but they participate in the search for information and dissemination for benefit. Talk and talk about what ’ s being published.
Throughout its five years, the Libyan shed represented an important Facebook model, which managed to attract a large number of readers, because it is based on the investment of most of the tracks of literary journalism « news, follow-up, dialogue, etc. », and presented in the form of daily meals without much complexity, to learn more about this trip was the meeting with its founder and general supervisor of media and journalist Hassan Al-Amin.
How do you assess the five-year experience?
When I started the project, I didn ’ t have a “project ” in mind.
I just wanted to open an account to share my reading with friends.
The penthouse grew up and received the satisfaction, acceptance and support of friends and followers.
Today we celebrate her fifth year, and I am satisfied with her career and performance.
However, the process of evaluation and development is an ongoing one.
• Facebook has its pros and cons, to what extent has the negative impact on the level of quality of performance?
Facebook is technically, technically and administratively different from websites.
Facebook is a space outside the control of the blogger and publisher and this is often confusing and may even lead to the closure of the page.
Also, publishing on Facebook has its limitations in terms of artistic output, and this also does not often give you the opportunity to control and diversify the output of the material in the way you want.
Some readers hope to turn it into paper.
Do you have a vision in particular?
Yeah, that's not just an option.
We started to prepare for it.
And this is very important.
The Facebook page may disappear at any time for a number of reasons.
And the archive and everything I've done over the years is lost with it.
• Experimentally, you have a relative judgment about the nature of topics that appeal to the reader ’ s mood, and does this help to shape the future of editorial policy?
The mood of the reader - everywhere and at time - is influenced by many factors.
The taste is diverse.
It is difficult to make absolute judgments here.
Each type of creative has its own fans and followers.
The penthouse is followed by various readers.
In general, the preference is not necessarily for the creative type but for the content itself, whatever its type.
How do you evaluate the language of numbers in terms of quantity and interaction?
The numbers do not necessarily reflect the actual size of the follow-up.
There are large numbers who are not in your friends list or followers, but they enter your wall and look at your posts..
It is therefore difficult to determine the true extent of the follow-up.
On the other hand, I don ’ t really care about numbers and I don ’ t think about the number of likes and comments.
My goal is to deliver information.
And if some of them come and get it, that ’ s satisfying.
However, I would say that the penthouse has a very high and distinguished follow-up.
• You receive a lot of materials and it puts pressure on individual work, and may affect the quality of performance?
Oh, that's right...
As I said before, I have been working on the penthouse ever since I started out on my own.
I didn ’ t even bring in the “Libya of the Future ” team.
And this, especially after the penthouse has become a high follow-up, is not a correct situation..
He really needs a team.
But I still insist on going alone because the shed is “me ” and I want it to remain mine and bear my fingerprints.
It is important to say here that I am very grateful to many who contact me either to alert me to a particular post or to send a post or to draw my attention to an error..
And it happens all the time.
Thanks to them all.
Have you ever thought about stopping, and why?
Many times...
I remember that in moments of frustration, I reached out to the poet Ramez al-Nuwaysari and told him: "I have a pension.
I think about locking the shed or handing it over to others, ” the thought of stopping usually comes to me when I ’ m under a lot of pressure.
I, along with the shed, oversee the Libya of the Future website, and it is a daily job.
I also continue my human rights activism through the Platform Coalition for Human Rights.
In the end, we would not have continued without the support and encouragement of friends and followers.
We will do our best to keep the penthouse growing, developing and delivering everything that is important, useful and enjoyable.
• Have you received offers from institutions or individuals for support and development, or adoption of this project.
And how did you look at those suggestions?
It happened to people and institutions.
And that's certainly heartening.
But the independence of the shed is important to us.
We will not accept any conditional support that would limit our independence.
• Stopping syndrome is still relevant to any cultural project.
“Do you have any idea how to overcome this problem? ”
Oh, yeah, yeah
Especially when we ’ re talking about Facebook.
As I mentioned earlier, Facebook platforms can sometimes be shut down even with “malicious ” messaging.
It ’ s always stopped, and for a number of reasons.
Some of these reasons may sometimes be beyond your control and you can ’ t do anything about them.
But it is important that we trust ourselves and persevere and strive to continue.
• Having a large percentage of interaction eliminates the negative perception in the absence of the reader, it is not about not wanting to read?
I think the reader is there.
But this reader doesn ’ t necessarily like or comment, and I know many who follow our posts regularly but don ’ t.
We know that originally it was "read" and not "comment," and this is what we are interested in.
From the weekly issue of the Middle East newspaper.
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The friendship and privacy management tools meant users could share posts with chosen groups, creating tightly-knit social circles and fostering a sense of community.

LiveJournal also enabled interaction through commenting, community posts, and interest-based groups, offering a richer social experience than traditional blogs.

At its peak in early 2005, LiveJournal boasted more than 2.5 million active accounts, making it a central hub for online communities and creative expression.

High-profile users, such as George R. R. Martin, continued using LiveJournal even as its popularity waned in the English-speaking world.

Over time, the novelty of digital communication and freedom of expression led to a proliferation of content creators and shifted interactions from paper to digital platforms.

Title:

