Some of the world’s top architects are competing to transform a downtown space into something worthy of a nation’s capital.

However, it won’t be flashy.

But there are also some key differences in approach.

Block 2 is likely to deliver on that aim.

But this design tops them with precisely carved slabs of glass and arrays of solar panels.

The team led by Montreal’s Provencher Roy focuses hard on the Indigenous component of the project.

That is for the competition jury to decide.

Quay Quarter has been dubbed the world's first "upcycled skyscraper."

“It’s not good enough to just be active designers, we also need to be influencing policy upstream,” said Barbara Deutsch, CEO of the Landscape Architecture Foundation (LAF), during the kick-off of Grounding the Green New Deal, a day-long summit held at the National Building Museum (NBM) in Washington, D.C.
Landscape architects can “create a feedback loop in which we test designs and overcome barriers,” advancing climate, water, and infrastructure policy through innovative projects.

“If you are talking about it at a high level, it means you don’t know your community.

Norman Foster Is More Invested in the Future Than Ever.

His emphasis on sustainability and the use of flexible design to achieve it, however, have always been tenets.

World Environment Day: 5 sustainable and eco-friendly design ideas that can transform your workplace into a green haven.

It is a reminder of our responsibility to protect the planet.

A huge part of designing a space sustainably is to source all the furniture and fixtures locally.

Provide green areas in and around the office.

Modular meeting spaces and modular booths are great innovations in truly reusing and recycling not only the waste that we create but also the spaces we use.

Proper use of natural light.

This brings down the air conditioning needs of the design as well.

Gloria Cabral: “Everything Begins With the Wisdom of a Place.”
Born in Brazil and educated in Paraguay, Gloria Cabral is an architect who early on learned that home can be many places—or none at all.

Gloria Cabral: My parents are Paraguayans, and they came to work in São Paulo.

Last year, I visited the building where we lived.

It's curious how, upon visiting, I realized that it is actually much smaller than the image I had in my memory.

I knew they were not just for providing shade.

How has this influenced how you perceive and practice architecture, a discipline so deeply connected to a sense of place?

For feeling like I belong to the local culture.

For taking off my shoes and sensing the energy of the place.

Creating shade in a place with only 6 hours of sunlight in winter does not make much sense.

I was on the verge of quitting the course when I discovered the work of Gabinete de Arquitectura.

That was the challenge: how to do more with less.

In the end, it is about saving resources.

"How did you do this?"

"How do you work with bricks in this way?"

"Is it possible to do it with wood?"

A single boat can have about 30 of these nets.

It is clear that, in other situations, it will be necessary to produce new materials.

There is no good or bad material.

Concrete is not bad.

But we need to think about the best way to use it.

GC: No regulation in Italy allows the construction of a wall with a width of 5 cm and a height of 4.5 meters using demolition material.

Since it was a laboratory, we decided to leave the scaffolding after completion.

If I am keen on picking up a new language, Wednesday is the day for that.

We need to reflect on how we got to this point.

For a long time in Paraguay, I used to say, "We should build in this or that way," but every day I would get into my air-conditioned car, drive to the office with air conditioning, and work all day.

And when I have a lot to do, I work on Sundays, no problem.

But the next day, I rest.

At Cartoni we combine our knowledge of design and sustainability to help architects and designers create healthy and durable designs without ever losing sight of aesthetics.

With their eye-opening Manual of Section (2016), Paul Lewis, Marc Tsurumaki, and David Lewis of LTL Architects sliced through Rem Koolhaas’s Casa da Musica, Frank Lloyd Wright’s Guggenheim Museum, and Louis Kahn’s Exeter Library, among other buildings, to illustrate how architectural spaces interlock in three dimensions.

We look at the winners of Fast Company’s Innovation by Design Awards over the past 10 years as a lens onto a broader shift toward sustainable design thinking.

It’s the idea that one of the greenest ways to build is to reuse what’s already there.

Conversely, in tropical climates, it's essential to "open up" the house to dissipate heat and humidity while shielding it from the sun and heavy rainfall.

This reduces the need for cooling and helps mitigate the urban heat island effect.

You'll now receive updates based on what you follow.

Personalize your stream and start following your favorite authors, offices and users.

Well-known experts in urban planning will share their experience at the Moscow Urban Forum.

The city is striving to look to the future, reflecting ongoing trends in architecture and urban environments.

More than 40 events are planned within the business program, including the session “City as Superhidea.”
Special botanical gardens with year-round blooming plants have been developed for hospitals in Sevastopol to aid patient treatment, according to Sevastopol State University.

These gardens were created as part of the research project "The concept of landscape and urban development of the territory of health facilities of Sevastopol."

Recent years have demonstrated that architecture responds to global changes, such as the pandemic, which will continue to influence urban design.

High-rise wooden buildings are now permitted up to 28 meters due to changes in construction laws.

These wooden buildings are carbon-neutral and environmentally beneficial, designed to integrate with natural landscapes without unnecessary tree removal.

Buildings are also designed in relation to the city context and its history.

Ongoing urban processes are multifaceted and cannot be fully captured in a single text.

The creation of a balanced urban environment is essential for attracting people to live, work, and invest in an area.

Modern residential developments prioritize amenities like schools, as seen in projects in Yekaterinburg, moving away from standardized Soviet-era designs toward more flexible, community-oriented spaces.

Some schools now use atriums instead of traditional assembly halls to create open transit zones that connect floors and serve multiple functions.

Innovative design solutions emerge from close analysis of land and spatial constraints, like reconstructing existing schools or erecting new ones when space is limited.

China has constructed a tower featuring a “vertical forest,” demonstrating the combination of nature and metropolitan architecture.

Public spaces in St. Petersburg have moved beyond simple play areas, creating communal spaces that benefit all residents, regardless of age.

Landscaping now favors trees and shrubs that form semi-private gardens, reducing open lawns and increasing natural diversity.

Walking among greenery fosters relaxation and harmony while supporting child development and providing educational opportunities.

Landscape design in these projects highlights seasonal changes and offers visual appeal year-round.

Sustainable skyscraper systems have also been designed to address environmental challenges by collecting plastic waste and even aiding in oil spill remediation.

One such tower is engineered to use Mongolia’s strong winds to distribute grass seeds and support plant growth with mobile, water-driven trays.

New building designs aim to blur the boundaries between interior and exterior spaces, for example, by opening side walls to connect rooms directly with nature.

Creating sustainable structures involves promoting resource efficiency and waste reduction to leave a sustainable legacy for future generations.

A key focus in sustainable architecture is the integration of green walls and indoor vertical gardens for their environmental and aesthetic contributions.

Programs such as the King Salman Urban Charter Strategy in Saudi Arabia encourage urban design that respects both cultural and environmental heritage, aiming for excellence in the built environment.

Educational initiatives, such as Sustainable Architectural and Urban Design Programs, aim to graduate creative, tech-savvy designers capable of meeting labor market needs and driving innovation.

Acceptance into these programs requires meeting minimum academic standards and passing aptitude exams.

Advancements like Fast Company's recognition of Climate Scout illustrate the transformative ideas impacting the future of sustainable design.

Harnessing data in computer-aided design ensures solutions that meet both customer and community needs efficiently.

Spaces like Al Ula Design Space foster collaboration among architects, planners, and designers, enhancing regional identity and economic diversification.

Iconic buildings such as Burj Khalifa and Jeddah Tower exemplify ambitious design, with structural systems optimized for stability and value, inspired by prior innovations such as the CN Tower.

Dubai, known for its bold and experimental projects, has become a hub for testing and showcasing pioneering architectural designs.

However, developments in sustainable architecture underscore that the value of a structure goes beyond its height—it lies in its enduring impact and contribution to its context.

Research from Al-Azhar University explores the role of smart materials and building facades in mitigating environmental problems, balancing internal and external building environments, and reducing energy consumption.

Value engineering is highlighted as essential in understanding the economic impacts of climate change within building design.

Urban greening can reduce the heat island effect.

Commitment to using scientific data is essential to create green buildings.

Some of the world’s top architects are competing to transform a downtown space into something worthy of a nation’s capital.

Title:

Content: Skip to main content

Some of the world’s top architects are competing to transform a downtown space into something worthy of a nation’s capital. The competition ends April 26

When was the last time the federal government commissioned a great building? This hasn’t happened for half a century in Ottawa, where recent public architecture has been unambitious and underwhelming. That is likely to change with Block 2, a new office complex to be built across the street from Parliament Hill.

Some of the world’s top architects are vying to lead the Block 2 design, in an international competition conducted in collaboration with the Royal Architectural Institute of Canada. Next Tuesday, a 25-member jury of parliamentarians, academics and architects, led by the philosopher and novelist John Ralston Saul, will announce a winner from among six shortlisted teams.

These teams unveiled their designs for Block 2 in a public online presentation last week. While they presented a diverse set of visions, whichever is selected will become the most ambitious work of public architecture the capital has seen for many years.

However, it won’t be flashy. Block 2 will be largely an office complex, for the use of parliamentarians and civil servants. It forms part of a 25-year project to rebuild the entire Parliamentary Precinct, the area on and around Parliament Hill. Block 2 is bounded by Wellington, Sparks, Metcalfe and O’Connor streets; this city block currently includes 11 existing buildings and several vacant lots. Two buildings in the middle are reserved for a future Indigenous Peoples’ Space. The remainder will be demolished or incorporated into the new office complex.

The government launched the process in March, 2021, with a request for qualifications from design teams. Twelve of these were invited to develop a detailed design concept. The jury then whittled them down to six, using an exhaustive set of aesthetic and technical criteria. These many constraints, not to mention the challenge of responding to the Parliament Buildings across the street, make it difficult to create an icon.

Instead the shortlisted designs show sophisticated and varied solutions to the competition’s puzzle. The designers include an international who’s who of contemporary architecture. They nod to the materials and detailing of the triad of Parliament Buildings; they include bold modernist form-making and articulation; and they incorporate thinking from Indigenous architecture.

There are commonalities. Several of the schemes extensively use engineered wood, or mass timber, an attractive and low-carbon material. All of them respond to the competition requirements with a mix of office space, meeting rooms and grand atriums.

But there are also some key differences in approach. The team led by London firm WilkinsonEyre imagines a rooftop C-shaped conference space. The team led by Paris-based Renzo Piano Building Workshop takes liberties with the existing heritage buildings to establish a uniform, monumental facade along Wellington Street. And the team led by Montreal’s Provencher Roy bets heavily on Indigenous design to shape Block 2 itself.

Some of these designs stretch the rules of the competition, which is apt; the main benefit of a design competition is to test different ideas and designers, in order to produce an excellent result. Block 2 is likely to deliver on that aim. Its public areas and street facades will send two clear messages: that the work of government matters, and that public architecture can embody the highest cultural aspirations.

Here are early assessments of the six shortlisted schemes, based on the architects’ video presentations.

Zeidler Architecture with David Chipperfield Architects

Of the six proposals, this is the clear standout. David Chipperfield’s London firm is known for its sensitivity to heritage. This proposal “weaves together past, present and future to create a tapestry of forms and styles,” Mr. Chipperfield said during the presentation. The scheme, created by a team that also includes Toronto’s Zeidler Architecture, retains almost all of the exteriors of the existing buildings. The new ones have mass-timber structural systems and are dressed in panels of recycled copper – a poetic nod to the copper roofs of Parliament.

Inside, two large atriums link the existing buildings on site, unifying floor levels to provide accessibility, while a variety of meeting and hallway spaces feature recycled masonry. The team – including Mohawk architect Matthew Hickey of Two Row Architect – has also designed a Peoples’ Square that sits alongside a new Indigenous centre and in line with the Peace Tower across the street. At a small scale and at the scale of the block, this promises complexity and variety that could, as the architects suggest, represent the diversity of the country.

NEUF architect(e)s with Renzo Piano Building Workshop

This project, by contrast, remakes the facades along Wellington Street into two uniform and finely detailed boxes – the kind for which Renzo Piano’s Paris-based firm is globally known. (Its partners on this project include Montreal’s NEUF.) Clad in clear low-iron glass and limestone, these facades present a timeless and beautiful face to Parliament, topped with rooftop groves of large trees. The other main facade, on Sparks Street, restores and keeps elements of some heritage buildings, as is the case with the other schemes. But this design tops them with precisely carved slabs of glass and arrays of solar panels. If the competition jury wants a statement of uniformity, coherence and precision, there is no proposal better suited for the task.

Diamond Schmitt Architects with Bjarke Ingels Group (BIG), KWC Architects and ERA Architects

This team brings together international stars BIG with established Toronto and Ottawa firms. Its vision includes buildings that are multifaceted, literally: New office blocks facing Wellington are irregular in shape, slanting inward from top to bottom to define new public squares around the future Indigenous centre. (Thoughtfully planted rooftop gardens by the landscape architects PUBLIC WORK provide an additional amenity.) The facades arrange Queenston limestone panels into a forceful modernist grid, contrasting with the remaining restored heritage facades. Windows are sized and arranged to control light and heat gain on each facade. Inside, offices and atriums are consistent, and rather bland, in finish and spatial qualities. This scheme aims to balance architectural flash with Ottawan conservatism.

Provencher Roy

The team led by Montreal’s Provencher Roy focuses hard on the Indigenous component of the project. Working with Indigenous architect and planner Aaron Aubin, it imagines a round Truth and Reconciliation Tower that stands opposite the Peace Tower and houses committee rooms. This attempts to address a fundamental challenge of this block: the decision to put an Indigenous centre in what used to be the U.S. embassy on Wellington. That 1932 building by architect Cass Gilbert speaks a language of neoclassicism that has strong negative connotations for many Indigenous people. It’s an open question whether the Provencher Roy design of rather corporate-feeling spaces within Block 2 meaningfully solves this problem.

WilkinsonEyre with IDEA Inc.

The London architecture firm WilkinsonEyre, which recently completed a new headquarters for CIBC in Toronto, is the dark horse. (Its partners on this project include Ontario firm IDEA Inc.) This team’s design builds on the neoclassicism of the former U.S. embassy building, translating the three-part organization of its facades into an architectural language familiar from contemporary London. To add Canadiana, wooden “trees” of structural timber show up both on the interior and the exterior. Ovoid meeting rooms hang within the building’s large atrium, like berries on stems. This design has a symbolism that is easy to read; however, the busy and mannered approach to the interior architecture may not age well.

Watson MacEwen Teramura Architects with Behnisch Architekten

The German/American firm Behnisch is known for its commitment to sustainability, and that is reflected in the design of this team, which also includes Ottawa-based Watson MacEwen Teramura. A complex series of atriums and winter gardens on different levels aids in the management of light and ventilation, helping the building complex function for part of the year without mechanical ventilation. Like most of the other shortlisted designs, this one breaks up the mass of the offices into smaller pieces. Stefan Behnisch suggested in his team’s presentation that the architecture should “herald tolerance, inclusion, collaboration and communication.” But it goes further than most, covering the exterior with slanted light shelves that provide shade and capture sunlight with solar panels. The effect, inside and out, is very subtle. Is subtlety the right architectural message? That is for the competition jury to decide.

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However, it won’t be flashy.

But there are also some key differences in approach.

Block 2 is likely to deliver on that aim.

But this design tops them with precisely carved slabs of glass and arrays of solar panels.

The team led by Montreal’s Provencher Roy focuses hard on the Indigenous component of the project.

That is for the competition jury to decide.

Quay Quarter has been dubbed the world's first "upcycled skyscraper."

Title:

Content: Take a look at the world's first 'upcycled' skyscraper that's been crowned building of the year

  • Quay Quarter Tower has been named World Building of the Year at the World Architecture Festival.
  • The 49-storey skyscraper was partly built around the structure of an existing office building.
  • Quay Quarter has been dubbed the world's first "upcycled skyscraper."

A skyscraper in Sydney, Australia that was constructed around the shell of another structure was awarded World Building of the Year at the World Architecture Festival in Lisbon, Portugal last week.

The prize is the latest honour for Quay Quarter Tower, which has been dubbed the world's first "upcycled skyscraper" and a more sustainable solution to high-rise construction.

The tower, which opened earlier this year, was based on AMP Centre that opened in 1976 and had reached the end of its viable life.

The AMP Centre at 50 Bridge Street, about halfway between the famous Opera House and the Harbour Bridge, was once Sydney's tallest building.

Its owner, AMP Capital, wanted a more eye-catching and energy-efficient building that could meet the needs of tenants in the 21st century, but was also concerned about the environmental impact of demolishing the structure.

It decided to hold an architectural competition with a sustainable brief, challenging architects to build a new skyscraper without knocking down the existing tower.

The 676 foot, 49-storey Quay Quarter Tower was announced as the winning design in 2014. It was designed by Danish architectural firm 3XN, which collaborated collaboration with Sydney-based firm BVN.

Construction began in early 2018 and was completed earlier this year. Take a look at the building here.

The Quay Quarter Tower is comprised of five stacked volumes.

Kim Herforth Nielsen, founder of 3XN, said her team produced at least 30 sketches while developing the design, as well as numerous 3D digitalizations and physical models.

They wanted to produce a "textured, layered" building, rather than "the homogenous, curtain-wall type towers that are so common."

"By dividing the building into five separate volumes and placing an atrium and terrace at the base of each one, the columns become smaller, more intimate social environments, making it easier for employees to connect and interact with one another," says Herforth Nielsen.

The architects hope it will serve as a "vertical village."

Quay Quarter Tower contains an array of offices and retail outlets.

The building's owners hope that the design will help "redefine the future of work" and "promote human interaction."

The World Architecture Forum judging panel said the "vertical village" created a "sense of community", with the stacked atriums allowing "exceptional views, while also allowing daylight deep into each floor", news.com.au reported.

"The winner was commissioned to provide a building on a world-class site, and to retain a huge proportion of an existing 50-year-old commercial tower," the forum's director, Paul Finch said, per the report. "The result was an excellent example of adaptive reuse."

It has dazzling views of Sydney's harbor and landmarks.

There's multiple rooftop terraces overlooking sights such as the Sydney Opera House, the harbor and its famous bridge.

Architect Carl Elefante famously said: "The greenest building is the one that is already built."

The architects believe the "upscaling" approach saved 12,000 tons of carbon dioxide from being emitted.

That's the equivalent of powering the entire building for three years — or as much carbon dioxide as produced by 35,000 flights between Sydney and Melbourne.

Retaining the existing structure was key to maximizing space.

The innovative "upscaling" method is about more than just sustainability.

If the AMP Center had been demolished, it's possible a new structure on a similar scale would not have been permitted due to new height restrictions in Sydney, which aim to prevent buildings from overshadowing the city's botanical gardens.

The approach also offered financial savings on the project.

The team estimate the approach saved as much as $100 million.

By retaining the existing structure, construction time was reduced by at least six months.

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Architecture Climate Skyscraper

Listen to The Refresh, Insider's real-time news show

“It’s not good enough to just be active designers, we also need to be influencing policy upstream,” said Barbara Deutsch, CEO of the Landscape Architecture Foundation (LAF), during the kick-off of Grounding the Green New Deal, a day-long summit held at the National Building Museum (NBM) in Washington, D.C.
Landscape architects can “create a feedback loop in which we test designs and overcome barriers,” advancing climate, water, and infrastructure policy through innovative projects.

Title:

Content: Designing Decarbonization, Jobs, and Justice (Part I)

“It’s not good enough to just be active designers, we also need to be influencing policy upstream,” said Barbara Deutsch, CEO of the Landscape Architecture Foundation (LAF), during the kick-off of Grounding the Green New Deal, a day-long summit held at the National Building Museum (NBM) in Washington, D.C. Landscape architects can “create a feedback loop in which we test designs and overcome barriers,” advancing climate, water, and infrastructure policy through innovative projects.

In 2020, LAF, the University of Pennsylvania, Columbia University, ASLA, and the Council of Educators in Landscape Architecture (CELA) launched a collective, open source Green New Deal Superstudio focusing on how to plan and design the key goals of the Congressional legislative proposal H.R. 109, which are jobs, justice, and decarbonization. Some 180 universities, 3,000 students, and hundreds of practitioners submitted 670 projects. Of these, 55 projects have been highlighted by Superstudio curators, and many were featured in an exhibition at the NBM during the summit.

In a lecture to introduce the first panel, Billy Fleming, ASLA, the Wilks Family Director at the McHarg Center at the University of Pennsylvania, gave an introduction to the broad Green New Deal agenda, which was introduced in Congress in 2019. The agenda was seen as a criticism of the economic recovery package passed under the Obama administration, which was viewed as “too targeted, too Wall Street, and only one-time funding,” Fleming said. The economic havoc wrecked by the market collapse of 2008 was viewed by many liberals as a “crisis wasted.” The Green New Deal outlined an ambitious vision for addressing climate change while also tackling deep-rooted inequities in American society.