Content: Tuesday 12 July 2022
Prayer times
News Highlights
Today 's Issue
Today 's Issue
A culture
Literary creativity between paper and digital writing
Literary creativity between paper and digital writing
July 12, 2022 00: 14
Fatima Atfa (Abu Dhabi)
After thousands of years of writing on clay, walls, paper, and paper, the digital language has opened up the world to anyone who wants to see what comes to mind written in front of him, decorated with his name and displayed for reading and discussion, admiration or neglect.
On the issue of literary creativity in particular, the disadvantages of electronic writing may seem more than paper, because paper publishing is usually evaluated in terms of depth, content, skill of expression and language integrity.
Those who write on websites may not meet these conditions, as they may write what they want, without a supervisor or a publishing censor, and therefore may not give the evaluation of others from the surfers of his words any interest or consideration.
Quality of content
In this context, the writer Mohammed Shoaib al-Hammadi says: The paper book has a glow and excitement and a kind of interdependence between the writer and the book, because the creative process enters into several stages, including the initial writing by hand, and then turns into a draft, for review, correction and revision, and then into a manuscript that the writer often participates in.
With critics or friends to give their opinion and take advice, and then go to publishing houses, which in turn work on the direction and design before printing.
Al-Hammadi added: Despite all that journey, and its hardship, effort and time, but it is fun, and in the end it heralds a new creative birth for the writer who worked and rewrote the writing several times, and so the book maintains the quality of meaning and building at the same time.
Some may think that digital writing shortens the distance, spreads faster, and is accessible to everyone.
They may, to some extent, have a right to what they go for, but I see that she misses the real pleasure of the journey I mentioned.
On the other hand, digital writing, while easier and faster to spread, may lack refinement and the strength of the literary and linguistic structure.
We do not deny the virtue of the Internet in publishing literature, but I prefer the paper book, and it is okay to use technology to turn the paper book into an audiobook or electronic book, but the paper book remains an indispensable treasure.
Culture of the writer
On the subject of literary creativity between paper and digital means, the academy says.
Fatima Al-Maamari: Writing is writing, whether it is written on paper or written through electronic platforms, but the difference is reflected in the quality of literary creativity and is a fruit of the skills and culture of the writer himself.
Writing in cyberspace may affect the level of expression, because it is available to everyone, which may enable those wishing to use this medium to publish their experiences and immature writings, but this does not necessarily mean that there are no books of literature with weak culture in the light of increasing commercial publishing.
According to dr.
Al-Maamari pointed out that the central issue in creative writing, from her point of view, is not limited to the location of her presentation, but what the writer needs from guidance, criticism and training in order to be able to master valuable and influential creative content.
Writing for the Future
The novelist Anne Safi has her own experience in this field, saying that written creativity is the fruit of human civilizations.
When the inscriptions began with symbols and drawings on stone, bone and trees, and then the papyri, it was from the human wound recorded in accordance with the data of his time.
Later, with the ability to write in ink on paper, we find that the tools of the era brought us new concepts to present the creative achievement through books, newspapers and magazines.
In the current era and its electronic tools, in the era of the digital revolution, which comes as an advanced stage of the era of the image with different means, this has contributed to the dissemination of what is related to the worlds of creativity easily and easily.
This does not detract from the value of paper writing at all, and perhaps it is all that digital spaces are a new field of writing, and the recipient may be anyone, from anywhere, at any time, present or future.
Al-Safi confirms that she is interested in the project of writing for the future with the data of the era and tools and the new issues, and has confidence to employ these tools, and the writer must find their applications what is interesting and purposeful as well.
Referring to her experience and project in writing for the future, she said: There are age groups, which are the largest segment in our region, aware of the data of the era and its impact and follow them eagerly, especially as these experiences open doors to creators in general, and in particular to the generations of today and tomorrow.
All rights reserved to Al Ittihad Newspaper 2022 ©

Despite the benefits of wide audience reach and convenience, user feedback did not always equate to visible engagement, as many readers did not comment or “like” posts.

What are the disadvantages of LiveJournal according to one Russian blogger?

LiveJournal’s early innovations in social networking were eventually overshadowed by the arrival of newer, more dynamic social media platforms like Facebook, Twitter, and Instagram.

These newer platforms offered broader features, easier sharing mechanisms, quicker feedback, and mobile-friendly interfaces, leading to LiveJournal’s decline in popularity.

The shift in media and audience engagement habits contributed to LiveJournal being largely forgotten in the English-speaking world, though it persisted in some regions and among dedicated users.

LiveJournal started as a journaling application created by Brad Fitzpatrick for his own use while in high school, which he later transformed into a website that allowed others to use the service as well.

Title:

Content: My channel
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What Chinese books do Chinese immigrants love to read on World Book Day?
It's more expensive to drink water than to eat burgers, take a taxi, take two miles, three sections of the road.
The Modern Significance of New English Words and Hot Words of the Year
In the past 30 years, with the development and innovation of computer information, network, communication, financial technology and medicine, our society has formed various forms of digitalization in life, and further digital transformation and digital disruption, its progress has exceeded our imagination. And...
The frequency of vax use increased by 72 times during epidemic period
Many English dictionaries, such as the Oxford English Dictionary, the Cambridge English Dictionary, the Macmillan English Dictionary, and others, record and publish each year the words or new words commonly used by people during the year, or buzzwords, which give us an understanding of the changes caused by the times and social changes. Because of this, cultural change or integration, we can also see the direction of new knowledge and new technology.
The most obvious is that the Oxford English Dictionary found that the word vax (i.e. vaccination, vaccination or vaccination) has increased the frequency of use by a factor of 72 due to the outbreak of COVID-19, which has resulted in the word being selected as the Oxford English Dictionary ’ s 2021 buzzword.
The frequency of Covid-19 related words has also increased significantly in 2020 and 2021, such as pandemic, COVID-19, lockdown, social distancing, mask-wearing, quarantine at home, working from home (or WFH). The use of words such as "work from home" has increased significantly.
These annual buzzwords show the dramatic changes in the way people live, work and interact in 2020 and 2021 as a result of the pandemic.
The Merriam-Webster Dictionary has chosen gaslighting as its word of the year for 2022.
Literally, this may seem like a confusing word, but if someone familiar with an old British film or stage play sees gaslighting, they immediately think of the film (stage play) Gas Light (this is British dramatist Partrick Hamilton ’ s 1938 play Gas Light) and the impressive “gas light effect ” in the film.
The word has actually become a psychological term used to describe the victim's loss of confidence and self-doubt due to long-term emotional and psychological manipulation, which is the artificial control of the victim by constantly distorting the facts, known as gaslighting.
Why did Webster choose this word as the hot word of 2022?
Because in 2022 the word in the publisher's website query frequency soared by 1740%!
However, this high frequency is not due to the occurrence of a single event (such as COVID-19), but the word is queried by many people every day.
The publisher believes that it may be because our times and society are full of misinformation, fake news, Twitter trolls, deepfake technologies, etc., which make gaslighting a hot word of the year, and the modern society produces so much gaslighting, mainly because of new technology and media coupled with more complex human and human relationships and Political relationships (such as social media, groups, political parties), and new technologies (such as deep pseudo, artificial intelligence, deep learning) are being used in the wrong direction.
The New Normal: The World After the Epidemic
Even the European and American media often use the so-called "new normal" (ie, the new normal) to describe the world after the baptism of the epidemic.
The "new normal" was originally used to describe life after the 2008 financial tsunami or the 2012 global economic recession, when the economy seemed to be back to normal, in fact, people's life is no longer the old life, but after the economic impact of a new normal life.
Now the new normal refers to people after the COVID-19 epidemic, although gradually unsealed, but life has produced many changes, such as people-to-people communication and interaction, various social activities, shopping, business models, work models, the company's office mechanism and management, and the digital transformation of the industry, are no longer the same as before the epidemic.
For example, the rise of the delivery service industry, people are used to various digital payment methods to pay and pay.
The decline of physical stores and restaurants has replaced the lifestyle of online shopping, take-out, and delivery.
Contactless has become the standard of interaction or transaction, so the rapid rise of various contactless payment forms has also caused the impact of technology on finance and markets, and financial technology (fintech) has become a new phenomenon.
We are becoming familiar with the names of touch ID, face ID, third party payment, cloud, carrier, etc.
Because of digital accounts and online banking, people no longer need to go to the bank often, and do not need to use cash or write checks; transfer or pay, as long as the mobile phone can be slippery, one-click solution, the epidemic has accelerated the demand, development and application of these new technologies.
New words are created and frequently used under these new life patterns and behaviors.
The rise of social media.
Perhaps it is the sociality of people and the need for emotional release windows, when social media emerged, people fell madly in love with these can express their emotions and opinions about appearance (or perhaps a desire to “perform ”?), but can not directly face other people ’ s media.
The use of social media conforms to the principle of non-contact, but can communicate and share personal experiences and opinions; does not need to face people or crowds, but has the effect of stimulating the crowd; in addition, there can be multiple and real-time presentation (text, pictures, video), so this is also the best place to create and use new words.
Words commonly used to describe social media activities or behaviors include:
Post (a message)
Posting (Posting message)
check in check in
Blog (voice blog)
(Personal website in the form of an online diary)
story Limited-time dynamic
data volume Network volume
fan / follower
Comment Message
like Praise
follow / unfollow
Track / Cancel Tracking
emoticon / emoji
The new language of social media has a number of features in common, including:
1. Tone and emotion are expressed in text mode.
Plain text posts, in addition to the commonly used um (well), oh (oh), yeah (ye), etc., in ordinary oral conversation, due to the need to express more of the various emotions of the poster, so a lot of vocal phrases, such as weee (means cheering), boooo (means boooo), meh (means not interested, not how), eww (means bad), hmm (and hesitated).
In very short alphabetical forms, such as TTYL (talk to you later), IDK (I don ’ t know), BTW (by the way), TBH (to be honest), and so on.
Expressed in emojis (emojis or emoticons), new emojis are constantly created, each vivid and lifelike, and endearing.
4. Expression in multiple ways, in addition to text, with sounds or images, such as emojis containing words and actions.
Korean Wave Ends Cultural Exchange
The emergence of new words often shows the changes and exchanges of world culture.
The development of the Internet has brought about wonderful cultural exchanges and changes between people and people far away. For example, Korean dramas have made a huge cultural impact by providing video streaming services directly to people in different countries through the Netflix network.
Among them, the popularity of the Korean series “Squid Game ”, launched in 2021, is No. 1 in many non-Korean video markets, and has also created many topics and discussions.
In addition to fame and fortune, we can also observe that many Korean dramas on Netflix have generated interest in Korean culture and customs around the world, especially in English-speaking countries.
The Oxford English Dictionary added 26 Korean-derived English words to its latest edition last September, noting that everyone is now on the cusp of hallyu, especially in film, music, fashion and language.
These Korean-derived English words that have become popular in recent years include Korean food such as banchan, bulgogi, kimbap, japchae, chimaek (fried chicken and beer), entertainment such as k-drama, mukbang, etc. manhwa (Korean comics), k-pop (Korean pop music), and other aspects such as fighting.
These Korean-derived English words prove that vocabulary innovation is no longer limited to traditional English centers in the United Kingdom and the United States.
The significance of Korean culture is the cultural exchange achieved through popular Korean music, television, film and food. The exchange and absorption of these cultures are gradually manifested in the country of language, which is a more peaceful and beautiful phenomenon than the previous methods of war, conquest, colonization and so on.
The Korean film Parasite, released in 2016, caused widespread discussion around the world, mainly because of the film's trans-social theme of social inequality caused by capitalism, which makes the film's strong black taunts and thrilling tricks equally felt by people of all cultures.
South Korean music "Gangnam Style" was the best-selling single in South Korea in 2012. As its music videos swept the world, the song also topped the music charts in many countries, including France, Germany, Italy, England, Spain and Canada.
The song ’ s catchy beat and fun performance by South Korean singer PSY represent a world trend in electronic music and dance, but it also satirizes the lives of those who are obsessed with money and vanity in Gangnam, South Korea.
New technology creates new words
Most of the new words are related to the innovation or development of new technologies. In recent years, the knowledge and technology of the Internet and artificial intelligence have been continuously innovated and applied in various industries, so that the new words related to the information technology (IT) industry have been expanding.