Like the original New Deal from the 1930s, which was a response to the Dust Bowl and Great Depression, the Green New Deal would yield thousands of public projects that would reshape communities. But in contrast to the original New Deal, which was not equitable in its distribution of public funds and reinforced the racist Jim Crow-era patterns of disinvestment in Black communities, the Green New Deal would be “more collaborative” and focused on lifting up long marginalized communities.

At the start of a wide-ranging panel discussion, Fleming argued that “carbon is mostly a technical problem.” Landscape architects, planners, and architects can’t focus solely on decarbonization, with “life the same afterwards.” Instead, he and other supporters of the Green New Deal argue that decarbonization should serve a broader economic and social transformation. Solving climate change can be connected to improving the quality of housing, creating new local jobs, and forging a more equitable society.

Nikil Saval, a Pennsylvania State Senator who represents Center City, Philadelphia, said the intersections of all these issues can be found when you “turn on your lights or stove.” Because of “historical redlining and disinvestment in Black and brown communities, many homes in these communities lack insulation and are in disrepair. As a result, the energy needed for lighting, heating, cooling is much more expensive.” Saval said this inequality in the end-use of energy mirrors an unjust “political economy of gas infrastructure” that also disproportionately impacts communities of color.

He argued that communities need to instead “attack the role of racism and inequality” in the current energy infrastructure while investing in energy efficiency in low-income communities and affordable renewable energy. Otherwise, a new clean energy system may simply reinforce many of the injustices of the current fossil fuel-based approach.

Colette Pichon Battle with the Gulf Coast Center for Law & Policy was displaced by Hurricane Katrina. The disaster changed the trajectory of her legal career, and since then she has focused on environmental and climate justice in Louisiana, Mississippi, and other southern states.

Her organization and others in 13 southern states launched the Red, Black, and Green New Deal, an initiative that aims to tackle the drivers of climate change — economic and social inequality — and their impacts on communities, rather than focusing on “invisible atmospheric changes.”

The current economic system that leads to environmental and climate damages and injustices must be the focus of climate action efforts, Pichon Battle argued. For example, post-Hurricane Katrina, many cities in Louisiana were submerged under water for years. An incredible amount of trash accumulated and was eventually moved into landfills. Those landfills now form the foundation of new housing subdivisions marketed to low-income Black residents. “Those landfills are going to go under water again at some point and become toxic. Those Black folks marketed to weren’t just happened upon but targeted.”

“We need to be careful about talking about climate justice at a high level; it’s easy to decouple the issues from humanity,” argued Bryan Lee, another speaker on the panel, an architect and founder of Colloqate Design. “If you are talking about it at a high level, it means you don’t know your community. You need to know the people to know the climate impacts.”

Linda Shi, a professor of urban planning at Cornell University, asked everyone in the audience the question: “Who is part of the resilient future? Who makes space for others’ resilience dreams?” She argued that in any discussion about climate change, “we must center equity or it’s not about equity.”

She added that one challenge is that many engineering professions involved in building new climate infrastructure “have never been trained to deal with social issues.” Furthermore, governments and the private sector are more focused on reducing risk and legal liabilities with new infrastructure. “These legal concerns are different from justice, equity, and creating a sense of place.” This is where planners and landscape architects, who are skilled in equitable community planning and design, can help.

The Infrastructure Investment & Jobs Act created enormous opportunities for communities to improve their park, water, and transportation infrastructure. $50 billion has been allocated for improving water infrastructure alone, with 20 percent of that for water efficiency and reuse.

For Katherine Baer with River Network, the bill is a “transformative moment” and creates opportunities to design green infrastructure to achieve greater water equity. “We believe in connecting communities to their rivers, centering rivers in their life. In the built environment, there are too many buried rivers, creeks, and culverts. And these buried rivers impact some communities more than others.”

Anne Whiston Spirn, FASLA, professor of landscape architecture and planning at MIT, highlighted the ways landscape architects can empower underserved communities, address injustices, and increase climate resilience.

When her father took her to the March on Washington in 1963, “her life was transformed.” The march helped hone her life-long passion for “civil rights, environmental action, and beauty.” However, studying ecological design with Ian McHarg at the University of Pennsylvania, she found design academia at the time was “deaf to civil rights.”

Beginning 40 years ago, Spirn began partnering with communities through the West Philadelphia Landscape Project. White flight had led to disinvestment, but Spirn sought to keep people in cities by improving their environmental health and beauty. Realizing that “no one was going to pay me for this work,” she left private practice and took a job in academia. Using her salary she helped “communities who didn’t know they needed a landscape architect.” Through her “action research” approach, Spirn helped communities improve their landscape literacy. With the founding of her project, her goal was to “improve the natural environment and racial justice.”

She found that in low-income Philadelphia communities there is a lot of vacant land, which is almost always in the floodplain and often on buried streams. While she couldn’t convince the city government in the 1970s and 80s, she called for transforming those vacant lots into green infrastructure to manage water. She started partnering with middle school students to discover the communities’ environmental history. “I learned that landscape literacy could change the future. We need to empower youth. These kids are brilliant.”

Spirn and the West Philadelphia communities were eventually vindicated when the city reached more than a decade ago out to discuss its then-nascent Green City, Clean Waters plan. But she is now concerned all the green infrastructure improvements that have occurred in West Philadelphia as a part of her advocacy efforts are “catalyzing speculation and gentrification.”

She urged the audience to “think five to ten years ahead to the possible displacement impacts of your vision.” Any improvements in community green infrastructure should be coupled with “education, jobs training, affordable housing, and community land trusts.”

Read Part II

“If you are talking about it at a high level, it means you don’t know your community.

Norman Foster Is More Invested in the Future Than Ever.

Title:

Content: Architecture

Norman Foster Is More Invested in the Future Than Ever

An extraordinary exhibition on the 87-year-old Pritzker Prize–winning principal of Foster + Partners has just opened at the Centre Pompidou in Paris

“As an architect, you design for the present, with an awareness of the past, for a future which is essentially unknown,” says Norman Foster, the 87-year-old Pritzker Prize–winning principal of London-based architecture firm Foster + Partners. It’s a mantra that has guided him through the past six decades of his practice—the subject of a retrospective exhibition that opened yesterday at the Centre Pompidou in Paris—and has resulted in some of the world’s most distinctive structures, from the gherkin-shaped 30 St Mary Axe tower in London to Apple’s glassy donut-like campus in Menlo Park, California. A pioneer of the high-tech architecture movement, Foster’s work is generally known for its inside-out approach, façades that reveal buildings’ structures, and systems to allow for column-free or mostly uninhibited interiors. What they also champion, the new show makes clear, is the symbiotic relationship between advanced building technology, future-proof design, and the environment.

Curated by critic Frederic Migayrou and designed by Foster himself, the show explores these concepts in 130 Foster + Partners projects, represented in drawings, sketches, physical models and dioramas, photographs, and videos. Pulling from an architectural oeuvre that encompasses nearly all typologies, from transit to towers, Migayrou organized the retrospective into seven themes: Nature and Urbanity, Skin and Bones, Vertical City, History and Tradition, Planning and Place, Networks and Mobility, and Future. Foster admits that seeing an assembly of his work since he founded his firm in 1967 sparked new realizations of the visual connections between project designs. His emphasis on sustainability and the use of flexible design to achieve it, however, have always been tenets.

For example, “the National Botanical Gardens of Wales (2003) and the Elephant House in Copenhagen (2008) all recede into the landscape, deferring to nature,” says the architect. However, it was his 1997 Commerzbank Tower in Frankfurt am Main, Germany—with its multiple sky gardens, emphasis on a workspace with natural light and air flow, and use of new building technologies and methods to reduce heating and cooling needs—that convinced the Pritzker Architecture Prize jury to laud him in 1999 for “Europe's tallest and arguably the first skyscraper with an ecological conscience.” Since 2008 that building has been run entirely on green energy, and its innovative design continues to contribute to lowering its overall requirements.

Though his historic work has already accomplished much in the advancement of mainstreaming “sustainable design,” Foster’s current architectural focus is on the next generation. “An anticipation of the future” is a main driver for his work today, he reveals. In collaboration with MIT’s Center for Advanced Nuclear Systems, he is exploring the urban applications of autonomous clean energy from micro-reactors. At this year’s Venice Architecture Biennial, he is unveiling experiments with Swiss building company Holcim and his nonprofit research institute, the Norman Foster Foundation, showcasing a new low-carbon concrete to create virtually instant refugee housing. Adding water to the material draped over a reusable framework renders it structurally sound in just one day.

“Before this exhibition [at the Centre Pompidou] I was less sensitive to the roots of my design philosophy and its background in systems thinking,” sums the architect. “When I say this it suggests a mechanistic process. Nothing could be further from the reality—the quest is as much of the spirit or soul as the materiality of the built end result.” What Foster’s soul-search does, however, is create architecture that improves all our lives.

His emphasis on sustainability and the use of flexible design to achieve it, however, have always been tenets.

Title:

Content: Architecture

Norman Foster Is More Invested in the Future Than Ever

An extraordinary exhibition on the 87-year-old Pritzker Prize–winning principal of Foster + Partners has just opened at the Centre Pompidou in Paris

“As an architect, you design for the present, with an awareness of the past, for a future which is essentially unknown,” says Norman Foster, the 87-year-old Pritzker Prize–winning principal of London-based architecture firm Foster + Partners. It’s a mantra that has guided him through the past six decades of his practice—the subject of a retrospective exhibition that opened yesterday at the Centre Pompidou in Paris—and has resulted in some of the world’s most distinctive structures, from the gherkin-shaped 30 St Mary Axe tower in London to Apple’s glassy donut-like campus in Menlo Park, California. A pioneer of the high-tech architecture movement, Foster’s work is generally known for its inside-out approach, façades that reveal buildings’ structures, and systems to allow for column-free or mostly uninhibited interiors. What they also champion, the new show makes clear, is the symbiotic relationship between advanced building technology, future-proof design, and the environment.

Curated by critic Frederic Migayrou and designed by Foster himself, the show explores these concepts in 130 Foster + Partners projects, represented in drawings, sketches, physical models and dioramas, photographs, and videos. Pulling from an architectural oeuvre that encompasses nearly all typologies, from transit to towers, Migayrou organized the retrospective into seven themes: Nature and Urbanity, Skin and Bones, Vertical City, History and Tradition, Planning and Place, Networks and Mobility, and Future. Foster admits that seeing an assembly of his work since he founded his firm in 1967 sparked new realizations of the visual connections between project designs. His emphasis on sustainability and the use of flexible design to achieve it, however, have always been tenets.

For example, “the National Botanical Gardens of Wales (2003) and the Elephant House in Copenhagen (2008) all recede into the landscape, deferring to nature,” says the architect. However, it was his 1997 Commerzbank Tower in Frankfurt am Main, Germany—with its multiple sky gardens, emphasis on a workspace with natural light and air flow, and use of new building technologies and methods to reduce heating and cooling needs—that convinced the Pritzker Architecture Prize jury to laud him in 1999 for “Europe's tallest and arguably the first skyscraper with an ecological conscience.” Since 2008 that building has been run entirely on green energy, and its innovative design continues to contribute to lowering its overall requirements.

Though his historic work has already accomplished much in the advancement of mainstreaming “sustainable design,” Foster’s current architectural focus is on the next generation. “An anticipation of the future” is a main driver for his work today, he reveals. In collaboration with MIT’s Center for Advanced Nuclear Systems, he is exploring the urban applications of autonomous clean energy from micro-reactors. At this year’s Venice Architecture Biennial, he is unveiling experiments with Swiss building company Holcim and his nonprofit research institute, the Norman Foster Foundation, showcasing a new low-carbon concrete to create virtually instant refugee housing. Adding water to the material draped over a reusable framework renders it structurally sound in just one day.

“Before this exhibition [at the Centre Pompidou] I was less sensitive to the roots of my design philosophy and its background in systems thinking,” sums the architect. “When I say this it suggests a mechanistic process. Nothing could be further from the reality—the quest is as much of the spirit or soul as the materiality of the built end result.” What Foster’s soul-search does, however, is create architecture that improves all our lives.

World Environment Day: 5 sustainable and eco-friendly design ideas that can transform your workplace into a green haven.

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World Environment Day: 5 sustainable and eco-friendly design ideas that can transform your workplace into a green haven

Jun 04, 2023 05:47 PM IST

On this World Environment Day, embrace a greener future with these five innovative and sustainable design ideas to transform workspaces into eco-conscious hubs.

World Environment Day, celebrated annually on June 5, is a global initiative that raises awareness about pressing environmental issues. It is a reminder of our responsibility to protect the planet. With an increasing focus on environment-friendly practices, "future of workplace" has evolved into a more sustainable approach to design spaces that we work in. Creating a sustainable workspace is not only beneficial for the environment but also for the well-being and productivity of employees. In honour of World Environment Day, let's discover five innovative and practical design ideas that can transform your workplace into a green haven, fostering sustainability and eco-consciousness. (Also read: 5 environment-friendly and cost-effective home design strategies )

Sustainable Workspace Design Ideas

Apoorv Mittal, Architect, Concept Consilio India Pvt. Ltd, shares with HT Lifestyle, five innovative design ideas that not only enhance productivity and well-being but also prioritise environmental sustainability.

1. Use furniture and fixtures that are sourced locally

A huge part of designing a space sustainably is to source all the furniture and fixtures locally. This cuts down immensely on carbon emissions in transportation and in turn, helps in reducing building costs of the project.

2. Provide green areas in and around the office

Pockets of green around the office can create a net positive impact on the well-being of the users as well as give the space a refreshing energy. Furthermore, there can be several HR initiatives that can help support the biophilic nature of this design scheme; such as "adopt a plant" and the use of hydroponic plants.

3. Use of modular meeting spaces and booths

Modular meeting spaces and modular booths are great innovations in truly reusing and recycling not only the waste that we create but also the spaces we use. Using such modular settings enables the design to last longer, which in turn leads to a more sustainable approach.

4. Proper use of natural light

Designing efficiently to maximize the use of natural light can reduce the load of electricity consumed by a space. On similar lines, the use of diffused light should be considered and utilised as much as possible to increase visibility while reducing the heat incurred. This brings down the air conditioning needs of the design as well.

5. Utilizing eco-friendly materials

The utilization of eco-friendly materials involves employing natural alternatives instead of synthetic products, which not only imparts a visually appealing natural aesthetic but also contributes to a more environmentally friendly approach. An example of such an alternative is the use of cork boards as a substitute for synthetic materials in the construction of acoustic panels. By opting for cork boards, we not only achieve a rich natural appearance but also prioritize sustainability and the preservation of our ecosystem.

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It is a reminder of our responsibility to protect the planet.

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World Environment Day: 5 sustainable and eco-friendly design ideas that can transform your workplace into a green haven

Jun 04, 2023 05:47 PM IST

On this World Environment Day, embrace a greener future with these five innovative and sustainable design ideas to transform workspaces into eco-conscious hubs.

World Environment Day, celebrated annually on June 5, is a global initiative that raises awareness about pressing environmental issues. It is a reminder of our responsibility to protect the planet. With an increasing focus on environment-friendly practices, "future of workplace" has evolved into a more sustainable approach to design spaces that we work in. Creating a sustainable workspace is not only beneficial for the environment but also for the well-being and productivity of employees. In honour of World Environment Day, let's discover five innovative and practical design ideas that can transform your workplace into a green haven, fostering sustainability and eco-consciousness. (Also read: 5 environment-friendly and cost-effective home design strategies )

Sustainable Workspace Design Ideas

Apoorv Mittal, Architect, Concept Consilio India Pvt. Ltd, shares with HT Lifestyle, five innovative design ideas that not only enhance productivity and well-being but also prioritise environmental sustainability.

1. Use furniture and fixtures that are sourced locally

A huge part of designing a space sustainably is to source all the furniture and fixtures locally. This cuts down immensely on carbon emissions in transportation and in turn, helps in reducing building costs of the project.

2. Provide green areas in and around the office

Pockets of green around the office can create a net positive impact on the well-being of the users as well as give the space a refreshing energy. Furthermore, there can be several HR initiatives that can help support the biophilic nature of this design scheme; such as "adopt a plant" and the use of hydroponic plants.

3. Use of modular meeting spaces and booths

Modular meeting spaces and modular booths are great innovations in truly reusing and recycling not only the waste that we create but also the spaces we use. Using such modular settings enables the design to last longer, which in turn leads to a more sustainable approach.

4. Proper use of natural light

Designing efficiently to maximize the use of natural light can reduce the load of electricity consumed by a space. On similar lines, the use of diffused light should be considered and utilised as much as possible to increase visibility while reducing the heat incurred. This brings down the air conditioning needs of the design as well.

5. Utilizing eco-friendly materials

The utilization of eco-friendly materials involves employing natural alternatives instead of synthetic products, which not only imparts a visually appealing natural aesthetic but also contributes to a more environmentally friendly approach. An example of such an alternative is the use of cork boards as a substitute for synthetic materials in the construction of acoustic panels. By opting for cork boards, we not only achieve a rich natural appearance but also prioritize sustainability and the preservation of our ecosystem.

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A huge part of designing a space sustainably is to source all the furniture and fixtures locally.

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World Environment Day: 5 sustainable and eco-friendly design ideas that can transform your workplace into a green haven

Jun 04, 2023 05:47 PM IST

On this World Environment Day, embrace a greener future with these five innovative and sustainable design ideas to transform workspaces into eco-conscious hubs.

World Environment Day, celebrated annually on June 5, is a global initiative that raises awareness about pressing environmental issues. It is a reminder of our responsibility to protect the planet. With an increasing focus on environment-friendly practices, "future of workplace" has evolved into a more sustainable approach to design spaces that we work in. Creating a sustainable workspace is not only beneficial for the environment but also for the well-being and productivity of employees. In honour of World Environment Day, let's discover five innovative and practical design ideas that can transform your workplace into a green haven, fostering sustainability and eco-consciousness. (Also read: 5 environment-friendly and cost-effective home design strategies )

Sustainable Workspace Design Ideas

Apoorv Mittal, Architect, Concept Consilio India Pvt. Ltd, shares with HT Lifestyle, five innovative design ideas that not only enhance productivity and well-being but also prioritise environmental sustainability.

1. Use furniture and fixtures that are sourced locally

A huge part of designing a space sustainably is to source all the furniture and fixtures locally. This cuts down immensely on carbon emissions in transportation and in turn, helps in reducing building costs of the project.

2. Provide green areas in and around the office

Pockets of green around the office can create a net positive impact on the well-being of the users as well as give the space a refreshing energy. Furthermore, there can be several HR initiatives that can help support the biophilic nature of this design scheme; such as "adopt a plant" and the use of hydroponic plants.

3. Use of modular meeting spaces and booths

Modular meeting spaces and modular booths are great innovations in truly reusing and recycling not only the waste that we create but also the spaces we use. Using such modular settings enables the design to last longer, which in turn leads to a more sustainable approach.

4. Proper use of natural light

Designing efficiently to maximize the use of natural light can reduce the load of electricity consumed by a space. On similar lines, the use of diffused light should be considered and utilised as much as possible to increase visibility while reducing the heat incurred. This brings down the air conditioning needs of the design as well.

5. Utilizing eco-friendly materials

The utilization of eco-friendly materials involves employing natural alternatives instead of synthetic products, which not only imparts a visually appealing natural aesthetic but also contributes to a more environmentally friendly approach. An example of such an alternative is the use of cork boards as a substitute for synthetic materials in the construction of acoustic panels. By opting for cork boards, we not only achieve a rich natural appearance but also prioritize sustainability and the preservation of our ecosystem.

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Provide green areas in and around the office.

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World Environment Day: 5 sustainable and eco-friendly design ideas that can transform your workplace into a green haven

Jun 04, 2023 05:47 PM IST

On this World Environment Day, embrace a greener future with these five innovative and sustainable design ideas to transform workspaces into eco-conscious hubs.

World Environment Day, celebrated annually on June 5, is a global initiative that raises awareness about pressing environmental issues. It is a reminder of our responsibility to protect the planet. With an increasing focus on environment-friendly practices, "future of workplace" has evolved into a more sustainable approach to design spaces that we work in. Creating a sustainable workspace is not only beneficial for the environment but also for the well-being and productivity of employees. In honour of World Environment Day, let's discover five innovative and practical design ideas that can transform your workplace into a green haven, fostering sustainability and eco-consciousness. (Also read: 5 environment-friendly and cost-effective home design strategies )

Sustainable Workspace Design Ideas

Apoorv Mittal, Architect, Concept Consilio India Pvt. Ltd, shares with HT Lifestyle, five innovative design ideas that not only enhance productivity and well-being but also prioritise environmental sustainability.