For example, as everyone knows, many people also use Facebook, Facebook's company changed its name to Meta, in order to declare that the company will develop virtual world technology in the future, hoping to use artificial intelligence (AI, or artificial intelligence), 5G, virtual reality (VR, or virtual reality) and augmented reality (AR, or augmented reality). Such technology allows humans to combine the real world and the virtual world.
Meta comes from Metaverse, verse means universe, meta means beyond, in other words, beyond the real world to create a new universe with new technology.
Dreams come true, new horizons emerge
The development of the metaverse is just the beginning, requiring more time and technology, plus imagination and resources, to bear fruit.
But there are many things that were only a dream a while ago that have come true, such as cardless withdrawals, digital banks, unmanned stores, paperless (such as email, text messages, reports, receipts, signatures, etc., which no longer need to be presented in writing). Technology, and even new industries have created many new words. With these words, we often talk about “smart ” (smart or intelligent) in newspapers and magazines, such as smart car, smart home, smart office, smart manufacturing, etc., and these dreams are mostly based on new technologies (including the Internet). With the development of networking, wireless communication, artificial intelligence (AI), machine learning, computer vision, voice recognition, mobile control, and so on, new words in these fields have sprung up and become widely used.
In terms of shopping that is closely related to the lives of most of us, Uniform Superstore launched its first unmanned store X-STORE in 2018 (although there are still service staff in some areas), combining many new technologies and equipment, including identification, electronic tags, self-checkout, and smart technology equipment (such as FUN). Remote temperature monitoring, inventory control system, etc., create a new retail (new retail) shopping environment.
The Internet of Things (IoT) and the Internet of Vehicles (Vehicles to Everything, or V2X) are two other new terms commonly used in newspapers and magazines.
In addition, brand applications (app), e-commerce (e commerce), platform (platform), POS (point of sale) system and other new words are the words that have increased in frequency recently.
Extending New Ideas with Existing Words
We can ’ t help but wonder how new words or hot words are formed.
We are most familiar with borrowing words, or loanwords, that is to borrow words that are already in other languages, such as Chinese blogs, blogs from English, Chinese cool, and English cool.
Second, combine existing words (generating new word combinations), such as shrinkflation = shrink + inflation, sponsor + content, or fintech = finance technology, to express new phenomena and things, or new meanings.
The use of acronyms is also a common pattern for new words, such as COVID-19 (= coronavirus disease 2019), AI (= artificial intelligence), IT (= information technology).
Transliteration is often used in foreign languages in English, such as the previously mentioned words hallyu, banchan, and bulgogi, which are transliteration of the original Korean words.
What is more worthy of our attention is that many new words or hot words are actually new meanings or contexts in existing words, especially new words on the Internet or social media, which often reflect the era or social significance. For example:
traffic (traffic)
website traffic (network traffic)
Incubation (Incubation)
Incubation period (incubation period)
herd (herd)
herd immunity
The cloud (cloud)
Cloud computing (Cloud computing)
slash (slash)
slashie (slanted family)
The virus (virus)
virus (spread as quickly as a virus on social media)
Catfish People who cheat on social networking sites with fake profiles
The rapid changes in technology both confuse us and excite us, and we experience many things in our lifetime that were previously unimaginable, and we cannot help but feel the diversity of human life.
Not long ago sorting out the old things at home, found that there are many 3.5-inch disks and video tapes stored before retirement. Compared to now, even the invoices are in the cloud, like we made a big dream of Li Bo, after 20 years of dreaming, found that the world has been completely different, in order not to miss the world and life that are changing so fast, we must strive to learn a new language, in order to connect new technology and integrate into the new life mode And...
(This article is reproduced from the Joint Supplement)
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Maybe we should give up film criticism.
The 21st century is still nine days away, but for most people, the turn of the century is no different, and every day is still on track.
But I think at the turn of the century, not so long ago, the 1990s and the new century, only 30 years ago, but looking back, it is very, very different.
Published onJul 31, 2023
Maybe we should give up film criticism.
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The 21st century is still nine days away, but for most people, the turn of the century is no different, and every day is still on track.
But I think at the turn of the century, not so long ago, the 1990s and the new century, only 30 years ago, but looking back, it is very, very different.
I think of today ’ s era of entertainment, movies, TV dramas, online novels, short videos.
Twenty or thirty years might be a good distance, because at that time, there were movies, novels, TV shows, music.
Han Han and Jay Chou, both in 2000, published their first book, with their first album.
But in the past 20 years, movies, music, literature, maybe have been completely different.
I do not want to write this article as a reminder of the past, lest you feel that I have fallen into the trap of "the previous generation is doomed to look down on the next generation", we will wash away some emotional expressions, from the actual details of life, describing the literary and artistic life of the 1990s, and contrast with today's life.
Perhaps in this new decade, looking back is the most appropriate thing to do.
A Frozen Bestseller List
If you focus on the bestseller lists of e-commerce sites for a long time, you will find that the so-called long-tail effect of the Internet has effectively blocked the field of bestsellers.
The book was published in 2014, the book has been a big seller since 2009, the book is still in the top 10 in 1998, the book is still in the top 5 today, and the book is the moon and sixpence published in 2006, the best-selling book from 2014 to today ’ s The Grocer of Relief, the best-selling book from 2015 to today. This includes the best-selling trilogy for decades.
These seven books, along with the possibly fading popularity of Kite Chaser, Ferry Man, and The Island Bookstore, almost lock in the most visible location of most bookstores.
But in the new century or so, the situation is completely not so, when the early involvement in the book e-commerce when the network has just been established, people buy more books or online, compared with the current situation of independent bookstores.
In 1997, Ni Ping published "Days" on the top of the bestseller list, the following spring evening Cui Yongyuan, find the book and Song Dan 's sketches also used the book' s stem, simulation wrote "Moon Zi"; in 1998, Yu Qiuyu 's "Notes on the Mountain". Wang Shuo, who was still writing at that time, published his new novel "Looks Beautiful"; 2000 was Cai's "First Intimate Contact", I think a large number of post-95 and post-00 have not even heard of this person; 2001 is a best-selling book "Poor Dad Rich Dad", which is the only theme that can be sold from that era to the present day, which is also an interesting topic; 2002 is the same wealth to books Who Moved My Cheese topped the charts; then came JK Rowling and her Harry Potter and the Order of the Phoenix in 2003.
These titles allow older readers to immediately return to the era before and after the new century, and to the life of the time.
In those days, the annual book release had the same impact as the movie release today, and I remember every time a Harry Potter book came out, the whole city was the comic boy and the lightning bolt on his forehead.
The stagnation of the bestseller list certainly intuitively reflects our disregard for reading itself, as the top 10 books because of their names and fame become the “introductory ten ” that most people put into their reading habits.
But this introduction is long and difficult to complete, and there is really no other time to read other than these ten books.
This is certainly not to say that people around the new century were more disciplined or knowledgeable than people today.
It was only two years before the establishment of the Chinese cinema system and the subsequent listing of Zhang Yimou's Hero, which ignited the mainland film market.
Home Internet was expensive and slow at that time, OICQ (the predecessor of QQ) was listed for less than a year, and online novels have not yet arisen.
All the bestsellers I mentioned above were the “pop culture ” of the time, a time when books shaped pop culture.
Before and after the new century, Yu Qiuyu's cultural works, famous books by Liu Xiaoqing, Ni Ping, Bai Yansong and other writers, and books by Wang Shuo were the vane of popular culture.
Of course, the most intuitive reason is that the economy is not yet developed, and the publishing industry is a lower ceiling industry than film and music, and the "Internet video" industry is not worth a comparison.
That ’ s why I ’ m writing this article, and I definitely don ’ t want to say that a generation is worse than a generation.
Instead, I want to say a kind of luck of the era, the era I was born in caught up with a kind of good luck, which has become a crisis today.
If we find this fracture through this article, then the good luck of that time can become what we actively shape today.
Especially in the upcoming 20 ’ s.
Two Young People ’ s Literature Accompanied by Adolescence
People around the new century were lucky, and youth literature accompanied their adolescence.
Don ’ t get me wrong, of course, I don ’ t think youth literature has a high artistic and ideological value, but perhaps the growth of people does have a process, expect people in adolescence to "Faust" or "Dream of Red Mansions" to have a huge interest and really get the true shock from it, I am afraid that it is also fueling.
Maybe our generation just got the right thing.
It was a time when people were interested and respectful of serious subjects and the beauty of words.
At that time, the famous "network writer" Annie Baby, published her first collection of essays, "Farewell to Wei'an" in 2000, and if you look back at this book today, the degree of refinement of its text is of course far more than many publications today, let alone today's network literature.
With the advent of the new century, people born around 85 have entered adolescence.
At that time, of course, the youth literature of all kinds of love topics, whether it is the "first intimate contact" in 2000, Han Han's "three doors" in the same year, or Guo Jingming published his first collection of essays, "The Edge of Love and Pain" in 2002, love is the main axis.
This sounds very natural, but in fact, it is not easy, in literature to fall in love, is a bit of a deviant.
So "Annie Baby" in her earliest writing career, because of decadence and concern for love, is still a very "extreme" role.
But the arrival of the new century may make people have more expectations and tolerance for "new things".
"Sprout" magazine, and he led the "new concept composition contest", is a great rebellion against the "traditional composition" form, but at the time, the competition with almost all well-known universities in the country, but also by a number of literary predecessors attention and understanding, is not easy.
Han Han, Guo Jingming, Zhang Yueran and others are all literary stars hatched by this ecology.
Adolescent people always have excess impulses and energy to consume, a large part of which is consumed in literary and artistic works, can be literature, is film, is online fiction, is secondary, is idolatry.
One of the good fortune I try to say is that youth literature before and after the new century does provide a suitable literary nourishment.
The safest answer to the literary and artistic forms of different eras is, of course, that they are all limited by the times, have their own characteristics, and have no higher or lower points.
I certainly don ’ t see it that way, and of course in the WeChat article, nor do I make complex statements, and I point out one of the biggest differences.
That's what impersonation might be.
In junior high school, almost half of my peers were trying to write their own “youth novels, ” reading new conceptual works, and watching the fame of these people who are only three or four years older than themselves.
To say that at that time, the middle school students did not dream that they could make a splash in the "new concept composition" competition, it is unlikely.
And their words become a kind of "adolescent mood" expression model, before and after the new century young people are using the literary way to comb and shape their own adolescent expression, there is no "expression package", there is no "popular language", and there is no established theme and paradigm of today's Internet text.
Everyone has become a space, learning a little bit of Han Han's old age and criticism, Guo Jingming a little bit of delicate emotion, write a variety of words that accumulate up to a short length.
Words are, of course, the easiest to create.
Compared to the second generation, or the rice circle culture generation.
We don ’ t feel the huge threshold at first, whether it ’ s the appalling amount of play on B or the terrible retweets of stars on Weibo.
At that time, the concept of young “fans ” was very weak (this should be the culture that has gradually emerged since the“ super girl voice ” in 2005), and liking a young writer first of all does not mean that he is a “fan ” or a vassal, and first of all does not mean that he is going to the Internet to defend him or express his liking.
Reading youth literature at that time, first of all, meant being able to write similar works, which was at least a creative cultural tendency, and today has been reduced to a consumptive cultural tendency.
I want to be clear, I think that even if one reads Faust and Dream of the Red Chamber in adolescence, it is unlikely that one will have the idea of imitating such a great work.
Today's young people of course have many want to imitate the writing of online novels, but that is more the desire for fame and fortune, today's online novels, has been far from the care of adolescent life.
Three or two brushes, solitude and precipitation
Where does this creativity come from? I want to start with the second brush.
Today, the second brush of a film is already a great affirmation of the quality of the film, and the second brush of a novel is incredible.
This, of course, is not the cause of quality in the first place, but the explosion in the number of consumable literary and artistic works, and there is always something new waiting in front of us.
But around the new century, a second brush of a novel is a common phenomenon, whether it is "Harry Potter" or youth literature, it is natural to read two or three times, because there is not much to see at that time.
This may sound like a lack, but perhaps a moderate lack is the real good fortune.
Imagine you read Han Han ’ s work for the second time, and there is no network dispute waiting for you to attend, and there is not much to talk about with your classmates around you.
"There is not much to talk about" is very strange to people today, for literary works, is not the most talkable?
I would like to point out that today we have a very strange culture – the culture of literary criticism.
It is common today to discuss "literary works" in a variety of ways, but this ability is not actively grasped, but is done by the "church".
It is we have seen and heard countless meticulous discussions, and learned a set of "vocabulary" and mastered a set of "discussion dimensions" before we have the ability.
But in the age of the Triple Door, young people still have to talk about these things and talk to each other about whether they like one of the characters inside, or about the whole of the novel.
If we want to talk more, we can't talk more.
Today's second brush movie is to dig into the details that can be analyzed, but at that time, the second brush of a novel, only once again collided with the emotions in it.
At that time, the young man and the work are alone, this is not a romantic expression, I just want to say that only this solitude, the work and his relationship, is special, can be connected with his own life, and promote his own emotions, until this emotion is large enough to need to be expressed.
So belonging to the kind of "good luck" before and after the new century, is the young people at that time can not escape, with their own adolescence hardship and depression alone and guidance, they continue to exaggerate and ferment the gloomy emotions of adolescence, let people want to "supplement the new words to say sorrow."
Although in the original poem, this sentence is said to be a kind of superficiality, but if superficiality is not fully expressed and advanced at this stage.
Growing up, it always shows up in a different way.
Being precipitated by the superficiality of adolescence forced to express, long-winded, no pictures, no Internet buzzwords, must be spoken in their own words, is the good luck of our generation.
4 Commentators and Expressors
Expressors are good luck.
I think people today also think that they express a lot, and therefore do not know what I am talking about.
Today, speaking of a film, young people are familiar with the "stalk" inside, rhythm, photography, technical school performance, experience school performance, director's past, describing the era, everyone is a critic.
When it comes to the second dimension or the game, they know more.
Of course, I have also been interested in these, and have done such "analysis", but at the turn of the age, I may have to point out a difference, and say that I will try to stay away from these literary and artistic evaluations in the future, and I will not do it again, nor will I read it again.
Because it's a misplaced place of attention.
Very good at commenting, analyzing, disassembling, and devoting attention to the structural "evaluation" of the matter, especially the "objective" evaluation.
You may have blocked your own channel.
For youth literature, after reading a youth novel two or three times, only the emotions and encounters in the book in my mind, and the resonance of my adolescent situation at that time.
For the work itself, there is no expression of desire, but for their own life, for their original complex emotions, but found a lot of can be said to inspire and model.
Today's people to see the film is not so, in the Douban to write a film review, if linked to their own life experience, will appear "too unprofessional".
This allows us to see the film and television drama as a unique reason for literature and art - a kind of "public speaking".
If we pause and think a little, we will find a tendency for everyone to be a film critic.
Which works are better screenwriters? What is photography, what is the service channel, the setting can be divided into the "scene scheduling" high, contact with the times, give a profound analysis of the meaning of the film.