1. Use furniture and fixtures that are sourced locally

A huge part of designing a space sustainably is to source all the furniture and fixtures locally. This cuts down immensely on carbon emissions in transportation and in turn, helps in reducing building costs of the project.

2. Provide green areas in and around the office

Pockets of green around the office can create a net positive impact on the well-being of the users as well as give the space a refreshing energy. Furthermore, there can be several HR initiatives that can help support the biophilic nature of this design scheme; such as "adopt a plant" and the use of hydroponic plants.

3. Use of modular meeting spaces and booths

Modular meeting spaces and modular booths are great innovations in truly reusing and recycling not only the waste that we create but also the spaces we use. Using such modular settings enables the design to last longer, which in turn leads to a more sustainable approach.

4. Proper use of natural light

Designing efficiently to maximize the use of natural light can reduce the load of electricity consumed by a space. On similar lines, the use of diffused light should be considered and utilised as much as possible to increase visibility while reducing the heat incurred. This brings down the air conditioning needs of the design as well.

5. Utilizing eco-friendly materials

The utilization of eco-friendly materials involves employing natural alternatives instead of synthetic products, which not only imparts a visually appealing natural aesthetic but also contributes to a more environmentally friendly approach. An example of such an alternative is the use of cork boards as a substitute for synthetic materials in the construction of acoustic panels. By opting for cork boards, we not only achieve a rich natural appearance but also prioritize sustainability and the preservation of our ecosystem.

SHARE THIS ARTICLE ON
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Modular meeting spaces and modular booths are great innovations in truly reusing and recycling not only the waste that we create but also the spaces we use.

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World Environment Day: 5 sustainable and eco-friendly design ideas that can transform your workplace into a green haven

Jun 04, 2023 05:47 PM IST

On this World Environment Day, embrace a greener future with these five innovative and sustainable design ideas to transform workspaces into eco-conscious hubs.

World Environment Day, celebrated annually on June 5, is a global initiative that raises awareness about pressing environmental issues. It is a reminder of our responsibility to protect the planet. With an increasing focus on environment-friendly practices, "future of workplace" has evolved into a more sustainable approach to design spaces that we work in. Creating a sustainable workspace is not only beneficial for the environment but also for the well-being and productivity of employees. In honour of World Environment Day, let's discover five innovative and practical design ideas that can transform your workplace into a green haven, fostering sustainability and eco-consciousness. (Also read: 5 environment-friendly and cost-effective home design strategies )

Sustainable Workspace Design Ideas

Apoorv Mittal, Architect, Concept Consilio India Pvt. Ltd, shares with HT Lifestyle, five innovative design ideas that not only enhance productivity and well-being but also prioritise environmental sustainability.

1. Use furniture and fixtures that are sourced locally

A huge part of designing a space sustainably is to source all the furniture and fixtures locally. This cuts down immensely on carbon emissions in transportation and in turn, helps in reducing building costs of the project.

2. Provide green areas in and around the office

Pockets of green around the office can create a net positive impact on the well-being of the users as well as give the space a refreshing energy. Furthermore, there can be several HR initiatives that can help support the biophilic nature of this design scheme; such as "adopt a plant" and the use of hydroponic plants.

3. Use of modular meeting spaces and booths

Modular meeting spaces and modular booths are great innovations in truly reusing and recycling not only the waste that we create but also the spaces we use. Using such modular settings enables the design to last longer, which in turn leads to a more sustainable approach.

4. Proper use of natural light

Designing efficiently to maximize the use of natural light can reduce the load of electricity consumed by a space. On similar lines, the use of diffused light should be considered and utilised as much as possible to increase visibility while reducing the heat incurred. This brings down the air conditioning needs of the design as well.

5. Utilizing eco-friendly materials

The utilization of eco-friendly materials involves employing natural alternatives instead of synthetic products, which not only imparts a visually appealing natural aesthetic but also contributes to a more environmentally friendly approach. An example of such an alternative is the use of cork boards as a substitute for synthetic materials in the construction of acoustic panels. By opting for cork boards, we not only achieve a rich natural appearance but also prioritize sustainability and the preservation of our ecosystem.

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Proper use of natural light.

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World Environment Day: 5 sustainable and eco-friendly design ideas that can transform your workplace into a green haven

Jun 04, 2023 05:47 PM IST

On this World Environment Day, embrace a greener future with these five innovative and sustainable design ideas to transform workspaces into eco-conscious hubs.

World Environment Day, celebrated annually on June 5, is a global initiative that raises awareness about pressing environmental issues. It is a reminder of our responsibility to protect the planet. With an increasing focus on environment-friendly practices, "future of workplace" has evolved into a more sustainable approach to design spaces that we work in. Creating a sustainable workspace is not only beneficial for the environment but also for the well-being and productivity of employees. In honour of World Environment Day, let's discover five innovative and practical design ideas that can transform your workplace into a green haven, fostering sustainability and eco-consciousness. (Also read: 5 environment-friendly and cost-effective home design strategies )

Sustainable Workspace Design Ideas

Apoorv Mittal, Architect, Concept Consilio India Pvt. Ltd, shares with HT Lifestyle, five innovative design ideas that not only enhance productivity and well-being but also prioritise environmental sustainability.

1. Use furniture and fixtures that are sourced locally

A huge part of designing a space sustainably is to source all the furniture and fixtures locally. This cuts down immensely on carbon emissions in transportation and in turn, helps in reducing building costs of the project.

2. Provide green areas in and around the office

Pockets of green around the office can create a net positive impact on the well-being of the users as well as give the space a refreshing energy. Furthermore, there can be several HR initiatives that can help support the biophilic nature of this design scheme; such as "adopt a plant" and the use of hydroponic plants.

3. Use of modular meeting spaces and booths

Modular meeting spaces and modular booths are great innovations in truly reusing and recycling not only the waste that we create but also the spaces we use. Using such modular settings enables the design to last longer, which in turn leads to a more sustainable approach.

4. Proper use of natural light

Designing efficiently to maximize the use of natural light can reduce the load of electricity consumed by a space. On similar lines, the use of diffused light should be considered and utilised as much as possible to increase visibility while reducing the heat incurred. This brings down the air conditioning needs of the design as well.

5. Utilizing eco-friendly materials

The utilization of eco-friendly materials involves employing natural alternatives instead of synthetic products, which not only imparts a visually appealing natural aesthetic but also contributes to a more environmentally friendly approach. An example of such an alternative is the use of cork boards as a substitute for synthetic materials in the construction of acoustic panels. By opting for cork boards, we not only achieve a rich natural appearance but also prioritize sustainability and the preservation of our ecosystem.

SHARE THIS ARTICLE ON
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This brings down the air conditioning needs of the design as well.

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World Environment Day: 5 sustainable and eco-friendly design ideas that can transform your workplace into a green haven

Jun 04, 2023 05:47 PM IST

On this World Environment Day, embrace a greener future with these five innovative and sustainable design ideas to transform workspaces into eco-conscious hubs.

World Environment Day, celebrated annually on June 5, is a global initiative that raises awareness about pressing environmental issues. It is a reminder of our responsibility to protect the planet. With an increasing focus on environment-friendly practices, "future of workplace" has evolved into a more sustainable approach to design spaces that we work in. Creating a sustainable workspace is not only beneficial for the environment but also for the well-being and productivity of employees. In honour of World Environment Day, let's discover five innovative and practical design ideas that can transform your workplace into a green haven, fostering sustainability and eco-consciousness. (Also read: 5 environment-friendly and cost-effective home design strategies )

Sustainable Workspace Design Ideas

Apoorv Mittal, Architect, Concept Consilio India Pvt. Ltd, shares with HT Lifestyle, five innovative design ideas that not only enhance productivity and well-being but also prioritise environmental sustainability.

1. Use furniture and fixtures that are sourced locally

A huge part of designing a space sustainably is to source all the furniture and fixtures locally. This cuts down immensely on carbon emissions in transportation and in turn, helps in reducing building costs of the project.

2. Provide green areas in and around the office

Pockets of green around the office can create a net positive impact on the well-being of the users as well as give the space a refreshing energy. Furthermore, there can be several HR initiatives that can help support the biophilic nature of this design scheme; such as "adopt a plant" and the use of hydroponic plants.

3. Use of modular meeting spaces and booths

Modular meeting spaces and modular booths are great innovations in truly reusing and recycling not only the waste that we create but also the spaces we use. Using such modular settings enables the design to last longer, which in turn leads to a more sustainable approach.

4. Proper use of natural light

Designing efficiently to maximize the use of natural light can reduce the load of electricity consumed by a space. On similar lines, the use of diffused light should be considered and utilised as much as possible to increase visibility while reducing the heat incurred. This brings down the air conditioning needs of the design as well.

5. Utilizing eco-friendly materials

The utilization of eco-friendly materials involves employing natural alternatives instead of synthetic products, which not only imparts a visually appealing natural aesthetic but also contributes to a more environmentally friendly approach. An example of such an alternative is the use of cork boards as a substitute for synthetic materials in the construction of acoustic panels. By opting for cork boards, we not only achieve a rich natural appearance but also prioritize sustainability and the preservation of our ecosystem.

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Gloria Cabral: “Everything Begins With the Wisdom of a Place.”
Born in Brazil and educated in Paraguay, Gloria Cabral is an architect who early on learned that home can be many places—or none at all.

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Content: Gloria Cabral: “Everything Begins With the Wisdom of a Place”

Gloria Cabral: “Everything Begins With the Wisdom of a Place”

Born in Brazil and educated in Paraguay, Gloria Cabral is an architect who early on learned that home can be many places—or none at all. Guided by a comprehensive understanding of the geography, culture, and social conditions of the places she designs, she has left her mark on buildings and artistic installations constructed in various locations, from Assumption to Venice.

Besides her interest in the specificities of the places where she operates, Gloria focuses on resource economy and material reuse — a trending theme that Gloria has championed for over fifteen years. We had the opportunity to speak with the architect about her experiences in Paraguay and Brazil, some of her works involving recycled brick, and her insights into architecture and sustainability.

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Romullo Baratto (ArchDaily): Until recently, I did not know you were Brazilian. I always thought you were Paraguayan. I would like to hear about your childhood in these two countries.

Gloria Cabral: My parents are Paraguayans, and they came to work in São Paulo. They already had two children at the time, but my younger sister and I were born in São Paulo. We lived on Bela Cintra Street, right in the center. Last year, I visited the building where we lived. It's still there, small and beautiful. It's curious how, upon visiting, I realized that it is actually much smaller than the image I had in my memory.

In my childhood, we spent a lot of time at MASP and Ibirapuera Park. My mother loved Ibirapuera and even studied landscaping there with Burle Marx. When I was six, we returned to Paraguay, and at the age of nine, I joined the Colegio Experimental Paraguay-Brasil, designed by Affonso Eduardo Reidy. That was my journey from one marvelous building to another. I completed my entire elementary education in that building and was fascinated by those concrete structures. I knew they were not just for providing shade. It was great to walk under those beams during recess.

RB: In interviews, you often mention that you are neither from here nor there, and your father used to say you're a citizen of the world. This brings to mind the word "desterrar" (to be unrooted or without land). Perhaps you are a kind of unrooted person or, even more, someone with many "lands"—many places to call home. This seems an essential aspect of your personal story. How has this influenced how you perceive and practice architecture, a discipline so deeply connected to a sense of place?

GC: Interestingly, I find myself in situations where people do not know if I am Paraguayan or Brazilian. But now, I truly feel I belong to both places. I have this fondness for putting down roots wherever I go. For feeling like I belong to the local culture. For taking off my shoes and sensing the energy of the place.

I enjoy sensing and understanding how people live in each location. Once this is comprehended, I try to envision how to enhance these spaces. That is our tool – how we can improve people's quality of life by changing scales and altering the proportions of spaces. I do not believe there is only one way to think about architecture. There are thousands of approaches for each situation.

When someone commissions a project, be it for an office, a house, or anything else, understanding the context and the way people live enables us to envision improvements. By grasping the unique dynamics of the place, we can always find ways to enhance it not just for the client, but for everyone around them. And what works here might be entirely different in Stockholm, for example. But I can work both here and in Stockholm with bricks and demolition materials. Creating shade in a place with only 6 hours of sunlight in winter does not make much sense. Designing a place that offers shelter and protection with the same materials, that's when it starts to make sense.

RB: You started designing in Paraguay. How did the landscapes there influence your projects?

GC: In Paraguay, after finishing high school, I was not sure if I would study architecture, medicine, or something related to mathematics. I chose architecture, perhaps influenced by my mother. Initially, the university seemed trivial, concerned only with aesthetics and what was trendy at that moment. When I realized that we could bring about change through architecture, that it is our tool for making the societal transformations we desire, that's when I truly started to enjoy the profession. I was on the verge of quitting the course when I discovered the work of Gabinete de Arquitectura. Understanding how we could change society through our discipline made me realize that this was what I wanted to do.

One characteristic of Paraguay's landscape is that temperatures can reach almost 50ºC. So, my practice revolved around figuring out how to create architecture that does not rely heavily on air conditioning. At Gabinete de Arquitectura, our research heavily focuses on creating shading structures to shield us from the sun — a crucial aspect that has always held great value in Paraguay. The challenge now is dealing with extreme heat in places not accustomed to such temperatures. It has become a global necessity: architecture that is not heavily dependent on air conditioning, incorporating passive comfort strategies.

I believe everything begins with the wisdom of a place. However, when you not only understand what to do but also why you're doing it, wisdom transforms into adaptable knowledge applicable to any region.

RB: I have realized that your approach to architecture extends beyond conventional aspects of geography like territory, topography, biomes, and climate. Your comprehensive view of geography also embraces the social aspect. This is evident in the practices at Gabinete de Arquitectura, where there's a distinct interest in the materiality of brick, particularly due to its connection with Paraguayan culture. In Latin America, characterized by economic scarcity, it seems there is an expansion in the understanding of the landscape that goes beyond mere territory considerations to encompass social and economic spheres.

GC: Certainly! For example, when clients approached Gabinete, we aimed to maximize the built area within the available budget. A good example is the rehabilitation project for Teletón: the funds available would cover only a third of the required area, and there was a long waiting list of children in need. I knew that if we could lower the cost per square meter, we could offer more built space and provide all the necessary services, such as physiotherapy, hydrotherapy, and speech therapy.

If we didn't construct the entire necessary area, the children would have to wait until the following year to receive certain treatments. That was the pressure the project was under.

Doing this required a significant planning effort to reuse all the demolished bricks. However, it was crucial to ensure that reusing them did not incur an additional cost in the budget. When I talk about economic issues, it is not a matter of finances. It is about energy savings. If we were to reuse the bricks in the Teletón project, we would have to clean the demolition bricks and then prefabricate the closure modules again, for instance. At that time, bricks were inexpensive in Paraguay, so the cost of buying new bricks, breaking them, and using them, or taking demolition bricks, breaking them, sorting them, and using them was practically the same.

However, I knew we would save on the energy spent in producing new bricks and allocate about 65% of the budget to labor, instead of new materials, by using demolition bricks. This would involve more work and more people on the construction site, resulting in less embodied energy. It also meant more complications, especially when dealing with the inherent challenges of working with people. Certainly, it was easier to call a supplier and order new bricks than to plan and calculate everything that reuse entailed.

We were also going against all members of the Foundation's Board, who wanted to build quickly. It required calculating how many people we needed to hire to avoid exceeding the deadline and not spending more money. In the office, this meant a lot more work. The same happened with the glass we used, all from rejected tempered glass with flaws. By purchasing these glasses and using them creatively in the openings, we reduced glass expenses to one-fifth, and with that savings alone, we managed to build an additional 300 square meters. That was the challenge: how to do more with less.

RB: I immediately made a connection with your indecision between architecture and mathematics. It seems your approach to architecture is closely intertwined with mathematics, calculations, and spreadsheets. A pragmatic approach that involves solving a complex puzzle.

GC: When I joined Gabinete, we spent more time working on Excel spreadsheets than on actual drawings, seeking ways to cut the budget. The spreadsheet was crucial. It is not just mathematics; it is logic. We exchanged this for that and opted for this glass instead of that one...

RB: Yet, it is socially and economically responsible, and using the word everyone employs, sustainable. In the end, it is about saving resources. It is a logical exercise, as you mentioned, to do more with less.

GC: Exactly. When I started giving lectures in 2008, our projects were seen as picturesque. A novelty, something unusual. Now, people call me because they need to learn new ways of building. Especially in Europe, where there are already many laws in this regard, they are seeking examples and different ways of practicing architecture. The questions are all practical. "How did you do this?" "How do you work with bricks in this way?" "Is it possible to do it with wood?" These questions are frequent. They indicate an urgent interest in reusing materials that would have been discarded and turned into waste before.

For me, the idea of disposal, of waste, shouldn't exist. It's incongruent with the notion of sustainability. Everything has to be part of the cycle. We are discriminating against a material, setting it aside, but it's not to the side; it's right there.

RB: This material will be somewhere on the planet...

GC: Certainly. I am starting a research project with an artist here in Santa Catarina who works with discarded fishing nets. She began weaving and creating sculptures with these nets, which are usually thrown into the sea. A single boat can have about 30 of these nets. I am exploring how they can be used in the construction of prefabricated elements. In other words, it is about using what we have around us. Here, perhaps it is not bricks but fishing nets — it is essential to observe the specificities of the place.

It is clear that, in other situations, it will be necessary to produce new materials. There is no good or bad material. There are no villains. The material itself is not bad. Concrete is not bad. Concrete is great for many things. But we need to think about the best way to use it. If we prioritize demolition materials, the use of concrete becomes a fraction of what would be initially required. Concrete remains great for many things, but we need to find the right equation and the relevance of using a particular material in different contexts.

RB: Speaking of waste and unconventional materials in construction, I read that you are also working with biomaterials. Can you talk about that?

GC: I conduct research when invited to teach at universities. In Panama, Bolivia, Hong Kong, and Paraguay, I guided students to use materials that closed the cycle. We worked with mycelium, algae, cork, bioconcrete, translucent wood, and more. The most interesting part is that, typically, these students continue their research later on. It's a new universe that needs to be explored.

It is not just about stopping the production of materials that do not close the cycle but using traditional materials combined with new ones to close the loop. The idea of waste needs to disappear from our minds.

RB: Parece que esse é o único caminho possível para a arquitetura — e a sociedade — encontrar um equilíbrio. Ainda sobre reuso, gostaria de ouvir você falar sobre seu projeto na última Bienal de Arquitetura de Veneza: um muro, que na verdade é uma tapeçaria, feita com resíduos de vidro e tijolo do próprio local.

GC: I participated in the Rolex Mentor and Protégé Arts Initiative between 2014 and 2015, where I was a protégé of Peter Zumthor. The program has just completed twenty years, and to encourage the protégés — currently numbering more than sixty — Rolex invites them to collaborate on projects that combine their areas of interest.

That is how I began working with the artist Sammy Baloji, whose practice aims to highlight African roots in artistic works in Europe. When we started discussing our collaborative project, he was creating a sculpture in Belgium using bricks produced from material sourced from mining exploration. I was interested in brick production using industrial waste, so we decided to combine our research in the project Debris of History, Matters of Memory.

When Sammy expressed the desire to create a tapestry, I suggested using demolition bricks. We collaborated with the art historian Cécile Fromont and the activist architects' group Mutaforma in Venice. I chose to be involved in the entire process, not just hiring a construction company. We built the wall with local bricks, glass from the region, and a brick box from Belgium with Sammy's material. The variety of colors in the Belgian bricks was a crucial part of the project. When I see people touching the wall, taking pictures of the glass that allows light to pass through, I sense the energy the tapestry conveys.

RB: Brick and tapestry share the same tactile nature: we perceive both with our hands. This aspect of the process you mentioned is evident in the presentation. The scaffolding was kept, right?

GC: No regulation in Italy allows the construction of a wall with a width of 5 cm and a height of 4.5 meters using demolition material.

RB: Did the organization have reservations about removing the scaffolding?

GC: Is it impossible to obtain approval from the relevant authorities and leave the wall unsupported? We assembled the scaffolding as we built, securing props for support and wire ties to maintain compression and prevent the wall from collapsing. Since it was a laboratory, we decided to leave the scaffolding after completion.

RB: In this conversation, we have talked about Paraguay and  Venice, and now I would like to know why you returned to Brazil — and why Guarda do Embaú in Santa Catarina.