For music and literature, we have not yet grasped such a set of "vocabulary".
As long as you go to the tiger, you can feel how important a movie has become for mainstream men.
On the other hand, before and after the new century, that is the expression and theory far less refined than the present era, facing Han Han or Guo Jingming, whether this work is good, whether it is copied, is not at all in the attention of the young people at that time.
In fact, I am really surprised that people have invested so much enthusiasm in whether Han Han and Guo Jingming are plagiarizing.
This obviously shows that forming an "opinion" on Han Han and Guo Jingming has become the most natural expectation when they come into contact with their works.
This is a huge difference, today's people see a literary work as an "object of evaluation", and he himself is a "person who takes opinions."
The ego is established in the evaluation and likes and dislikes of literary and artistic works. The important thing for every person who comes into contact with literary and artistic works is his "taste", which is like whether he can taste wine and tea.
And in my adolescence to accept "youth literature" people, it is precisely not such a mentality, which will form a very valuable perspective for today.
In that era, the contact with literary works, especially the contact with literature, everyone saw themselves as an “expressionist ”, and the important thing was to what extent the work resonated with my expression, and promoted myself to carry out and complete self-expression in a similar way.
5 Responses to The Age of Vigilance
I reflect on and oppose all "evaluation" of the industry, which is not a common reflection, but standing on the comparison with the new century before and after, I found this huge fracture.
There is a hidden premise to score and comment on movies, books, music, games and so on.
That is, each of us needs to come up with our own opinions about the “literary works ” that we consume, which is important, to like a book, or not to like a book, why to like it, why not to like it, and even become the key to our self-construction.
The ability to talk about the good of a movie, thus defending the high score and evaluation of a movie, becomes a key ability of a person.
Every time the beans are scored, the literary works are talked about in any place, and the quality is analyzed according to some terms and structures, and the subject is more and more molded into a "person with personal likes and dislikes."
After all, what does it mean to like something or hate something?
This is but a humble pastime in the practice of life, from which we can obtain the meagre and thin.
This prompts us to read one by one, to look at it, to score it, and in the end the number of this whole becomes even a ostentatious statistical basis.
Of course, such a department to read, read, score, and eventually become someone else's business.
This is the second seizure of the entertainment industry, the first seizure of our consumption of the work itself, and the second seizure of our evaluation of the work itself.
Think about what you usually see, movies, TV series, and then look at its background and analysis, and then look at its evaluation and analysis.
This, taken together, may have taken you quite a bit of time.
But it doesn ’ t matter, these contents are endless, if you want to be a “literary work critic ”, you have been born in the most prosperous era.
This shows that the art works "public has overtaken the head."
Because part of the public repression, let us pour the public brain on the likes and dislikes of literary works, which ultimately alienates our relationship with literary works.
In the new decade, the culture of all these reviews will become more and more intense.
But thankfully, this is a culture of our preferences and choices that we can freely abandon.
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Content: PAN Jingying: Writing diary self-excavation also practice pen
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Name: Pan Jingying
Age: 26
Occupation: Journalist
Born: Singapore
The evening newspaper news brought me a lot of shock, many social features I have never seen, contact with a variety of people and things, feel a deeper understanding and connection to this land.
Q: Short stories have had a glorious era, Chekhov, Maupassant, Flannery O'Connor, Raymond Carver to Alice Monroe, Chinese modern novels also began with short stories, Lu Xun, Shen Congwen, Zhang Ailing... today seems to have been transformed into the hunting rifle of the literary prize competition, with standard distance and mechanized procedures.
What is the style of a short story to you?
A: I feel that the essence of short stories has not changed, and I have always believed that writing is to record people and things of all ages.
Now the network is developed, the variety of entertainment has enriched our lives, but also cultivate impatient people, reading is time and energy.
I also often face such a problem, when reading mobile phone if there is a new message or consultation, will immediately click to reply or watch.
Perhaps for people who take writing seriously, it seems that there is still a platform for literary prizes.
So the motivation of writing is greatly reduced, which indirectly leads to the diversification of writing styles and becomes formatted.
I still think that short stories are suitable for the current environment, and short stories seem to have both advantages compared to the emotion invested in long stories and the limitations of flash novels.
I ’ ve been a little caught up in the charm of short stories lately, and when I was in college, I had plenty of time to spend days reading novels.
Now after work, the short story is more in line with the work of the office worker, as a bedtime reading, or reading on the bus, can be achieved in one go, both to satisfy curiosity, but also to think deeply.
Relatively stable soil to explore the human heart
Q: Once upon a time there was political censorship and literary factionalism, but now the writing environment seems calm and there is more space (such as the Internet) to publish, is this kind of freedom and freedom, the best time for writing?
A: Every era will face the problems of that era, and I am longing for cyberspace.
I also follow many authors from social media on Instagram, such as Zhang Xi, Immortal, etc., who accurately grasp the sentimental side of modern people, and write a reflection on the city or personal life in the social media that is updated almost every day.
Or the rise of booktuber / booktok in the West in recent years are encouraging phenomena, precisely because of this group of people who love reading and continue to export, rekindle the momentum of a new generation of reading, or make reading a "very trendy" thing, expanding the readership.
In our time there is no political censorship or literary factional struggle, but there is also the freedom to experiment (whether the reader buys or not).
When we went to Huang Kai De's creative class in college that year, we tried various writing methods, including the creation of pictures and texts, the creation of lyrics, and two or three small poems.
On this relatively stable soil, I remember the East and West teacher once said that we can only explore the human heart more deeply to write, and I am also trying to explore.
A: Because I like Chinese? Ha ha ha! That's why I chose to enter the Chinese Department, but writing in Chinese seems to be a natural thing. Maybe all my friends and family around me use Chinese to communicate.
But you also want to record something.
Reading is dominated by female writers.
A: I am an incompetent reader!
It seems that I have not read too many works, if I say that the recent works are more impressive, or Elena Ferrante's Naples Four, the portrayal of women is very impressive, and the mind-set depiction of female friendship is incisive, both jealous and encouraging, the interweaving of two girls' growth trajectories, to female desire as a means of controlling fate, and the violence suffered by the body, etc.
I like Elif Shafak, a Turkish writer whose stories are mostly about marginal figures in Turkish society, mostly written from a female perspective, with dead prostitutes on the streets, mothers killed in honor of their sons, etc. Issues of identification.
Q: Do you have any writing plans?
A: There is no specific writing plan, but I am sticking to a daily diary, whether it is writing at length or scrawling a few words.
It is a process of self-exploration and reflection, and it is also an opportunity to practice writing, and sometimes the work can not give me enough time to write quietly.
After reading the diary for a long time, there are always many surprises, including some of the emotions I can not accurately describe at the moment, suddenly have a clear outline, let me think of writing.
The evening newspaper news brought me a lot of shock, many social features I have never seen, contact with a variety of people and things, feel a deeper understanding and connection to this land.
But the timeliness of news, coupled with the impact of social media, we must keep up with the rapid changes in information.
This kind of fast-paced news reporting and writing is conflicted, so all I can do is record it on my phone when the idea is flashed, wait until I take a vacation and dig it out to see if I can get back what I felt at the time and write what I wrote.
Often, it is impossible to finish the beginning.
The new year, new hope, with a small partner to move forward, seems to be able to continue to write.
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Blogging on LiveJournal became a way to participate in a new era of online media, blending personal expression with interactive news sharing and the dissemination of information in a manner different than traditional magazines or newspapers.