GC: For several reasons. Firstly, my sister moved to Florianópolis, which is nearby, 15 years ago. I came here to be closer to her and my nieces. Another reason is my desire to be surrounded by nature. Just yesterday morning, I encountered a lizard in my backyard. Occasionally, amid my meetings, a large blue bird perches on my window and begins to sing. I only bought one pair of shoes during the 3 years I lived here. I avoid using air conditioning, prefer walking everywhere, and only use the car once a week. Such experiences are uncommon in the midst of a city.

What captivates me here is the slow pace. I have realized that skipping work on a Wednesday won't be the end of me; in fact, it's quite the opposite. I dedicate Mondays and Tuesdays to work, reserving Wednesdays for learning something new—whatever it might be. Whether delving into understanding tensions or exploring new structures, Wednesday is my day. If I am keen on picking up a new language, Wednesday is the day for that. Dancing or singing? Wednesday is when I dive into those pursuits. I return to work on Thursday and Friday. Here, I find relaxation, breathe fresh air, and enjoy a good night's sleep.

We need to reflect on how we got to this point. At what moment did humanity enter this cycle? The pandemic revealed to us that it is not necessary (to work every day) and that we can stop at any moment, but we are forgetting it, missing the opportunity to learn something from that period.

For a long time in Paraguay, I used to say, "We should build in this or that way," but every day I would get into my air-conditioned car, drive to the office with air conditioning, and work all day. Twelve hours later, I would leave in my car and return home, turn on the air conditioning, and sleep to do the same thing the next day. Not anymore. If the day is beautiful, I close everything and enjoy the nice day. And when I have a lot to do, I work on Sundays, no problem. But the next day, I rest.

RB: It seems like a worldview quite aligned with the circularity you mentioned earlier. It's good that this came towards the end because it appears that you have not only learned a lot from the landscape of Paraguay but also the landscape of Guarda do Embaú. Today is Wednesday, and I've learned quite a bit too.

GC: It is an interview, a moment of learning together.

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About this author
Cite: Baratto, Romullo. "Gloria Cabral: “Everything Begins With the Wisdom of a Place”" [Gloria Cabral: "Tudo começa com a sabedoria de um lugar"] 24 Jan 2024. ArchDaily. (Trans. Simões, Diogo) Accessed . <https://www.archdaily.com/1012261/gloria-cabral-everything-begins-with-the-wisdom-of-a-place> ISSN 0719-8884

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Gloria Cabral: My parents are Paraguayans, and they came to work in São Paulo.

Last year, I visited the building where we lived.

It's curious how, upon visiting, I realized that it is actually much smaller than the image I had in my memory.

I knew they were not just for providing shade.

How has this influenced how you perceive and practice architecture, a discipline so deeply connected to a sense of place?

For feeling like I belong to the local culture.

For taking off my shoes and sensing the energy of the place.

Creating shade in a place with only 6 hours of sunlight in winter does not make much sense.

I was on the verge of quitting the course when I discovered the work of Gabinete de Arquitectura.

That was the challenge: how to do more with less.

In the end, it is about saving resources.

"How did you do this?"

"How do you work with bricks in this way?"

"Is it possible to do it with wood?"

A single boat can have about 30 of these nets.

It is clear that, in other situations, it will be necessary to produce new materials.

There is no good or bad material.

Concrete is not bad.

But we need to think about the best way to use it.

GC: No regulation in Italy allows the construction of a wall with a width of 5 cm and a height of 4.5 meters using demolition material.

Since it was a laboratory, we decided to leave the scaffolding after completion.

If I am keen on picking up a new language, Wednesday is the day for that.

We need to reflect on how we got to this point.

For a long time in Paraguay, I used to say, "We should build in this or that way," but every day I would get into my air-conditioned car, drive to the office with air conditioning, and work all day.

And when I have a lot to do, I work on Sundays, no problem.

But the next day, I rest.

At Cartoni we combine our knowledge of design and sustainability to help architects and designers create healthy and durable designs without ever losing sight of aesthetics.

Title:

Content: Projecten

Nieuw project

At Cartoni we combine our knowledge of design and sustainability to help architects and designers create healthy and durable designs without ever losing sight of aesthetics. We believe architects and designers can create better designs if they understand what is really sustainable what components are available. We feel strongly about taking our responsibility and explaining how our work fits in a broader societal context. At Cartoni we research and source sustainable components that designers can use every day. We track these components down to the very fiber and make sure they can be used and modified according to industry standards. Always keeping in mind that these components not only have to be healthy but also need to be aesthetically pleasing and modular. By creating a simple system for these components and sharing our knowledge, we help them get ahead. Making truly better designs possible. Positive for architects, designers, society, and our own personal lives.

Servicegebieden
Amsterdam en Nederland
Adres
Gustav Mahlerplein 1
1082 MK Amsterdam, Nederland
Nederland
+31-615333937 www.cartonidesign.com

With their eye-opening Manual of Section (2016), Paul Lewis, Marc Tsurumaki, and David Lewis of LTL Architects sliced through Rem Koolhaas’s Casa da Musica, Frank Lloyd Wright’s Guggenheim Museum, and Louis Kahn’s Exeter Library, among other buildings, to illustrate how architectural spaces interlock in three dimensions.

Title:

Content: With their eye-opening Manual of Section (2016), Paul Lewis, Marc Tsurumaki, and David Lewis of LTL Architects sliced through Rem Koolhaas’s Casa da Musica, Frank Lloyd Wright’s Guggenheim Museum, and Louis Kahn’s Exeter Library, among other buildings, to illustrate how architectural spaces interlock in three dimensions. In so doing, the architects reaffirmed the strength of section drawings as tools for showing how buildings are made. The trio’s new book, with the dry title Manual of Biogenic House Sections, cuts through some 55 houses over six continents, in rural settings as well as urban ones, with the goal of removing the mystery behind building with low-carbon materials, including bamboo, earth, hemp, timber, and stone.

This volume would be valuable even without the section drawings—it illustrates, in photographs, axonometrics, and text, how some of the least carbon-intensive houses in the world are put together. But the sections offer particularly close looks, thanks to the designers of these houses, who were willing to share their knowledge with the authors for the greater good. Leaving no straw bale unturned, the authors go on to estimate the embodied carbon of the houses, revealing a surprising range even among this collection of structures.

Dune House by Archispektras uses traditional reed thatch in a faceted roof. House by Archispektras, drawing courtesy Paul Lewis, Marc Tsurumaki, and David Lewis

The journey since their last book—from Wright and Rem to modest, earth-friendly abodes—reflects the evolution of the three LTL partners, who are also educators at Princeton, Columbia, and Parsons, respectively. All three have devised courses and curricula that enlist architecture students in the fight to lower the carbon emissions of buildings. Manual of Biogenic House Sections equips professionals with the necessary tools to address that same struggle. The amount of work that went into what is both a coffee-table book and a construction manual is staggering, and, while architects on the whole aren’t doing enough to help mitigate climate change, Lewis, Tsurumaki, and Lewis are trying, however they can, to empower others and make a difference.

We look at the winners of Fast Company’s Innovation by Design Awards over the past 10 years as a lens onto a broader shift toward sustainable design thinking.

Title:

Content: advertisement
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How businesses learned to embrace sustainable design—and where it’s headed next

We look at the winners of Fast Company’s Innovation by Design Awards over the past 10 years as a lens onto a broader shift toward sustainable design thinking.

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When Fast Company launched the Innovation by Design Awards in 2012 to honor creativity in business, just two of the winning entries embraced sustainability as a central design thesis.

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This year, roughly a third of the winners prioritize the environment, ranging from a converted coal power plant to a device that transforms salt water into electricity. As the effects of climate change become increasingly visceral, spreading fires, hurricanes, and other disasters around the globe, design is becoming a crucial tool of adaptation. “Designing for human survival will become the new necessary field of design,” says Slow Factory Foundation founder Céline Semaan in a special Fast Company report on where the industry can have the greatest impact in the next decade.

In some ways, eco-friendliness has always been a key aspect of good design. Legendary industrial designer Dieter Rams declared it nearly 50 years ago, as one of his 10 principles of good design. But the parameters of what constitutes sustainable design have shifted over time. Is a plastic coffee maker that lasts 20 years, but ultimately ends up in a landfill, really sustainable? Today, many designers understand that every part of product development, from the materials used to a product’s afterlife, must be carefully considered to limit waste. Others have gone a step further and found creative ways to actively reuse waste. Forust, the winner of this year’s Innovation by Design Award in materials, uses 3D printing to turn sawdust into furniture, bowls, and other accessories. RED, the winner of 2019’s student Innovation by Design Award, explored using red mud, a waste product of aluminum manufacturing, to create gorgeous ceramics and building materials.

Some designs were simply ahead of their time. An early winner of Innovation by Design was the Fisker Karma, one of the world’s first luxury plug-in electric vehicles. It had a solar panel on its roof and sustainable materials inside, like trim made from salvaged wood. “The Fisker shows what you can do by taking risks in sedan design,” judge Erica Eden of Smart Design said at the time. Shortly thereafter, the company went out of business when its sole battery supplier filed for bankruptcy. Intriguingly, the Karma’s design ideas live on in this year’s winner of the products category, Polestar 2. An electric car spun out of Volvo’s skunkworks lab, it has seat backs crafted from old water bottles and carpet made from fishing nets. It also uses blockchain technology to trace the origin of its cobalt, a key component of lithium-ion batteries that is often mined to devastating effect on both people and the planet. Polestar’s investment in these features shows the long tail of bold design.

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Many of the biggest strides in sustainable design over the past 10 years have come from architects. This may be a case of necessity breeding invention: Architecture and construction are responsible for nearly 40% of global CO2 emissions, an astonishing footprint for an industry that doesn’t garner nearly the attention of polluters like agriculture (representing 11% of global greenhouse gas emissions) and aviation (representing about 2%). Architects have responded with a range of thoughtful solutions, including offices that usher the outdoors in and buildings that generate more power than they consume, but adaptive reuse may be the profession’s most impactful legacy. It’s the idea that one of the greenest ways to build is to reuse what’s already there. In Long Island City in Queens, New York, the architecture firms SWA/Balsley and Weiss/Manfredi converted an abandoned industrial landscape into a 30-acre park that is designed to protect the area from rising flood waters. The project, called Hunter’s Point South Waterfront Park, was an Innovation by Design winner in 2019. Two years later, the Chicago architecture firm Studio Gang has won accolades for another adaptation of industrial space, the Beloit Powerhouse, which transformed a coal power plant into a gym and student center at Beloit College in Wisconsin.

Some areas of design still have a ways to go. Disposable goods remain far too common in retail, and fashion and tech companies are particularly guilty of flooding markets with planned obsolescence in mind. “After nearly 15 years, I am using my fourth iPhone,” Frog Design founder Hartmut Esslinger tells Fast Company in the special report on design’s future impact. “Each time I had to buy a new one because of CPU (central processing unit) performance, [and] I put otherwise perfectly functioning products into my closet.” He calls on designers to extend their thinking beyond products and services to the very economic forces underpinning their work. “Recycling is a good thing, but not enough,” he says. “Design must inspire a new economic model and deliver much more long-term solutions.”

See more from Fast Company’s 2021 Innovation by Design Awards. Our new book, Fast Company Innovation by Design: Creative Ideas That Transform the Way We Live and Work (Abrams, 2021), is on sale now.

About the author

Suzanne LaBarre is the editor of Co.Design. Previously, she was the online content director of Popular Science and has written for the New York Times, the New York Observer, Newsday, I.D

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It’s the idea that one of the greenest ways to build is to reuse what’s already there.

Conversely, in tropical climates, it's essential to "open up" the house to dissipate heat and humidity while shielding it from the sun and heavy rainfall.

Title:

Content: 7 Bioclimatic Façade Strategies for Tropical Architecture

When we think of the word "tropic," the image that typically comes to mind is an exotic space, characterized by perpetual warmth and humidity, with frequent and heavy rainfall nurturing lush vegetation. Throughout history, this tropical climate has been romanticized as a paradise and criticized for potentially fostering weakness due to its perceived clemency.

Thankfully, those judgments and associations have been relegated to the past, paving the way for theoretical and practical projects that outline the advantages and disadvantages of living in a tropical climate. These projects acknowledge the various strategies to enhance human adaptability within these distinctive climatic conditions.

+ 15

Certainly, climate is the most pivotal element of the natural environment, as it impacts all geomorphological processes, from soil formation to plant growth. It's this profound interconnection that renders climate change so concerning. Hence, akin to how the natural environment reacts to climate, architecture must also be responsive to it.

In temperate climates, houses typically remain "closed" to shield occupants from harsh weather, retaining warmth. Conversely, in tropical climates, it's essential to "open up" the house to dissipate heat and humidity while shielding it from the sun and heavy rainfall. The abundance of tropical climate and vegetation often encourages outdoor living or greater interaction with nature. The main challenges in tropical architecture involve protecting against rain and direct sunlight, with a focus on strategies to regulate internal temperatures.

Bioclimatic strategies play a crucial role in achieving these objectives. They guarantee that buildings adapt to the local climate, boost energy efficiency, and enhance occupants' comfort. These strategies encompass principles and design techniques that leverage natural elements to establish sustainable architectures. By minimizing buildings' environmental impact and prioritizing occupants' well-being, these strategies collectively contribute to overall sustainability.

Since many of these strategies are implemented at the junction between a building's interior and exterior, we've listed below seven bioclimatic strategies and how they are applied to the facades of residential projects in tropical climates.

Shading Elements

Incorporating shade devices such as brise-soleil, cobogós, or other latticed structures on facades is crucial. These elements effectively block direct sunlight while allowing diffused light and natural airflow. This helps to minimize solar heat gain, reduce glare, and maintain comfortable indoor temperatures.

The Kenz House / Srijit Srinivas Architects

Casa Delta / Bernardes Arquitetura

Vegetation

Introducing vegetation on facades through vertical gardens, living walls, or planters can provide natural insulation, reduce heat absorption, and improve air quality. Plants also contribute to shading and evaporative cooling through transpiration, further enhancing thermal comfort and reinforcing the tropical ambiance within architecture.

Tropical Shed / Laurent Troost Architectures

Stepping Park House / VTN Architects

Ventilation Strategies

In tropical architecture, facades often incorporate operable windows or strategically positioned openings to facilitate cross-ventilation and natural airflow. This design approach effectively reduces humidity levels and improves indoor air quality.

Valley Expansion House / Studio Heya

OF House / Studio Otto Felix

Sun Orientation

Ensuring the correct solar orientation of buildings maximizes natural light penetration while minimizing solar heat gain. In tropical climates, designing buildings with a north-south orientation reduces direct sunlight exposure, particularly during peak heat hours of the day.

The House of Silence / Natura Futura Arquitectura

Country house in Puente Iglesias / Oficina de Arquitectura y Paisaje OAP + MDE estudio

Thermal Mass

Using materials with high thermal mass, such as concrete, stone, or adobe, in facade construction helps absorb and retain heat during the day. The heat stored during the day is gradually released at night, helping to stabilize indoor temperatures and reducing the need for mechanical cooling systems.

Discreet House / Jirau Arquitetura

Earth Farmhouse / Studio Verge

Reflective Surfaces

Using light-colored or reflective materials on facades helps minimize heat absorption by reflecting solar radiation. This reduces the need for cooling and helps mitigate the urban heat island effect.

Nagato House / RASA Architektura

House COVE(R) / TOUCH Architect

Adaptability

By integrating responsive facade systems like adjustable blinds or dynamic shading elements controlled by sensors or automation, buildings can adapt in real-time to environmental conditions. This real-time adjustment optimizes both energy performance and occupants' comfort.

Patio House / Caio Persighini Arquitetura

ABK House / Bernardes Arquitetura

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About this author
Cite: Ghisleni, Camilla. "7 Bioclimatic Façade Strategies for Tropical Architecture" [7 Estratégias bioclimáticas aplicadas nas fachadas da arquitetura tropical ] 10 Apr 2024. ArchDaily. (Trans. Simões, Diogo) Accessed . <https://www.archdaily.com/1015392/7-bioclimatic-facade-strategies-for-tropical-architecture> ISSN 0719-8884

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This reduces the need for cooling and helps mitigate the urban heat island effect.

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Personalize your stream and start following your favorite authors, offices and users.

Well-known experts in urban planning will share their experience at the Moscow Urban Forum.

Title:

Content: Well-known experts in the field of urban planning will share their experience at the Moscow Urban Forum
Source: MIL-OSI English Language News
Source: Moscow Government – Moscow Government –
Specialists in the field of urban planning from more than a dozen countries will take part in the business program of the Moscow Urban Forum "Moscow-2030.
A city that looks to the future. ”
This was announced by the Deputy Mayor of Moscow for urban planning policy and construction Andrei Bochkarev.
“On August 24-25, Zaryadye will host the main event of the Moscow Urban Forum – its business program.
It will bring together the best professionals in the field of urban planning from different countries - China, Brazil, Turkey, Egypt, Armenia, the United Arab Emirates, Serbia, India, Qatar, Malaysia, Singapore, Cuba, Colombia, Zambia and South Africa, "he said.
Experts will discuss global trends in the field of improvement, infrastructure and innovation for a comfortable urban environment.
More than 40 events will be held as part of the business program.
During the sessions, foreign speakers will talk about their experience in managing large-scale urban projects.
On the first day of the forum, world-famous designer and architect Baharash Bagerian will speak.
He presented the project Nexgen Sustainable City – the world ’ s first climate-positive city located in Egypt.
“The expert will also take part in the discussion“ Climate control.
Adapting Cities to Climate Change. ”
Together with other participants, the specialist will discuss whether the modern metropolis needs climate-controlled streets and what the city ’ s climate plan should be, ” said the head of the Department of Urban Development Policy of Moscow.
Sergey Levkin.
Gil Peñalosa, founder of 8 80 Cities and author of the Cities for Everyone initiative, will also take part in the forum.
He will talk about his experience in creating a comfortable urban environment during the expert discussion “City-Home.
Formula of Moscow Improvement ”, which will be held on August 24 in the hall “Moscow ”.
The expert will also take part in the session “City as Superhidea.
What urban theories determine the future of the city ”, where he will present specific tools for working with the urban environment and talk about what path his projects go from idea to implementation.
Another star of the forum will be the pioneer of green architecture from Malaysia Ken Eang.
One of his most famous projects is the building of the National Library of Singapore with two roof gardens.
The expert will talk about his concept of an environmentally friendly approach to construction.
The participants of the meeting will learn what green architecture will become in 10 years.
To participate in the business program "Moscow-2030.
A city looking to the future ” requires pre-registration.
Note; This information is raw content directly from the information source.
This is exactly what the source claims and does not reflect the position of MIL-OSI or its clients.
Please note; This information is raw content directly from the information source.
It is accurate to what the source is stating and does not reflect the position of MIL-OSI or its clients.
MIL OSI

The city is striving to look to the future, reflecting ongoing trends in architecture and urban environments.

Title:

Content: Well-known experts in the field of urban planning will share their experience at the Moscow Urban Forum
Source: MIL-OSI English Language News
Source: Moscow Government – Moscow Government –
Specialists in the field of urban planning from more than a dozen countries will take part in the business program of the Moscow Urban Forum "Moscow-2030.
A city that looks to the future. ”
This was announced by the Deputy Mayor of Moscow for urban planning policy and construction Andrei Bochkarev.
“On August 24-25, Zaryadye will host the main event of the Moscow Urban Forum – its business program.
It will bring together the best professionals in the field of urban planning from different countries - China, Brazil, Turkey, Egypt, Armenia, the United Arab Emirates, Serbia, India, Qatar, Malaysia, Singapore, Cuba, Colombia, Zambia and South Africa, "he said.
Experts will discuss global trends in the field of improvement, infrastructure and innovation for a comfortable urban environment.
More than 40 events will be held as part of the business program.
During the sessions, foreign speakers will talk about their experience in managing large-scale urban projects.
On the first day of the forum, world-famous designer and architect Baharash Bagerian will speak.
He presented the project Nexgen Sustainable City – the world ’ s first climate-positive city located in Egypt.
“The expert will also take part in the discussion“ Climate control.
Adapting Cities to Climate Change. ”
Together with other participants, the specialist will discuss whether the modern metropolis needs climate-controlled streets and what the city ’ s climate plan should be, ” said the head of the Department of Urban Development Policy of Moscow.
Sergey Levkin.
Gil Peñalosa, founder of 8 80 Cities and author of the Cities for Everyone initiative, will also take part in the forum.
He will talk about his experience in creating a comfortable urban environment during the expert discussion “City-Home.
Formula of Moscow Improvement ”, which will be held on August 24 in the hall “Moscow ”.
The expert will also take part in the session “City as Superhidea.
What urban theories determine the future of the city ”, where he will present specific tools for working with the urban environment and talk about what path his projects go from idea to implementation.
Another star of the forum will be the pioneer of green architecture from Malaysia Ken Eang.
One of his most famous projects is the building of the National Library of Singapore with two roof gardens.
The expert will talk about his concept of an environmentally friendly approach to construction.
The participants of the meeting will learn what green architecture will become in 10 years.
To participate in the business program "Moscow-2030.
A city looking to the future ” requires pre-registration.
Note; This information is raw content directly from the information source.
This is exactly what the source claims and does not reflect the position of MIL-OSI or its clients.
Please note; This information is raw content directly from the information source.
It is accurate to what the source is stating and does not reflect the position of MIL-OSI or its clients.
MIL OSI

More than 40 events are planned within the business program, including the session “City as Superhidea.”
Special botanical gardens with year-round blooming plants have been developed for hospitals in Sevastopol to aid patient treatment, according to Sevastopol State University.