Title:

Content: People 's Network > > Education
What is the difference between online literature and traditional literature?
Zhang Chunmei
October 05, 2022 09: 08 | Source: Guangming Daily
Small number
Online literature is an extension of the virtual world to daily life, and the lives of all people are condensed in cyberspace in the form of stories and become the works of online literature.
Bright Pictures / Visual China
Talking about network literature today, it seems that it has long been beyond the stage of whether it is literature or not.
The influence of online literature is too great, not only in the mass consumption of audio-visual media, but also smooth the way, rushed out of the national boundaries, and went all over the world, becoming an important force for the dissemination of Chinese culture.
Because the dissemination power is too strong and the influence is too broad, how can online literature take on the responsibility of telling Chinese stories and spreading positive energy has become an important social issue.
At this time, we can re-examine the relationship between network literature and literature, and perhaps find the coordinates of network literature in the construction of contemporary culture through their respective characteristics, rather than simply putting the existing literary theories and concepts on the head of network literature.
After all, the Internet era produced by network literature is not the same as before the new century.
Online literature presents new characteristics in the aspects of writer's identity, reader's function and work form
As a contemporary cultural phenomenon, online literature can become a cultural card that must be faced squarely, and it is established from the game and comparison with traditional literature.
The "traditional literature" here is not available in the past, because of the network literature, which uses the keyboard and the Internet to write and disseminate new writing methods, the oral literature, especially the paper literature, has become traditional literature.
Modern and contemporary literature has become the main force of traditional literature.
Only modern and contemporary literature has become the main reference frame for evaluating whether online literature can be regarded as literature.
Therefore, our method of discussing modern and contemporary literature has naturally become a yardstick for judging online literature.
This has "literature" under the reference of network literature and traditional literature "same".
The four-dimensional division of "author - reader - text - world" is a common way of thinking when we talk about the nature of literature.
With this as the coordinates, let's look at the "difference" of network literature based on literary commonality.
Paper literature has a relatively independent and stable social evaluation system, and online literature has become a symbol of the Internet society that changes at any time due to network media and industrialization. The author of paper literature is a writer, enjoys a clear social identity, and is a combination of individual will and creativity. The world of online literature is the understanding of the world contained in a single text, a higher reflection of real life and a spiritual integration; the world of online literature is based on virtual reality, and it is the convergence of stories, folklore, mythology and popular life. And...
In the above comparison, we see that talking about online literature can be within the literary system, but online literature has overflowed the boundaries of traditional literature in terms of writer identity, reader function, work form and the richness of the world it reflects.
This means that even if we say that online literature is part of contemporary literature, it is also part of a lot of differences.
If we blindly use existing concepts and concepts to name network literature, it is likely that this dominant posture will obliterate the characteristics of network literature, and thus become a kind of self-indulgence.
Therefore, talk more about the "difference" of network literature, and closely observe the nature of network literature born in the Internet era, which may be more open to its relationship with literature.
Why does online literature get longer?
Why do online literary works get longer and longer? Why do both sides know that they are fictitious stories, and why do they fit in with each other and do not want to finish in the structure of "chasing change" and "changing text"?
Why do long texts of the same type appear so prominently on different platforms?
Taking "network" as the intermediary to look at the "difference" of network literature, these problems will be solved.
The length of the work, nature and the mechanism of industrialization are related, but the more important may be the hope of the writer and the reader for a long life, and in turn, it is the manifestation of the mentality of real life.
In the same type, there are so many people who do not tire of writing, in addition to the traffic and click rate reasons, it shows the characteristics of network literature folk group creation, which is the fragmented expression of group memory in the era of "mass media".
So long, so many types, these reflect the block nature of the Internet.
Network literature uses the constructed virtual situation, with thousands of readers outside the physical reality to cut through the thorns.
Nowadays, technology is involved in life with unprecedented force, artificial intelligence penetrates into all aspects of life, and our understanding of the virtual world in online literature should break the binary division of real and virtual, and face up to the new changes in the "reality" in the new media environment.
The seemingly "mysterious" imagination when combined with "reality", and animation, "Internet + life" intersection, and did not bring readers much sense of violation, but like the robot has become a popular cultural reality in the restaurant.
Online literature is a story garden in cyberspace.
Network literature from production, dissemination to industrial operation, is a distinctive contemporary experience of the presentation process.
From the "first intimate contact" opened the QQ space virtual love life scene, in the form of "domain network" to build up the popular dream of "another life", in the technical change of the restlessness, for the public in the vast network space to provide a story garden.
Many people's lives and opinions are diverse, condensed in the form of stories, and become online literary works.
The concepts of writing and reading, production and dissemination, subject and user are beginning to blur.
Computer technology continues to advance, artificial intelligence technology is widely used, and technology has enabled the unprecedented expansion of human memory, and even made the imagination of the multi-dimensional future become a reality.
As a group media reality, network literature is a kind of cultural reality created together, and its existence is virtual.
It can be said that online literature is an extension of the virtual world to daily life.
From the dimensions of the writer, the world in the text and the digital text form, we can describe Chinese cyberliterature as: using the screen as the medium, the network as the carrier, the number as the basic code structure, and the Chinese as the form of expression, and the writer and the reader together in one space as the main body, forming a virtual world of conspiracy.
In short, to talk about the Internet literature as a product of media change, we should talk about "literature" and "network", and the combination of the two constructs the public's contemporary understanding of history, present and future.
(Author: Zhang Chunmei, Professor, School of Humanities, Jiangnan University)
(Editor: Li Yihuan, Sun Jing)
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Content: A page by page comic is a youthful memory for many people, but since 2014, Taiwan has set off a whirlwind that is completely different from the past.