Title:

Content: News of Sevastopol
Hospitals will have healing gardens.
Special botanical gardens, plants in which will bloom all year round and will help in the treatment of patients, have been developed for hospitals in Sevastopol, the press service of Sevastopol State University reported.
Special botanical gardens, plants in which will bloom all year round and will help in the treatment of patients, have been developed for hospitals in Sevastopol, the press service of Sevastopol State University reported.
“In total, within the framework of the project, scientists are working with more than 300 plants, of which therapeutic gardens of certain color and therapeutic directions will be created in the future.
Plants have not only a therapeutic effect, but also a coloristic effect has a great impact on humans. <... > Scientists have already developed six botanical gardens for city hospitals.
One of the projects — a rose garden for the hospital named after Dasha Sevastopol — will be presented in the near future, ” — quotes the message of TASS.
It is specified that the work was carried out within the framework of the research project “The concept of landscape and urban development of the territory of health facilities of Sevastopol ”.
It is planned that the gardens will bloom all year round: the flowers are selected in such a way that when one plant blooms, it is replaced by the next.
“We selected flowers specifically for the color and aroma that affect specific diseases.
We have a white garden, there are pink, red, orange and greenish and blue gardens. <... > This is the connection of the color code of plants, their habitus, height, competent combination: we selected natural compositions so that it does not have an aggressive effect on a person.
When a person gets into the conditionally natural environment created by human hands, he calms down, ” the words of the head of the Department of Architecture and Design, Professor Elina Krasilnikova, are quoted in the message.
A mistake in the text?
Select it and press Ctrl + Enter

These gardens were created as part of the research project "The concept of landscape and urban development of the territory of health facilities of Sevastopol."

Title:

Content: News of Sevastopol
Hospitals will have healing gardens.
Special botanical gardens, plants in which will bloom all year round and will help in the treatment of patients, have been developed for hospitals in Sevastopol, the press service of Sevastopol State University reported.
Special botanical gardens, plants in which will bloom all year round and will help in the treatment of patients, have been developed for hospitals in Sevastopol, the press service of Sevastopol State University reported.
“In total, within the framework of the project, scientists are working with more than 300 plants, of which therapeutic gardens of certain color and therapeutic directions will be created in the future.
Plants have not only a therapeutic effect, but also a coloristic effect has a great impact on humans. <... > Scientists have already developed six botanical gardens for city hospitals.
One of the projects — a rose garden for the hospital named after Dasha Sevastopol — will be presented in the near future, ” — quotes the message of TASS.
It is specified that the work was carried out within the framework of the research project “The concept of landscape and urban development of the territory of health facilities of Sevastopol ”.
It is planned that the gardens will bloom all year round: the flowers are selected in such a way that when one plant blooms, it is replaced by the next.
“We selected flowers specifically for the color and aroma that affect specific diseases.
We have a white garden, there are pink, red, orange and greenish and blue gardens. <... > This is the connection of the color code of plants, their habitus, height, competent combination: we selected natural compositions so that it does not have an aggressive effect on a person.
When a person gets into the conditionally natural environment created by human hands, he calms down, ” the words of the head of the Department of Architecture and Design, Professor Elina Krasilnikova, are quoted in the message.
A mistake in the text?
Select it and press Ctrl + Enter

Recent years have demonstrated that architecture responds to global changes, such as the pandemic, which will continue to influence urban design.

Title:

Content: Wooden high-rise buildings, mushroom bricks and other trends of modern architecture
Ksenia VOROTYNTSEVA
18.07.2023
The material was published in No. 6 of the printed version of the newspaper Kultura on June 29, 2023.
How we will build and live in the coming years
It is believed that Schelling called architecture “frozen music ”.
However, the appearance of buildings and neighborhoods is determined not only by rhythm and proportions – the economic component, including consumer sentiment, is important.
Architecture does not exist in a vacuum, and examples of this are the trends of recent years.
The pandemic wave that swept the world seems to have come to naught, but its echo will be felt for a long time to come.
Many have tried life outside the city, but they can not buy a house yet - it is too expensive.
But multi-format development is becoming increasingly popular, which some consider a product of the crisis: in Russia, it was widely recognized after 2008, although examples have been met before.
Multiformat means that in one territory there are buildings that differ in type and cost: cottages, as well as blocked, low-rise or apartment buildings.
Such projects help the developer to save money: to reach a wide audience and quickly sell objects.
And for buyers, this is a ticket to business class, and with a discount: you can live outside the city, in a pleasant atmosphere - even in an apartment.
In recent years, another trend has emerged.
For example, at the ARCH Moscow held in late May, Valery Artemyev, the project manager of the Mechta residential complex in the Dmitrov district of the Moscow region, admitted: “We believed in multiformat 20 years ago.
At the beginning of our journey we felt like builders: we had to build houses and sell them.
But after a few years, the builders already felt 20 percent, and 80 percent of the hassle and worries were devoted to education, medicine, culture.
In other words, developers caught the mood of consumers who no longer wanted to live in a village with exactly the same houses and without the usual infrastructure - without clinics and schools.
So, in Dobrograd — an urban-type settlement in the Vladimir region — there were private schools and a kindergarten, and now a municipal school is being built at the expense of the infrastructure budget loan.
In addition, they promise to build a kindergarten and a cultural and recreational complex with a swimming pool, plans also include a polyclinic and a pharmacy.
It seems that developers believe that the suburbs will become more popular.
However, they should think about transport accessibility, because not all buyers of housing in multi-format settlements have cars.
WOODEN SKILLS ARE WAITING FOR US
Another interesting trend is wooden houses, and multi-storey, although now it seems fantastic.
Nevertheless, they are not built abroad for the first year, in a variety of countries - from the United States to Japan.
They are especially popular in Scandinavia: the tallest wooden building was the 18-storey Mjøstornet in Norway (although concrete was used in the construction).
In general, airports, dormitories, and museums are built from wood.
In Russia, despite the forest wealth, the trend did not take root for a long time, especially until 2019 it was impossible to build buildings with load-bearing wooden structures above three floors.
Then the law changed, and now such objects can reach a height of 28 meters.
External circumstances have also changed dramatically.
Due to sanctions, timber exports in the first quarter of 2023 decreased by 21 percent compared to the same period last year.
It was not easy to redirect flows to Central Asia and China, including due to logistics problems.
So the interest in the domestic market is inevitably growing.
However, wooden high-rise buildings are not shaky country buildings at all.
In their construction, they use the technology of CLT (Cross Laminated Timber - panels made of cross-glued wood) or LVL (Laminated Veneer Lumber - laminated veneer lumber).
In Russia, the first technology is promoted by Segezha Group, which launched the country ’ s first large-scale industrial production of CLT-panels.
And last year began the sale of the first high-rise CLT-houses in Russia: two wooden four-storey buildings were erected in the city of Sokol, Vologda region.
In addition, in Arkhangelsk, in the Sulfat microdistrict, they are going to build a four-storey building of CLT-panels - people from emergency housing will be resettled there.
Another developer, Samolet Group, plans to build nine-storey buildings from CLT in the Moscow region.
Developers are interested in these designs for a number of reasons.
First of all, the buildings are being erected quickly: for example, the construction of two houses in Sokol took eight months.
You can work all year round without breaking technology, and even on swampy soil or melting permafrost.
However, the consumer does not know much about CLT yet.
And in general, it is afraid of fires, although manufacturers claim that CLT panels are fire and earthquake resistant, and their strength is comparable to concrete.
Whether buyers will believe in wooden high-rise buildings and whether they will become a big Russian trend, time will tell.
NEAR THE EARTH
A separate trend was the bionic architecture, which still seems outlandish: however, some believe that it is the future.
We are talking about structures that exist in harmony with nature.
For example, bricks created from mycelium - the fibrous vegetative body of fungi.
They are carbon-neutral, that is, good from the point of view of ecology.
And it is a durable, fireproof, easily formable material.
Another example is mycokarst, designed by Russian architect Anna Budnikova.
This is a new generation of materials of the urban environment based on soil or stone composite and fungal spores, capable of self-healing in extreme conditions.
The invention should solve the problem of karst dips arising from the dissolution of soft soil rocks by groundwater.
In general, initially architectural structures opposed nature: this was told in his lecture at ARCH Moscow by architect, founder of the bureau Le Atelier Sergey Kolchin.
Architecture dates back to the Egyptian pyramids: for centuries, it was a form that ignored the natural context (as opposed to pre-architectural forms like a cave and a dugout).
In the Enlightenment, for example, the idea that nature needs to be transformed and conquered was established, and a regular park appeared.
However, in the XVIII century there was an aesthetic of ruins - dilapidated buildings, as if defeated by nature.
And with the advent of Art Nouveau and its floral ornaments and bends, it became clear that the revenge of natural forms still took place.
And indeed: there were ideas of the city-garden, opposing the stone jungle.
There were creations of the popularizer of organic architecture Frank Lloyd Wright, inscribed in the landscape.
Today, materials created with the help of nature are popular - for example, bricks made of rammed earth.
And the buildings themselves are trying to fit into the landscape - so that they do not have to cut down trees on the site.
Man again turned to face nature - and at the same time to himself, making the habitat more natural and cozy.
CULTURAL CENTER OF CONTAINERS
However, all this may seem sweet dreams, because the outskirts of Russian cities look very different: they are built up with the same type of gray panels.
Their gloomy charm has recently gained many fans in Western social networks.
But it is one thing to admire chthonic images from afar, and quite another - to live surrounded by the same high-rise buildings.
Not surprisingly, many consumers – not just young ones – dream of a more diverse architecture, even in the economy class segment.
How to achieve this?
For example, you can localize it - correlate with the city, its history.
In particular, we recall the modern residential development of Amsterdam, where new buildings are trying to “fit ” into the historical quarters in scale and even style, without resorting to copying.
In Russia, such examples are not yet widespread: many cities are “scarred ” by point construction.
In other cases, reference to the city is made through the use of local “materials ”.
The most striking example is the cultural center “Container Hall ” in Murmansk.
It was built near the port of 12 old shipping containers stacked on top of each other.
Outside, they were painted black - because coal dust flies from the port, and inside they hold exhibitions, film screenings, lectures.
And as a result, the depressed area received a new point of attraction.
DO YOU NEED A PERCENTAGE FOR ART?
Another lifesaver can be modern art – for example, public art.
Its peculiarity is that it focuses on the wide, that is, the inexperienced viewer and helps him to change his perception of the urban environment.
In this case, objects, as a rule, are site-specific - they are inscribed in the space in which they are located.
Among the famous examples are the art object "Happiness is not far off" (author - Boris Matrosov), installed on the embankment in Perm; "Archiles" by Nikolai Polissky in Peredelkino - woven tree trunks resembling flames: they were installed in the place of six old fir trees.
Or the project of Marina Zvyagintseva for the Morozovskaya hospital: under her leadership, modern artists turned a strict space into a boring and playful one.
However, viewers do not always like such art interventions.
Most often, problems arise with objects that are moved from place to place, not taking into account the local context.
This happened with Urs Fisher ’ s “Big Clay No. 4 ” installed in 2021 in front of the HPP-2 building.
Before that, the sculpture had already visited New York and Florence, where it caused a mixed reaction.
In Moscow, she was also not happy – disputes broke out serious.
In Russia, public art does not have a clear legal status: sometimes it is referred to as MAF - that is, small architectural forms, along with playgrounds and gazebos, and sometimes confused with festive decoration.
In general, the regulatory gap is obvious.
And there is no state support for public art yet.
Nevertheless, developers are increasingly turning to artists: after all, this is not only image glasses, but also a very specific profit.
People do not want to buy a cell in a concrete box, but a comfortable and beautiful space: when the primary needs are satisfied, the turn comes to aesthetics.
By the way, in the United States there is a program Percent for Art, under which developers are required to allocate 1 percent of the budget for art objects.
Russian developers oppose such a "binding", assuring that excessive regulation will not lead to anything good.
At the same time, some companies order public art and murals on their own initiative.
For example, in 2019, an art object by Dmitry Aske, a famous street artist and graffitist, appeared on the territory of the Balchug Residence residential complex built by Inteko.
The five-meter sculpture "Guardian", depicting a girl sitting on horseback on a wolf, looked extremely impressive.
By the way, the artist continues to cooperate with developers: in Rostov-on-Don, the Magistrat-Don company (part of the Inteko perimeter) is building the 5th Element Aske quarter.
This is a residential complex, in the design of which Dmitry participates: his murals will appear on the facades, in addition, the artist created sketches for the design of public spaces inside the houses.
PHOTOGENIC ARCHITECTURE
The demand for art is a manifestation of a global trend: visual communication is coming to the fore these days.
Consumers want their homes to be “photogenic ” – they can serve as a beautiful backdrop for social media posts.
And these requirements are gradually beginning to be taken into account - especially in the segment where functionality can fade into the background: in restaurants, hotels or expensive stores.
And sometimes functionality is inferior to aesthetics under the pressure of circumstances.
This happened with the building of GES-2, reconstructed by the famous Italian architect Renzo Piano.
Declared as the House of Culture, it is still inferior to other venues - in terms of exhibitions and programs.
Perhaps, it was simply unlucky with time: the opening of HPP-2 was at the end of 2021, and after a few months almost all international projects were curtailed.
Nevertheless, the interiors of the building - a huge bright space and light crossroads of beams - fell in love with photographers of all stripes.
However, the context is also important, the history of the place.
You can recall the scandal around the Zoya Museum, which happened in 2020.
One portal called the museum — a bright modernist building in the village of Petrishchevo, where Zoya Kosmodemyanskaya was martyred — “an ideal backdrop for fashion photography. ”
There was a lot of noise: many felt it was wrong to combine two different contexts - tragedy and fashion.
TOGETHER WITHDRAWAL
All this is only a part of the ongoing processes, it is impossible to cover them all in one text.
We can also recall the rethinking and restoration of heritage: for example, modernist buildings, highly valued in the West, are rarely considered monuments.
Although gradually the attitude is changing - as evidenced by the recent project "Steel. Glass.
Concrete ” by the famous photographer Mikhail Rozanov, dedicated to modernist buildings.
More and more people are involved in the life of the city - this is the so-called participatory design; new local centers are emerging - growth points of remote urban areas.
And it turns out that the architecture is much less susceptible to inertia than we used to think, and responds sensitively to many changes.
Photos: Valery Matitsyn / TASS; Vladimir Smirnov / TASS.

High-rise wooden buildings are now permitted up to 28 meters due to changes in construction laws.

These wooden buildings are carbon-neutral and environmentally beneficial, designed to integrate with natural landscapes without unnecessary tree removal.

Buildings are also designed in relation to the city context and its history.

Ongoing urban processes are multifaceted and cannot be fully captured in a single text.

The creation of a balanced urban environment is essential for attracting people to live, work, and invest in an area.

Title:

Content: “If you manage to realize at zero, this is already a good result ”
How Ural developers build schools in Yekaterinburg
The shortage of places in schools encourages Ural developers, together with the authorities, to design and build educational institutions in the built-up and newly developed territories.
Developers depart from the principles of the same type of Soviet development and apply modern approaches in their work, including work not only with architects, but also with psychologists, and also focus on the principles of sustainable development.
Schools are at their peak
According to the Department of Education of the Administration of Yekaterinburg, there are 165 municipal schools in the city, 191,000 children study there.
Annually, the number of students increases by 8-9 thousand and, according to forecasts, by 2025 will exceed 200 thousand people, including due to migration flows.
Since the educational sector has been experiencing a serious shortage of places for several years, the municipal program “Creating new places in general education organizations of Yekaterinburg ” was launched in 2016.
In seven years, 16 new buildings were built in the city, 13 operating schools were overhauled and 17 thousand educational places were created.
Only this year there will be 3,400 new places.
On September 1, school No. 40 will open on Michurina Street, the construction of which is at the final stage, will be overhauled in schools No. 24 on Sevastopolskaya Street, No. 99 on Bauman Street, No. 140 on Reshetnikov Drive and No. 63 on Crowley Street.
The municipal program will last until 2025, but taking into account the dynamics of the growth in the number of children, Deputy Head of the Department of Education of the City Hall Mikhail Ladeyshchikov believes that the timing of the program should be increased.
Social responsibility of developers
The design and construction of schools in Yekaterinburg is most often done by local developers.
The work is carried out jointly with the administration, since in the vast majority of cases the customer and the financier of social projects is the state or municipal authority.
“Business, including developers, assist in the implementation of these projects.
This is mainly expressed in the design, providing the necessary data.
If possible, the largest developers allocate land ”, — said the President of the Guild of Builders of the Urals Vyacheslav Trapeznikov.
He noted that the practice, which is common in Moscow, when developers at their own expense build schools and kindergartens, unfortunately, in the Urals and the rest of Russia is impossible: “Profitability indicators do not allow our business to build such facilities at its own expense. ”
Despite the fact that both developers and city authorities are interested in the construction of social facilities, the process itself has many nuances.
“Working on a contract for the construction of schools and kindergartens is often not about financial benefits.
If such projects can be implemented at zero, this is already a good result.
However, the importance of such work for the future growth of the enterprise and the city is enormous, ” said Valery Ananiev, General Director of Atomstroykomplex.
According to him, it is impossible to develop the city one-sidedly, erecting only commercially profitable objects.
In order for people to want to live, work and invest in a particular territory, a fully balanced urban environment is needed there.
“If you have children, you will hardly want to buy a modern, spacious apartment in an area where there are no schools and kindergartens.
The developer will not invest his funds in the construction of a new quarter where there is no demand for new housing.
Consequently, this urban land will not be involved in circulation, it will not have new streets, cafes and shops, will not be updated networks, will remain unsettled dilapidated houses, the Treasury will not receive taxes from those enterprises and owners that could appear on it, ” explained Mr. Ananiev.
The head of the development department of Pervostroitel Group, Andrei Ponomarev, agreed that citizens should receive ready-made kindergartens and schools together with the apartment, but pointed out that the state finances the construction of social facilities not as quickly as developers would like.
“There is a dissynchronization that disturbs everyone.
To keep the balance, there are two ways: to build commercial facilities for the appropriate purpose or to help the city build municipal facilities, ” said Mr. Ponomarev.
The developer determines his task in assisting the mayor ’ s office in the construction of social facilities within the framework of the formation of land plots for construction, the preparation of various documentation, including for obtaining budget financing, and the passage of state expertise.
Another Ural developer, Brusnika, due to the increase in the share of social facilities in its portfolio (11 facilities are in operation), organized an additional workshop, which focused only on the design of schools and kindergartens, it also includes specialists in interior and landscape.
“We design some of the social facilities ourselves, and we entrust some of them to contractors.
Depending on the agreements with the municipalities, Brusnika either transfers the project documentation of the social facility to the city administration for further construction, or prepares it independently.
Examples of such cooperation are a school in Novosibirsk, a kindergarten and a school in the Vidny Moscow Region, ” Brusniki ’ s press service said, stressing that despite the changing agenda in the world, the company has not abandoned ESG initiatives.
Another approach
During the USSR, schools were built according to standard projects.
Therefore, in different cities you could see almost identical objects, not too different from each other.
Now developers, though standardize the typical elements from which projects are “assembled ”, but at the same time strive to preserve the uniqueness of each object.
“Standardization will speed up both design and construction, allow the use of prefabricated elements and reduce the commissioning time, while maintaining the quality of the product, ” explained Brusnik.
The design institute of the company "Atomstroykomplex" has developed several standard projects of schools and kindergartens, which are now recommended by the Ministry of Construction of the Russian Federation for replication throughout the country, their use allows to reduce the time and cost of preparing design and working documentation.
Now the developer is trying for himself the role of concessionaire.
The company was the first in Yekaterinburg to enter into concession agreements for the construction of two schools in the city along Kotelnikova Street and Sovetskaya Street.
According to Valery Ananiev, through concessions, the provision of educational services itself reaches a new level, since PPP implies that the design, construction and operation is concentrated in the hands of one company.
And yet, approaches to construction are changing – schools are becoming more like multifunctional centers, which in some cases become available not only to students, but also to all residents of the city.
“The modern school is like a spaceship, where the maximum of processes — from access control to the regulation of the microclimate — are automated.
Almost every classroom, every public space of the school is equipped with complex equipment - media systems, sports equipment, dispatching.
This requires colossal competencies from both the one who builds and the one who will manage the facility, ” said Mr. Ananiev.
Unlike Soviet schools, when designing modern educational institutions, preference is given to open spaces, unused premises are minimized, developing and unifying environments are created, that is, the developer follows the principle of economy in the operation of the building.
So "Brusnika" in its project in Novosibirsk refuses the H- and U-shaped in favor of a rectangular building with an atrium.
“This solution allows to reduce the total area of   the building by 5 thousand square meters, while the usable area in terms of one student becomes more.
Another solution is an atrium instead of an assembly hall.
This principle is based on studies that show that the assembly hall in the school is empty 90% of the time.
Atrium performs its function and becomes the most visited space - the heart of the school.
It connects the floors with each other and acts as a transit zone.
Also, due to the large area of   glazing in the room, it is light most of the day, it allows you to save electricity, ” the press service of the company commented.
Often, when designing schools, developers resort to the advice of psychologists and sociologists to understand how to more effectively implement all methodological recommendations in the future school.
For example, "Brusnika" did this when designing a school in the microdistrict "Eurobereg" (Novosibirsk).
This consultation helped to introduce into the project the idea of   inclusivity of a modern school - its readiness for joint education of children, regardless of their social status, abilities and characteristics of health.
Forum Group also used such advice when designing the new building of Gymnasium No. 99 on Elmash.
As the general director of the company Maxim Shaburov said, the developer ’ s team held a session to discuss the concept of the project with the participation of the Department of Education of the Administration of Yekaterinburg, the team of the gymnasium and experts of the Center for Psychological and Pedagogical Innovations, which deals with the architecture of educational spaces from the point of view of pedagogy and psychology.
Another principle practiced by Ural developers is the absence of blind partitions between class-clusters and the recreational area, as well as the rejection of the basement - instead of it, all communications are placed on the floors and on the technical floor under the roof.
Such architectural solutions reduce the heated area of the building, simplify the construction and operation of the school.
“In our projects, the landscape is responsible for the development and learning at school, including a dense and diverse landscaping, in the area around schools and kindergartens, we design places for bird watching, zones for the development of tactility, beds for growing greens and vegetables, ” the press service of Brusniki noted.
Developers also strive to minimize the number of partitions, fences, gates and other obstacles on the territory of social facilities, but so far this is difficult during the coordination of projects.
Non-standard solutions
With the complex development of built-up areas, developers sometimes have to resort to non-standard solutions.
For example, during the development of the territory of the former Uralobuv enterprise (Vtuzgorodok, Pervostroitel is engaged in the development of the territory) in 2015, it became clear that the prospects for the development of the new district exceeded the capacity of the existing school.
At the same time, it became clear that there was not enough land for the reconstruction of school No. 134 or the construction of a new
To solve the problem, the developer proposed to increase the capacity of the school from 600 seats to 1.5 thousand seats by adding a neighboring section of the children ’ s clinic and building a new school building.
To form a land plot for the development of the school, the company designed and built the building of the children ’ s clinic, and then equipped it and transferred it to the regional Ministry of Health.
Last year, “Pervostroitel ” at its own expense developed the design documentation of the school building, and this year the developer plans to receive a positive conclusion of the state examination.
In addition, the company appealed to the administration of Yekaterinburg with a request to include the reconstruction of the building in the municipal program for the construction of schools, which will ensure the financing of the future facility.
The package of agreed documentation for the inclusion of the project in the budget funding will be ready by the end of May.
Maria Ignatova
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Modern residential developments prioritize amenities like schools, as seen in projects in Yekaterinburg, moving away from standardized Soviet-era designs toward more flexible, community-oriented spaces.