How do you create new business opportunities?
How do local creators get their heads around here?
If you happen to come to Beitou Park on a hot summer day, you will find the quiet night sky reflecting the colorful light, which is the scene of the first “Beitou Witch Magic Festival ” held in 2022.
However, the legend of witches in Peitou town has been more than 100 years old, so why is it now a topic of "making festivals"? This must start with a series of popular Internet "strips" that began in 2019.
“I hope this IP can grow bigger and have more types of adaptations, so sometimes it will be very happy to see people discussing my work on the Internet, and there is a feeling of slowly entering popular culture, ” said Jian Zi, the comic creator of Beitou Witch, with a laugh.
What is a comic book? It is a long strip type comic book that fits the mobile phone interface. The reader can read it smoothly from top to bottom with a swipe of his finger. It is very different from the traditional comic book format, which has a multi-grid and zigzag reading line.
Chui Chun-jung, general manager of LINE WEBTOON Taiwan, said that when the platform first entered Taiwan in 2014, many creators were unfamiliar with strip comics and refused to cooperate. “After a while, many legendary works were presented in the form of strip comics, and readers preferred strip comics. Now 80% of them have become full-time slow comics. ”
Change in reading habits 〉 Long strip creation, skip page manga restrictions
Most of the popular imagination of comics is in the form of a single line of paper or serialized weekly magazines, but with the popularity of personal computers, the media of comics has gradually shifted from paper pages to LCD screens, and in recent years has further shifted to smartphones.
The change in content also changes the appearance of the carrier, from a grid of pages, to a downward row of bars.
"There are a lot of advantages to strip comics because they are drawn in a straight line, and if the picture that jumps down is long, it can be pulled down all the time, and it can also be paired with some video effects," says Hung Yuan-chien, creator of "The House Man Playing Basketball."
The horror comic book Black Box is serialized in the form of short stories, and the protagonist of each story is not fixed.
The author, Pony Liao, points out that the arrangement of strip comics and short stories gives him room to play. "I will use the advantages of strip comics to lengthen some frames properly, because strip comics are very suitable for long pictures, and there are no restrictions on reading, so I can show some more shocking pictures."
Comics Economic Circle Quality Change: Two Platforms Compete to Raise New Readers
Not only has the content changed, but the comic book economy has also undergone a qualitative change.
In the past, readers would buy paper comics from publishers or rent them from rental shops.
But since the comic book Internet, readers no longer have to pay for the content, search for the type of comic you like, there are countless content you can pick, almost crushing the existing comic book economy.
According to statistics from the Ministry of Finance, the number of comic book rental shops in Taiwan was estimated to be as high as 4,000 in 2000, but only 490 remained in 2019, and the economic model entered consolidation, and a new type of online strip comics platform emerged.
The web bar manga platform was born in the form of an app, and even if some of the content is charged, it still attracts a large number of users to download, the key reason is "successful interface optimization" and "original bar manga content".
In July 2014, LINE WEBTOON launched in Taiwan, with 5.5 million downloads, and Taiwan ’ s original comic strip as its characteristic. There are about 140 local works. In 2018, it began to adopt a partial fee model.
In addition to the fixed fee, creators can also share profits with the platform for both "Early Look" and "Comic Coupon".
KAKAO WEBTOON, which just landed in Taiwan in June last year and focuses on sophisticated user interfaces, is now ranked second with 600,000 downloads. “Our next fine-tuning of the business model will be how to make users read more works with zero burden, ” said Wu Mingxiu, CEO of Kakao Entertainment Taiwan.
Expansion of business model 〉 Development of IP, placement of advertising, video
In recent years, the platform has expanded its business model and expanded its economic scale, including placement of advertisements, cross-industry cooperation, film and television, and internationalization.
LINE WEBTOON marketing director Wang Chia-chi pointed out, "We have a lot of cooperation in the industry, including mobile games, Korean tourism agencies, 3C products, etc. This also applies to our readers, mainly over the age of 25, which is a relatively young but consumer group."
She said that LINE WEBTOON has also cooperated with different brands in the past, such as shrimp skin shopping, momo shopping network, Netflix, iQiyi, LINE TV and other partners.
In June of this year, LINE WEBTOON also cooperated with the beverage company Wanbo to authorize the "Soft Cell Master" comic characters to do in-depth cooperation, not only IP printed in the beverage cup, "there are also two stores for the space device, this is the first time we have successfully authorized IP to do foreign business cooperation outside of Korea," Wang Jiaqi said.
The classic example of this is walking with God.
His original work is a Korean comic book, and then made a film to enter the international market. After the release of “Walking with God ” in Taiwan in 2017, it boosted the popularity of the original comic book in Taiwan, which increased the exposure of LINE WEBTOON in Taiwan, and promoted the trend of strip comics.
This successful model is now copied to Taiwan original works.
For example, the two works of "The House Guy Playing Basketball" and "The Black Box" are expected to work with film and television companies to remake the series in the past two years, while "The Witch of Beitou" is actively negotiating with the partner companies to negotiate the licensing of IP products.
In terms of overseas business opportunities, Cui points out that Taiwanese works have great potential, not only in the domestic market, but also in overseas markets.
Incubation of local cartoonists to participate in the platform profit sharing, stable income
In addition to attracting more readers to join, in addition to the continuous efforts of various online comics platforms, the marketing and profit-sharing model also allows creators to get more benefits, driving the positive development of the economy.
Before becoming a full-time creator, Hung Yuan-chien ran a graphic design studio, but his life on both sides often left him breathless.
"Black Box" author Liao Hanyi, who sold clothes, worked as a nightclub publicist, and worked in a design company, but he never forgot his dream of being a cartoonist.
He admitted that if there was no comic platform at the beginning, he might not become a cartoonist, "because I only found out after the series that I can draw cartoons."
When a grid of small frames is placed on the mobile phone, strip comics free from the rigid physical restrictions of the past, not only with a new reading experience to challenge the reader's understanding of comics, but also has long been out of the past only for the niche market positioning.
As Hong Yuan-jian said, "The rule of manhood is to make a lot of contact with people who want to contact."
In this era of free content and charging for services, Stripe has successfully targeted the needs of users, transforming comics from dusty childhood memories to the most “trendy ” digital experience of the time.
Author ： Gao Xiaoqi
(This article is excerpted from the September issue of Vision Magazine No. 435.)
# Comics # Creators # Readers # Content

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