Some schools now use atriums instead of traditional assembly halls to create open transit zones that connect floors and serve multiple functions.

Innovative design solutions emerge from close analysis of land and spatial constraints, like reconstructing existing schools or erecting new ones when space is limited.

Title:

Content: Architect
Design of public spaces and residential premises.
Execution of sketches, design and working documentation of the architectural section, calculation of specifications and compilation of statements, layout.
Portfolio link: https: / / drive.google.com / open? id = 14qjA1ucID2bPf-me _ 3M6Z8RAAODzhZq3

China has constructed a tower featuring a “vertical forest,” demonstrating the combination of nature and metropolitan architecture.

Title:

Content: The combination of nature and metropolis: in China built a tower with a “vertical forest ”
2 min
In the Chinese Huangan (Hubei province) completed two of the five towers of the residential complex with a “vertical forest ”.
A couple of weeks ago, people started moving in here.
According to Dezeen, the two residential towers of the complex have a height of 80 meters and are covered with more than 400 trees, as well as other plants and greenery.
The building was designed by the Italian studio Stefano Boeri Architetti.
The architects designed the object so that the foliage on the balconies fit perfectly into the design of the facade.
Studio founder Stefano Boeri said that this version of the towers is characterized by the presence of opening bay windows with indoor plants.
Thus, residents will be able to enjoy the environment of nature, being in the urban space.
The studio used the vegetation of the local flora, using about 400 species of trees.
Among them are Ginkgo biloba, Osmanthus fragrans, Acer griseum, Ligustrum lucidum and Chimonanthus praecox.
Also on the facade "grow" 4620 bushes and various herbs in an area of 2.4 thousand square meters.
According to the developers of the project, this amount of greens will be able to absorb 22 tons of carbon dioxide per year and produce oxygen in return.
According to the architect, China has recently seen a trend of greening cities, which allows more to absorb dust, which is one of the main factors of air pollution in cities.
Easyhome Huanggang Vertical Forest City Complex is the first vertical complex to open in China, and Boeri believes such buildings could be particularly suitable for the country.
As reported by NERUHOMI, the first part of the multifunctional complex was opened in Shanghai before the New Year, the authors of the project of which were inspired by the Hanging Gardens of Semiramis from Babylon.
Author:
Vladimir Grishenko
Journalist / Editor
Education – graduated from Taras Shevchenko National University of Kyiv, Institute of Journalism.
I have been working in the profession for more than 15 years.
My favorite topics are economics and politics, I understand cryptocurrencies and markets, I am interested in real estate.
On the resource NERUKHOMI since May 2020.
All articles by the author
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Public spaces in St. Petersburg have moved beyond simple play areas, creating communal spaces that benefit all residents, regardless of age.

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Science at home.
Who and how creates modern courtyards for the whole family
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A slide, a sandbox and a couple of benches - such a set of landscaping has long been in the past.
Today, the courtyard of the residential complex is a complex system that works according to the laws of pedagogy, psychology and ergonomics.
And at LEGENDA, they know this very well.
“From the very beginning, we chose a functional approach to the design of courtyards, ” says Margarita Zabrodskaya, deputy director of marketing for the product LEGENDA. – Even before it became mainstream, we thought about zoning in terms of age psychology, insolation, wind rose.
We have always paid great attention to safety.
Each of our yards is an example of competent landscape design and rich landscaping.
But LEGENDA does not stand still, and today we are practicing a new approach – functional-component. ”
Creating a backyard space in their LCD, the developer uses the author's model, consisting of four principles: multiscenario, gamification, ergonomics and safety.
The result is a common space where it is pleasant and even useful to be all residents of houses – from adults to the smallest.
Principle No. 1.
Gamification, or the best for children
TerraTaktil component
Every parent knows why it is so important to take care of the development of babies both physically and intellectually.
Why it is necessary to develop fine motor skills that affect speech, memory, attention and imagination.
In the yards of LEGENDA, the TerraTaktil component is responsible for this.
Biziboards help kids train hand and eye coordination, the water station allows you to play with water, dry and wet sand.
And even rolled pebbles, used in the yard as a coating, contributes to the development of fine motor skills.
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Kinetigy Component
When the child is engaged in active games, he develops physically.
It also releases energy, which improves night sleep.
Playgrounds for active and dynamic games are combined into the Kinetigy component.
Here children run, jump, swing and ride.
For them, trampolines, horizontal bars, ladders and carousels were installed, artificial hills for climbing with hooks and ropes were created.
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Easy Landing Component
Active games in the yard bring courage and determination, teach to take risks - and are inevitably accompanied by falls and bruises.
This is how the child defines the limits of his physical abilities.
In the yards of LEGENDA, children are not afraid to fall, because in the play areas natural loose coatings are used, which cushion when falling: sand, pebbles and wood bark.
This component is called “Easy Landing ”.
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“Impulse of development ” component
Experts say that a child develops better when the environment meets the needs of his age group.
LEGENDA fully agrees with this and has provided in the courtyards a component "Development momentum".
The equipment corresponding to the age makes staying in the yard as interesting, safe and useful as possible.
Thus, the physical and intellectual development of children is stimulated.
Not one playground is being built for all, but special playgrounds are allocated for children up to 3 years old, preschoolers and younger schoolchildren, adolescents.
All this gives impetus to their growth and development.
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Principle No2.
Organomics, or Our yard as a garden
Component Total Green
Feeling the power of nature in an urban environment is a rare privilege.
For this, many of us go out of town or go for a walk in the park.
The Total Green component in the courtyards of LEGENDA is responsible for creating an atmosphere of relaxation in nature.
For example, the yard in the project “Sampsonievsky, 32 ” * is as close as possible to the natural landscape.
The area of   the lawns is reduced in favor of trees and shrubs, which form a kind of private garden, where there is no access to cars and strangers.
Component "Floriculture"
Walking among the lush greenery is not only pleasant, but also informative.
Residents of the house study unknown to them flora, get acquainted with interesting plants.
For landscaping, the developer chooses rare or unusual species.
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Landscape Balance Component
Creates an integral space in which all the elements of the yard are organically connected to each other.
It helps to relax and evokes a sense of harmony.
A barrier-free environment is formed in the yard.
Instead of the usual fences and curbs for zoning, different types of coatings, artificial hills and landscaping are used - they, in addition, add volume to the landscape.
Coatings are selected so as to correspond to the functional area: for walking routes - wooden flooring or paving, for games - tartan and bulk materials.
And transitions between different surfaces are made visually organic and without height difference.
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Principle No. 3.
Multi-Scenario, or Space That Can Do Anything
Point of Light Component
Complex lighting design makes comfortable different types of recreation and decorates the yard at any time of the day.
Landscaping of the territory is designed taking into account natural light: playgrounds are located in the sunniest places, recreation areas for adults - in shaded ones.
The role of the main artificial light is played by high lanterns and floor lamps.
Lamps below are located near the main functional areas and in gazebos.
In paving and landscaping, decorative lighting is provided.
Color Dynamic Component
Landscape design emphasizes the change of seasons and allows you to create a landscape that pleases the eye at any time of the year.
Plants are selected so that the landscaping is diverse throughout the year.
In spring, apple and cherry blossoms attract attention, bright maple leaves stand out.
In summer and early autumn hydrangeas bloom.
And thanks to the mountain pine trees in the yard there is greenery even in winter.
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Principle No. 4.
Security, or My yard is my fortress
Protects residents from physical threats, creates a sense of privacy, provides psychological comfort.
The internal territory is closed to outsiders, cars do not enter here.
For guests of the residential complex, a single access through the main entrance group is implemented.
Security is provided not only by a developed network of video surveillance, but also by a security service whose employees patrol the yard.
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What is the most important thing for you in the yard?
Choose the answer option
* Residential complex "Malookhtinsky, 68" - the developer of JSC "LEGENDA MALOOKHTINSKOGO", project declaration on the website nash.dom.rf
Residential complex "Chernaya rechka, 41" - developer LLC "SZ LEGENDA BLACK RECHKA", project declaration on the website nash.dom.rf
LCD "Sampsonievsky, 32" - the developer of LLC "LEGENDA SAMPSONIEVSKY", project declaration on the website nash.dom.rf.
Illustrations provided by the press service of the company Legenda
LLC "SPECIALIZED DEVELOPER" LEGEND SAMPSONIEVSKY ", INN: 7810780584
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Landscaping now favors trees and shrubs that form semi-private gardens, reducing open lawns and increasing natural diversity.

Walking among greenery fosters relaxation and harmony while supporting child development and providing educational opportunities.

Landscape design in these projects highlights seasonal changes and offers visual appeal year-round.

Sustainable skyscraper systems have also been designed to address environmental challenges by collecting plastic waste and even aiding in oil spill remediation.

Title:

Content: Architectural magazine eVolo, which back in 2006 established the Skyscraper Competition, dedicated to various bold projects of skyscrapers, named the winners of 2023.
In addition to the triumphants, more than a dozen works were noted, and, most pleasantly, the projects were mainly aimed at combating environmental problems.
Who knows, maybe in the near future we will see these buildings put into practice.
And more importantly, it will save our planet.
First place: Nomadic megacities
Country: China
This project is aimed at solving the problem of housing for migrants and those who constantly move from place to place.
The capsule is relatively compact, and its design consists of a fixed part (for example, the kitchen and toilet are located in fixed parts of the house for connecting piping systems) and a rotating part, which includes the rest of the living quarters.
The capsule closes the issue of psychological comfort of the tenant associated with the move, and also saves resources for the construction of new houses for people rocking the planet.
Second Place: Ocean Re-clamation
Country: New Zealand
The skyscraper is a stunning example of an innovative idea that solves the problem of plastic pollution, as well as contributes to the conservation of biodiversity and wildlife.
First, the tower itself will be built from recycled plastic.
Secondly, it is designed so that, moving along the natural flow, collect plastic debris, which will later be sent for processing.
And thirdly, thanks to its unique design, the skyscraper has vast spaces and balconies that can accommodate trees and other natural objects that attract birds to live and nest.
And another important point: in addition to collecting plastic, the skyscraper systems are also designed to eliminate oil spills in the ocean.
Third place: K8 Forest take-off
Country: Germany
The K8 skyscraper aims to protect the Amazon rainforest ecosystem from anthropogenic damage, while improving the living conditions of its biodiverse inhabitants and neighboring communities.
Well, below you can get acquainted with other architectural projects that were awarded the attention of the jury.
Plastic skyscraper of blown panels
Country: USA
A skyscraper is a place where plastic waste can be useful.
The tower itself is built of recycled plastic, and the panels inflated with compressed air can be turned into steam balls that will pollinate the area around.
Spiral Farm Skyscraper
Country: Indonesia
A spiral farm skyscraper is a system of vertical farming.
Plants are located in the building so that they do not shade each other and receive enough sunlight for active growth.
The driving force that ensures the nutrition of plants, as well as the mobility of trays, is the flow of water.
Evaporative cooling and geothermal heating systems are used to minimize energy costs.
Gate of Cairo
Country: China
Cairo is one of the most water-poor cities in the world.
The Cairo Gate skyscraper system incorporates a tensioning membrane to produce water resources by collecting mist from the Nile water.
The captured water resources allocated from the mist will be used to grow desert algae that will replace fertilizers.
And also this liquid can irrigate agricultural land and be used for the daily needs of residents.
The skyscrapers themselves will act as full-fledged residential premises.
Wind seeding tower
Country: China
The sowing tower was created in order to stop the desertification of Mongolia and restore the natural ecology and national economy of the country, sowing fields for grazing and, thereby, once again increase the level of livestock production.
The tower itself is designed taking into account the unique conditions of Mongolia ’ s strong wind for spreading grass seeds.
The seeder uses the principle of accelerating the Laval nozzle, which can increase the wind speed by 10 times only by changing the cross section, so that the seeds can be sown on the ground at a distance of 1 km.
Origami skyscraper
Country: China
Fiji is known for its cyclones and other destructive natural phenomena.
The origami skyscraper is a place where you can hide from tropical cyclones.
Also, the building can become a place that will provide employment for the population.
And here you can conduct meteorological observations and equip habitats for birds.
Under normal conditions, the system will be flat and suitable for the development of agriculture and fisheries, but as soon as tropical cyclones appear, it will collapse to protect people, birds and ships.
PRIMUS: terraforming structure of Mars
Country: China, USA
Primus systems provide for the creation of industrial structures that will use modern technology to gradually change the Martian environment to make it suitable for human habitation.
The interior space under the system is intended as initial housing for Mars explorers and inhabitants, and it will provide the necessary infrastructure for research.
Antarctic Rescue Line
Country: China
In order to slow down the melting of glaciers and the imminent environmental catastrophe, a complex has been developed that will absorb heat from the cracks of the earth's crust (which accelerates melting) and convert it into electricity, which will then be charged in batteries.
Battery-powered submarines from other areas will transport discharged batteries here and full ones to other areas for use.
In addition, the upper part of the tower can create ice, which will gradually accumulate on the upper walls of the caves, strengthening and restoring the glaciers.
The Renaissance Skyscraper
Country: China
The essence of the project of this skyscraper is to help restore the Great Barrier Reef, increase the coral population and restore the marine ecosystem.
As the authors of the project say: "Life originated in the ocean, and this is not only the revival of corals, but also the revival of humanity."
Whale: Coral Forest
xxx
Country: South Korea
The whale is another system designed to restore the marine ecosystem by collecting plastic and other debris that actively accumulates on the water surface.
On the outer underwater surface of the building are corals, which perfectly harmonize with the marine fauna.
Also, the generators actively enrich the space around with oxygen, which helps to breathe and move freely and naturally to various marine inhabitants.
Source

One such tower is engineered to use Mongolia’s strong winds to distribute grass seeds and support plant growth with mobile, water-driven trays.

New building designs aim to blur the boundaries between interior and exterior spaces, for example, by opening side walls to connect rooms directly with nature.

Title:

Content: Winner and laureates: success of SPbGASU at the International Prize "Golden Trezzini"
Source: MIL-OSI English Language News
Source: Saint Petersburg State University of Architecture and Civil Engineering – Awarding ceremony
The winners and laureates of the VI International Architectural and Design Award “Golden Trezzini 2023 ” were awarded on November 15 at the Hermitage Theater.
The international prize "Golden Trezzini" is annually awarded to the authors of the most artistically valuable projects in the field of architecture, design, restoration, scenography and museum business.
The jury of the Golden Trezzini Prize includes representatives of 32 countries.
Honorary Chairman of the International Council of the Prize - President of the World Club of Petersburgers, General Director of the State Hermitage Mikhail Piotrovsky.
This year, the jury considered more than a thousand projects from 72 countries.
Master student of SPbGASU Victoria Ivanova was recognized as the winner in the nomination "The best student project of a building or structure".
Victoria designed a multifunctional complex - one of the key points in the structure of public space along the embankment of the Polui River in the city of Salekhard.
“When working on the appearance of the building, I took into account the features characteristic of the architecture of the northern regions.
A large volume of the building with steep slopes of the roof, sharp corners formed by the joints of the walls, deliberately creates a contrast with the existing around the building - reconstructed barracks, characteristic of Salekhard, and residential buildings of average height, "Victoria said.
She is convinced that the public and business complex makes the environment attractive and improves the quality of life in the city, creating additional jobs and all-season recreation spaces.
The winner of the award in the same nomination was a fifth-year student Saveliy Lugovskoy, who designed the Levashovo airport in St. Petersburg - a unique architectural solution that combines functionality, environmental friendliness and aesthetics.
“I offered a new perspective on airport architecture, using folded structures and glass façades to create a memorable image.
The building in the form of a giant fold reflects the idea of movement and dynamics, symbolizing the take-off and landing of aircraft.
Folding structures are made of steel, which ensures the strength and durability of the building.
The glass facade and skylights of the airport provide maximum illumination and offer an impressive view of the runway.
Inside the airport, all the necessary services and amenities for passengers are provided: from shops and cafes to check-in desks and waiting rooms.
Thoughtful zoning and the use of colors makes it easy to navigate in space, ” Saveliy explained.
Teachers Igor Khramov, Marina Khramova, students Ksenia Chernyak, Angelica Ivanikhina, Polina Ipatova, teacher Alexander Ponomarev
The winner in the nomination "The best architectural project of the museum" was announced the project "Museum and exhibition complex of modern art" Cube "".
Its authors are teachers Igor Khramov, Marina Khramova, Alexander Ponomarev and students Angelica Ivanikhina, Daria Parfenova, Ksenia Chernyak, Polina Ipatova.
According to the authors, the museum and exhibition complex "KUB" in St. Petersburg will be located in the middle of the Gulf of Finland, 250 meters from the embankment of the public space "Sevkabel Port".
It is a cube located above the water on two supports having mirror surfaces.
Such a technique creates a complete illusion of an object floating in the air.
“It will be possible to get into the“ Cube ” only through an underwater tunnel with a transparent ceiling leading to the elevators.
Since the supports are not visible, when climbing the elevator there will be a feeling of teleportation to the “Cube ”.
Visitors will have a feeling that they have become participants in the performance, that the process of getting into the “Cube ” is also a modern art, ” explained Igor Khramov.
The aesthetic characteristic of modern art will also be manifested in the fact that the plastic solution of the walls of the main volume will make them a huge QR code, with which, being outside the museum, you can go to its website and get information about the events held.
Among the winners in the same nomination was a student of SPbGASU Tatiana Grishina.
She designed the Museum of Glass and Light on the territory of the French Bucket of the Obvodny Canal in St. Petersburg, on the site of an old industrial building.
According to the student, in this way she immortalized the memory of the group of factories "Glass Town", once operating in the area.
“The museum will draw attention to this area of production and its role in the history of the district.
A new public building with a museum function, due to the improvement of the territory, the contextual component and the architectural appearance, forms a new public space for recreation, leisure and education.
It is planned to organize permanent exhibitions “Glass + Light ”,“ Glass Town ” and “Modern Glass Art ” in the museum.
There are conditions for master classes and lectures dedicated to glass business, ” said Tatyana.
The authors of the project "Museum and Exhibition Complex of Contemporary Art" Cube "" became laureates in the nomination "The best project of a public building or structure" with the project "Glamping: when nature enters the house", within the framework of which they created a new typology of glamping for the closest unity of man and nature.
“Due to the opening of the side walls, we have removed the boundaries between the room and nature.
Flat transparent roof in winter provides natural insulation with snow, and in summer - natural lighting.
The floor is designed so that the grass grows inside the residential block, which further connects the interior of the premises with nature, ” explained co-author of the project Angelica Ivanikhina.
Congratulations to the laureates and diploma winners of the Golden Trezzini 2023 award!
Note; This information is raw content directly from the information source.
This is exactly what the source claims and does not reflect the position of MIL-OSI or its clients.
Please note; This information is raw content directly from the information source.
It is accurate to what the source is stating and does not reflect the position of MIL-OSI or its clients.
MIL OSI

Creating sustainable structures involves promoting resource efficiency and waste reduction to leave a sustainable legacy for future generations.

Title:

Content: Architects: Sustainability and Resource Conservation a Priority
T + T - normal size
Sustainable architecture is based on the vision of the artist and architect and the possibilities available.
Sustainable architecture means the design of buildings that consume water, energy and natural materials as little as possible by retreating waste water and using it to irrigate the garden and using modern technologies so that the energy consumption of the building is automatically saved for cooling, air conditioning and lighting as well as the use of building materials resulting from recycling previous products.
Contextual sources
Al-Bayan met with the architect and artist Abdullah Al-Mulla, who designed many conservative constructions and contributed to the preservation of the environment, and says:
When designing sustainable architecture, I give priority to natural materials with contextual sources, while ensuring that they blend seamlessly with the local environment and cultural scene.
This approach reduces the ecological footprint and respects the original ecosystem.
Next, I focus on the longevity and roundness of the structure.
This includes the selection of durable materials and an adaptable and reusable design, prolonging the life cycle of the building.
The aim is to create a structure that not only stands the test of time, but also promotes resource efficiency and waste reduction, ensuring a sustainable legacy for future generations.
A sustainable idea
Dr. Lina Al-Mousawi, who has several lectures in the field of sustainable architectural thought, said:
Sustainability has become the concern of most countries of the world, which have strived to develop and strengthen it because of its importance in various economic, social, environmental and architectural fields. Sustainability means the permanence and survival of something to serve future generations.
Natural materials
She added: “True sustainability starts with how to achieve a comfortable living environment, by studying and determining the appropriate climate inside the spaces and providing the right amount of ventilation and natural lighting. This may be by designing indoor gardens and natural shades, as well as shade and light design that contributes to regulating temperatures and creating a sense of comfort, tranquility and beauty. ”
Architecture is not only the art of choosing a beautiful shape and luxurious building materials, but the formation of a beautiful shape with a correct sustainable function that serves the future generations.
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A key focus in sustainable architecture is the integration of green walls and indoor vertical gardens for their environmental and aesthetic contributions.

Title:

Content: Wednesday 26 June 2024
Chairman of the Board of Directors and Editors
Abdurrahim Ali
Editor-in-Chief
Dalia Abdul Rahim
Chairman of the Board of Directors and Editorial Board
Abdurrahim Ali
Editor-in-Chief
Dalia Abdul Rahim
Reports & Investigations
University Coordination 2024 | Conditions of Enrolment at the Faculty of Fine Arts Helwan University and Available Departments
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Students who have obtained high school for the current year seek to enroll in colleges that develop their talents and make them distinguished in the future.
“Portal News ” provides information about the Faculty of Fine Arts in Zamalek, which contains many different departments to help new students to determine their choice in different departments.
The Faculty of Fine Arts at Helwan University was established in 1908 under the name of "School of Fine Arts" at the initiative of Prince Youssef Kamel and with the help of the French sculptor Galician Leblanc, it is considered one of the most prestigious educational institutions in the field of arts in Egypt and the Arab world.
Scientific Sections
The faculty includes scientific departments such as Architecture, Photography, Sculpture, Decoration, Graphic and Visual Communication, and offers various programs in Graphic Design, as well as Sustainable Architectural and Urban Design, Animation and Multimedia, Interior Architecture Design Program.
The college also focuses on promoting creativity and innovation among students through teaching them the latest technological methods and techniques in the fields of visual arts and design, and aims to prepare creative graduates who are able to invest their knowledge theoretically and practically to meet the needs of the labor market and achieve sustainable development.
Interior Architecture Design Program
The College also includes the Interior Architecture Design Program at the Department of Decoration, which works to achieve leadership and excellence in the field of interior architecture design by promoting opportunities for transition, creativity and the employment of digital technology to keep pace with modern design trends and the requirements of the local and global labor market.
The program helps to qualify the interior architect to use his tools and combines design knowledge and skills with digital tools to enhance the design process so that these digital tools are used within the framework of the design decision service as modeling tools or representation, analysis, presentation and demonstration based on the designer ’ s input without being applied on the basis of the designer ’ s design thought.
It also aims to create a distinctive creative endeavor in the field of interior architecture that meets the functional and aesthetic needs of the human being related to the nature and function of the interior space, which multiplies comfort, behavior and productivity by providing an advanced academic and administrative system based on the latest digital technologies.
The program includes basic knowledge and skills studies related to interior spaces and their functions and how to deal with them in horizontal and vertical dimensions according to user requirements to enhance the function and shape of the space.
The program grants a bachelor's degree in Interior Architecture Design, provided that the student passes 165 credit hours in five levels, in addition to the two summer semesters in case of non-completion of the number of credit hours, distributed over a number of courses in accordance with the requirements listed in the internal regulations.
Students on this program work in companies and consulting offices in the field of architecture design and interior architecture, as well as design, planning, quality and inspection in the field of interior architecture, and freelance in the interior architecture of various types and forms including residential, commercial, health, tourism, hotel, cultural and entertainment facilities.
Admission Requirements:
Students who obtain high school and Arab and foreign certificates equivalent to high school sports division and science division and the importance of passing the aptitude test in arts within the college.
Accepted students may be admitted on condition that they pass the aptitude tests, and under the same conditions, whether transferred from the corresponding and non-corresponding colleges, provided that the student is not dismissed or canceled from the transferred college, where a scientific clearance determines the enrollment at the appropriate academic level in accordance with the standards approved by the College Council and determined by the councils of scientific departments.
Graphic Design Program in the Department of Graphic
The program aims to prepare a graphic designer capable of designing websites and working in the field of advertising, magazines, books, catalogs, products, commercial goods, marketing messages and illustrations to formulate ideas and create digital content as well as the ability to design logos and visual identities.
The program also takes a creative approach to communicate the visual message by combining technology, aesthetics and creative thinking, so that it relies on modern technology to produce graphic works, according to the philosophy of providing the student with a broad specialized culture and graphic, and in helping him to form a huge and diverse visual memory, and in preparing him skillfully through training on all techniques, media and tools to make him innovative. And graduate a creative designer capable of innovation in the field of graphic design and absorb the needs of the labor market.
As for the entry requirements of the program, get a decent fine arts in the previous tests of abilities, and get the minimum admission to the college in the total high school year obtained.
Transfers from any college are also accepted on condition that the study starts from the first level and that he is fit in abilities (in the year of his secondary school), and has a total.
Sustainable Architectural and Urban Design Program
The program aims to prepare architects who are familiar with the basics of engineering and technical sciences and specialists in architectural and urban engineering sciences in general and sustainable architecture and sustainable urban design in particular.
The program enables students to understand sustainable architecture and urbanism, foster creativity and innovation by studying the relationship between communities, buildings, urbanism and the environment, provide students with modern technological tools to meet the needs of the professional market, enable students to explore complex architectural and urban challenges, and qualify students for interdisciplinary studies related to the field of specialization.
Animation & Multimedia Software
The Animation and Multimedia program is a credit hour program taught in English and relies on modern technology to produce works of art with a distinctive and innovative character.
Contributes to the graduation of a creative designer capable of innovation in the field of animation and multimedia and able to deal with modern technology and absorb the needs of the labor market.
The areas of the program are the production of animated films, the design of web pages and advertisements and the use of montage software and electronic tricks, as well as the field of 2D and 3D animation.
The programs accept students who have a minimum college total for high school students or equivalent foreign certificates and equivalents, provided that they pass the aptitude exam determined by the Supreme Council of Universities at the level of the Republic.
The program also accepts transfers from the corresponding and non-corresponding colleges provided that they pass the aptitude exam and the minimum total for the year of the advanced student and the beginning of the first level.

Programs such as the King Salman Urban Charter Strategy in Saudi Arabia encourage urban design that respects both cultural and environmental heritage, aiming for excellence in the built environment.

Title:

Content: "Architecture Arts" launches the program "Ambassadors of the King Salman Urban Charter"..
There are 16 names.
Sumaya Al-Sulaiman: Their important role will achieve a journey full of inspiration, experience and influence
The Architecture and Design Authority (AAD) launched the “Ambassadors of the King Salman Urban Charter ” program during a ceremony held at the Saudi National Museum at the King Abdulaziz Historical Center in Riyadh, in the presence of its CEO Dr. Sumaya bint Sulaiman Al-Sulaiman.
The Commission announced the names of the 16 ambassadors of the Charter at its first session, who were selected based on their experiences and contributions in this field.
She explained that the launch of the Charter Ambassadors Program comes from the Authority ’ s belief in supporting and empowering the architecture and design community, and seeking to achieve its ambitious vision to promote and develop the sector in various organizational, economic and educational aspects, and enrich and develop content and community participation.
“The important role of ambassadors will achieve a journey full of inspiration and influence, as well as their efforts to contribute to the creation of urban environments based on cultural and environmental heritage in our beloved Kingdom to achieve excellence in the sector, ” she said.
The Ambassadors expressed their deep thanks and gratitude to the Architecture and Design Authority for their selection as ambassadors of the Charter, stressing their commitment to convey the message of the Charter and to spread awareness of its values, which aim to achieve urban excellence.
The Ambassadors Program is one of the programs emanating from the King Salman Urban Charter Strategy. It aims to promote the Charter ’ s message and values among different segments of the architecture and design community to contribute to enriching knowledge, experiences and raising awareness about the Charter ’ s importance. and sustainability.
The launch of the program comes within the framework of the implementation of its strategy set in 2021, aimed at supporting the architecture and design sector, while the program seeks to stimulate and adopt the Charter methodology for decision makers, specialists and those interested in architecture and urbanization.
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Educational initiatives, such as Sustainable Architectural and Urban Design Programs, aim to graduate creative, tech-savvy designers capable of meeting labor market needs and driving innovation.

Acceptance into these programs requires meeting minimum academic standards and passing aptitude exams.

Advancements like Fast Company's recognition of Climate Scout illustrate the transformative ideas impacting the future of sustainable design.

Title:

Content: Annual report showcases innovative sustainability solutions
Climate Scout included in Fast Company ’ s list of ideas that can change the world for 2022
Callison RTKL, a global planning and architectural consultancy, has revealed in one of the industry ’ s leading annual sustainability reports three key ways to reduce greenhouse gas emissions from current construction by 40%.
The report highlights the importance of effective use of technology in construction processes for more sustainable results.
Callison RTKL has committed that 50% of its projects will adopt building performance simulations by the end of the year, where the performance of these projects is tracked and measured innovatively using a digital dashboard.
This is in line with the company ’ s commitment to having all of its projects achieve positive climate impact operationally by 2030, in terms of materials used by 2040, and in line with efforts across the region. A recent survey found that 82% of IT decision-makers in the UAE consider sustainability to be one of the most important factors in their organization ’ s success in achieving science-based goals. [1]
Kashev Davidar, partner at Callison RTKL, said: “Innovative digital technologies that make building designs more sustainable are key to creating a low-carbon architecture environment, offering low-carbon climate solutions that reduce emissions, enhance carbon neutrality efforts and contribute to setting standards for positive design impacts on the planet. ”
The three main ways in which digital technologies can reduce the impact of the architectural environment on the world include:
Climate Scout
Callison RTKL has launched the award-winning Climate Scout, the first open-source platform of its kind, which allows users to design unique buildings that meet the requirements of the construction site by providing climate-specific design consultancy covering all aspects of the building.
Climate Scout instantaneously links climate, design and architectural elements appropriate to the surrounding environment, and contributes to the ability to interact through a diagram showing the relationship between design strategies and climatic conditions.
It is worth mentioning that since its launch less than a year ago, the platform has achieved remarkable success with 14,000 visits.
The platform integrates the Köppen-Geiger climate classification with the building design strategies of Architect 2030 ’ s Palette Platform and is included in Fast Company magazine ’ s list of world-changing ideas for 2022.
The electronic platform uses a combination of images with data to enhance the ability to create designs for buildings that are flexible, renewable, low emission and able to adapt to the surrounding environment.
PERFORMANCE BASED DESIGN
Performance-based design is a data-driven design process that combines digital and traditional tools to design buildings that are low emission, more resilient and responsive to climate conditions.
This process is flexible, allowing it to be used to achieve all project objectives and providing designers with information and guidance that adopts scientific principles, research methods and performance simulations in an increasingly complex world, improving the quality and value of any project.
Data Analysis and Computer Design
Utilizing the potential of data, computer design aims to provide the highest possible value by providing design solutions that meet the needs of customers and communities.
Drawing on numerous evidence and indicators on the social, economic and environmental impact of architectural design, Building Performance Simulation (BPM) performs the greatest analysis of available information and data to create a design that has tangible benefits for humans, the environment and the world.
Data analysis in the design process contributes to the sustainability of the architectural environment by reducing the impact on the natural environment.
Kashev Davidar added: “As one of the leaders in computer design and product development, we continue to build on our company ’ s knowledge and deliver responsible design solutions that are highly responsive to climate conditions.
We provide our designs with sustainable strategies using a range of ready-made tools developed by the company ’ s team. ”
For more information, please visit the website.
# Company Data
- Done.

Harnessing data in computer-aided design ensures solutions that meet both customer and community needs efficiently.

Title:

Content: Annual report showcases innovative sustainability solutions
Climate Scout included in Fast Company ’ s list of ideas that can change the world for 2022
Callison RTKL, a global planning and architectural consultancy, has revealed in one of the industry ’ s leading annual sustainability reports three key ways to reduce greenhouse gas emissions from current construction by 40%.
The report highlights the importance of effective use of technology in construction processes for more sustainable results.
Callison RTKL has committed that 50% of its projects will adopt building performance simulations by the end of the year, where the performance of these projects is tracked and measured innovatively using a digital dashboard.
This is in line with the company ’ s commitment to having all of its projects achieve positive climate impact operationally by 2030, in terms of materials used by 2040, and in line with efforts across the region. A recent survey found that 82% of IT decision-makers in the UAE consider sustainability to be one of the most important factors in their organization ’ s success in achieving science-based goals. [1]
Kashev Davidar, partner at Callison RTKL, said: “Innovative digital technologies that make building designs more sustainable are key to creating a low-carbon architecture environment, offering low-carbon climate solutions that reduce emissions, enhance carbon neutrality efforts and contribute to setting standards for positive design impacts on the planet. ”
The three main ways in which digital technologies can reduce the impact of the architectural environment on the world include:
Climate Scout
Callison RTKL has launched the award-winning Climate Scout, the first open-source platform of its kind, which allows users to design unique buildings that meet the requirements of the construction site by providing climate-specific design consultancy covering all aspects of the building.
Climate Scout instantaneously links climate, design and architectural elements appropriate to the surrounding environment, and contributes to the ability to interact through a diagram showing the relationship between design strategies and climatic conditions.
It is worth mentioning that since its launch less than a year ago, the platform has achieved remarkable success with 14,000 visits.
The platform integrates the Köppen-Geiger climate classification with the building design strategies of Architect 2030 ’ s Palette Platform and is included in Fast Company magazine ’ s list of world-changing ideas for 2022.
The electronic platform uses a combination of images with data to enhance the ability to create designs for buildings that are flexible, renewable, low emission and able to adapt to the surrounding environment.
PERFORMANCE BASED DESIGN
Performance-based design is a data-driven design process that combines digital and traditional tools to design buildings that are low emission, more resilient and responsive to climate conditions.
This process is flexible, allowing it to be used to achieve all project objectives and providing designers with information and guidance that adopts scientific principles, research methods and performance simulations in an increasingly complex world, improving the quality and value of any project.
Data Analysis and Computer Design
Utilizing the potential of data, computer design aims to provide the highest possible value by providing design solutions that meet the needs of customers and communities.
Drawing on numerous evidence and indicators on the social, economic and environmental impact of architectural design, Building Performance Simulation (BPM) performs the greatest analysis of available information and data to create a design that has tangible benefits for humans, the environment and the world.
Data analysis in the design process contributes to the sustainability of the architectural environment by reducing the impact on the natural environment.
Kashev Davidar added: “As one of the leaders in computer design and product development, we continue to build on our company ’ s knowledge and deliver responsible design solutions that are highly responsive to climate conditions.
We provide our designs with sustainable strategies using a range of ready-made tools developed by the company ’ s team. ”
For more information, please visit the website.
# Company Data
- Done.

Spaces like Al Ula Design Space foster collaboration among architects, planners, and designers, enhancing regional identity and economic diversification.

Title:

Content: Saturday, 27 January 2024 11: 34 GMT
February Witness Al Ula Design Space
Al Ula Design Space, located in Al Jadida Art District, offers exhibition space, workshops and archives designed to foster collaboration between professional designers, students, and design enthusiasts, while promoting the heritage of Al Ula throughout the cultural landscape as a driver of creative inspiration and design. Shen Supplier Exhibition: We Celebrate Inspired Design.
Through a series of exhibitions, workshops and documentation under the supervision of Sarah Ghani, who also curated the inaugural exhibition, Al Ula Space aims to connect with professional and emerging designers from the region and the world to explore the principles and innovative stages of design through the lens of the natural and cultural landscape of Al Ula.
The space will be open to all sources of design from architecture to urban planning, production and graphic design, and will support and engage the design community, while highlighting the important role that design plays in building the identity of the region, the quality of life, and the diversification of the economy.
Contemporary building
Al Ula Design Space is a contemporary building made of corten steel, glass, and polished concrete, designed by Geo Forma Studio, inspired by the old buildings made of patterned bricks and widely used in the surrounding buildings in Al Jadida Art District.
The building is designed around a luminous courtyard, with geometrically patterned bricks on the facade, to take the form of a variety of patterns that allow light and natural ventilation to enter the building as a whole.
The opening exhibition, Mawred: Celebrating Inspired Design, will present the stages of the design ideas of ten modern designs inspired by Al Ula that address design, architecture and urban planning.
The event will be the first in the ongoing exhibition program, and will open from February 15 until June 1, 2024.
The inaugural programme, which will take place from 15 to 17 February 2024, will feature keynote presentations, masterclasses, workshops, panel discussions and design tours, designed to serve as a series of lively discussions and debates, maximising engagement with audiences. The programme also reflects Al Ula Design Space ’ s interest in being a knowledge-sharing hub for creative minds, heritage preservation and integrated urban planning.
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Iconic buildings such as Burj Khalifa and Jeddah Tower exemplify ambitious design, with structural systems optimized for stability and value, inspired by prior innovations such as the CN Tower.

Title:

Content: The tallest is Burj Khalifa.
The designers of the world's tallest towers share their secrets with CNN
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Dubai, United Arab Emirates (CNN) -- The Burj Khalifa has been the tallest in the world for more than a decade.
Another tower has yet to break this record, standing 828 meters (2,717 feet) tall, adorning the Dubai skyline, and creeping into the collective consciousness of architecture in the world.
Not only did it break the record, it surpassed Taipei 101, the tallest tower, by 62%.
He was a great teacher, and he was of great benefit to the man who designed it.
Adrian Smith, then an architect at Skidmore, Owings and Merill (SOM), envisioned the Burj Khalifa, but by the time it opened in 2010, he had set up his own company, Adrian Smith + Gordon Gill Architecture, alongside Gill and Robert Forrest.
Known as AS + GG, the company specializes in the design of ultra-high skyscrapers, which in turn are no less than 300 meters and 600 meters in length.
Ultra-tall skyscrapers are still relatively rare, with only 173 completed in the world, and only three ultra-tall skyscrapers are currently completed, according to the Council on Tall Buildings and Urban Habitat (CTBUH).
Many have also been discontinued at various stages.
Smith told CNN in a joint interview with Jill and Forrest via video technology that for anyone working in the field, “you don ’ t have a lot of examples to go back to. ”
“The final learning experience is when the building is complete, ” he said, noting that“ everything else remains on paper. ”
That ’ s why skyscrapers like Burj Khalifa are still important.
“Going back 15 years and seeing what has been achieved, how it ’ s weathered, how it ’ s performed, and talking to people about their experience, or how the building works, is critical, ” Gill said.
Over the past 15 years, AS + GG has built a range of skyscrapers across Asia, North America, Europe and the Middle East.
The company compiled these designs with a new book entitled "Supertall | Megatall: How High Can We Go?"
(Ultra-high towers | Ultra-high towers: What higher height can we achieve?).
This monumental book aspires to be a practical guide for both students and practicing architects.
It is full of art illustrations that explain the innovations that underpin skyscrapers, such as the recently completed Central Park Tower in New York (472 meters), the upcoming Chengdu Greenland Tower in China (468 meters), and design concepts that exceed one kilometer in height.
It is an avant-garde architecture of technological development, charting a course for the future of skyscrapers afterwards.
“It ’ s amazing that few people on the planet really know how a supertall tower works, ” Smith said, describing it as“ still somewhat unknown. ”
So why is this company so happy to share its secrets?
Great ideas don't go to waste.
The most famous designs of AS + GG are Jeddah Tower (formerly known as Kingdom Tower) in Saudi Arabia.
It will be over 1,000 meters high when completed, making it the tallest building in the world.
With the 2020 deadline set for completion, the building reached a height of 58 layers in 2020, according to the book, but faces delays.
Smith explained that the creators "protected everything that needed to be protected" and that "the building did not deteriorate".
In response to queries about resuming work on it, Gill said “nothing is impossible. ”
CNN did not receive a response from the Jeddah Economic Company, which is responsible for the upcoming Jeddah Economic City, where the tower is located, to a request for comment on the condition of the building at the time of publication.
One of the book ’ s longest introductions is dedicated to the innovations involved in the tower ’ s design, from intensive wind testing on a scale of 1: 4000, to solar radiation mitigation strategies, to a condensate recovery system with the ability to collect water for 14 Olympic-sized swimming pools from the building annually.
But the book also pointed out that the structural system of the Tower of Jeddah is based on an improved design of the Burj Khalifa, a three-wing Y-shaped for maximum stability, used in previous designs such as the CN Tower of WZMH Architects in Toronto.
Smith also explained that the Burj Khalifa and the Tower of Jeddah were inspired by the German design Ludwig Mies van der Rohe for the sharp and fully glazed Friedrichstrasse skyscraper in the 1920s, which remained ink on paper.
Gill said the Mays building was “an excellent example [of a design] that he doesn ’ t know is of continuous value. ”
This probably explains why the book has AS + GG skyscrapers that were never built.
Many of these designs conceptualize Dubai which has the lion's share in this book.
As a growing city with a very big ambition, Dubai has been a petri dish for bold projects over the past two decades.
AS + GG ’ s proposed skyscraper designs included Meraas Tower (526 meters), Zabeel Tower 1 (598 meters), and Dubai Atrium City (1000 meters).
It is a fictional journey to explore what the city skyline will look like with its addition, but, like the Tower de Rohe "Friedrichstrasse", its absence did not constitute an absolute loss.
DESIGNED TO BE INVISIBLE
For cities seeking to raise their profile globally, super-tall skyscrapers may help build the reputation they crave.
Forrest said: "It is impossible for these buildings to disappear."
“Regardless of the owner, they become a symbol of the site. ”
What worked in Dubai became a blueprint for the city of Jeddah.
But height isn ’ t everything, and it ’ s not necessarily what the company ’ s business is all about.
Smith recalled that the mandate to make Burj Khalifa the tallest building in the world came from Emaar.
For AS + GG, height is the starting point for a series of problems to be solved, a measure that requires and embraces innovation.
The book notes that ultra-high and ultra-high buildings update ideas related to energy efficiency, reducing carbon footprint, and connecting the built environment with nature through bio-design.
“We have a huge economy in which we can offer ideas that will sometimes remain constant. ”
“Sometimes I think people look at buildings and they can ’ t say what they ’ re seeing. ”
He explained that the reason is because “we often design for the invisible.
Things that people never see and never interact with.
But they are in science and design.
That ’ s what makes buildings better. ”
Through the book "Supertall | Megatall", the invisible finds its way into the spotlight.
“The educational component of this book should not be ignored, ” Smith said, who, like his partners, is delighted with AS + GG designs to find a second life as an industrial resource.
Gill said, “As professionals, we have a responsibility to share our knowledge. ”

Dubai, known for its bold and experimental projects, has become a hub for testing and showcasing pioneering architectural designs.

However, developments in sustainable architecture underscore that the value of a structure goes beyond its height—it lies in its enduring impact and contribution to its context.

Title:

Content: Architects: Sustainability and Resource Conservation a Priority
T + T - normal size
Sustainable architecture is based on the vision of the artist and architect and the possibilities available.
Sustainable architecture means the design of buildings that consume water, energy and natural materials as little as possible by retreating waste water and using it to irrigate the garden and using modern technologies so that the energy consumption of the building is automatically saved for cooling, air conditioning and lighting as well as the use of building materials resulting from recycling previous products.
Contextual sources
Al-Bayan met with the architect and artist Abdullah Al-Mulla, who designed many conservative constructions and contributed to the preservation of the environment, and says:
When designing sustainable architecture, I give priority to natural materials with contextual sources, while ensuring that they blend seamlessly with the local environment and cultural scene.
This approach reduces the ecological footprint and respects the original ecosystem.
Next, I focus on the longevity and roundness of the structure.
This includes the selection of durable materials and an adaptable and reusable design, prolonging the life cycle of the building.
The aim is to create a structure that not only stands the test of time, but also promotes resource efficiency and waste reduction, ensuring a sustainable legacy for future generations.
A sustainable idea
Dr. Lina Al-Mousawi, who has several lectures in the field of sustainable architectural thought, said:
Sustainability has become the concern of most countries of the world, which have strived to develop and strengthen it because of its importance in various economic, social, environmental and architectural fields. Sustainability means the permanence and survival of something to serve future generations.
Natural materials
She added: “True sustainability starts with how to achieve a comfortable living environment, by studying and determining the appropriate climate inside the spaces and providing the right amount of ventilation and natural lighting. This may be by designing indoor gardens and natural shades, as well as shade and light design that contributes to regulating temperatures and creating a sense of comfort, tranquility and beauty. ”
Architecture is not only the art of choosing a beautiful shape and luxurious building materials, but the formation of a beautiful shape with a correct sustainable function that serves the future generations.
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Research from Al-Azhar University explores the role of smart materials and building facades in mitigating environmental problems, balancing internal and external building environments, and reducing energy consumption.

Title:

Content: Reviving the Heritage Trades.
Researchers at Al-Azhar Climate Conference call for sustainable environmental materials
Sunday ، 19 December 2021 02: 39 PM
Al-Azhar Climate Conference
Books – to me.
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Researchers at the Third International Scientific Conference on Environment and Sustainable Development at Al-Azhar University, entitled "Climate Change; Challenges and Confrontation", discussed research topics on the issue of "Sustainable Development and its relationship to confronting climate change", in the first session of the second day of the conference, which is held under the auspices of President Abdel Fattah Al-Sisi, at Al-Manara Convention Center in the Fifth Settlement.
Engineer Basant Abdul Hakim Abdo, a British grant holder, presented how to use paper models as a sustainable environmental material and an easier and faster solution to facilitate the design and preparation of prototypes, and reviewed how to take advantage of the Japanese experience in the use of paper and invent new ideas to improve life and exploit it optimally and revive traditional crafts.
Eng. Ashraqat Abdel Hakim Jouda, a researcher at the Faculty of Engineering, Al-Azhar University, presented a research paper entitled "Towards the integration of biophilic design and smart technologies to face environmental degradation and climate change", and recommended the need to support and encourage civil society and investors and guide politicians and decision-makers to the seriousness of the construction industry.
The paper presented by Eng. Iman Helmy, a researcher at Al-Azhar University, Faculty of Engineering, dealt with the impact of using smart materials on the environment and how to use building facades to implement the idea of smart buildings, reduce environmental problems and reduce cost to balance the internal and external environment of the building and reduce the consumption of internal and external energy.
The paper presented by Dr. Mahmoud Abu Al-Anwar, Assistant Professor at the Department of Architecture, Faculty of Engineering, Al-Azhar University, entitled "Shaping Islamic Architecture as a Tool to Combat Climate Change", discussed the aspects of sustainable development and contemporary applications of formations in Islamic architecture, highlighted the idea of sustainable buildings and their evaluation systems, and called for the need to take advantage of serious practices aimed at maximizing the values of Islamic architecture in order to preserve the environment.
Mostafa Mahmoud Ali Al-Sayed Fouda, Assistant Lecturer in the Department of Architecture, Faculty of Engineering, Girls of Al-Azhar University, presented a paper entitled "The impact of climate change on buildings in Egypt and methods of technological maintenance", stressing the importance of activating the role of maintenance for buildings and how to use modern technology, and making organized plans of specialists to face climate change and preserve the environment.
In his paper entitled “The Role of Value Engineering in Determining the Economic Impact of Climate Change ”, Eng. Mohamed Abdel Raouf Aboul Fotouh, Assistant Professor in the Department of Architecture, Faculty of Engineering, Al-Azhar University, presented theses to develop a methodology for designing the outer shell of buildings and how to use value engineering to accurately calculate the cost, function and environmental status of buildings and how to benefit from them.
The second day of the conference will discuss the economics of climate adaptation, the role of Arab and African universities and research institutions in the field of environment and climate change, pollution and control of carbon emissions, climate change and biodiversity scenarios, climate change and agriculture, sustainable development and its relation to climate change, environmental sustainability mechanisms, effective adaptation, policies and legal actions to combat climate change.
The conference sessions and events will be held over three days (Saturday, Sunday and Monday), from 18 to 20 December 2021, in Al-Manara Hall in the Fifth Settlement, starting from Al-Azhar Al-Sharif's efforts to hold a number of conferences, seminars and workshops in preparation for, and in support of, the United Nations Conference COP27 to be hosted by Egypt in Sharm El-Sheikh in November 2022.
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Value engineering is highlighted as essential in understanding the economic impacts of climate change within building design.

Title:

Content: Reviving the Heritage Trades.
Researchers at Al-Azhar Climate Conference call for sustainable environmental materials
Sunday ، 19 December 2021 02: 39 PM
Al-Azhar Climate Conference
Books – to me.
Leave a comment and read the comments of the readers.
Researchers at the Third International Scientific Conference on Environment and Sustainable Development at Al-Azhar University, entitled "Climate Change; Challenges and Confrontation", discussed research topics on the issue of "Sustainable Development and its relationship to confronting climate change", in the first session of the second day of the conference, which is held under the auspices of President Abdel Fattah Al-Sisi, at Al-Manara Convention Center in the Fifth Settlement.
Engineer Basant Abdul Hakim Abdo, a British grant holder, presented how to use paper models as a sustainable environmental material and an easier and faster solution to facilitate the design and preparation of prototypes, and reviewed how to take advantage of the Japanese experience in the use of paper and invent new ideas to improve life and exploit it optimally and revive traditional crafts.
Eng. Ashraqat Abdel Hakim Jouda, a researcher at the Faculty of Engineering, Al-Azhar University, presented a research paper entitled "Towards the integration of biophilic design and smart technologies to face environmental degradation and climate change", and recommended the need to support and encourage civil society and investors and guide politicians and decision-makers to the seriousness of the construction industry.
The paper presented by Eng. Iman Helmy, a researcher at Al-Azhar University, Faculty of Engineering, dealt with the impact of using smart materials on the environment and how to use building facades to implement the idea of smart buildings, reduce environmental problems and reduce cost to balance the internal and external environment of the building and reduce the consumption of internal and external energy.
The paper presented by Dr. Mahmoud Abu Al-Anwar, Assistant Professor at the Department of Architecture, Faculty of Engineering, Al-Azhar University, entitled "Shaping Islamic Architecture as a Tool to Combat Climate Change", discussed the aspects of sustainable development and contemporary applications of formations in Islamic architecture, highlighted the idea of sustainable buildings and their evaluation systems, and called for the need to take advantage of serious practices aimed at maximizing the values of Islamic architecture in order to preserve the environment.
Mostafa Mahmoud Ali Al-Sayed Fouda, Assistant Lecturer in the Department of Architecture, Faculty of Engineering, Girls of Al-Azhar University, presented a paper entitled "The impact of climate change on buildings in Egypt and methods of technological maintenance", stressing the importance of activating the role of maintenance for buildings and how to use modern technology, and making organized plans of specialists to face climate change and preserve the environment.
In his paper entitled “The Role of Value Engineering in Determining the Economic Impact of Climate Change ”, Eng. Mohamed Abdel Raouf Aboul Fotouh, Assistant Professor in the Department of Architecture, Faculty of Engineering, Al-Azhar University, presented theses to develop a methodology for designing the outer shell of buildings and how to use value engineering to accurately calculate the cost, function and environmental status of buildings and how to benefit from them.
The second day of the conference will discuss the economics of climate adaptation, the role of Arab and African universities and research institutions in the field of environment and climate change, pollution and control of carbon emissions, climate change and biodiversity scenarios, climate change and agriculture, sustainable development and its relation to climate change, environmental sustainability mechanisms, effective adaptation, policies and legal actions to combat climate change.
The conference sessions and events will be held over three days (Saturday, Sunday and Monday), from 18 to 20 December 2021, in Al-Manara Hall in the Fifth Settlement, starting from Al-Azhar Al-Sharif's efforts to hold a number of conferences, seminars and workshops in preparation for, and in support of, the United Nations Conference COP27 to be hosted by Egypt in Sharm El-Sheikh in November 2022.
Leave a comment and read the comments of the readers.
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Urban greening can reduce the heat island effect.

Title:

Content: When the epidemic broke out in 2020, Lin Cheng-hsiung, chairman of Fuwang International, was also president of the Real Estate Federation of the Republic of China and chairman of the Taichung Real Estate Development Association. When Masao received his EMBA degree from Tunghai University on 6 / 26, "I am sincerely grateful to these three distinguished people, and I am also grateful for my perseverance over the past two years!"
It is worth mentioning that Chiang Ting-hua himself is studying for a doctorate in business at Feng Chia University, and the couple continue to encourage each other and grow together on the road of learning.
Lin Cheng-hsiung ’ s graduation thesis is titled “Internal Resources and External Networks Exploring the Creative Fuzzy Front-end of Architecture 4.0 ”. Under the guidance of Professor Chang Kuo-hsiung, the classification system is used to classify buildings into“ Architecture 1.0 (before 1970) 50 years old buildings, shelter only from the wind and rain ”, “Architecture 2.0 (1970-1999) 921 years old buildings, need more buildings ” and“ Architecture 3.0. (1999-2025) Post-921 earthquake-resistant buildings, respectively, are Internet of Things, green building, smart building "," Building 4.0 (after 2025) integration "healthy house + green building + Internet of Things + AI intelligence" are active buildings ".
Lin Zhengxiong said that in the future, the building should be oriented towards an integration with all the signs, that is, the so-called "Building 4.0" active intelligent house, combined with "healthy house + green building + Internet of Things + AI intelligence".
Lin Zhengxiong stressed that in the future, the Association will vigorously promote "Building 4.0" through the strength of the Association to encourage builders to move forward towards "green energy smart buildings" upgrade.
At the Taichung Liveable Building Triennial Exhibition held in mid-June, the vertical greening facility, one of the award projects, was revised to “Vertical Greening Design with a View Balcony ” in September last year.
Urban greening can reduce the heat island effect. The development of liveable and sustainable cities is in line with the philosophy of the United Nations SDGs. The recent green finance launch has forced enterprises to adopt the concept of ESG sustainable management.
Lin Cheng-hsiung defined 2025 as the first year of “Building 4.0 ” because the promotion must be gradually approaching, considering the government ’ s planning for the construction industry, considering the acceptance of purchasing customers, and many suppliers ’ products are still in the experimental stage, and still need to be integrated.
# Rich # Mutual # Creative # Architecture # Lin Cheng-hsiung

Commitment to using scientific data is essential to create green buildings.

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Content: My channel
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Architect Lin Tai Chun Sustainable Thinking to create green buildings
Registered Architect of the United Kingdom (ARB) and Chartered Member of the Royal Institute of Architects (RIBA) and Principal Architect of Fulda Architects (UK), David Lam has more than 30 years of professional experience, in addition to architectural expertise, he also has sustainable architectural design / British Institute of Architecture (BREEAM AP), historical and cultural conservation architecture / Royal Institute of Architects (CR) and Chartered Builders / Royal United Kingdom MCIOB accreditation and professional membership.
30 years of professional experience and continuous innovation
The above qualifications and membership complement Lin ’ s professional career in the field of architecture, with more than 30 years of professional architectural learning and experience mainly in Japan, the United Kingdom, Europe, the Middle East and other Asian regions. He has participated in many award-winning projects, landmark buildings and urban planning projects.
Lin has worked on a wide range of projects, including urban complexes, residential, commercial, sports, culture, transportation, educational architecture and integrated planning. He has extensive experience in architectural design, planning and project management.
Lin began his architectural education in Japan. After graduating, he worked at Kurokawa Kizhang Architects in Tokyo. During his time, he was involved in public architectural design and urban planning projects of various cultural types in China and Japan.
After studying in the UK, Lin worked for Porphyrios Associates, Foster and Partners, and Zaha Hadid Architects.
During this period, Lin Da-kwan personally participated in a wide range of construction projects, ranging from early bidding, project design to construction stage experience.
In addition to the architectural design and other coordination areas, the challenge is to solve the technical problems of the construction, explore the constructability of the building, so that the completion of the building can finally achieve the results of the initial design.
Speaking about the impressive projects, Lam said he had been involved in two Olympics-related architectural designs, one at the 2012 London Olympics, when he participated in the Wembley Stadium project in the United Kingdom, which has an active roof with a capacity of 90,000 seats, and the other at the 2008 Beijing Olympics, where he participated in the construction of the third terminal of the Beijing Capital International Airport. The airport is the largest new airport in the world where the A380 can take off and land.
Combining data to implement carbon reduction concept
This type of project has different building code requirements to meet different building activities and design needs.
Close communication with the team is required to achieve the project goals.
It is necessary to have a comprehensive architectural experience in order to master the design problems, and the process of participation is also particularly sensitive to the importance of sustainable design planning in architectural design.
Lin Dajun believes that because of the experience and knowledge of Japan, Europe, China and other countries, he can have a good feedback on the handling of project problems, and the firm 's own architectural concept, but also uphold the challenge of continuous innovation work spirit, whether large airport project or small to design an artwork, they are responsible for providing the best design and service to customers. The attitude.
He believes that the best projects come from combining the elements and features that all buildings need to express. The architectural design concept focuses on the sustainable development of “environment ” and“ culture ”.
We are committed to using scientific data to create green buildings. Through the concept of energy conservation and carbon reduction, we integrate sustainable change strategies that respect cultural heritage.
As for the next step, Lin Ta-chun says that because his experience has been overseas and he did not return to Taiwan until a few years ago, he especially hopes to contribute his professional knowledge to the place where he was born, and to explore new topics in Taiwan based on his past knowledge and accumulated experience.
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